• After all the build-up, the actual film seems rather beside the point. But New Moon is here and looking to do the box office what vampires do to their victims, except not leaving them dead, but rather filled up with money. The second installment of the Twilight series has already become the all time online ticket sales champion. In it's opening weekend it is expected to rake in in the range of $85 million domestic, although there is some buzz that it could, just possibly, if we can dare to dream, break the magic $100 million opening weekend figure. [Hollywood Reporter]

• And if you are worried that what with there only being a couple Harry Potter movies left and Twilight being half over, that we might soon be running out of fantasy mega-cycles at our multiplexes, set your mind at ease, help is on the way. Lorenzo di Bonaventura yesterday nailed the rights to produce a film adaptation of the six chapter literary fantasy series The Secrets of the Immortal Nicholas Flamel. Bonaventura, Variety notes, presided over the launch of the Potter series which has currently grossed $5.38 billion worldwide while he was head of production at Warner Brothers. [Variety]

• Oscar's got a new director. The fantastically named Hamish Hamilton, veteran of directing live concert events will take the Academy's baton under producers Bill Mechanic and Adam Shankman. [Variety]

• The Academy however, majorly dissed its once darling Michael Moore. His latest installment of the Michael Moore Yells at The Rich cycle Capitalism, A Love Story, failed to make the short list of 15 films up for the Best Documentary prize. The list which included favorites Valentino: The Last Emperor, The Cove and Every Little Step, will be winnowed down to five nominees in February. [The Wrap]

• Forbes has done the math on the most-overpaid stars in Hollywood, coming up with a showbiz equivalent of a PE ratio, calculating how much their movies gross for every dollar they are paid. Topping the list: Will Ferrell whose films earn a mere $3.29 for every dollar he has paid. [Forbes]

• The New York Times reports on how early very obscure Oscar buzz for Jeff Bridges' performance as a country singer in Crazy Heart transformed a movie that its distributor had deemed unreleasable into a major awards contender. [NY Times]

• Asked in an interview with CNBC's Erin Burnett about the pending sale of NBC/Universal to Comcast, CEO Jeff Zucker was tight lipped, saying "I'm incredibly interested to see what will happen...Time will tell." Asked about his decision to upend NBC's schedule with the Jay Leno Experiment, Zucker deflected the question, focusing on the show's spin, saying he thought it was unfortunate that the move had been portrayed as part of a cost-cutting strategy and that its just about making great shows. His team is focused on doing "whatever it takes to put on the best television," he said, which is something less than saying either "We are committed to giving Jay as long as he needs to find an audience" or, on the other hand, "What the hell have we done!?" [Hollywood Reporter]

Suddenly the Universe is a very cold and empty place.

• Apparently we are not a nation of people waiting for Amanda Woodward to return to Melrose Place. Heather Locklear's trip back to the series did little to ease its struggles, lifting its gruesome ratings by a mere 15 percent to a 0.8 rating in the 18 - 45 demo. [Hollywood Reporter]

• Meanwhile, just as the world was sending its mocking obituaries to the printers, guess who's having a good week? Jay Leno is up five percent this week, "matching its highest ratings in six weeks." [Hollywood Reporter]

• With two and a half months to go, the Super Bowl's ad space is almost sold out. CBS reports a 90 percent sell-out rate thus far, meaning only six slots are still available. Like everything else these days, Super Bowl ad sales are being viewed as a barometer of the nation's economic health. [Ad Age]

• A Writers Guild report of diversity among its ranks finds "little if any improvement" for the prospects of women and minority writers. Variety writes that the report "found that women scribes remain stuck at 28% of TV employment and 18% in features while the minority share has been frozen at 6% since 1999." [Variety]

• Jennifer Hudson will play Winnie Mandela, the ex-wife of the ex-South African President Nelson Mandela in Winnie, a biopic to be directed by Darrell J. Roodt, maker of Cry the Beloved Country. [Variety]

• Roger Ebert may be off the airwaves, but his influence lives on, remarkably, as the online buzz king. A survey by Nielsen of which critics dominate the internet reveals that Ebert remains a goliath online, crushing all the competition combined. [thehotblog]

• Making 2012's grosses look like the change fallen under the cushions of your sofa, the video game Call of Duty : Modern Warfare 2 reported sales of more than $550 million in the first week of its release. The LA Times puts production costs on the game in the $40 - $50 million range (a fraction of 2012 or Avatar), putting its total budget including marketing somewhere around $200 million. Who's in the wrong business now, movie people? [LA Times]

• Lovely Bones director Peter Jackson told a reporter that, despite his PG-13 rating he had upped the violence in his upcoming film after early test screening audiences "were simply not satisfied" with the depiction of a character's death. [Hitfix]

• Nikki Finke reports that investor Carl Icahn has been snatching up MGM bonds like "A bat out of hell." [Deadline]

• The LA Times reports further on Disney's heroic decision to pull the plug on McG's attempt to America's memories of 20,000 Leagues Under the Sea with his remake. The paper writes that execs saw the project, scripted by novelist Michael Chabon as "too dark" and that they will take another stab at it somewhere down the line. [LA Times]

