Gawker: defamer, titanic

Boffo 'B.O.' Shows Coin-Raising Legs Despite Hicks' Crix

Kyle Buchanan — Tue, 21 Oct 2008 13:00:19 EDT

Kudos must be extended to tyro presidential helmer Barack Obama, whose record $150 million fundraising haul in September put him over the $600 million mark and finally allowed his campaign to overcome Titanic's heretofore-insurmountable domestic gross. 23/6 envisions the Variety ad announcing the whammo development; now, the Obama/Biden ticket must hope that with two weeks until the election, no iceberg is in sight (still, he'll never let go, Joe... he'll never let go).

Obama "King of the world!" Makes more money than "Titanic"! [23/6]

Blockbuster Reality Check: 'Dark Knight' Only $1 Billion Off Record Pace

STV — Mon, 18 Aug 2008 13:45:00 EDT

Big ups to The Dark Knight, which surpassed the first Star Wars film over the weekend to become the second-highest-grossing film ever. Sort of, anyway: That number-two figure on which the industry has had its eye for the last month since TDK's release — $471 million, still a cruise ship shy of Titanic's $600 million — remains quite the impressive number domestically, but isn't really threatening anyone globally. It's a bit of an open, underreported secret, but after the jump, behold the only number that really matters: your 19th-highest-grossing film of all time — only $64 million behind Finding Nemo!

1. Titanic — $1,842.9*
2. The Lord of the Rings: The Return of the King — $1,119.3
3. Pirates of the Caribbean: Dead Man's Chest — $1,066.2
4. Harry Potter and the Sorcerer's Stone — $976.5
5. Pirates of the Caribbean: At World's End — $961.0
6. Harry Potter and the Order of the Phoenix — $938.5
7. The Lord of the Rings: The Two Towers — $926.3
8. Star Wars: Episode I - The Phantom Menace — $924.3
9. Shrek 2 — $919.8
10. Jurassic Park — $914.7
11. Harry Potter and the Goblet of Fire —$896.0
12. Spider-Man 3 — $890.9
13. Harry Potter and the Chamber of Secrets — $879.0
14. The Lord of the Rings: The Fellowship of the Ring — $871.4
15. Finding Nemo — $864.6
16. Star Wars: Episode III - Revenge of the Sith — $849.0
17. Spider-Man — $821.7
18. Independence Day — $817.4
19. The Dark Knight — $800.1

(*Grosses in millions)

And this is after what's characterized as another strong frame for TDK at the international box office. But just in case the guy on the other side of the cubicle wall is trying to sway you with wagers with over-unders less than $1 billion from the No. 1 spot — it's a trick! Fire back with something involving a Roland Emmerich film in the Top 20; we wouldn't have believed it either, fancy house or not.

Time Warner's `Dark Knight' Nears No. 2 All-Time Film [Bloomberg]
All Time Worldwide Box Office Grosses [Box Office Mojo]

How 'Dark Knight' Will Sink 'Titanic' For All-Time Box-Office Glory

STV — Tue, 29 Jul 2008 14:35:00 EDT

With its enshrinement as The Greatest Film Ever Made safely assured and its box-office trajectory soaring ever upward, The Dark Knight is now being groomed for a spot so exclusive that it only changes hands once per decade: The highest-grossing film in history. Feel free to take the news with a grain of salt, seeing as it came from the notably math-challenged John Horn in today's LA Times; even so, it's hard to argue when Knight is looking at $400 million by this weekend and Titanic sits idle at the dock with $600 million.

Seriously — $400 million in two weeks. But as we note after the jump, that last hurdle might be taller than it looks.

Observers attribute the record haul-to-date in part to the same repeat viewers who bumped Titanic to No. 1; turnouts among "older moviegoers, families, Latino and African American audiences" are higher than normal as well. And last weekend, anyhow, The Dark Knight enjoyed the advantage of weak competition. Those days are over, though, with the execrable Mummy 3 nevertheless looking at a $50 million opening this Friday and Pineapple Express and Tropic Thunder set to usurp their own cuts of DK's marketshare in the weeks to come. By comparison, Titanic had 15 weeks at number one — most in the late-winter studio dumping grounds of early 1998, as Horn points out, and aided heavily by its inexorable march to Oscar glory.

Similar factors could dovetail in unique ways for The Dark Knight, though, as its proximity to both the fertile July market and this fall's more prestigious film crop means Warner can revive its Terry Gilliam-endorsed Oscar chatter just in time to stretch DK's long tail into awards season. Call it Phase 2, even if Warners distribution boss Dan Fellman takes the high road with Horn: "We are honored to be considered in that company. But I think Titanic will hold that record for eternity."

Don't sell yourself short, Dan! Or, more importantly, don't underestimate a James Cameron sabotage campaign — we're already seeing evidence of a conspiracy online. That's when you know you're a phenomenon.

'The Dark Knight' enters 'Titanic' territory [LAT]

AFI Recruits Storied Cineaste Jessica Alba To Deconstruct Film's Greatest Treasures

STV — Wed, 18 Jun 2008 16:00:00 EDT

Everybody loves lists, right? Especially those mystifying annual tallies compiled by the American Film Institute, which lumps together 100 films by style or some other vague calculation of merit upholding AFI's profile in cultural irrelevance. Its latest list mixes things up a little, however, featuring a who's who of talent ruminating on the 100 best "genre" films — from Westerns to sci-fi to mysteries, 10 at a time. But for every Clint Eastwood commentary about The Searchers or Roman Polanski insight about Chinatown, we've got Sean Astin chiming in about Judgment at Nuremberg and Jessica Alba weighing in on... well, we've assembled the greatest hits after the jump. Let it suffice to say that Annie Hall is closer than you might have thought to Alba's self-described, "stomach-turning" neurosis and that Cher is... yeah, she's the best. [AFI]