<![CDATA[Gawker: defamer, tell me you love me]]> http://tags.gawker.com/assets/base/img/thumbs140x140/gawker.com.png <![CDATA[Gawker: defamer, tell me you love me]]> http://gawker.com/tag/defamer/tellmeyouloveme http://gawker.com/tag/defamer/tellmeyouloveme <![CDATA['Tell Me You Love Me' Runs Out Of Simulated Sex Positions]]> · HBO prosthesiscore drama Tell Me You Love Me has abandoned its second season, with series creator/Jodie Foster tabloid companion Cynthia Mort releasing a statement explaining the creative team was "unable to find the direction of the show for the second season," blaming in part "the considerable amount of time" since the first season aired. Translation: "None of us could recall what any of our whiny characters were fighting about, and the shock of a set of slapping latex balls has sort of worn off." [Variety]
· Ellen Barkin, Ving Rhames and Rob Corddry have begun shooting on indie spy comedy Rogues Gallery—de facto work stoppage be damned! [Variety]
· Gilmore Girls' Alexis Bledel will star in The Good Guy, a romcom also starring Andrew McCarthy, Anna Chlumsky, and several other of your formative crushes. [THR]
· Studio, a show about Studio 54 and set in that cokeopolis's heyday, is coming to Showtime, with Bryan Singer in talks to direct the pilot "if his schedule permits." We have a feeling it'll permit. [THR]
· Family Guy showrunner David A. Goodman will adapt Last Blood—a comic about "human survivors of a zombie massacre who find themselves protected by a band of vampires who need their blood to survive"—into a feature. ("That reminds me of the time we feasted on Zsa Zsa Gabor at Frank Sinatra's house in Palm Springs. [Cue flashback].") [THR]

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<![CDATA[Secrets Of The Prosthetic Member: 'Tell Me' Star Tells All]]> As the official site describes it, HBO's Tell Me You Love Me offers "an unfiltered look at three couples as they navigate critical periods in their lives." By "unfiltered," of course what they mean is, "boldly ushering slapping balls into the premium cable landscape." And no one's slapping balls were more closely scrutinized than actor Adam Scott, whose Cruiseian good looks made up one-half of the couple you would have most eagerly TiVoed through the boring stuff to see knock prosthetic uglies. Talking to BlackBook, Scott reveals what went into making the "banging for real" illusion come alive:

Have you been recognized more after the HBO show?

Definitely, yeah. I mean, now it's like, people are walking up to me and actually—

Calling you Palek.

Yeah, stuff like that, and wanting to talk about the show, wondering if that's really my dick.

Is it?

No! For the first couple weeks I just wanted to walk around with a t-shirt that said, "It's prosthetic."

Did they give you that option, or did they want you to be naked first and you said "no, I won't do that," and then they compromised?

I think for the most explicit scenes, my thinking was if it's real, it crosses a line into documentary.

The girls don't get prosthetic breasts, though.

No, those are all prosthetic. The whole show is actually CGI. I don't know if you know that.

It's motion capture, isn't it. Gollum has nothing on you guys.

The dude that plays Gollum plays every character in the show. He deserves like, four Emmys.

While we admit to enjoying the prospect of motion-capture Olivier Andy Serkis covered in a green-dotted body stocking and attempting to physically manifest a half-dozen sexually alienated urbanites, we really think Scott deserves credit where credit is due: That's all him and some molded latex up there, bringing emotional resonance to a scene that requires him to jerk off into a plastic cup with the help of some phoned-in verbal encouragement from his wife.

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<![CDATA[Hurt By Pitt, Universal Throwing Itself Into Crowe's Big, Strong Arms]]> crowe-yuma-b.jpg· A rebounding Universal tries to shake off its recent jilting by Brad Pitt by climbing into bed with Russell Crowe, inviting the actor to partake of Pitt's State of Play sloppy seconds. [Variety]
· Even though it feels like there's been nothing good to watch on HBO since the end of The Sopranos (Flight of the Conchords notwithstanding), the network's subscriber numbers have actually risen slightly since the Best TV Show in The History Of The World went off the air. We suppose we have no chose but to credit (at least in part) all the fucking on Tell Me You Love Me for retaining viewer interest. [THR]

· Report: Oscar-hopeful, artsy-fartsy films may have limited commercial appeal. [Variety]
· Cameron Diaz hopes that America's tastes continue to deteriorate to the point that her new holiday special, Shrek the Halls, will take its rightful place alongside the Frosties, Rudolphs and Charlie Browns of the end-of-year TV-special season, becoming a new Christmastime tradition. [THR]
· Ray Winstone's CGI-tightened belly continues to be popular at the foreign box office. [Variety]