• Each year, surveying Oscar's Best Actress pool sets off a bout of hand wringing over the absence of serious parts for serious female actresses, but this year the low may actually be below the bottom of the pool. After a very short list of sure things (Meryl, Carey Mulligan in An Education and Gabourey Sidibe for Precious) the field becomes a wide open wasteland with almost no true attention getting roles leaping out. It's gotten so bad, writes the Hollywood Reporter, that "some are talking about Sandra Bullock." [Hollywood Reporter]

• As if answering the question raised by the item above...On the strength of 2012, This Is It, Angels and Demons and Terminator:Salvation Sony Pictures is having its best year at the international box office in its history with grosses currently at $1.63 billion. Fox, however, holds the international top slot this year with $1.79 billion in receipts and counting [Variety]

•Kent Alterman will be your next man to blame for why Comedy Central isn't funnier. The former New Line exec was named head of programming for the network. [Variety]

• The first plug pulled at the new Less Is Less Miramax — Richard Linklater's Liars (A To E), a romantic comedy that was to have starred Kat Dennings and Rebecca Hall. [Movieline]

• Disney has put in dry dock/beached/torpedoed/depth charged/recalled to submarine base/(insert your preferred nautical analogy here) a remake of 20,000 Leagues Under the Sea set to be helmed by McG. Cheated of his chance to ruin the submarine genre forever, the great director will instead focus his attentions on the thriller Dead Spy Running. [Variety]

• As long as there are film studios, there will be some executive who will have the bright idea to let Robin Williams star in yet another surefire failure of a comedy. Anna Faris is currently in talks to play Williams' daughter in Wedding Banned for Touchstone. [Hollywood Reporter]

• MTV has acquired the exclusive rights to air This Is It, the Michael Jackson concert rehearsal documentary. [Hollywood Reporter]

• With fans already camped out awaiting its Friday opening, New Moon, the latest installment in the Twilight cycle, has already broken its first record, becoming the all-time leader in advance ticket sales, according the Fandango's rankings. The ticket seller reports that a full 86 percent of its sales over the past week were for New Moon. The US government has advised all citizens to prepare a safe room in their homes that will be kept free of all media, warning the incoming vampire tsunami over the next week will overrun every available crevice of television, newspapers, magazines, internet and human speech, flooding the populace with a deluge Twilight propaganda. [Deadline]

• Use whatever big bang metaphor you like, 2012 did that at the box office this weekend, hauling in $225 million worldwide. Precious also impressed on a much smaller scale, taking the number four slot with $6.1 million while running on only 174 screens. The weekend also gave some hope to Disney's promise that A Christmas Carol would prove to have legs through the holiday season despite its tepid opening. Carol dropped off a mere 26 percent from its opening weekend. [Variety]

• The Academy of Motion Pics met in a low-key, old fashioned, just-among-friends ceremony to give out its special awards off-camera this year. Special Oscars were handed to Lauren Bacall, cinematographer Gordon Willis and producers Roger Corman and John Calley. The evening was full of low-key speeches and tableside toasts to the honorees. Warren Beatty heralded the wonder of attending an Oscar event where "Nobody's worried whether 36.9 million people are watching us, or 29.2 million." The off-camera nature of the event apparently inspired the stars to their most-long winded heights. Time it took to hand out four awards: three and a half hours. [NY Times]

• Variety chronicles the keeping the trains running resigned mood at MGM as the company waits to be auctioned off and wonders whether it will continue to be a standalone studio. While the wait goes on, development work continues on The Hobbit, James Bond 23 and a Poltergeist reboot. Audiences will rejoice at the news that the studio is guaranteeing it will release the already completed Red Dawn, Hot Tub Time Machine and a 3D retelling of Cabin in the Woods. [Variety]

• Mediaweek reports on "Growing Pains at Hulu." The portal is apparently demonstrating why joint ventures in show biz are fraught propositions as conflicts have been springing up between the ABC, NBC and Fox staffs whose companies co-founed the site. [MediaWeek]

• The Wrap writes of the challenges facing AMC in following up on the success of its two original shows, Mad Men and Breaking Bad. Since the pair of critical darlings launched, the network's development team has changed and this weekend's debut of The Prisoner marks the first try-out for the new execs, with two new series coming up behind it. While the kiniptions Mad Men provokes in the media have always been hugely disproportionate to its raw audience size, which is generally in the one to two million range, Men's success is due to a little fluke of its audience demographics. The Wrap notes that more than half of its viewers earn six figure incomes, making it pretty much the official show of American rich people. But while Men and Breaking are bringing in cash for the network, the piece notes that between them they can only produce 26 episodes a year, a long, long way from the sort of programming pipeline needed to take the network to the next level, revenue-wise. And what with the economic downturn, America's rich have a lot more time to dedicate to their Tivo's and their needs must be fed. [The Wrap]

