<![CDATA[Gawker: defamer, strike]]> http://tags.gawker.com/assets/base/img/thumbs140x140/gawker.com.png <![CDATA[Gawker: defamer, strike]]> http://gawker.com/tag/defamer/strike http://gawker.com/tag/defamer/strike <![CDATA[The Strike Is Either Over, Over On Monday (Or Sometime Next Week), Or Not Over At All]]> Shockingly, despite yesterday's dramatic proclamation by former Disney Head Mouse in Charge Michael Eisner that the writers strike is over, the WGA has yet to order the mass disposal of its picket signs and send everyone back to work, stubbornly insisting on taking some time to review the actual language in the proposed deal and present it to its members tomorrow night at its planned general meeting. (But if you're looking for a positive sign that everyone's Cautious Optimism could soon be rewarded, Saturday's latest Scribeapalooza will feature a performance by Hannah Montana instead of the slightly more militant Rage Against the Machine.) So when maybe/possibly/if the numbers look right could the strike potentially be called off? United Hollywood, the Guild's unofficial voice of the past three months, offers some (theoretical) timelines:

As we wrote here earlier today, the WGA constitution lays out a few timelines for when the strike could be called off. One permissible timeline would have a ratification vote completed by Wednesday.

In light of that option, many members have contacted U.H. privately or posted comments stating the importance of having time to digest the deal points and make up their minds in a responsible way. Keenly aware that there are pilots, tv shows, movies, jobs and a popular ceremony hanging in the balance, they are not asking for weeks, but rather days. When weighed against the three-year life of this contract (or possibly twenty-year life, if DVDs are any indication) 72 hours seems a very reasonable request.

WGA presidents Patric Verrone and Michael Winship have stated that no action will be taken until some consensus emerges among the membership. We have faith that they will do that. When they say they will let the membership decide, we take them at their word.

Should it become clear on Saturday night that the memberships in New York and LA need a day or two to digest the deal points, we think they will respect that. Likewise, if it's clear that the majority of members strongly supports the contract, we could be back at work on Monday.

Do with this information what you will: the optimistic might want to hit Party Plus to stock up on plastic champagne flutes for their late Saturday night Let's Get Back To Work! bacchanals, while the more resolutely suspicious could head to CostCo to hoard the canned peaches, enormous bottles of Ketel One and pallets of Ramen noodles that will get them through the six strike-ravaged months that follow the discovery of a secret "the studios reserve the right to demand a full refund of all internet-derived payments should the next The Office webisode fail to draw 500 million hits" clause the studios have quietly inserted into the contract. Should you opt for the party route, please make sure Mr. Eisner receives an invitation; it's the least you can do to repay him for finally bringing this thing to an end.

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<![CDATA[Let's See Your Strike Beards]]> Strikebeard In solidarity with the Writers Guild of America, with Conan and Letterman and with Katie Holmes we're growing a strike beard. Our Solzhenitsyn-like beard has been growing since November 5th, the first day of the strike. Let's see your strike beards. Send them to tips@gawker.com

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<![CDATA[Leno's Self-Penned Monologue Broke Strike Rules]]> Last night, America's late night talk show hosts went to back to work. Letterman and the Scottish Guy had their writing staff, as Letterman's production company worked out a deal with the WGA. Leno and Conan, stuck with the less liberal negatiators of NBC, were unable to work out a deal and went on writer-less. Conan filled the time with close-ups of his strike beard and a thrilling segment in which he spun his wedding ring on his desk for 36 seconds. Leno, though, delivered a monologue that was more or less indistinguishable in its bland hackiness from any other Tonight Show monologue of the last dozen years. Because, as he admitted part-way through, he wrote it himself. In advance. In specific violation of WGA rules! (Leno—like Letterman, like Conan, and unlike Kimmel Carson Daly [whoops]—is a WGA member.) We caught this when we flipped over to Leno for a sec during Letterman's punchier, Made In America By Union Labor monologue, and Nikki Finke confirms its odd interpretation of WGA guidelines. [Deadline Hollywood Daily]

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<![CDATA[Striking Writers Guild Not Going To Help Hollywood Fellate Itself At Globes, Oscars]]> Already plagued by questions about which honorees might be willing to cross the WGA picket line to collect their gilded tokens of the Hollywood Foreign Press Association's inscrutable esteem, the producers of the Golden Globes learned late yesterday that the Guild had turned down a waiver request to allow WGA writers to toil on their show, a move that will force their telecast to rely on the booze-fueled improvisations of its presenters to an even greater degree than usual. (This year, on-air talent will be compelled to drain half a bottle of cheap tequila—purely a voluntary option at past ceremonies—before they're allowed to exit the green room and take their wobbly place behind the podium. A vomit receptacle will be made available for those whose dangerously low body weights hamper their ability to hold down quickly imbibed quantities of alcohol.)

