His lawyers filed a request late Tuesday for a judge to dismiss Polanski's statutory rape conviction, which resulted in the director's flight from the States before he could be sentenced. They claim the case's original judge, the late Laurence Rittenband (whom the doc depicts as a publicity-scarfing judicial derelict), was unduly influenced by a deputy district attorney not involved with the prosecution, but who advised Rittenband anyway. Their evidence: Wanted and Desired, which features clips of the deputy D.A. boasting about his manipulation:

In one encounter, [David] Wells told [his interviewer] “I was privy to almost everything that went on in that case.” At one point the deputy said he counseled the judge on sentencing. At another, he described prodding Judge Rittenband with a photograph of Mr. Polanski, then on bail, in the company of two young girls at an Oktoberfest celebration. “Look here. He’s flipping you off,” Mr. Wells said.

Hey, what's the problem? It was nothing, Wells maintains today, but the 75-year-old Polanski wants his name cleared (to the extent it can be), and he's not getting any younger. But will he be around for the hearing Jan. 21? The L.A. district attorney's office still insists he surrender before any review of his case moves forward; that will never wash with Polanski, who did 42 days in prison back in 1978 and, judging by the whole "flee to Paris in terror" episode that followed, has a marked distaste for incarceration.

Surely the parties can reach a compromise in the interim, say, Polanski must view his own, insufferable Bitter Moon on a loop during his long return flight to California, followed by an apology and his release on $500,000 bail pending his hearing. We're not lawyers, though — someone help us. Does that seem like an even trade?

• Film Cited in Request to Dismiss Polanski Case [NYT]

The network's attempt to qualify the film for Oscar consideration — by burying it for a week in the farthest reaches of L.A. and Manhattan — denied it the "true release" Academy voters are fond of; a later theatrical run grossed less than $60,000 and hastened its fade from Oscar consideration. Religulous pulled the same stunt prior to premiering at Toronto in September; it fared better with Lionsgate behind it, earning $12.5 million since its release Oct. 1.

But that's about all the gold it'll get. On the bright side, Werner Herzog is a step closer to his first Oscar nomination; the Bavarian maverick was shortlisted for his quirky Antarctic adventure Encounters at the End of the World. Any fan of his jilted 2005 classic Grizzly Man will agree justice delayed remains justice denied, but every bit helps. He'll face old pal and '04 winner Errol Morris, whose Iraq doc Standard Operating Procedure was shortlisted as well and whose vying against Herzog for an Oscar is itself the surreal, cerebral stuff of a feature-length doc in the making. Or at least we hope so; those guys film everything.

• Oscar's feature doc list down to 15 [THR]

WHAT'S NEW: This is a good weekend to maybe paint the house or just drink — a lot — as Hellboy II: The Golden Army, Journey to the Center of the Earth and Meet Dave jockey for Top 5 position against holdovers Hancock and Wall-E. We admit: We walked out of Golden Army's LA Film Festival premiere, annoyed with its wisecracking self-awareness and degradation of Selma Blair — but that's just us, it seems, as director Guillermo del Toro and his magical make-believe realm of creatures and bad screenwriting have dazzled most critics and are likely to nab $40 million over the next three days. Journey, meanwhile, which places Fraser in 3-D, PG-rated peril somewhere near what looks suspiciously like the Warner Bros. lot, will be lucky to surpass Wall-E for third place around $27 million.

It's a crowded weekend for indies and art houses as well, with the documentary Oscar hopeful Roman Polanski: Wanted and Desired making its "official" theatrical debut after a sub-sonic run in April. The Spencer Breslin/Cuba Gooding Jr. balding-teen dramedy Harold also opens, as does Death-Defying Acts, the Weinstein Company shelf-casualty starring Guy Pearce as Harry Houdini and Catherine Zeta-Jones as the con woman who falls for him.