• Fox has re-signed Emma Watts to serve as its President of Production for the next three years, a move which Variety says, "keeps Fox as a bastion of stability at a time when studios are rife with executive shakeups." [Variety]

• Charlie's Angels may be coming home to the little screen. ABC is reportedly on the brink of a deal to bring the story of three little girls who went to the police academy back full circle to where it all began for them. Josh Friedman, who wrote Fox's Terminator:The Sarah Connor Chronicles is on board to executive produce the show. And now they work for him. [Variety]

• American box offices are bracing this weekend for a medium to large-sized tsunami of cash unleashed by the release of 2012. The disaster epic is expected to take in between $50 - $55 million this weekend with no other major film entering wide release against it. The film enters the marketplace with a Rotten Tomatoes score of 38 which The Wrap points out is an improvement over the 9 percent positive rating of director Roland Emmerich's previous film 10,000 B.C. [The Wrap]

• The Vice-Chairman of Lions Gate said that his company would be interested in buying MGM but "It's all about price," that is, if they can get the James Bond franchise for very little money, sure they'd be happy to do that. While trumpeting the news the LA Times makes the "imagine that/you don't say" point that, every company in Hollywood would be willing to absorb MGM and Bond if they can get them for nothing or next to it. [LA Times]

• The Who have been booked to entertain tens of millions of drunken, nacho-engorged football fans when they play the halftime show of this season's Superbowl. [Hollywood Reporter]

• Despite SAG's rejection of proposed terms, AFTRA's membership ratified a new contract with video game makers, taking a 2.5 percent pay raise for its actors. [Hollywood Reporter]

• Taylor Swift applied the final throttle to her death-grip hold over entertainment last night, sweeping the Country Music Association Awards. According to The Envelope awards site, at 19, Swift became the youngest person in history to take home the Entertainer of the Year trophy (actually the full name for the award is Coveted Entertainer of the Year Trophy.) She is also only the sixth female in history to take that top prize. While she was at it, Swift grabbed the Female Vocalist, Album of the Year and Music Video of the Year prizes. With her goliath of an album still selling, positive buzz from SNL appearance and the lingering sympathy from her Kayne debacle, entertainment stands at a crossroads from where Swift will either become the only star in show business, or be destroyed by a vicious backlash, no doubt led by cheer captains fed up with this bleacher-sitting, t-shirt wearing nerd thinking she owns this place. Paris Hilton, are you still out there? [The Envelope]

• We have a new video game overlord. The latest Call of Duty (Call of Duty 2: Modern Warfare) sold 4.7 million games on its first day out. That would be $310 million dollars in sales. In one day. Take that James Cameron. [Hollywood Reporter]

• The NFL has declared itself happy with its current line-up of TV deals, with Giants owner Steve Tisch saying at a media conference, "Right now, we feel DirecTV as the exclusive partner is really in the consumers' best interest." [Hollywood Reporter]

• Show biz's most hallowed name MGM, is headed for a fire sale. After a catastrophic few years, the company's debt holders have reportedly demanded it be auctioned off to the highest bidder. [Variety]

• Taking the next step forward in Robert Iger's full-on shake up of the entire Disney studio operation, newly installed Chairman Rich Ross announced a re-org of his team, making the various department heads report directly to him. Still to come: the much anticipated announcement of a new marketing chief. [Variety]

• Like it or not, more Fockers are heading your way. Harvey Keitel has joined the cast of the latest installment of the Meet the Parents cycle, hilariously titled Little Fockers. [Hollywood Reporter]

• These late days of print media bring some strange potential owners out of the woods to poke around at the fire sale and see what kind of bargains they can land on unmatched, only-slightly-singed argyle socks. The Wrap reports that the venerable journals, the Hollywood Reporter and Billboard have been sold by their parent company Nielsen to James Finkelstein's News Communications Inc. publisher of Who's Who and The Hill. Also included in the sale, The Wrap reports, Backstage, Adweek, Brandweek, Mediaweek and Editor & Publisher. [The Wrap]

• After a strong debut, the ratings for ABC's V took a tumble last night with 29 percent drop-off. [Hollywood Reporter]

• Carrie Underwood's hold on the music charts has not let up. "Play On", the former Idol star's third album easily took the top slot on Billboard's Hot 200, selling 318,000 copies in its first week out, knocking the soundtrack to Michael Jackson's This Is It down to #2. [Billboard]

• There was an actual bidding war over content in Hollywood yesterday and in the end, Peter Chernin's New Regency walked away with the prize. Chernin beat out Universal and Warner Brothers to snatch up the rights for My Name is Memory, the first book of a trilogy about a college couple whose souls have been intertwined for hundreds of years. [Variety]

• Simon Cowell has topped primetime TV's top-earners list. According to Forbes, the Idol judge/America's Got Talent creator rakes in $75 million a year, soaring past Donald Trump in the #2 slot at $50 miilion. [Forbes]

• To promote its new film Nine, the Weinstein Company has signed a deal to annoy ABC viewers in unprecedented ways. According to the deal with the network, the film will be written into the plotlines of a variety of ABC shows including its daytime soap operas, will be featured on Dancing With the Stars. [Variety]

• And if you're keeping score, it hasn't been a great week to be Nikki Finke. Not only does she inform blog readers that she is down with the flu, but she gets beaten by Sharon Waxman on the Hollywood Reporter story (assuming it pans out) and her biggest scoop of the year, the news about Oprah's departure from her syndicated show, still has yet to be confirmed by anyone else, with all sources still, a week later, publicly saying that no decision has been made. It may yet turn out that Oprah will end up making the leap, but some are wondering is it possible Nikki jumped the gun claiming the deal was done?

