<![CDATA[Gawker: defamer, taylor swift]]> http://tags.gawker.com/assets/base/img/thumbs140x140/gawker.com.png <![CDATA[Gawker: defamer, taylor swift]]> http://gawker.com/tag/defamer/taylorswift http://gawker.com/tag/defamer/taylorswift <![CDATA[You'll Miss Paris Hilton Now That She's Gone]]> Seems only yesterday our culture was run by racism-ranting heiresses, rampaging redheads and self-mutilating pop stars. Suddenly, the whole culture is being run by bleacher-sitting T-shirt-wearing dorks who celebrate life-long commitment. This can't be good for democracy.

Where so recently we were awash in underage pole-dancing and the image of our national icons teetering on edge of self-immolation, now they demurely stand to the side, giving us space to pity them while hip hops stars try in vain to steal their thunder.

After years of seeing Parish Hilton and her set push our culture to the brink of armageddon, can it be that we have really stepped back from the precipice?

Some evidence that the tide has truly turned:

  • It has been nearly a year since we've had any big crazy mega-story on the level of Paris' arrest, Britney's hair cropping or Lindsay's initial lurch into insanity.
  • Paris Hilton has been in a quiet tabloid-free relationship for months, and her biggest play for the media spotlight has been releasing a new shampoo line.
  • Britney seems to have turned away from the brink of literal, not metaphoric, suicide and has released a not-at-all-a-trainwrecky album and gone a world tour from which the biggest controversy has been her onstage lip syncing.
  • While Lindsay continues to rage, Twitter seems to have been the right amount of rope for her to hang herself; her outbursts are now so common and so plainly on view for the world to see that they barely attract much notice.
  • Selling millions upon millions of albums, sweeping up every award American music has to offer, dorky, sweet, actually-scarily-talented, only-a-monster could hate, Jonas Brother-dating Taylor Swift's star has eclipsed even Miley's.
  • The biggest tabloid event of the season has been been Khloé Kardashian's after-all-the-fireworks, heartwarming, in-the-end-drama-free commitment to lifelong love with Lamar Odom.
  • The most read about actress of our times, Kristen Stewart, may indulge in a fair amount of public sulking and foster ambiguity about her relationship with her co-star, but to date she has yet to release a sex tape, openly steal a friend's boyfriend, get arrested or publicly lash out in an insane hate-filled rant. Her moods and snits are well within the bounds of pre-apocalypse young starlet divadom.
  • The absence of public misbehavior has been so marked that the paparazzi are having trouble even surviving.
  • Even the high priest of the mean girls era, Perez Hilton has been forced to start a bitchy-lite offshoot.
  • And the era's leading enabler, Joe Francis, is finally so deep in legal troubles that he seems on the brink of being buried by his own wretched world.

The upside of this are clear: our national solvency can't but be helped by young girls actually having positive role-models and not being encouraged to grow up into out-of-contol, drunk-on-narcissism, half-witted tabloid fodder striving desperately for negative attention.

Still, on the other hand, so many have wished Paris and Lindsay to be gone for so long, that shouldn't we be just a little bit worried that on the brink of getting our wish, we may be walking into a trap; that standing on a hill somewhere Mr. Roarke is watching our sea plane taking off and saying, mysteriously, "Yes, Tattoo, America got its fantasy of a world with no Paris, but, my friend, but at what price?"

Is a world where stars comport themselves with dignity, remember to thank their parents, refrain from swearing, never tape themselves having sex, don't steal their friends' husbands and don't Twitter in the middle of the night on meth, really what we want? Nice, earnest, stars devoted to their craft and wanting to do good for their community...you wanted it and now we've all got it. Unfasten your seat belts...the Ferrari is coming to a halt.

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<![CDATA[Taylor Swift's Conquest of All Show Business Nearly Complete]]> If there's one thing Hollywood loves it's a young overnight success. And if there's one thing Hollywood loves to destroy, it's a young overnight success. Congratulations Taylor Swift, the spotlight is yours.

