<![CDATA[Gawker: defamer, the lion the witch and the wardrobe]]> http://tags.gawker.com/assets/base/img/thumbs140x140/gawker.com.png <![CDATA[Gawker: defamer, the lion the witch and the wardrobe]]> http://gawker.com/tag/defamer/thelionthewitchandthewardrobe http://gawker.com/tag/defamer/thelionthewitchandthewardrobe <![CDATA[Fox Willing To Take Magical, Expensive Trip To 'Narnia']]> As we predicted last month, Fox has stepped up to take the reins of the Narnia franchise steered into a costly anthropomorphic wall by Disney. Here's the scoop from Variety (including what they got wrong):

The two sides are still working out budget and script issues, but the hope is to shoot the film at the end of summer for a holiday 2010 release through the Fox Walden label...The Century City studio seems to be an ideal fit for the "Narnia" books given that it's been looking for a family-friendly, lit-based franchise for years — Fox 2000's "Eragon" failed to catch on with audiences and died after one installment.

Fox and Walden will split production and P&A costs for "Dawn Treader," which is projected to go into production at a $140 million budget. That's considerably less than the $215 million or so spent on last year's "Prince Caspian," which was considered something of a box office disappointment as compared with the first "Narnia" pic, 2005's "The Lion, the Witch and the Wardrobe" ($419 million vs. $745 million worldwide, respectively).

Still, "Caspian," which is considered the least commercially appealing of the seven C.S. Lewis "Narnia" novels, ranked No. 10 in global box office performance last year.

OK, first of all: Caspian is the "least commercially appealing of the seven novels"? Apparently Variety is all too willing to gobble the Fox line, as there are way more expendable novels coming up (A Horse and His Boy, anyone?) and Caspian had the virtue of reuniting the first film's four child stars, something no other installment does.

Also, citing Fox's misfire with Eragon is a bit disingenuous, as that trifle actually performed decently: almost $250 million worldwide on a $100 million budget for a glorified Sci-Fi channel TV-movie. Variety should have instead chosen to highlight Fox's most recent massacre, the botch job it did to the Dark is Rising franchise. Americanized and retitled The Seeker, the 2007 kickoff installment grossed a stunningly low $31 million. Yes, that includes worldwide. Citing that project, though, would have shone a spotlight on Fox's fanboy-infuriating development practices.

(Still, there's at least one silver lining: Variety says that Eustace in Treader will be played by Will Poulter of the delightful, child-friendly Son of Rambow. Anything that might bring more eyes to this underappreciated modern classic, the better.)

]]>
http://gawker.com/index.php?op=postcommentfeed&postId=5141949&view=rss&microfeed=true
<![CDATA[How Disney Killed Off Its Billion-Dollar 'Narnia' Franchise]]> Disney announced today that it will not continue filming the Chronicles of Narnia series, prematurely snuffing an enormous franchise that the studio had clearly positioned as its Harry Potter. Here's why we're not surprised.

Eventually, the Narnia franchise was always going to present something of a challenge to put on film. Though it contains seven books, just like Potter, it's hard to imagine that Disney would ever bankroll a $200 million production of a novel as flimsy as The Horse and His Boy. And though we would have loved to see the studio deal with some of the crazy situations served up in the series' apocalyptic final book (like the premise that The Lion, the Witch and the Wardrobe's dear, sweet Susan can't get into Heaven because she committed the cardinal sin of wearing lipstick and is thus no longer a "friend of Narnia"), we suppose we'll just have to stave off those hopes unless Fox picks the franchise up and guides it to its moralizing conclusion.

Still, it should have been clear this was coming: Disney had long ago readied Michael Apted to begin pre-production on Steven Knight's adaptation of The Voyage of the Dawn Treader (the series's third book), then remained conspicuously quiet on the matter after the first sequel, Prince Caspian, performed below expectations. Here's the thing, though: the fizzling of Prince Caspian was all Disney's fault.

One of the perils of adapting the Narnia series is that the four original, much-loved children from Wardrobe don't stick around for many further installments. However, they still remain in Caspian — so why didn't Disney choose to advertise that fact instead of putting franchise newcomer Ben Barnes (as Caspian) front and center in its advertising campaign (left)? With the trailers' high emphasis on action, CG battles, and a generic hero and villain, it came off as Eragon 2 instead of the continuation of a family franchise.

Disney also erred in its choice of release date for Caspian. The original, religion-tinged Wardrobe cleaned up in a Christmas-adjacent December slot where it eventually grossed almost five times its opening weekend figure—a practically unheard-of multiplier for such an enormous film. However, Disney tossed Caspian to the wolves in its summer slot this year: no religious holidays, an unusually family-friendly slate of competition that wedged it right in between Iron Man and Indy, and a brutal landscape of screen turnover that allowed it little chance of retaining its multiplier (even the leggy Iron Man only grossed triple its opening weekend). Perhaps Disney was rushing the film, or perhaps they were afraid of going up against the Harry Potter sequel that was originally scheduled for this winter, but it's hard to argue that the studio wouldn't have found more success with Caspian right now.

Good job screwing up a good thing, Disney. Now we'll never get to see that hot centaur spinoff featuring James McAvoy!

]]>
http://gawker.com/index.php?op=postcommentfeed&postId=5117795&view=rss&microfeed=true