• Donald Trump is now getting into bed with his worthiest apprentice/prodigal daughter Omarosa. The pair are becoming partners to produce Omarosa's Ultimate Merger a new show which will attempt to find a husband for the reality star. The show's active subtext will address the question: what is crazier, to get married on a TV show for the attention or to actually want to spend the rest of your days on Earth with Omarosa?
[Variety]

• What with Robert De Niro's film career looking more and more like some rickety nostalgia act, Tribeca sees no doubt safer waters on the small screen. Tribeca has just signed a two year deal with CBS television to develop new shows. [Variety]

• Someone has stolen a percent of ABC! Since the digital conversion, the network's clearance rate — the percentage of American households with access to ABC's affiliates — has mysteriously fallen one percent, and no one can figure out why. The single percentage point could be worth $15 — 20 million a year, but more importantly, the new digital statistics now put ABC below the despised Fox network in national access. [Variety]

• The network meanwhile has pulled the plug on witch-drama Eastwick while ordering more episodes of Jerry Bruckheimer's new procedural The Forgotten. [The Wrap]

• While Oscar's best picture race may be getting all the attention, the Hollywood Reporter writes that the animation category is shaping up as the hottest race on the book, with the field potentially increasing to five films instead of the past three. Pixar's Up faces a conundrum as it looks at potential nominations in both the animated and best picture categories, leading to the possibility that its supporters will be divided in which award they vote to give the film, a split vote which could lead the balloon film empty handed. The category also looks to become a referendum on the state of film technology today with its ranks including everything from motion capture (Christmas Carol) to hand drawn 2D (Ponyo) to claymation (Mary and Max). [Hollywood Reporter]

• Meanwhile in the main category, The Wrap's Steve Pond writes that despite the new ten film wide category, the best picture race appears to have already boiled down to a very stable, very small group of contenders, with the Oscar world basically having decided that the Best Picture of 2009 will be either Precious, Up in the Air or The Hurt Locker. [The Wrap]

• Recession or no, the buyers have been out at the American Film Market. Hoping to snag the next District 9, international agents have picked up the rights to new films starring Mel Gibson, Bruce Willis and Jodie Foster. [The Wrap]

• Disney wont have Mark Zoradi to kick around any more. After being passed over for the top job last month, the President of Disney pics, a 29-year veteran of the company, has announced he is stepping down. [Hollywood Reporter]

• "Moviegoers Stingy With Scrooge" is how boxofficemojo described a lower than hoped for $31 million opening for ' CG-animated 3D adaptation of the Dickens classic. Both Mojo and the LA Times point out that Zemickis last film, the similarly animated Polar Express opened in the same range but went on to gross $160 million domestic, with audiences continuing to chug in throughout the long holiday season. The LA Times however, recalls that "audiences embraced that movie like few others", which they strongly hint, will not be the case for the blah Carol. Mojo meanwhile, recalls that while Polar's opening was week, it was up against Pixar's The Incredibles, while Carol is up against...The Fourth Kind. [Box Office Mojo]

• Elsewhere at the box office, This is It, held on to the #2 slot, raking in another $14 million. The Men Who Stared at Goats did a decent $13.3 million. The big story however was early Oscar favorite Precious which grossed $1.8 million on only 18 screens, a mind-blowing $100,000 per screen. [Variety]

• The Prophet, the French thriller with tells "the story of an illiterate young Arab-Corsican man condemned to six years in prison" led the European film award nominations with six nods. [Variety]

• David Poland attempts to do the math on a NY Times piece and can't make it add up. A story this weekend contended that James Cameron's 3D goliath Avatar will cost half a billion dollars. Only problem, as Poland points out, adding up all the numbers mentioned in the piece still leaves one a hundred billion or so shy of that gargantuan figure. [The Hot Blog]

• Kenny Chesney will be the next victim of 3D concert film conversion. Sony plans to release Kenny Chesney: Summer in 3D in April. [Hollywood Reporter]

• The GE/Comcast deal is now just inches away, just this close, with the two sides agreeing on a valuation on the NBC/Universal — Comcast joint venture. $30 billion is said to be the price tag. Vivendi, by the way, which still owns 20 percent of NBC/Universal still hasn't signed off. [Hollywood Reporter]

• The Wanda Sykes Show got off to a solid start for Fox, averaging a 2.2 rating, which is a 16 percent improvement over Mad TV which held the slot last year. [The Wrap]

