<![CDATA[Gawker: defamer, two and a half men]]> http://tags.gawker.com/assets/base/img/thumbs140x140/gawker.com.png <![CDATA[Gawker: defamer, two and a half men]]> http://gawker.com/tag/defamer/twoandahalfmen http://gawker.com/tag/defamer/twoandahalfmen <![CDATA[Stiffed Warner Bros. Sues CBS Over 'Two and a Half Men']]> Throwing a litigious lump of coal in its friend's stocking, Warner Bros. TV leveled a breach-of-contract lawsuit against CBS seeking $49 million in unpaid license fees and production costs for Two and a Half Men.

Never mind that the parties co-own a network together and have managed a smooth, lucrative relationship since well before Men became a hit six years ago — what's due is due, per a suit filed Tuesday in LA Superior Court:

The suit [...] alleges that as part of CBS' renegotiated license agreement to air Men for a fifth and sixth season, it agreed to pay WBTV a premium above the initial license fee schedule and reimburse the studio for costs associated with the production of TV's top-rated comedy. This "deficit recoupment," as the term is commonly known, required CBS to pony up if the show reached specific ratings milestones in its fourth season.

"CBS has reaped the benefits of the tremendous success of Two and a Half Men but wants to deny Warner Bros. the right to its agreed-upon share," the complaint argues.

True, Men did enjoy its current season's highest ratings last week, and true, Charlie Sheen's lavish $800,000-per-episode salary doesn't pay itself. But buried in the THR report is the more glaring reality that WBTV won't any time soon see a cent of the $23 million that the bankrupt Tribune Company owes it for syndicating Men and Friends, leaving Warners' the unusual but necessary option of Les Moonves unwrapping different kind of briefs than he's used to this season. And if you're going to accept responsibility for Men, you might as well get your money's worth. You can't really blame the guys.

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<![CDATA[Is The Most Secretly Liberal Show on TV From the Creator of 'Two and a Half Men'?]]> If ever there were a show created for the broad swath of red-state America pejoratively known as "flyover country," Two and a Half Men would be it. The top-rated sitcom is square enough to have landed a slot on Gawker's list of the most conservative shows on TV (not to mention the fact that 40% of its titular men were sighted at a recent McCain rally). However, Raw Story brings word that Two and a Half Men creator Chuck Lorre is sneaking liberal, Fox News-bashing messages into his other CBS sitcom, The Big Bang Theory, via near-subliminal vanity cards like this:

Control of the media equals control of the populace. I am endowed like a stallion. And also why a state run television news channel is so very dangerous. I am endowed like a stallion. Now there are those who would argue this has already happened and that a certain cable news channel is actually a covert extension of our government. I am endowed like a stallion. The fact that the channel is run by a high-ranking party official, an anchor person from the channel became a White House spokesman, and another top-ranking party official became an on-air news commentator is often used to make this argument. I am endowed like a stallion. Of course, this fact would be entirely inconsequential if the oft-repeated falsehoods they attempt to imbed into the Zeitgeist were simply amusing, or at worst, inane. I am endowed like a stallion. But, unfortunately, that is not the case. I am endowed like a stallion. The heavy repetition of lies and smears for political gain are by no means inconsequential. I am endowed like a stallion. Which is why each and every one of us must use whatever resources we have at our disposal to disseminate the actual truth.

We're impressed that the most assuredly well-hung Lorre has been able to push anti-Fox sentiment in an environment as middlebrow as CBS Monday nights. The revolution may not be televised, but we'd rather sit through a two-second title card encouraging us to challenge the system than a thirty-second long setup/punchline involving a randy Charlie Sheen uttering variations on "I banged her!"

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<![CDATA[The Most Conservative and Most Liberal Shows On TV]]> The Gossip Girl kids have gotten political. Two of them at least, Penn Badgley who plays Dan and his off-screen ladylove Blake Lively, who plays his on-screen ladylove Serena. They're appearing in a MoveOn.org anti-McCain ad in which regular kids—including these two soap stars at that Hannah girl from that American Teenager documentary—condescend to their McCain-voting parents as if they were about to drink or take doobies. Har har. So Gossip Girl is a bit liberal, but it's not the only politicized show on the air. No indeed there are others, subtly (or not so) spouting rhetoric from both sides of the aisle. Our Photoshop expert Steve Dressler has created a simple chart that we'll explain after the jump.