THE BIG LOSER: Speaking of jilted premieres, you can reasonably take Murphy's Meet Dave no-show at face value; the spiritual heir of Norbit should still break $20 million, but if Murphy's latest multi-role hackwork doesn't stop the travesty of Beverly Hills Cop IV in its developmentally-disabled tracks, we don't know what will. Oh, who are we kidding? They'll probably start shooting on Monday, box office (and worn-out welcomes) be damned.

THE UNDERDOG: We recommend the ensemble drama Garden Party with a few reservations: filmmaker Jason Freeland's forced script could use a dialogue polish or eight; it's got more twee sound cues than a Moldy Peaches set; and if wanna-be dreams come true this fast in LA, then we should all be doing lines off each other's asses today by happy hour. That said, the low-profile cast — particularly Vinessa Shaw as a cutthroat realtor (with a past, natch), Willa Holland as a teen looking for her absentee mother or a decent job, whichever comes first, and the endlessly fascinating Patrick Fischler as a skeevy, unassuming porn photographer — does quite a bit with not a lot. And there's a bonus: The most awkwardly choreographed gay-bar dance sequence since Cruising. You heard it here first.

FOR SHUT-INS: Among this week's notable DVD releases: the gross-out psych-horror thriller The Ruins; the pig-nosed Christina Ricci rom-com Penelope; the not-eagerly awaited MTV! Award! Winner! Step Up 2: The Streets; and the masterful Dallas: The Complete Ninth Season.

So what do you think? Anything good on TV this weekend, or any books you might recommend? Or is the Eddie Murphy completist in you racing to the multiplex as we speak. Be honest — nobody is judged here! Well, sort of. Anyway, when is The Dark Knight opening again?

Geimer had flown in from Hawaii, "a beautiful spot where no one is aware or even cares"; she's now happily married with three children and working as a "personal assistant, accountant, and bookkeeper" for a real-estate developer. Both her husband and her mother, who had taken her to the party where the incident took place, had gotten gussied up with her for the premiere. ...

She approves of the movie — "I didn't think somebody could make it that interesting" — and hopes it will quell some of the curiosity about what happened that night. "I'm glad [director Marina Zenovich] put the truth of the way it happened out there, because I don't want to have to tell people," she says. "It's nice that she went ahead and did it, so people can know the truth and I can just go, 'It's a great movie!'"

Well, then, fantastic. We don't know how or even if ThinkFilm, the distributor who will (re?)release the film theatrically in July, plans to outdo Geimer's appearance later this summer, though a cleverly disguised Polanski himself — smuggled into the States via suitcase, natch — would be just the kind of coup to launch this film into the March of the Penguins-esque notoriety that would position everybody right where they want them come Oscar time. Or, considering how one popular Web site even has Geimer and Polanski listed as an item after all these years, just overturn the conviction and let felony bygones be bygones. Clearly it's time.

[Photo Credit: Getty Images]

• The Surprise Guest at the Roman Polanski Documentary Premiere [Vulture]

HBO Documentary Films purchased Wanted and Desired for $1 million out of Sundance, planning a cable premiere and a DVD release — but no theatrical run. Except that to qualify for an Oscar, you have to screen "for a minimum of seven days in both Los Angeles County and the Borough of Manhattan." We don't know what to tell you about Los Angeles, but we know now — thanks to an eagle-eye who pointed out the microscopic newspaper ad above — that HBO is protecting its audience for the June 9 cable premiere and keeping its Oscar hopes alive by dumping it in the farthest reaches of Upper Manhattan for the bare minimum two afternoon screenings per day.

An HBO rep contacted by Defamer had no word on Los Angeles screening location or dates, so we're not sure if you've missed it already or not. Check your local listings, we suppose. In any case, we know docs are a tough sell these days, but either way: This isn't exactly the kind of treatment supposedly Oscar-worthy films deserve, is it?

UPDATE: A resourceful tipster sends word that Wanted and Desired is in fact currently screening in Pasadena at the Laemmle One Colorado through April 3 at the convenient hours of 1 p.m. and 3 p.m.