• For decades entertainment savants have pondered the question of how to bring art's greatest, almost elemental tale, the Yogi Bear saga, to the screen. Now at last thanks to new technology, they have found a way as a combo live action/CG animated version makes its historic way to the cameras. Naturally Hollywood's biggest stars have been vying for the leading roles, but when the fighting stopped, Dan Aykroyd was the warrior still standing; the former SNL star will voice the great Yogi in his epic search for picnic baskets. Clearly, the role of Boo Boo could go to none other than J Tims, and so it has. Anna Faris will play a previously unknown character described as a "documentary filmmaker." [Variety]

• JJ Abrams is in talks to direct his first TV episode since the 2004 Lost debut. Abrams is considering personally taking the wheel of Undercovers, a spy thriller series he will also Exec Produce. [Hollywood Reporter]

• Disney has made a big bet on 3D, Jim Carrey, Robert Zemeckis and Charles Dickens. The new adaptation of A Christmas Carol comes with a $180 million pricetag, making it the biggest, widest attempt yet to convince audiences that 3D is really so special that they should shell out extra dollars beyond the already wallet-breaking amounts they pay to take the family to a movie. But hey, if it can sorta look like its really snowing in a movie theater, who wouldn't take out a second mortgage to see that? [The Wrap]

• Christmas Carol is expected to win the weekend box office race, with its tracking projecting it to land somewhere between $35 and $45 million. None of the other films opening this weekend, Oscar contenders The Men Who Stared at Goats and Precious, or the alien-horror flic The Fourth Kind, are expected to wind up north of $20 million.

• Moving on from his Ali G stable of characters, Sacha Baron Cohen has formed a production company to develop new material. Four by Two Films has already signed its first deal to shoot Accidentes for Universal, based on the ambulance chasing attorney famed in LA for his side-of-the-bus ads. [Variety]

• With turmoil afoot in the industry, Daily Variety editor Tim Gray forsees a chaotic awards season ahead, thanks to among other factors: changes at the helms of four of the major film companies, the expansion of the Oscar race to ten films, the 3D wild card and a series of previously off the Oscar map companies such as Summit and Magnolia that could become players this year. [Variety]

• As earning seasons reporting continued, NewsCorp came out on the winning side of the ledger, with profits up 11 percent in the past quarter with the picture for broadcast turning around. "The best results we've seen in seven quarters," is how Rupert Murdoch described the broadcast numbers. The company's dark cloud in the cheer: MySpace, which is failing to meet the deliverables in its deal with Google. "With MySpace, we are in a state of transition," was how NewsCorp's CEO described the once mighty social networking site's search for a new raison d'etre. And you know how those states of transition go online...[Variety]

• Taking those numbers with others from this earnings season, The Wrap is ready to call it a "media rebound." [The Wrap]

• Just when he seemed to be getting a head of steam on a good post-Oscar win bout of paralysis and indecision, one of Hollywood's finest traditions, director Danny Boyle has cut the party short by announcing his next film. And what could be a more obvious story to tell than 127 Hours, the true tale of a hiker trapped under a boulder who eventually cuts his arm off to escape? [Variety]

• The troubled pre-season of The Tourist may now have a A list team attached. Johnny Depp is in talks to star opposite Angelina Jolie in the film. Earlier star Sam Worthington and director Florian Henckel von Donnersmarck both removed themselves from the project over "creative differences." [Variety]

• Continuing the Jackson watch, the movie has thus far brought in $125 million internationally. [The Wrap
]

• Disney has settled the lawsuit brought against it by the makers of the Luxo Jr. lamp that has become the Pixar trademark. Rather than celebrating the celebrity brought to it by its high profile association, the Swedish company that manufactures Luxo sued for trademark infringement after Pixar included copies of the lamp in special editions of the Up dvd's, saying Pixar's unauthorized use of their product would "cause devastating damage to Luxo and dilute the goodwill which Luxo has built up." [Hollywood Reporter]

• What may be Miramax's last great premiere took place last night at the AFI Festival, celebrating the debut of Everybody's Fine, the news dramedy starring Robert De Niro, and the company appears to be going out with something less than a roar. There were early hopes that the film might give Miramax — and De Niro — one last Oscar hurrah. HItfix reports however, that "the film a mess in so many ways that neither the legendary actor or the stars who play his children — Sam Rockwell, Drew Barrymore and Kate Beckinsale — can save it." [Hitfix]

• The natives are getting restless and the drumbeat grows ever louder for the NBC/Universal Comcast deal. In their quarterly earnings reports, Comcast reported their profits were up 22 percent, bringing to a crescendo pleas that they just go ahead and buy NBC already and end our long showbiz-wide nightmare of suspense. [Variety]

• At the other end of the spectrum, Time-Warner was the beneficiary of low expectations. Its profits fell 38 percent last quarter, which remarkably was above expectations and led the company to raise its earnings projections for the year. [Hollywood Reporter]

