<![CDATA[Gawker: defamer, tv networks]]> http://tags.gawker.com/assets/base/img/thumbs140x140/gawker.com.png <![CDATA[Gawker: defamer, tv networks]]> http://gawker.com/tag/defamer/tvnetworks http://gawker.com/tag/defamer/tvnetworks <![CDATA[WGA Addresses The White, Male Elephant In The Writers' Room]]> In a time-nurtured rite of well-intentioned, industry accountability taking, Hollywood will sporadically hold up a full-length mirror to itself, proclaim, "Hey—I'm predominantly white and have a penis!" then sate any momentary pangs of guilt by making a mental note to try to be less so in the future. This discouraging report from the WGA keeps the tradition alive:

The Writers Guild of America, West, (WGAw) says that women and minority writers remain underrepresented on television staffs, according to the preliminary findings from its forthcoming Hollywood Writers Report. [...]

According to the WGAw, the data for hiring on show for next season "looks increasingly grim following the recent shuttering of urban-oriented networks UPN and WB to create the newly launched, fledgling CW network."

The CW consolidation is only likely to make the ongoing crackerfication of TV worse, though the merge-crazy, bottom-line-focused network has offered the concession of combining all their urban shows into a one-hour dramedy staffed entirely by 60 women and minority scribes, an exciting opportunity for underrepresented writers to bang out the weekly adventures of Taye Diggs and Eve raising their adopted son, young Chris Rock.

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<![CDATA[MTV In Bed With Bill Gates]]> mtvcrosoft.jpgTV networks are quickly realizing the necessity of aligning themselves with a major online content store. ABC and NBC made the obvious choice of an Apple/iTunes marriage, but MTV has decided to forego the shiny, white, easily-scratchable party, pairing its soon to launch URGE network with woefully unhip big meanie, Microsoft:

[...] MTV is betting that its global reach through more than 100 channels will vault URGE over competitors. MTV plans to offer music videos, television shows and 2 million song tracks through individual sales or a monthly subscription service. Specifics such as pricing and which songs and videos would be offered weren't disclosed.


MTV Networks Music Group President Van Toffler said the company, a unit of Viacom International Inc., allied itself with Microsoft because it wanted to exploit the flexibility and ubiquity of Microsoft's Media Player software, which comes preinstalled in the Windows operating system.

"[Apple Chief Executive] Steve Jobs has a point of view," Toffler said. "ITunes is about a digital storefront for a la carte downloads. Our goal is to create a utopian music community that keeps subscribers coming back."

We can hardly believe our good fortune, knowing a musical Garden of Eden awaits us and all it took was the pairing of one monopoly, Microsoft's plundering computer kingdom, with one media conglomorate, Viacom's plexus of teen famewhore opiating TV networks. It will be nothing short of a virtual Shangri La, where in place of eternal youth and happiness, you can watch an episode of Laguna Beach crash your computer.

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<![CDATA[Poll Shocker: Men Identify With TV Bad Boys]]> spiketv.jpgHaving a TV network service an entire sex is tricky business. Lifetime "Television for Women" found an identity and audience by dispensing with any pretense of "you go girl" feminism and focusing squarely on trashy, earnest women-in-peril TV movies. Spike TV, the men's network, has yet to find its formula, substituting Defending the Caveman-caliber cliches for actual programming (ex: The Three Stooges, 7 days a week). Realizing that route wasn't working, the network has decided to go back to the drawing board, polling thousands of young males about their TV likes and dislikes. Stunning conclusion: young men tend to identify with anti-heroes.

Spike found that men responded not only to brave and extremely competent leads but to a menagerie of characters with strikingly antisocial tendencies: Dr. Gregory House, a Vicodin-popping physician on Fox's "House"; Michael Scofield on "Prison Break," who is out to help his brother escape from jail; and Vic Mackey, played by Michael Chiklis on "The Shield," a tough-guy cop who won't hesitate to beat a suspect senseless. Tony Soprano is their patron saint, and like Tony, within the confines of their shows, they are all "good guys."