• Taylor Swift applied the final throttle to her death-grip hold over entertainment last night, sweeping the Country Music Association Awards. According to The Envelope awards site, at 19, Swift became the youngest person in history to take home the Entertainer of the Year trophy (actually the full name for the award is Coveted Entertainer of the Year Trophy.) She is also only the sixth female in history to take that top prize. While she was at it, Swift grabbed the Female Vocalist, Album of the Year and Music Video of the Year prizes. With her goliath of an album still selling, positive buzz from SNL appearance and the lingering sympathy from her Kayne debacle, entertainment stands at a crossroads from where Swift will either become the only star in show business, or be destroyed by a vicious backlash, no doubt led by cheer captains fed up with this bleacher-sitting, t-shirt wearing nerd thinking she owns this place. Paris Hilton, are you still out there? [The Envelope]

• We have a new video game overlord. The latest Call of Duty (Call of Duty 2: Modern Warfare) sold 4.7 million games on its first day out. That would be $310 million dollars in sales. In one day. Take that James Cameron. [Hollywood Reporter]

• The NFL has declared itself happy with its current line-up of TV deals, with Giants owner Steve Tisch saying at a media conference, "Right now, we feel DirecTV as the exclusive partner is really in the consumers' best interest." [Hollywood Reporter]

• Show biz's most hallowed name MGM, is headed for a fire sale. After a catastrophic few years, the company's debt holders have reportedly demanded it be auctioned off to the highest bidder. [Variety]

• Taking the next step forward in Robert Iger's full-on shake up of the entire Disney studio operation, newly installed Chairman Rich Ross announced a re-org of his team, making the various department heads report directly to him. Still to come: the much anticipated announcement of a new marketing chief. [Variety]

• Like it or not, more Fockers are heading your way. Harvey Keitel has joined the cast of the latest installment of the Meet the Parents cycle, hilariously titled Little Fockers. [Hollywood Reporter]

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<![CDATA[Taylor Swift Was "Rattled" By Kanye At VMAs (Updated)]]> Taylor Swift was set to perform on The View today, but, considering what happened at Sunday night's VMAs, her appearance was expanded to include an interview on the couch, where she gave her reaction to it all.

Taylor doesn't seem to hold a big grudge, nor does she seem particularly wounded, but she did say that Kanye has not reached out to her personally...and that he's welcome to do so.

Update: Kanye just called her.

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<![CDATA[Was the Kanye West-Taylor Swift Moment Staged?]]> When Guest of a Guest speculated that last night's Kanye West-Taylor Swift incident at the VMAs was scripted it sent a shockwave through Gawker HQ. Brian Moylan thinks it's fake and Richard Rushfield thinks it's real. Punches are being thrown!

Well, we're a little more civilized than that, but we're up for some spirited debate.

Moylan: As Guest of Guest points out, the whole things seems too good to be true, and too many people benefit. Everyone has sympathy for Swift, everyone loves Beyoncé (more), everyone thinks Kayne is (more of) a dick, and everyone is talking about MTV for the first time in a long time. Sure, it wasn't as obviously planned and Madonna kissing Britney Spears, but with a little bit of acting and canny planning, this is a publicity masterpiece.

Rushfield: Well that is the most half-baked argument I have ever heard. As any scientist or detective can tell you, motive alone is not enough to convict for a crime. Yes, MTV likes controversy, but their fake controversies in the past—eg. Bruno falling on Eminem—ham-handedly telegraph "this is a stunt" a mile off. Last night, you saw a moment of genuine awkwardness production-wise after Kanye took the mic when the booth seemed to stumble and be unsure about cutting away—not the hallmark of a pre-planned, pre-coreographed stunt.

Moylan: But why Swift so readily give up the mic? And how did Kanye get such easy access to the stage? I think it all started on the red carpet, where Kanye was conspicuously drinking from a bottle of booze and Beyoncé was talking up how she hoped that Swift would "get her moment" at the awards. It all just seems like foreshadowing for the unfortunate event. As for the production, well, WWE has been pulling stunts like this and making them look real(ish) for years.

Rushfield: Brian Moylan, your conspiratorial mind is seeing shadows everywhere. Why did she give up the mic so readily? First, she's a teenage girl, probably in a daze at the greatest moment of her life. Suddenly, there is Kanye West in her face grabbing her at hand, would you put up a fight? If that were me and I was a teenage Taylor I would just be shocked and think he was about to do some tribute to me or make a speech about Michael Jackson or something. The conspicuously drinking—well, its not the first time Kanye has done that either. Beyoncé wishing Taylor well does create a very neat circle, but a bit too neat to be planned.

If you were going to set this up as a stunt, would you really throw in a foreshadow like that? And why shouldn't she wish Taylor well. Just because your heart is filled with a hate for a young Southern girl who is the first non-tramp role model America's teenage girls have had in a decade, doesn't mean Beyoncé's heart is also made of coal. What needs to be examined here, Brian Moylan, is why you are so committed to locking the sunlight out of your life. To paraphrase Kelly Clarkson, in her letter to Kanye, What happened to you as a child Brian Moylan?