On the Conservative right you have jingo-tastic torture and shoot first, then maybe ask questions 24. Alongside it are The Hills (Heidi Montag endorses McCain, he calls her "a very talented actress", John Adams twirls in his grave. Plus it's all about remorseless spending and there are no gays on the show and, actually, thousands of gays in LA, especially working in fashion for God's sake), The Sopranos (we think it's more about conservative people than it is conservative, but some people read it is rah rah family values, in perverted way. And yes we realize it's not on the air anymore, whatevs), and Two and a Half Men. OK, so we don't normally watch that show but lots of people do! We suspect they're the 60 million people we don't want to talk to, enemies of ideas and progress and rebellion against the status quo.

On the left you have Liberal nutjobs like 30 Rock (though Tina Fey's character once said she would probs end up voting for McCain, that was a while ago, and man oh man things have changed. That "Cooter" episode alone qualifies it as one of the most searingly liberal shows on the air), gay-friendly fare like Greek (best show on TV right now, no joke. Watch it.), the aforementioned GG (its actors are libs, its cast ethno and homo friendly, the really rich kids avoid talking about what would probably be conny politics), and Mad Men. This show is a toss up because, like The Sopranos it's about some conservative people, but not necessarily conservative in its messages. It's ultimately a study of the Beginning of the End of the American dream, which gives it some trenchantly liberal undertones. Plus that sad gay character. Hm. Just like Sopranos.

And then there's South Park in the middle, the cartoon show with its own brand of Libertarianism. I suppose it's fair for an iconoclast to claim no particular affiliation other than with one's own self-satisfaction.

What else would you add to the chart, and where? Maybe a conservative nod to "fuck habeas corpus" shows like Law & Order: SVU?

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<![CDATA[Superdelegate Shocker: Jon Cryer Sighted at McCain Fundraiser!]]> As the man who brought us Pretty in Pink's Duckie, you might expect Jon Cryer to have a special affinity for those born on the wrong side of the tracks: the poor, the outcast, even the sexually ambiguous. However, it's apparently his role in Hot Shots! that Cryer identifies with most, because he turned up this week at a fundraiser for another easily downed Naval pilot: presidential candidate John McCain. In fact, according to Fox News, McCain met on Monday with a veritable Who's Who (no, seriously: who?) of Hollywood celebrities at the Beverly Hills Hilton in an attempt to solicit money from the group he hates the most. After the jump, the list of celebs in attendance (there's no Dennis Hopper, but trust us, you don't want to miss it):

Says Fox News:

While Barack Obama has the majority of Hollywood backing his candidacy, McCain had his own small cadre of celebs in attendance tonight. Among those that were spotted:

Stephen Baldwin, Pat Boone, Wilford Brimley, Dean Cain, Jon Cryer, Robert Duvall, Angie Harmon, Patricia Heaton, Lorenzo Lamas, Craig T. Nelson, Gail O’Grady, Jason Sehorn, Gary Sinise, Jon Voight.

“I would like to thank so many brave and courageous people who are here that happen to be in the business of Hollywood who are risking their entire futures and careers,” McCain added.

Noteworthy: Tori Spelling was also dining at the Beverly Hills Hilton Monday evening but did not appear to be there for the fundraiser.

That is noteworthy (see what you've driven her to, 90210 producers? See??), but not as noteworthy, perhaps, as the former host of Are You Hot? acting as a celebrity endorsement for the party of "family values." Also: Superman? Say it ain't so! Still, in the end, we must reluctantly agree with McCain: is there anything braver than the sight of a megastar like Stephen Baldwin risking his "entire future and career" to stand up for what he so dimly believes in?

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<![CDATA[Discuss: Charlie Sheen Makes $800,000 Per Episode of 'Two and a Half Men']]> For vivid proof of the weakening dollar, look no further that the annual salary survey in the forthcoming issue of TV Guide: After two years of slumming alongside the likes of Zach Braff and seeing everyone from William Petersen ($600,000 per episode) to the Simpsons cast (each $400,000 per episode) pass him by, Charlie Sheen has reclaimed his spot at the top of the prime-time cash heap, earning $800,000 per 30-minute episode of Two and a Half Men. Granted, it's not seven-figure Friends money (which Sheen originally asked for in negotiations back in 2006), but we still think it bears repeating: Charlie Sheen makes $800,000 per episode of Two and a Half Men. Join us in getting our heads around it (and a few other hot-ticket raises) after the jump.