Now that Spike knows the magic bullet to the hearts of their vaginaless viewers lies not in sex, gadgets, or cars, but in grumpy, alpha-male criminal behavior, their programming can practically produce itself: they need simply train their cameras on the real-life exploits of ex-Sopranos cast members, add a rap-metal soundtrack and Lorenzo Lamas V.O., and simply sit back as the coveted 18-39 male Nielsen demographic tumble headlong into their lady-free cable manzone.

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<![CDATA[TV Festival Like Sundance, Sort Of, But Not Really]]> Today's LAT looks at the New York Television Festival, a showcase of independent TV projects currently being circled by a predictably hit-hungry swarm of Hollywood vultures. But despite the obvious comparison to the entertainment industry's annual orgy at Robert Redford's resort, NBC's Kevin Reilly says that the fest's not exactly Sundance:

Still, industry leaders warn that it's unlikely the New York event will bestow creators of indie TV with the kind of instant buzz that Sundance has given winning filmmakers.

"It's not entirely analogous, because those movies were ready-made products you could go and acquire," said Kevin Reilly, president of NBC Entertainment. "With this, at best, there's probably something that's going to be a presentation for something that becomes a pilot for something that could eventually become a series."

"That being said," continued Reilly, the stress of heading a fourth-place network seemingly carved into his furrowed brow, "we're going to buy every half-baked idea we can get our hands on. I'm hearing really great things about a show two thirteen year-olds from Providence shot with their webcam about a school crossing guard with irritable bowel syndrome. I think it's going to provide excellent protection for Joey next season. Matt LeBlanc can't carry this network all by himself."

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<![CDATA[Trade Round-Up: Weinsteins Cast Jessica Alba's Talent In Thriller]]> · NBC surprised and angered other networks by launching its preemptive hurricane benefit strike while they planned a cooperative, cross-net event, and they worry the NBC Friday concert will dilute the talent pool and audience for the relief effort. [Variety]
· NBC dispatches its own private security team to New Orleans to keep protect its employees reporting from the lawless post-Katrina city. [THR]
· When not bickering or competing for viewers with benefit specials, media conglomerates donate money to aid Katrina victims and establish matching gift programs for employees. [Variety]
· THR reviews MPAA sultan Dan Glickman's "rocky" first year on the job. Replacing the legendary Jack Valenti hasn't been easy, and Glickman still isn't quite comfortable adopting his predecessor's nightly ritual of bathing in the blood of movie pirates. [THR]
· The Weinsteins completely disregard Jessica Alba's rocking body and pouty, sultry lips, signing her to star in the psychological thriller Awake based only on her hard work and acting talent. Hayden Christensen will unconvincingly portray her husband. [Variety]

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<![CDATA[TelethonWatch: All The Networks Are In]]> nbc.jpgNBC might've been the first out of the gate with its hurricane benefit plan (nabbing Leonardo DiCaprio, to boot, for their Friday "A Concert For Hurricane Relief"), but other, slightly slower-moving but better-rated networks were trailing close behind, as ABC, Fox, and CBS will do their own event early next week. Viacom has also thrown in basic cable events on Sept. 9th on BET and Sept. 10th on MTV, VH1, and CMT. (Got it?) Perhaps realizing that these efforts might seem competitive, first-moving NBC assures us it's all about helping people:

Representatives of the various companies attributed the separate events to efforts to put together fundraisers quickly to help the victims.

NBC spokeswoman Rebecca Marks said other networks were welcome to participate in Friday's concert and broadcast a feed of the event.

"The more money, the more efforts, the more benefits for the victims," Marks said. "This is no way an exclusionary event. It's about charity and helping people."

Maybe if the NBC folks let the other networks replace the My Name is Earl graphic from their feed with promos for their own Fall shows, everyone could take a deep breath, pool their resources, and have a unified event. Leo would want it that way.

Also: Who needs a telethon when we've got Britney's prayers? And has anyone figured out if Omarion is OK?