Moylan: It's not about what happened to me as a child, but what has happened to the celebrity industrial complex in my scant years on the planet. We have entered an age where every word that comes out of a celebrity's mouth, every outfit they wear, every Starbuck Mocha Frappachino they are photographed with by the paparazzi has prescripted, chosen, or placed. Every moment that we see in regards to the famous has been carefully planned out by professionals to make people money and to make all those teenage girls clamoring for a virgin queen like Taylor Swift buy more albums or her fragrance or House of Dereon jeans or Mocha Frappachinos. In a universe where everything is fake and for sale how can anything—from Kanye's outrage, to Taylor's sadness, to Beyoncé's righteousness—be genuine. Mr. Rushfield sees a magic bullet, but I see a man on the grassy knoll.

Rushfield: You make some important points and somewhat shame me in my wide-eyed innocence. But I think your argument is ultimately too cynical and not cynical enough. My basic rule of showbiz is that if things go perfectly, its by accident. Especially on a big live production, there are too many mix-ups, confusions and chaos for things to really fall into place like that. You are comparing it to the sparkling surface of Nivea ad on a bus bench, but in a live production environment, you never get anything that shiny. And besides, isn't it just a better world if you can just turn off your mind and just believe that last night a little blonde southern girl got the moment of her life ruined for her by a drunken hip-hop artist but then was saved by the Good Witch Beyoncé? Isn't that a happier place for us all to live?

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<![CDATA[Kanye West, You're a Dick.]]> Tonight's VMA awards were messy. The transitions were sloppy. The performances were so-so. And the emotional outbursts were, well, tacky. Our evidence: Kanye West upstaging Taylor Swift's big win.

In a bit of a surprise, singer Taylor Swift won the Best Female Video for her track "You Belong With Me." Sure, many of us aren't familiar with this 19-year old country girl's entertainment outputs, but that's really no excuse for Mr. West, a man so consumed by his own fame that he has no respect for fellow travelers in the starosphere, to take the mic and declare Beyonce and her silly "All The Single Ladies" video the real winner. "Beyonce had one of the best videos of all time," he declared, although that's wrong on more than one level.

Honestly, Kayne, you look like an asshole. More so than usual. This poor girl had a moment to shine and, as is apparent by her reaction, you stole that and ruined what should have been a proud moment. That's mean and childish and you should be publicly shamed. Oh, wait. Your own fame guarantees that. Good.

As for Beyonce. She looked somewhat appalled, albeit under the guise of self-conscious humility. Well done, Ms. Knowles. And especially well done for inviting Swift to the stage when you won the video of the year award. A bit of class in an otherwise ugly world.

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<![CDATA[In Defense Of Lady Gaga, Whose VMA Performance "Will Inspire A Movement"]]> She wears preposterous ensembles and says ridiculous things. But seriously? We need Lady Gaga.

The Lady will perform on September 13 at this year's MTV Video Music Awards, and she's planning something big. In an interview with Newsweek's Ramin Setoodeh, she says: "I'm going to be performing one of the most recent singles off my album. But it's going to be a different and more dramatic interpretation. And it is most certainly rooted in New York-style performance art." Setoodeh asks — and who could blame him — "What does that mean?"

Gaga explains:

It's less of me singing the song, and more of an art installation. A performance-art piece. It's very well-designed and thought out, and we've been planning it for months and months. It is for me a very meaningful performance, [for] where I am in my career, as well as the experiences I've had, as well as the co-headlining tour I'm going on in the fall. […] I sort of have this philosophy about things: there's never a reason to do something unless it's going to be memorable, unless it's going to change things, unless it's going to inspire a movement. With the song and with the performance, I hope to say something very grave about fame and the price of it.

Does that clear anything up? Hell no. But even more cryptic is her answer to the question, "what are you going to wear?"

I would say that the fashion for the performance is a representation of the most stoic and memorable martyrs of fame in history. It's intended to be an iconic image that represents people. I think after watching the performance and maybe studying it after you watch it on YouTube, you'll see the references and the symbols come through.

And, when talking about her lighting scheme, Ms. Gaga says: "I like it to be moody. I like it to evoke an idea more than light my face. It's not about what you see. It's about what you don't see, and sometimes that vacant space can be very scary."

Perhaps you find it tiring to hear about her "philosophy," her "art," "symbols" and "meaning." Maybe it would be easier if she just said, "I'm going to dress like Joan of Arc. It's gonna be dope." But the other women topping the chart right now? Miley Cyrus and Taylor Swift. Those two aren't exactly… interesting.

