<![CDATA[Gawker: defamer, wtc]]> http://tags.gawker.com/assets/base/img/thumbs140x140/gawker.com.png <![CDATA[Gawker: defamer, wtc]]> http://gawker.com/tag/defamer/wtc http://gawker.com/tag/defamer/wtc <![CDATA[Paramount Turns Over Funds From WTC's MySpace Tip Jar To 9-11 Charities]]> It seems that Paramount is delivering on its pledge to donate a portion of its opening weekend ticket sales to charity, sending 2.6 million guilt-defraying U.S. dollars to various 9/11-related causes:

The producers of "World Trade Center" are donating $1.3 million to the Sept. 11 memorial, keeping a promise to give 5 percent of the film's opening weekend box office receipts to help build it. Another $1.3 million from the weekend's proceeds will be split equally among three Sept. 11-related charities, the World Trade Center Memorial Foundation said.

Despite our fear that Paramount would disappear enough of World Trade Center's money into suspect budget lines like "Dedicated Nicolas Cage Mustache Groomer," "Rubble Verisimilitude Consulting," and the especially suspicious "Tom Cruise Relocation Expenses" to back out of a substantial donation, the studio nobly honored its commitment, making the entire project seem slightly less cynically conceived to exploit a recent tragedy for middling box office returns, and for that they should be applauded.

]]>
http://gawker.com/index.php?op=postcommentfeed&postId=197403&view=rss&microfeed=true
<![CDATA[Trade Round-Up: Here Come The 9/11 TV Shows]]> · Now that we've been softened up to 9/11-based Hollywood projects by United 93 and World Trade Center, it's time to gird ourselves for the onslaught of TV specials tied to the fifth anniversary of the terrorist attacks. Especially promising (read: dread-inducing) is ABC's upcoming Path to 9/11 miniseries, which will run with "limited commercial" interruption, a choice network head Steve McPherson explains thusly: "Some things you do for commerce and some things because they are the right thing to do." Apparently, it's OK to make a little money from a tragedy, but not too much. [Variety]
· Pirates 2 pulls down another $44 million at the international box office, and jumps nine places on the all-time worldwide list with its $855 million cumulative gross. Yup, still a shitload of money. [THR]
News Corp prepares to roll out the next phase of its evil plan to coopt the internet as a distribution channel for its entertainment products, announcing plans to sell downloads of Fox TV shows and films via MySpace and Direct2Drive. [Variety]
Agent Dance Mini Edition: Veteran TV agent Steve Glick lasts just a year at ICM, as he ditches/is ditched by the agency following its purchase of BWCS and its shinier television department. [THR]
CBS Paramount TV signs up Laguna Beach producers Gary and Julie Auerbach to create more "unscripted" shows that forego even token attempts at representing reality. [Variety]

]]>
http://gawker.com/index.php?op=postcommentfeed&postId=194107&view=rss&microfeed=true
<![CDATA[Trade Round-Up: Will Threat Of New Tragedy Affect Paramount's Ability To Make Money Off An Older One?]]> · Any time distressing world events might possibly interfere with the entertainment industry's ability to make a buck, we must all pause, take a deep breath, and cry to the heavens, But what about the box office children?! Let the hand-wringing begin as Paramount worries about whether or not the recent scare over explosive-liquid-wielding terrorists blowing up airplanes will affect the opening weekend gross of their movie dramatically recreating that time terrorists actually blew up some airplanes. [Variety]
In an story that only a studio's publicity department could possibly care about, Paramount announces that M:i:III will be the first! movie! ever! in! history! to be simultaneously released in classic DVD, HD DVD, and Blu-ray flavors. We put aside our sarcastic enthusiasm to note with genuine interest the fact that the Blu-Ray version of the DVD will contain a groundbreaking feature allowing the viewer to replace Tom Cruise with any one of five less creepy actors at the touch of a button. [THR]
NBC ensures that it can meet all of syndicated TV's demand for pantsuits and Navratilova haircuts for the near future, renewing Ellen Degeneres' talk show for another three years. [Variety]
· Shitergy alert! ABC rebrands its sports coverage as ESPN on ABC, but stresses that the change will in no way make Chris Berman any less annoying. [THR]
Hollywood Out of Ideas, Fucking Amazing Iron Maiden Songs Edition: Universal closes in on a deal for Christopher Nolan to direct a big-screen version of the TV series The Prisoner. [Variety]

