From transparency to rational investing to sexual harassment to pay equity to discriminatory hiring practices, Hollywood is ruled by behind-closed-doors, old boy wheeling and dealings in a way that no other industry has enjoyed since the Gilded Age. Slice it any way you like — along gender lines, minority employment, elderly discrimination; hiring or pay equity — and Hollywood will show you numbers and trends that are absolutely dismal.

This is the second study conducted by the Guild with annual data now covering 2003 through 2007. They note in the introduction to this year's executive summary that the first report in 2007 had called for "rethinking business as usual in the industry." Today, they write:

Despite this clarion call, the report finds little if any improvement in the employment and earnings of diverse writers in the entertainment industry. Women remain stuck at 28 percent of television employment and 18 percent of film employment. The minority share of film employment has been frozen at 6 percenct since 1999, while the group's share of television employment actually declined to 9 percent since the last report. Although women and minorities closed the earnings gap with white men in television a bit, the earnings gaps in film grew.

These findings are clearly out of step with a nation that elected its first African-American President in 2008, a nation in which more than half the population is female and nearly a third is non-white.

There are lots of jaw dropping goodies in the report. We've collected some of the report's best graphs below. Enjoy this look by the numbers of life inside Hollywood, the conscience of the world.

Suddenly the Universe is a very cold and empty place.

• Apparently we are not a nation of people waiting for Amanda Woodward to return to Melrose Place. Heather Locklear's trip back to the series did little to ease its struggles, lifting its gruesome ratings by a mere 15 percent to a 0.8 rating in the 18 - 45 demo. [Hollywood Reporter]

• Meanwhile, just as the world was sending its mocking obituaries to the printers, guess who's having a good week? Jay Leno is up five percent this week, "matching its highest ratings in six weeks." [Hollywood Reporter]

• With two and a half months to go, the Super Bowl's ad space is almost sold out. CBS reports a 90 percent sell-out rate thus far, meaning only six slots are still available. Like everything else these days, Super Bowl ad sales are being viewed as a barometer of the nation's economic health. [Ad Age]

• A Writers Guild report of diversity among its ranks finds "little if any improvement" for the prospects of women and minority writers. Variety writes that the report "found that women scribes remain stuck at 28% of TV employment and 18% in features while the minority share has been frozen at 6% since 1999." [Variety]

• Jennifer Hudson will play Winnie Mandela, the ex-wife of the ex-South African President Nelson Mandela in Winnie, a biopic to be directed by Darrell J. Roodt, maker of Cry the Beloved Country. [Variety]

• Roger Ebert may be off the airwaves, but his influence lives on, remarkably, as the online buzz king. A survey by Nielsen of which critics dominate the internet reveals that Ebert remains a goliath online, crushing all the competition combined. [thehotblog]

• Making 2012's grosses look like the change fallen under the cushions of your sofa, the video game Call of Duty : Modern Warfare 2 reported sales of more than $550 million in the first week of its release. The LA Times puts production costs on the game in the $40 - $50 million range (a fraction of 2012 or Avatar), putting its total budget including marketing somewhere around $200 million. Who's in the wrong business now, movie people? [LA Times]

• Lovely Bones director Peter Jackson told a reporter that, despite his PG-13 rating he had upped the violence in his upcoming film after early test screening audiences "were simply not satisfied" with the depiction of a character's death. [Hitfix]

• Nikki Finke reports that investor Carl Icahn has been snatching up MGM bonds like "A bat out of hell." [Deadline]

• The LA Times reports further on Disney's heroic decision to pull the plug on McG's attempt to America's memories of 20,000 Leagues Under the Sea with his remake. The paper writes that execs saw the project, scripted by novelist Michael Chabon as "too dark" and that they will take another stab at it somewhere down the line. [LA Times]

Ms. Smith is curly-haired and petite and wore a festive black-and-white print dress to lunch; Ms. McCullah Lutz, in a form-fitting turquoise dress, suggested a blonde Valkyrie. Ms. McCullah Lutz seemed more serious, Ms. Smith more bubbly. But they said the key to their personalities is in their dogs: Ms. McCullah Lutz owns a Maltese; Ms. Smith, pit bulls. ...

Their M.O. consists of writing beside Ms. McCullah Lutz’s pool (both live in neighborhoods on the funkier east side of Hollywood) and presenting a united front to those studio executives who would tamper with their work. But sometimes, they conceded, the questions can lead somewhere. When Disney asked for additional motivation for the comedian Larry Miller’s overprotective, pregnancy-obsessed father in 10 Things, they made him a gynecologist. Other times, they said, studio participation can be perplexing. ...

Ms. McCullah Lutz, referring to Ella Enchanted: “Miramax is the only studio that’s ever told us to add” a flatulence joke.

Ms. Smith: “Which I was very excited about.”

Keep in mind, of course, that this was Miramax circa 2004 — an extraordinary stroke of luck for the forthcoming pilot, in which a lumbering studio mogul named Marty Feinstein summons the women to his office on the Disney lot for a hi-larious exchange "clearing the air about clearing the air." Indeed, we smell Emmy.

• Women (Real and Fictional) Defying Expectations