Back when that song "Beautiful" was all over the radio, a DJ friend of mine once said, "The devil didn't invent rock and roll for James Blunt." And I can't help but agree, as a woman raised on filthy Prince lyrics, Madonna writhing to "Like A Virgin" (at the VMAs!) and sexual innuendo in George Michael hits. Lots of people can sing. Lots of people write songs. Pop music should be more that that. Not a lot of people sing well, or write catchy songs; Lady Gaga does both. But more importantly: Lady Gaga makes it exciting. Titillating, unexpected. With Muppet coats, teacups, awful (untrue) hermaphrodite rumors and general pantslessness. Without her, pop would be a bland landscape right now. And think about it: People mocked what David Bowie and KISS wore, too. In addition, she uses her Haus of Gaga to "propel" friends and young designers into the spotlight, using her fame to further their careers.

You might think Lady Gaga is pretentious, a phony. But if she is, it's as someone once said of Holly Golightly: She's a real phony… She honestly believes all this phony junk that she believes. Asked, "How old were you when you first wanted to be famous?" Lady Gaga replies:

I think I was in my mother's womb. But it's not about fame, you see. It's about "The Fame." It's about a life of glamour. I believe in a glamorous life.

Lady Gaga Will Rock the VMAs [Newsweek]

Earlier: Questions About The High Fashion & Domestic Violence In Lady GaGa's Video
Before The Teacup & Blonde Wig, Pants Were Still A Problem
Alice Doesn't Live Here Anymore
Lady Gaga Visits The View

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<![CDATA[Taylor Swift, CBS Head To Motel For One-Night Stand]]> · Country star and Jonas dumpee Taylor Swift will appear on CSI as a "teenage girl whose family manages a seedy Las Vegas motel and who undergoes personal changes that have tragic consequences." [Variety]

· Lawyers for Fox and Warners spent 30 minutes in Judge Gary Feess's chambers Monday, where the Watchmen negotiators all agreed to bring Rorshach-thieving Michael Jackson on as a co-defendant to help lighten WB's burden. [THR]
· Hustle & Flow filmmaker and all-around Southernsploitation firebrand Craig Brewer is attached to write and direct Mother Trucker, about a prison escapee who steals a big-rig en route to visit his dying mother. [THR]
· Attention Oscar completists! This year's Academy Award-nominated short films will receive a theatrical release in a single program starting Feb. 6. And for the lazy/cheap among you, you can find them on iTunes starting Feb. 17. [Variety]
· Animal Planet announced plans for new shows Animal Armageddon, River Monsters and Beverly Hills Groomer. You probably won't watch them. [Variety]

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<![CDATA['That's An Ouch': Joe Jonas Dumps Taylor Swift Over Phone In A Record 25 Seconds]]> Pop-country tween phenomenon Taylor Swift dropped by Ellen today to promote a new album of songs that tap deep into the wells of heartache she's already amassed in her scant 18 years on this planet. The most achy-breaky of all? Her breakup with dreamy-haired Jonas brother Joe, about whom she says pragmatically, "One day...I won't be able to remember the boy that broke up with me over the phone in 25 seconds when I was 18." What follows is a thunderous wave of "Ohhhhhhwaaahhhhhhwhoooooooaaaa" from the audience we think is supposed to encapsulate their shock, sympathy, and outrage over the callous tele-dumping. While we feel for the singer, we too are certain there's far more worthy suitors in her future, and she'll chalk this experience up to yet more grist for the country-song mill, culminating in a CMA-winning composition entitled, "I Need Your Lovin' (Like I Need A Fartin' Dog in My Dodge)." [Ellen]

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<![CDATA[Wherein We Finally Attempt to Comprehend The Jonas Brothers]]> Look, we're old. Not "old" old, but more like "the Olympics were so much better in Los Angeles" old. And definitely not "Beatlemania" old, but old enough to wonder if the Jonas Brothers phenomenon is anything like what we've heard about Beatlemania. We honestly don't know — before today we'd never listened to a Jonas Brothers song, we've never seen them perform, we don't even know which is which, only that the moppiest-headed one occasionally receives photos of Miley Cyrus eating her skivvies.

But this week's seismic release of the new Jonas Brothers album A Little Bit Longer — and the ensuing tear-streaked, hair-gnawing tween bedlam (best evinced by the accompanying snapshot from the group's recent TRL appearance) — has us taking the Jonases' impact much more seriously. After all, today's young pop heroes are tomorrow's clinically wasted reality TV icons; on that basis alone their soaring stars deserve a closer look and deeper understanding — or at least a handy Defamer fact sheet for your water-cooler convenience. Everything you need to know is after the jump.