Sheen's bump was the sharpest by far, according to the report, which also noted a measly 10% jump for Simon Cowell, whose American Idol duties now nab him an even $50 million per year. CSI star Petersen went up $100,000 per episode since 2007, while Law & Order: SVU's Mariska Hargitay ($400,000) and Closer star Kyra Sedgwick ($275,000) were the top earners among women on network and cable TV respectively. Congrats to them. Meanwhile, Charlie Sheen makes $800,000 per episode of Two and a Half Men.

Oprah still made more money than God, with her production company as a whole generating $385 million in revenue in 2007 (up from $260 million in '06) and Family Guy creator Seth MacFarlane bringing up the rear among moguls with a $100 million deal guaranteed through 2012. And did you hear about Charlie Sheen? $800,000 per episode? For Two and a Half Men? Is this the same Two and a Half Men with Jon Cryer and that kid? The cringeworthy one? Also in syndication? Just making sure.

$800,000. Is that, like, in pesos?

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<![CDATA[Variety Salutes Charlie Sheen's Sitcom Conquests]]>
If you didn't thumb through today's Variety, you missed a chance to share in the trade paper's rousing salute to Two and a Half Men's 100th episode (nothing says, "Fuck you, disapproving TV critics tragically out of touch with America's lowbrow sitcom tastes!" like hitting triple digits), an issue featuring enough congratulatory advertising to fund Charlie Sheen's cheerleader-themed Real Doll hobby well into the next century.

To honor Sheen's contribution to the show's continuing success, Var has compiled an impressive chart of his most notable on-screen conquests, a list that includes ex-wife Denise Richards in one of her rare employed moments, Jenna Elfman bravely playing against type as a "crazy chick," and a transgendered Chris O'Donnell in his most sexually complicated role since Batman & Robin.

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<![CDATA[Networks Give Up On Entertaining Viewers, Suffer One Of Worst TV Weeks Ever]]>
Pretty much everything you need to know to get a sense of how bad things were for the networks during last week's Nielsen apocalypse is contained in CNN.com's always-handy Story Highlights box. Except for this fun fact: that ratings-leading Two and a Half Men episode was a rerun. This, of course, is great news for CBS, which now knows that when it can't be bothered to make even a token attempt at providing its viewers with fresh entertainment, it can still count on ten million people to show up and mumble along with months-old Charlie Sheen punchlines instead of flipping over to see if anyone had their hearts explode on a first-run episode of Fat March.

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<![CDATA[Hollywood CatnapWatch: Sheen Rests Up Before Earning That $350K Per Episode]]>

A Defamer operative passing by the Two and a Half Men set sent over this photo of Charlie Sheen's trailer door, where the actor was taking a break from the crushing demands of a sitcom actor's schedule, marshaling his strength for a tour-de-force table read performance that would convincingly prove that he's worth every penny of the $350,000 per episode he's reportedly going to be paid this season. Sheen is obviously already taking his responsibilities more seriously now that he's going to be the best-remunerated comedy star on TV, as only a week ago the magnetic sign on his door frequently read "HOOKERS," a downtime activity that definitely didn't help to focus his professional energies.

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<![CDATA[Charlie Sheen Demands $1 Mil To Sit On Couch And Mumble Dialogue]]> sheen-million - DefamerWhile it's safe to say Charlie Sheen is not having the greatest of years, his career seems to be the one area of his life that's carrying on nicely. Apparently, audiences of Two and a Half Men feel that the off-screen domestic foibles and cheerleader-chasing antics of its star do little to dilute its sitcomy hilarity. The LAT reports that Sheen is demanding to be compensated in an amount befitting his singular talents, elevating him to the rare, $1 million-an-episode circle previously occupied by such primetime royalty as David Schwimmer:

The star of the hit CBS comedy "Two and a Half Men" is about to demand a big hike in his paycheck, two sources familiar with the matter say, possibly to as much $1 million per episode, or $24 million per year. [...]

Sheen's co-stars, Jon Cryer and 12-year-old Angus T. Jones, are also seeking fat raises, although neither makes as much as Sheen. [...]

Warner Bros. earlier this month concluded lucrative deals to syndicate the comedy on cable network FX and elsewhere.

It may seem like a vast overpayment, but for Sheen, that $24 million will provide the much-needed seed money for his next self-funded children's apparel venture, Sheenskin™ brand competitive gymnastics leotards and training sportsbras.


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