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<![CDATA[Though it pains us to admit it, we fear our...]]> tellme-ballz.jpgThough it pains us to admit it, we fear our once-torrid relationship with HBO fuckumentary Tell Me You Love Me has gotten a little stale; where we once eagerly tuned in to freeze-frame each possible stunt-cock scene for evidence of the Truth or to uncover acts of penetration that were supposed to be obscured by a cinematographer's carefully cast shadows, there's no longer any joy in our Zapruderesque examination of the sex-riddles we're offered each week. Things have gotten so bad, in fact, that following last Sunday's episode, we couldn't even be bothered to wonder whether Ian Somerhalder's actual scrotum made a cameo, or if a contractual no-balls rider necessitated the use of a nuts-double. Maybe we'll bring it up with our surprisingly foxy, sexagenarian therapist in this week's session. Anyway, there's footage of the scene at the link following this item, for those whose workplaces allow the viewing of graphic depictions of attractive people screwing. [Fleshbot]

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<![CDATA[Couples All Over America Fucking, Fighting Along At Home With 'Tell Me You Love Me']]> tell-me-old-s.jpgWhile we've previously confessed that we've been watching fucking-crazed HBO melodrama Tell Me You Love just to see the different sexual positions into which the producers will twist their neurotic, anatomically correct mannequins each week, there are some viewers who are so affected by the show's profound insights into the whiny-human condition that they're moved to examine their own dysfunctional relationships. ABC News sought out some horny yuppies who recognize themselves in Tell Me's characters, asking them to elaborate on the complex feelings the series stirs up:

Fain Sutter, a 38-year-old Internet developer who has been married for nine years, has been a faithful viewer of the first four episodes. But his wife, a hedge fund analyst, refuses to watch the show with him.

The couple, both 38 and parents, recently had an explosive argument over the show with friends.

"She finds it too depressing," said Sutter. "But the writing is insightful and hits on so many issues that are relevant. You see similarities in your own life and in the relationships of friends. There are definitely a lot of layers."

"We fight over it," he said. "I tend to like shows that are very introspective and make you look at yourself and your life. But some people are turned off by stuff that's too raw like that."

It's not hard to see why his wife might be put off by his obsession with the show, as the characters closest to their age are the only ones not copulating like weasels dipped in Spanish Fly at every act break, enduring an utterly depressing, yearlong dry spell induced by the libido-dampening drudgery of parenthood. Then again, if Tell Me holds any message for its viewers, it's that even the most explosive of disagreements can be momentarily put aside in favor of some good, old-fashioned, make-sure-you-tell-that-therapist- how-good-I-just-gave-it-to-you screwing.

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<![CDATA[ABC Finally Debuts Its Less Racially Insensitive Cavemen]]>
With a controversy-shy ABC having retooled all of the potentially inflammatory, racial-allegory material out of the version of Cavemen that finally debuted last night, the show was forced to generate edgy laughs by having its put-upon Neanderthals participate in activities for which primitive Man would seem hilariously ill-suited, like selling futons at a fictionalized Ikea, participating in a round of Wii golf following a shopping spree, and playing squash in country club-quality outfits that would cause them to surrender whatever small amount of cave-cred they had left. We'll let you be the judge of how effective they were in the squash scene, but we'll admit that by the fifth or so time we had to listen to the Andy and Joel characters whine about their relationships, we thought we were just watching a version of Tell Me You Love Me with more unsightly body hair and less fucking.

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<![CDATA[Pondering The 'Tell Me' Question: How Much Fucking Do We Really Need To See?]]> tellme-borth.jpgAfter previously teasing us with the kind of reconstructed-hip-shattering, hot sexagenarian action we haven't seen on premium cable since we caught a late-night Cinemax presentation of Emanuelle: Retirement Community Seductress back in college, the producers of Tell Me You Love Me threw us an oddly prudish curveball last night, dramatizing nothing more racy than a chef-on-chef sex act probably not graphic enough to be pixelated by a Fox Hell's Kitchen censor, making us feel we'd completely wasted the hour we spent (we didn't even TiVo through all the tiresome yapping) looking for further evidence of ejaculating-prothesis use or glimpses of envelope-pushing penetration. But we did spend some time reading yesterday's NY Times piece about the ongoing pornification of television and film, in which the director of a competing sex-positive pay-TV entertainment offered a dissenting opinion on how graphic the screwing needs to be to achieve fucking-verisimilitude:

Even so, a lot of people in the industry don't buy the idea that some films require actors to engage in the real thing. Scott Winant, a director of the Showtime series "Californication," which also uses sex as a narrative device, said that what makes the scene is the emotions conveyed in the acting, not the act. Real sex, he said, "doesn't necessarily communicate the emotion of the sexual moment. It's more effective to work with great actors who can identify with a sexual moment through the acting."

We're sure that Winant wasn't referring specifically to the Tell Me cast, who altogether seem more than capable of identifying with a sexual moment even with a director interrupting them with notes like, "Hey, Adam, would you mind shifting to the right just a touch? We're really going to lose our sense of the emotional truth of you desperately trying to knock up Sonia if that shadow obscures your balls. Thanks, buddy, now back to the boning, you're really in a groove there"; he was merely demonstrating pride in the performances on his own show, where seasoned vets like Evan Handler prove each week that they don't need to actually show their areolas being yanked off during a nipple-clamp mishap to have the scene resonate with a realism-craving audience.