• There may be signs of life in that old DVD market yet. The Wrap reports that after the huge success of the Transformers 2 DVD release, analysts are optimistic about the upcoming crop of blockbuster home releases to fuel strong sales. [The Wrap]

• The American Film Market, where US independent filmmakers peddle their wares for international distributors, opened yesterday and Variety saw hopes that the expo may be coming out of the doldrums it has been in in recent years. In addition to a line-up of films made by and featuring some heavy-hitters, Variety says the worldwide success of a handful of indie films — including Slumdog Millionaire — has created a more favorable climate. [Variety]

• Gerard Butler will star in the directorial debut of actor Ralph Fiennes, a modern adaptation of Shakespeare's Coriolanus. [Hollywood Reporter]

Since losing their brand, life hasn't been right for the Brothers Weinstein. Could a name change though really bring back that magical English Patient era?

• Their company may be ailing, but Weinsteins are ready to make a play to get their name back. The Wrap reports that Harvey and Bob are preparing a pitch to Robert Iger to buy back their old Miramax brand now that Disney has all but shuttered the division. When they left Disney, The Wrap reports, Michael Eisner refused out of spite to let them take the name — which is a hybrid of the Weinsteins' parent's names - with them. But with Disney now under less vengeance driven management the Weinsteins hope is that the time be be ripe for an historic reunion . [The Wrap]

• George Clooney is reportedly "circling the lead" role in the long awaited new film by Sideways and Election director Alexander Payne, a family drama/comedy entitled The Descendents. [Variety]

• Suggesting that Oscar's new producers may be taking a step away from from the Hugh Jackman mold, Nikki Finke reports that the hosting job has been offered to and turned down by both Ben Stiller and Robert Downey Jr. Which means there is only one Tropic Thunder star left to host...Jack Black, your day of destiny has arrived. [Deadline]

• Hollywood is saved! In earnings season, Viacom reported "better-than-expected third-quarter profit gains thanks to improved theatrical film and TV advertising trends, as well as cost controls." Marvel however, ruined the party by reporting lower profits in Q3, as they had no theatrical releases last quarter. Thanks for nothing Marvel. [Hollywood Reporter]

• Sony Classics has picked up the US rights to Mother and Child a drama about three women and their children, which received gushing reviews when it debuted at the Toronto Film Festival in September. [Variety]

• Diversity is at last coming to late night TV. Fifteen years after Arsenio Hall went off the air, the next few weeks will see the debuts of talk shows built around George Lopez (TBS), Wanda Sykes (Fox) and Mo'Nique (BET). [The Wrap]

• The Atrios are in! The casting society of America handed out their annual awards at a banquet last night, giving top honors to Star Trek, Mad Men, Up and Milk. Kath and Kim's John Michael Higgins hosted the fete. [Hollywood Reporter]

• Most brilliantly understated headline of the morning: "Paranormal Activity sequel a possibility. Viacom CEO Philippe Dauman reveals Tuesday." Yes, well there is always that chance that Viacom has decided they've made enough money this decade. [Hollywood Reporter]

• The unsinkable Jim Belushi juggernaut rolls on. The According to Jim vet has signed up with Diane English and Barry Levinson to create a courtroom TV drama based on famed defense attorney Mickey Sherman. [Variety]

• Having his tawdry personal life ripped wide open for the world to see isn't doing David Letterman any harm ratings-wise. The Hollywood Reporter writes, "Far from hurting the host's popularity, the sex-and-extortion headlines seemingly have had little impact on his late-night show and possibly even helped the series grow its viewership compared with last year." Season to date, The Late Show is up four percent in viewership, compared to its main competitor NBC's Conan O'Brien who has taken just a tiny 47 percent drop this season compared to Leno's performance in the slot last year. [Hollywood Reporter]

• In the end, Michael Jackson came through. After a back and forth over the past two weeks over whether the hype machine was properly calibrated to the public level of enthusiasm for the rehearsal documentary, This Is It earned a decent $21 million at the US box, although this morning's write-ups focus on the more impressive sounding world tally of $101 million, ample to earn Sony back its $60 purchase price. (Which is odd in that Monday morning box office write-ups almost never mention international grosses, generally taking the US box office as the whole magilla.) The consensus view seems to focus now on the stat that This will become the highest grossing concert film in history. Which is not quite the "Biggest Movie of All Time Ever In History" the media seemed to be heralding a week ago, but still nothing to sneeze at. [Box Office Mojo]

• Elsewhere at the box office, Paranormal Activity continued its run, taking the number two slot and bringing its total domestic haul to $84 million. Saw 6 fell off 60 percent from its already unimpressive opening weekend numbers giving faint hope that the series' day may be drawing to a close (but don't count on it.) [Variety]

• The NBC/Universal drama is on the brink of resolution. Comcast is said to have reached a tentative agreement to buy the studio and network, with an announcement expected at any time. [NY Times]

• Katie Holmes will star in and earn her first producing credit for The Romantics, a film about eight college friends who reunite for a wedding also starring Anna Paquin, Elijah Wood and Malin Ackerman. [Variety]