]]>
http://gawker.com/index.php?op=postcommentfeed&postId=193736&view=rss&microfeed=true
<![CDATA['World Trade Center' Premiere Sacrifices Party, Keeps The Red Carpet]]> stone-wtc-premiere - DefamerThere is no rule book on how best to promote a movie like World Trade Center, Oliver Stone's tale of 9/11 redemption that Paramount executives are, you know, quietly hoping brings in shitloads of money. So when it came to the premiere, the studio went the safe and solemn route, opting to dispense with any post-screening festivities:

"World Trade Center" will have its red-carpet premiere tonight at the Ziegfeld Theater, but celebration will be kept to a minimum.

In one striking departure, there will be no gala reception afterward.

That's because the audience will include not just the film's stars and handlers, but also survivors of the terror attacks and others shattered by the loss of loved ones.

"It seemed inappropriate to do something festive," said Michael Shamberg, one of the film's producers.

"While the film celebrates the best in people, the night will be low-key," he added.

So low-key in fact, that Paramount has taken explicit steps to make their audience feel as if there was nothing celebratory about the evening at all: For example, all attendees, including the victim's families, will be approached and asked to contribute the $11.75 it would have cost them to see the movie in a theater, 50% of which the studio will selflessly donate to an 9/11-appropriate charity.

]]>
http://gawker.com/index.php?op=postcommentfeed&postId=192015&view=rss&microfeed=true
<![CDATA[WTC's MySpace Profile Already Attracting Commenter Raves]]> Since we pointed out that Paramount has posted a MySpace profile for World Trade Center as part of its much-publicized efforts to target the underexploited youth market, WTC has jumped from 40 to 139 friends. But not in the 'Mount's wildest dreams could they have imagined they'd so quickly receive endorsements as enthusiastic and instantly cred-conferring as the ones already being left in the comments section, like "thys movie l0oks pimp. ima definitely see it!! =]," left by influential tastemaker "mmmBUTTER =]" (and later echoed by "Philly Foghorn/The Magic Shvonzie"). Or one as unapologetically optimistic as the remarks of The NY Guardian, who's ready to preemptively call off the Oscar race based on the page's clip of the film:

And The Oscar For Best Motion Picture Of The Year Goes To...World Trade Center! And The Oscar For Best Director Goes To...Oliver Stone! And The Oscar For Best Performance By An Actor In A Leading Role Goes To...Nicolas Cage! And The Oscar For Best Performance By An Actor In A Supporting Role Goes To...Michael Pena! And The Oscar For Best Original Score Goes To...Craig Armstrong! And The Oscar For Best Original Screenplay Goes To...Andrea Berloff, John McLoughlin, Donna McLoughlin, William Jimeno & Allison Jimeno! I WISH: And The Oscar For Best Cast Ensemble Goes To...The Cast Of World Trade Center! Good Luck With The Movie And Good Luck At The Oscars

If WTC keeps increasing its MySpace popularity at this rate, soon every available teen discretionary dollar previously earmarked for wasteful rainbow party cover charges will wind up in Paramount's pocket, and parents can rest easy knowing that their children are spending their unsurpervised free time being traumatized by a dramatic recreation of a recent tragedy instead of by a peer-pressure-fueled night of serial oral sex acts.

]]>
http://gawker.com/index.php?op=postcommentfeed&postId=191664&view=rss&microfeed=true
<![CDATA[But What Nic Cage Really Wants To Do Is Pray To Direct A 9-11 Movie]]>

This is a story of an actor's unshakeable faith rewarded.