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<![CDATA[Sexagenarians Finally Get To Shut Up And Screw On 'Tell Me You Love Me']]>
We have a shameful confession to make: Despite the fact that we find the show's characters universally whiny and their monotonously dysfunctional relationships anything but compelling, we've fallen into HBO's clever trap, tuning in to all three of new drama Tell Me You Love Me's episodes just to see how far the show can push the graphic-fucking envelope before the entire network is consigned to the pay-per-view Hot Zone for its transgressions against premium-cable decency standards.

While we briefly thought that last night's scene in which frequently de-pantsed, possibly infertile star Sonya Walger attempts to dirty-talk frustrated partner Adam Scott through the arduous process of harvesting a sperm sample from the stunt-cock that made such a memorable debut in the series premiere might represent the episode's erotic high-point, we knew that the producers were holding back for a bigger finish. And they delivered: all of our voyeuristic buttons were pushed as we heard vaguely Mirrenesque therapist Dr. Foster sternly demand, "Fuck me!" of the husband with whom she had been recently bickering, then go on to prove in the ensuing moments of tangled sexagenarian limbs and thrusting buttocks you could bounce an AARP card off of that the show will open-mindedly afford its white-haired folks the same opportunities to explicitly screw away their interpersonal problems as it does its younger, more self-absorbed twenty-and thirtysomethings.

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<![CDATA[The Ladies Of 'The View' Discuss HBO's Porntastic New Relationship Drama]]>
On Sunday night, HBO debuted new drama Tell Me You Love Me, the flagship show in a post-Sopranos lineup the suddenly hit-deficient network is promoting under its unwieldy new slogan, "It's Not TV, It's TV With Tons of Graphic Fucking. Like, a LOT of Fucking. Hey, Did We Just Show You That Guy's Balls? You Bet We Did."

Apparently, the explicit sexual content simultaneously repels and titillates the ladies of The View, who spent some time on this morning's program trying to delicately explain to their audience just how "very clear" and "like a porno" the series' presentation of its sexual content is, and in the process exposed at least one rookie co-host's ignorance of exotic positions like "doing it in the passenger seat of a car so that we can momentarily ignore our differing viewpoints on monogamy."

And while we're on the subject, we'll open the floor to a reader's question about the premiere episode's, um, climactic -handjob scene:

honestly, in the jerk-off sequence on sunday's show, i thought it was a fake cock. has this been discussed at all?

We haven't yet performed the Googling necessary to provide any kind of definitive answer, but our suspicion is that a trick phallus capable of ejaculating stunt-semen at the command of an off-camera fuck-propmaster was used to spare the actor from the penis-punishing exertion of multiple takes, but we encourage our commenters to offer their better-informed theories on the scene's execution.

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<![CDATA[Report: HBO's Long-Missing Fucking Found On New Series 'Tell Me You Love Me']]> tell-me.jpgIn the latest installment of its penetrating investigative series on the erotic landscape of premium cable's leading brand in the post-Sex-and-the-City era, "HBO: Where's All The Fucking?," a breakthrough: after previously throwing a spotlight on the distressing lack of onscreen coitus in Entourage, the Times now reveals that the network has been secretly devoting all of its ugly-bumping resources to the development of new series Tell Me You Love Me, which promises to entice viewers with levels of pay-TV screwing surpassed only by the raunchiest of expense-account-verboten hotel-room offerings:

Bosoms and things: That's not exactly a plot summary of "Tell Me," but it's not a bad place to start. Because that's where many viewers will start. Whatever else it may or may not be, "Tell Me," at least in its current form, will set a new precedent for prime-time TV when it has its premiere Sept. 9:
No previous series, on pay cable or anywhere else, has dared show anything even close to this much skin; the climax, if you will, of the first episode finds a woman (Sonya Walger) in her 30s masturbating her husband (Adam Scott) to orgasm, with the entire act and all relevant body parts plainly visible. Even Jane Alexander — yes, that Jane Alexander, the snow-domed, regally poised 67-year-old former chief of the National Endowment for the Arts — drops trousers for some frisky senior sex. [...]

Now faced with promoting the series, the network is doing a 180, pretending that the sex doesn't matter, as if only perverts and rich, aging comedy writers won't be able to see that "Tell Me" is not about smokin' sex but rather intimacy and trust and other topics familiar to anyone who's ever endured couples therapy.

As HBO Entertainment President Carolyn Strauss said in an interview, "The point isn't to be prurient. The point is to show the language of intimacy."

Or, as Mort told me: "I didn't realize people would be so focused on the sex." (An experiment: Try to read that quote aloud in the mirror without breaking a smile.)

Look for a conflicted HBO to struggle a bit in discovering the elusive sweet-spot between prurience and restraint, between sweaty porking and the committed lovemaking; soon, their first attempt at treading this fine line will reach reporters, a press kit containing a neoprene model of the pilot's signature, explicit hand-job and a mocked-up copy of Shaved Sexagenarians in Heat, but which arrives in a box labeled: "Tell Me You Love Me: Come For The Fucking, But Stay to Learn The Language of Intimacy."

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