• The Wrap reports that Project Runway's move to Lifetime has not quite worked out as Harvey Weinstein and company expected. After a very strong debut, ratings have fallen off more than 20 percent. Worse for Lifetime, having the show on its network, for which it paid a hefty price, has done little for its overall ratings picture. In fact, Lifetime's ratings in the critical 18 - 49 female demo are off 13 percent from last year. On the other hand, after losing its signature show, Bravo's ratings are up this year by 5 percent in the 18- 49 demo, and it had its "best ratings quarter ever this summer." So who is auf now Frau Klum? [The Wrap]

• Anthony Hopkins has signed on to play Thor's dad Odin in the Marvel film adaptation of its comic book series. Chris Hemsworth will star as the thunder god, while Natalie Portman will take on the thankless love interest role. Kenneth Branagh is, amazingly, directing. [Variety]

• And the new Mad Max will be...Charlize Theron. Little is known about the working script, but the Oscar winner will apparently be the front woman in director George Miller's reboot of the classic series. [Variety]

• Sethe MacFarlane's American Dad has been renewed for a sixth season. [Hollywood Reporter]

• Sony reported its fourth straight quarter of losses, although the hurt this past quarter was not as bad as analysts had predicted. The company saw sales fall off another 20 percent overall. The motion picture division saw a "30.4% year-on drop in sales — or 20% on a U.S. dollar basis. But as the NY Times reminded us this weekend, what matters is that Michael and Amy really really like each other. [Variety]

• Tensions flared at the wrap of the theater owner's ShowEast conference over the taking forever rollout of digital technology. The Hollywood Reporter reported, "it sounded more like a threat than a promise when University Mall Theatres' Mark O'Meara kicked off one d-cinema presentation by declaring, 'Digital cinema is here to stay.'" [Hollywood Reporter]

• Prepare yourself for Fish Hooks. The first new animated show to be greenlit by the Disney Channel in three years will soon be tormenting your dreams as it is forced down grown-up America's throats by a nation of over-hyped children. [Hollywood Reporter}

• Will Wisteria Lane never know peace? ABC has signed a new deal with Desperate Housewives creator Mark Cherry that could keep the show on the air until 2013. [Variety]

• Hollywood has a new profitability King! The Wrap calculates that Paranormal Activity made for under $15,000 and so far grossing $65.1 million has now seen a 433,900 percent return on its budget, which soars past Blair Witch's 414,233 percent return on its $60,000 production. [The Wrap]

• After its first full day of theatrical release, the Michael Jackson documentary This Is It has earned a very nice but not world-destroying This Is It $6.6 million. [Variety]

• Meanwhile at NBC, one shall live while another shall die. The Peacock ordered six more episodes of Chuck, while the dream ended for Trauma as the network announced it would not order more episodes beyond the show's initial 13 episodes run. [Hollywood Reporter]

• While dozens of productions have signed on to keep shooting in California as a result of the state's new tax incentive program, the money set aside for the tax break's first year has run out and production continues to flee its home state, citing bigger tax breaks available elsewhere. [The Wrap]

• Risking stepping into serious bummer territory Vh1 will run a new reality/book camp show, aimed teaching a group of men how to be good fathers. [Hollywood Reporter]

• Tony Scott has singed on to direct the story he was born to tell; a biopic based on the life of Steve Banerjee, the creator of Chippendales male revues. [Variety]

• Across showbiz, executives are being shuttled to emergency power retreats. With the collapse of the Saw franchise, studio chieftains are ordering the rule book shredded, the box torn up and thrown into the dumpster while development teams embark on vision quests to imagineer an industry not based on Saw sequels. First order of business: order up some Paranormal Activity sequels. While Saw raked in a mere $14 million this weekend, the still expanding Paranormal stole the top slot from the venerable horror stalwart, earning $22 million and bringing its total to $62.5 million, putting it safely in that rarefied Blair Witch category of no-budget movies that went on to make amounts impressive even by Hollywood standards. [Box Office Mojo]

• Elsewhere in the weekend results, the alternately heralded and reviled Where the Wild Things Are dropped off "an alarming 56 percent" from last weekend's grosses. [Box Office Mojo]

• Sunday Night Football retains its slot as the most expensive real estate currently on television according to an Ad Age survey of ad rates "with a 30-second ad commanding an average of $339,700," American Idol, which is off the air until January regularly tops Football however, with an ad rate between $360,000 and $490,000 for 30 seconds of its airtime. Scripted shows can still bring in big bucks however, with Grey's Anatomy charging $240,462. On the other end of the spectrum, The Jay Leno show is the cheapest real estate to be had, with "an average cost between $48,803 and $65,678." [Ad Age]

• Bravo has ordered another spin-off of its Top Chef hit. Just Desserts, will feature a battle of the pastry chefs. "Their Achilles heel is usually the desserts" said Bravo's VP of the Top Chef flagship competitors. Variety notes however that TC:JD enters a crowded television dessert category, already packed with Ace of Cakes, Cake Boss and Ultimate Cake-Off to name a few. [Variety]