And for those who've held out hope that the Guild might be more amenable to helping out the Academy by allowing scribes to supply their banter-fabricating services to Hollywood's Biggest Night, further disappointment awaits: a rejection for a similar writing waiver is expected, and the WGA has already turned down a clearance request for clips from films and past Oscar shows, a decision that potentially cripples producer Gil Cates' unparalleled ability to bore hundreds of millions of worldwide TV viewers with seemingly endless montages of Golden Moments from show business's less strike-plagued past.

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<![CDATA[Plum Sykes Saps Our Good Will Towards Striking Writers]]> plumsykesIn Gandhi's 1929 autobiography The Story of My Experiments in Truth, the founder of modern-day non-violent resistance wrote:
During the Satyagraha in South Africa I had altered my style of dress so as to make it more in keeping with that of the indentured labourers....I regarded the scarf and the cloak as too much of an incumbrance, so I shed them and invested in an eight-to-ten-annas Kashmiri cap. One dressed in that fashion was sure to pass muster as a poor man.
Nearly 80 years later, Vogue gal and screenwriter Plum Sykes isn't going to make the same mistake.

She writes in New York magazine:

I glumly resign myself to wearing a Burberry trench and nasty J.Crew Wellingtons with dogs printed on them. I'm about to leave when Delia Ephron, Nora's sister and a fellow writer, calls to wish me luck on the picket line. "I made six new friends," she yelps. "It's the best party in New York right now!" Newly insecure, I immediately change into a brand-new gray merino-wool Martin Margiela turtleneck sweater and chunky high leather boots from Veronique Branquinho. Some warmth is provided by my sharply tailored Alexander McQueen fur-lined suede jacket with enormous hoops of fox fur at each cuff. The look is fashion girl meets snowbunny.
Sykes ventures to the picket line where monster Ron Howard is too. But, :(, it's raining!
My spirit is undaunted, for a while. Then my soggy sign falls off its pole, and my mood falls, too. My toes are frozen. The fur on my cuffs is starting to stick together, like little points on a meringue pie. Defeated, I take a raincoat when it's offered again. But then a strange thing happens. After wearing the raincoat for just a few minutes, I start to feel cozy and protected. Indeed, I like the mac—and what it represents—so much, I wear it to a late lunch at DB Bistro Moderne. Sure, the coat-check boy looks at me as if I'm a street person. But when I tell him I've come from the picket line, I am offered friendly smiles, hot tea, and an immediate seat.
Wow, it's just like the Salt March to Dandi.

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<![CDATA[On Strike? Write Video Games]]>

As the Writers Guild of America strike continues to eke its way toward a very unhappy holidays, Variety has put together a little list of things striking writers can do in their spare time.... no they didn't include playing through BioShock. They did include writing video games though.



While the WGA has made no secret that it would like to eventually cover vidgame writing, it hasn't pushed the issue yet and is allowing members to work on games during the strike.

"It has been an interesting shift," says one tenpercenter who focuses on vidgames. "The literary agents are now saying, 'Why don't we get our clients over there during the strike?' even though in the past they thought the money wasn't good enough or the work is too demanding."

While the article says that the pay isn't that good comparatively, they list the typical fee as $50,000. Man, maybe I should change jobs. The article has a lot of other interesting insights into the process of writing the story for a video game, like how long it takes and how disjointed it can be.

This pen's for hire [Variety]


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<![CDATA[Writer Takes Crazy Staffing Season Dream To YouTube]]>
Today's LAT publicizes the plight of local TV-writing hopeful David McMillan, who after completing the CBS Diversity Institute's Writers Mentoring Program and enduring three unsuccessful staffing seasons, has this year decided to distinguish himself from the other faceless hopefuls watching their careers quietly die in the spec script slush pile by harnessing the power of the internets for some self-promotion. He's seized control of his own destiny by posting a clip of the top ten reasons he should be given a staff gig, then mailing off the URL to his industry contact list. Career suicide, or clever stunt that will land him a few meetings with executives anxious to meet the YouTube guy so that they can brag to their friends over lunch at the commissary that they met the YouTube guy? You be the judge.

In any event, McMillan can't be a worse hire than WGA mole George "Scab Writer" Ellis, whom the Guild hopes will be snapped up during a studio's MySpace hunt for cheap, strike-insurance labor, and whose shoddy, non-union workmanship will doom any stockpiled project to instant failure. His video resume follows:



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