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<![CDATA[Nobody Loves Ahmed]]> osama-zoinks.jpgThe NY Times looks at the obstacles that "envelope-pushing" sitcom script "The Cell," about the wacky world of a hapless terror cell, has faced while trying to find a network willing to suicide-bomb itself by putting it on the air. Development execs, it seems, are raving about it behind the scenes, secretly wishing they were edgy enough to let someone apply Still Standing-quality jokecraft (a highlight: "'You're bright, you're funny, you're talented,' Musab says, urging his comrade on. 'Who made the best nail bomb in training camp? You did!'") to the still-taboo subject of terrorism. But why won't anyone take a chance on these lovable death-merchants? The agent of one of "The Cell"'s writers lends some crucial, bottom-line perspective:

"People say tragedy plus time equals comedy, but the timing is always iffy," said Matt Solo, Mr. Wilding's agent. "It's still too close to 9/11, and 9/11 can repeat itself. You'd be sinking money into it, and then at some point, there'd be a tragedy out there in the world. Imagine you're on the hook for tens of millions, and then you get a massive boycott."

And, you know, after the tragedy out there in the world or whatever there would be, like, thousands of dead people—bummer, dude—and what if they had Nielsen boxes for the 18-49 demo? Then you'd totally be out tens of millions of dollars, get the boycott and whatnot, and have shitty ratings, The advertisers would so not be down with that at all. Imagine the hell that tragedy shit would be on agency commissions!

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<![CDATA[Fall TV Season Not Gay Enough]]> l-word.jpgGLAAD's census takers have put away their clipboards, determining that only about 2 percent of characters for the upcoming Fall network TV season are gay, and almost all are of the white male variety:

Many gay and lesbian characters fall into minor or supporting roles in the TV season that begins the week of Sept. 19, GLAAD found. Homosexual characters also tend to lack ethnic and gender diversity.

The study looked at 110 scripted shows and found 16 characters on 14 shows. There were 13 males and three females. Thirteen were white.

"If you're looking at network television to see a good cross-section of our community, you're not going to find it," [GLAAD spokesman Damon] Romine said. "What you will find is primarily gay white males."

This won't help the gay-white-male thing, but it would boost the numbers a little if they counted Jim from According to Jim and Kevin James's character on King of Queens. We've always thought the big lugs' macho posturing was merely overcompensation for identity issues. Let's get those guys out of the closet first, then worry about evening out the ratio problems.


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<![CDATA[E! Ends Era With Yard Sale]]> Several readers have alerted us to a special event over on E!'s Wilshire Blvd. campus, where the new(ish) executive regime might be trying to make a clean break with the past. That's right—yard sale! They're not only selling off t-shirts of long-canceled shows, they're hawking their former CEO's old furniture:

It really is the end of an era. E! is not only selling T-shirts from defunct shows, but they're also taking bids on ex-CEO Mindy Herman's old office furniture. It's mainly steel tables and retro chairs, and no punching bags in sight.

The T shirt sales are open to the public (lots of Brooke t-shirts), but the furniture is in an upstairs conference room.

If they're really interested in symbolism, perhaps they can persuade Tara Reid to close out the sale by burning an effigy of Anna Nicole Smith, finally ending that ugly chapter of their history.

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<![CDATA[Trade Round-Up: Mel Gibson Forsakes Christ]]> mel-gibson3.jpg· Disney gets the domestic distribution rights to Mel Gibson's next directing project, the super-secret period action flick Apocalypto. Details of the plot are under tight wraps, but it's believed that it doesn't involve the Messiah getting his ass kicked for two hours. Gibson's really stepping out of his comfort zone on this one. [Variety]
· Half Pint chooses not to run for a third term as SAG president, opening the field to Chandler's Mom and The Guy Married To Marg Helgenberger. [THR]
· Some might say that Guy Pearce is too handsome to play Harry Houdini, but not the producers of Death-Defying Acts. Since the project is "based" on true events from the escape artist's life, no one should mind prettying up the dude a little bit. [Variety]
· Just in time for the premiere of Hustle & Flow, Paramount throws some first-look deal cash at director Craig Brewer and producing partner Stephanie Allain. We know the studio already paid a huge price for H&F, but shouldn't they wait to see the weekend grosses before giving them any more money? We're just sayin'. [THR]
· UPN head Dawn Ostroff would like to remind everyone that big sister CBS passed on the buzzed-about Everybody Hates Chris, so everyone should stop saying that the show belongs on the real network, OK? Someone from Viacom really needs to give her a hug and reassure her no one's going to steal her baby, unless it becomes a hit. [Variety]

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