• Completing the Discovery's transition from quaint host of nature shows to extreme programmer, the network has announced plans to turn two of its shows, Deadliest Catch and Man vs. Wild into video games. [Hollywood Reporter]

• Micheal Eisner isn't giving up on his straight-to-web production dreams. The former Disney boss signed a deal Canadian Rogers Communications to fund up to 30 new internet series. [Variety]

• The Wrap reports on the flight not just of production, but of post-production houses overseas. [The Wrap]

• In a pairing sure to launch a thousand Stuff covers, January Jones and Diana Kruger have announced they will team up to make a thriller Unknown White Male for Dark Castle films [Variety]

• The Wrap reports that despite grossing over $300 million to date in their world tour, U2 is only just on the brink of breaking even — just as the tour is about to shut down for the summer. The expenses of hauling around its giant spider-like prong stage are so immense that despite months of sold out shows they are only just putting their heads above the waterline. According to the piece, however the band, sees the tour as a way of continuing to pump some excitement into the franchise as they enter their twilight years. [The Wrap]

• The weekend box office has been abandoned to the monsters. Pre-Halloween fight films will dominate this weekend with Saw 4 and the continued expansion of Paranormal Activity each tracking in the $25 million range. [LA Times]

• District 9 Director Neill Blomkamp has signed up for his next picture. Media Rights Campaign has committed to financing his sophomore outing, an untitled, unexplained project which will go before cameras in mid-2010. [Variety]

• In his overview of the TV season to date, The Hollywood Reporter's James Hibberd sees the networks, or most of them, staging a bit of a comeback, with a surprising number of new shows actually connecting. Glee, Modern Family, The Vampire Diaries and NCIS: Los Angeles are cited as success stories. The one very dark spot in the network picture continues to be, of course, the black hole of NBC. [Hollywood Reporter]

• Dreamworks has ordered a script for a live action version of the Japanese animated classic Ghost in the Shell. Shutter Island screenwriter Laeta Kalogridi will take a first stab at the project. [Variety]

• Anne Hathaway and Neil Patrick Harris have signed on to do voices in Fox's upcoming Rio, by the animation team that brought you Ice Age: Dawn of the Dinosaurs. [Hollywood Reporter]

• The dream has ended for Shrek: The Musical. The stage adaptation of the cartoon which attempted to change the Great White Way forever with this revolutionary classy dramatic rendition of a farting contest (we're not kidding, watch the clip), finally accepted the call of gravity just under a year after its debut. [Variety]

• The immediate fate of Roman Polanski is unclear today. After reports earlier this week that he would not fight extradition to the US, today the picture is muddier, with his legal team apparently hotly debating the question. [Hollywood Reporter]

• This Is It, the documentary based on what would have been Michael Jackson's concert series, is headed for a big opening, with 1600 of its showings already sold out. [NY Times]

• David Fincher has signed on to produce a TV series based on the British political thriller House of Cards. The novels which were adopted into a classic trilogy of mini-series by the BBC a decade ago portray the rise and fall of a ruthless British Prime Minister. [Hollywood Reporter]

• Signaling to the world's geek community that it is time to hurry up and say their last goodbyes, Fox has announced it is pulling Joss Whedon's Dollhouse from its November sweeps schedule. [Hitfix]

• Technicolor has finally taken its place on the bandwagon to shove 3D - and its accompanying higher ticket prices - down the world's throat, announcing it has found a solution that will allow non-digital equipped movie houses a conventional means of projecting 3D. [Variety]

• Young women having personal drama in dangerous places seems to the theme of the CW's upcoming development slate, revealed yesterday. In the works: a drama about women at the CIA's spy school, a soap opera by Veronica Mars creator Rob Thomas set in space and a show featuring original music by country star Brad Paisley about a young woman headed for Nashville stardom. [Variety]

• Hollywood perennial war — the battle between distributors and theater owners has heated up again, sparked by Paramount's attempt to sell the DVD of GI Joe and The Goods a mere 88 days after their theatrical debuts, within the 90 day window traditionally given to the multiplexes. "We don't know what Paramount is up to, but it's highly objectionable," was National Association of Theatre Owners president John Fithian's response to the plan. [THR]

• Anheuser-Busch has signed a deal to be the sole and exclusive sponsor of this week's Saturday Night Live, buying out the entire ad space. The brewery will also be hosting sponsored watch parties of the branded episode around America. [LAT]

• The Wrap reports on Warner Brothers contradictory marketing plans for their upcoming Where the Wild Things Are release, selling it simultaneously as an adult film, with a campaign of branded merch sold at Urban Outfitters and as a kids movie. Having just seen it, given the choice between where its a grown-up and kids film, we'd like to vote neither. [The Wrap]

• Former Friends star David Schwimmer will direct Clive Owen and Catherine Keener in, Trust, the very un-Friends-like tale of a couple whose lives are turned upside down when their daughter is stalked by an online predator. [THR]