After suffering through the meager, combined $36 million grosses of The Weather Man and Lord of War, Nic Cage called out to his Creator to deliver unto him a role that would both challenge his skills and allow him to heal the recent wounds to his career. Mere moments later, his prayers were answered by a vessel of His infinite mercy, in the semi-human form of an agent relaying an offer to star in World Trade Center, an unparalleled opportunity to show off his chops while waiting for the Lord to get on the ball and push National Treasure 2 into production.

]]>
http://gawker.com/index.php?op=postcommentfeed&postId=191605&view=rss&microfeed=true
<![CDATA['Our Nation's Greatest Tragedy' Would Like To Be Your Friend!]]>

The marketing braintrust at Paramount really weren't fucking around when they decided to leave no teen behind in their promotional campaign for World Trade Center, as they've erected a tasteful monument to their upcoming blockbuster hopeful on MySpace, the online home of all sophisticated discourse on recent national tragedies. The movie's collected just 40 friends so far (some of whom appear to be Paramount employees), but we're sure once WTC learns the ropes of social networking, it will soon collect an enthusiastic gang of Tila Tequila clones and middle-aged men who lie about their age to lure the naive Twin Towers into some hott cybersex while its parents are still at work.

]]>
http://gawker.com/index.php?op=postcommentfeed&postId=191414&view=rss&microfeed=true
<![CDATA[Great Moments In Movie Marketing: Paramount Discovers That Teens Might Totally Heart 9-11!]]> wtc-movie.jpgWhen Paramount test-screened World Trade Center, the studio's altruistically conceived, non-exploitative attempt to keep fresh a five-year-old story hopelessly receding into a confusing blur of cable news footage with bad production values, they came to a startling realization: Teenagers might want to see this thing. Today's LAT details the steps Paramount's marketing department took in the aftermath of this epiphany, delivered to their promotional forebrain like a lightning bolt shot out of a plasma screen during an episode of Pimp My Ride:

"I remember back in 2001 when it happened on the news," said one 14-year-old girl. "I kept thinking, 'This isn't real; it's just one of those disaster movies.' This movie made me feel Sept. 11 was real for the first time." [...]
But for all the challenges Paramount Worldwide Marketing President Gerry Rich has faced on this project — chief among them, he says, is avoiding looking like "Hollywood trying to cash in" on a tragedy — he also caught an unexpected break. So favorable has been teenagers response to the film, Rich says, that Paramount completely reworked its $35-million marketing campaign to also court the most faithful and frequent moviegoing demographic: young people.

"Every generation has a defining moment," says the voice-over of a 30-second TV spot aimed at the under-25 crowd that began airing this week. The melodic "Fix You" by rock group Coldplay plays as the screen goes black and three words appear in stark white letters: "This Was Ours."

Indeed, we can think of no better way to avoid the appearance of untoward cashing in than by reworking an entire marketing campaign to target a demographic you've suddenly discovered has been tragically underdexploited by advertising for "serious" films, and for whom the appearance of Nic Cage trapped under rubble finally brings home the reality of a recent tragedy. We can only hope the tantalizing smell of teenager's discretionary income doesn't lead Paramount any further down the slippery slope of marketing exploitation, from the realm of Coldplay-scored TV trailers to WTC-themed ringtones of star Maggie Gyllenhaal weeping.

]]>
http://gawker.com/index.php?op=postcommentfeed&postId=190305&view=rss&microfeed=true
<![CDATA[Paramount Sues 'WTC' Bootlegger]]> The Smoking Gun reports that Paramount is suing a filmmaker who shot a 12-minute movie based on some bootleg script pages from the studio's Nic Cage-starring, sure-to-be-tasteful treatment of the 9/11 terrorist attacks, World Trade Center. The copyright infringement claim even includes a helpful side-by-side chart illustrating the infringing material's unauthorized "reimagining" of the Oliver Stone script (excerpt pictured), which seems a little unnecessary considering the site where the movie was once hosted clearly labels the footage "12 minute movie, adapted from a bootleg script for Oliver Stone's soon to be released film World Trade Center." But in the interest of being reflexively contrarian: Nah, we don't see the similarity.