I. KNOW YOUR JONASES

(Then there's "bonus Jonas" Frankie (a/k/a "Frank the Tank"), who, at 7 years old, is too young for non-Chosen Blob editorial consideration at Defamer.)

Legend has it Nick was discovered singing at a New Jersey barbershop around the time of his last haircut at age 6. Broadway followed for him and Joe; Nick was signed to Columbia shortly thereafter, at which time they were conveniently bundled for their 2006 debut It's About Time.

II. KNOW THEIR CANON

This week's A Little Bit Longer is the Jonas Brothers' third full-length album and their first to revive a discarded Spinal Tap title. Their preceding albums — It's About Time (2006) and The Jonas Brothers (2007) — each broke the Billboard Top 100, with the latter album peaking at #5. The new one is expected to debut at #1. The brothers have made their biggest impact in the cutthroat genre of Abbreviated Gerund Rock, with the hits "Burnin' Up" and "Pushin' Me Away" each receiving unprecedented download action at iTunes.

Their film and TV work is equally impressive, with their guest-starring breakthrough in Cyrus's Best of Both Worlds concert film opening the door for their monumental musical Camp Rock — the soundtrack to which was another smash. The movies cemented them alongside Cyrus among the Disney Channel's most influential draws. (Nick and Miley's eventual romance was its own drama, but we'll get to that.) A Camp Rock sequel is forthcoming, as are a reality show and concert film based on their current, sold-out, hormonally corrosive concert tour.

III. KNOW THEIR ACCOLADES

The Jonases won six Teen Choice Awards in 2007, including "Choice Summer Song" for "Burnin' Up" and a three-way tie for "Choice Hottie." Critics are falling in line as well, with Rolling Stone offering A Little Bit Longer four stars and esteemed MySpace critic IHeartDjDanger persuasively adding:

"THE WHOLE CD IS AMAZING THOUGH!! after I listened to it, I was like "NOW I'M SPEECHLESS OVER THE EDGE I'M JUST BREATHELESS!" AHH, i ALSO LOVE sHELF!! oooh, and I love the second verse of can't have you sooooooooo much!!! it is so awesome when you repeat the lines all eachoey!!

IV. KNOW THEIR STYLE

Upmarket, overproduced boy-pop cheese, with lots of collars, blazers, denim, ties, fruity scarves, hair products, pitchy vocals and derivative culture riffs, a potent mash perhaps best depicted in this excerpt of their video for "Burnin' Up":

V. KNOW THEIR LOVE LIVES

Love lives? What love lives? The super-wholesome Jonas Brothers, evangelical sons of an ex-pastor, wear purity rings and have vowed abstinence until marriage. Nevertheless, Nick is very publicly the poster child for Disney Channel incest, having had successive relationships with Cyrus and now (allegedly!) Selena Gomez. OMG they are so cuuuuute! Alas, Miley begs to differ. Meanwhile, Joe has been linked to country singer Taylor Swift, with one gossip blogger saying the two retreated to his hotel room last night for Joe's birthday. Ewww gross. Kevin is unofficially connected to slightly downmarket actress/model/vocalist Zoe Myers.

You, too, can date a Jonas by following a few easy steps enumerated by the brothers this week in the estrogen maelstrom that was TRL:

VI. KNOW THEIR EMPIRE

The Jonases reportedly earned a measly $12 million in 2007 — a number certain to spike by the end of 2008 after another ongoing, sold-out tour. They recently closed on a $2.8 million mansion in a gated enclave outside Dallas, with each brother's wardrobe getting its own bedroom and where the boys are safer than ever from temptations such as girls, drugs and actual rock music.

VII. KNOW YOUR FUN FACTS

· Nick Jonas is a Type-1 diabetic.

· Ali Lohan chose an East Hampton, N.Y., Jonas Bros. concert last weekend to unveil her fantastic new breasts.

· Joe Jonas is literally known to prize his hair above all other worldly possessions.

· Kevin Jonas's favorite food is sushi.

· Nick claims to have written the brothers' hit "S.O.S." in 10 minutes.

· At any given time, as many as 20 people at once are watching "Burnin' Up" on YouTube.

· Their bodyguard Big Rob keeps a blog of his Jonas-protecting exploits and is the guest rapper heard on "Burnin' Up."

Again, we're new to this, so please help us help you by filling in any noteworthy blanks below. The world needs to know.

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