]]>
http://gawker.com/index.php?op=postcommentfeed&postId=182319&view=rss&microfeed=true
<![CDATA[Great Moments In Movie Marketing: Zoolander's World Trade Center]]> The Recidivism blog noticed the unexpected appearance (and did the featured Photoshop labels) of a Zoolander billboard in the just-released trailer for Paramount's World Trade Center. The noted juxtaposition of evil and Paramount entertainment product aside, the sign adds an authentic, date-appropriate touch to the shadow of a doomed plane flashing across the building's facade; perhaps once the studio gauges viewer sensitivity about the importance of accuracy in embedded promotional messages, they can digitally alter the billboard to advertise more timely fare, such as upcoming theatrical releases or the DVD launch of M:i:III.

]]>
http://gawker.com/index.php?op=postcommentfeed&postId=174846&view=rss&microfeed=true
<![CDATA[Paramount Takes Its Mind Off M:i:III, Part II: Rubdowns, Power Bars, And Therapy]]> Realizing that their innovative method for distracting their employees from thinking about M:i:III's disappointing™ domestic box office performance by subjecting them to a sneak preview of their upcoming World Trade Center movie may have had its own set of unpleasant side-effects, Paramount today offered its staff some further stress-reducing options:

From:WorkLife Programs 05/12/2006 08:26 AM To: NotesMail_MelroseLot_MP cc: Subject: ReelFit Fair TODAY

Continuing our efforts to promote optimal health, Human Resources presents Paramount Pictures' ReelFit Fair
TODAY 11:30am - 2:30pm

32 HEALTH & FITNESS VENDORS along the Paseo at the Studio Store will provide food, beverage & nutrition bar samples; free blood pressure, blood sugar & posture screenings, therapy consultations, chair massages, fitness equipment demos; information on health benefits, local marathons, bike to work day, fitness discount offers, giveaways and special prize raffles! Don't miss it!

We've been assured by a recipient of one of the massages that they were performed by actual masseuses, not indentured servants in vaguely naval gear trying to convince knotty-muscled staffers that Dianetics is "like a vigorous rubdown for your brain," thereby not producing any further Tom Cruise-related tension.

]]>
http://gawker.com/index.php?op=postcommentfeed&postId=173573&view=rss&microfeed=true
<![CDATA[Paramount Takes Its Mind Off M:i:III]]> wtcIII.jpgThe powers-that-be at the reeling Paramount have devised a novel way of lifting the spirits of employees distressed by the apparent pall that's fallen over the Melrose lot following M:i:III's disappointing™ opening: by giving them the opportunity to spend two minutes and thirty seconds reliving the shock and pain of 9/11 tomorrow:

From: [redacted] To: NotesMail_MelroseLot_MP

The new trailer for our movie, "World Trade Center", will debut in theaters next weekend, and we are proud to give you the opportunity to get a special early look.

Academy Award-winning director Oliver Stone tells the true story of the heroic survival and rescue of two Port Authority policemen - John McLoughlin and Will Jimeno - who were trapped in the rubble of the World Trade Center on September 11, 2001, after they went in to help people escape. The film also follows their families as they try to find out what happened to them, as well as the rescuers who found them in the debris field and pulled them out. Their story shows how the best in people rose above the tragic events of that day.

Only 20 people were rescued alive from the World Trade Center after the collapse of the buildings. Officer Jimeno and Sgt. McLoughlin were the 18th and 19th.

The film will be released August 9th.

The trailer will be shown every 15 minutes in the Paramount Theatre on Friday, May 12th, beginning at 11:30 a.m. The last showing of this 2 minute and 30 second piece will be at 2:00 p.m.

It's really an inspired idea; by the time the last showing ends tomorrow afternoon, hardly anyone will care about how bad the second weekend projections for Impossible look. If studio chief Brad Grey has taught us anything this week, it's how important perspective is in the face of apparent tragedy.

]]>
http://gawker.com/index.php?op=postcommentfeed&postId=173254&view=rss&microfeed=true