<![CDATA[Gawker: defamer, robert downey, jr.]]> http://tags.gawker.com/assets/base/img/thumbs140x140/gawker.com.png <![CDATA[Gawker: defamer, robert downey, jr.]]> http://gawker.com/tag/defamer/robertdowneyjr http://gawker.com/tag/defamer/robertdowneyjr <![CDATA[How Gay Is Guy Ritchie's Sherlock Holmes?]]> Did Page Six get you all excited this morning about the possibility of Robert Downey Jr. and Jude Law doing a steamy gay love scene in Guy Ritchie's upcoming Sherlock Holmes? We scoured the screenplay for the movie's gayest scene.

The New York Post's gossip column didn't have much to base its conclusion that Ritchie had given the sleuthing tale a homoerotic backstory except for Downey's quote in the News of the World earlier this year that his Holmes and Law's Watson are "two men who happen to be roommates, wrestle a lot and share a bed. It's bad-ass."

That was apparently enough to put conservative radio host and family-friendly movie critic Michael Medved into a full-blown gay panic. "There's not a seething, bubbling hunger to see straight stars impersonating homosexuals. ... Who is going to want to see Downey Jr. and Law make out? I don't think it would be appealing to women. Straight men don't want to see it."

Well, we got a hold of a copy of a script to see just how gay it is, and to Medved's relief (or secret disappointment?) there're no scenes of Holmes and Watson going Brokeback. Our version is dated March 18, 2008, so it may not be the final, final revision. But the only explicit sex mentioned is a half-naked post-coital shot of Downey and Rachel McAdams in bed. That doesn't mean, of course, that Ritchie didn't direct his actors to give the Holmes-Watson dynamic some sexual tension. Here's the script's gayest moment — a scene that comes early in the movie when Watson tells Holmes that he's getting married. I could see how it could be played gay, but be your own judge.

Click images for a larger, more legible version

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<![CDATA[Mila Kunis Will Quietly Take Over the World]]> Today we have news about unexpected rising stars, videogames turned movies, and gay people on TV. There are no gay people on TV!

The appropriation continues! Another old-timey throwbacky kinda thing will be made into a movie, because no one knows what else to do anymore. Remember Castlevania, that sorta-creepy, sorta-silly vampire videogame from long ago? It will be a movie now. Directed by the guy who directed Saw. Sigh. [Variety]

Wow, does Mila Kunis keep defying the odds (whither Wilmer, Laura, Topher, and Danny?) and getting work. She'll next star opposite Natalie Portman in a new Darren Aronofsky movie. Quite a get! The film is Black Swan, a "supernatural drama" about a ballet dancer (Portman) who is haunted by a rival (Kelso's girlfriend). [THR]

Robert Downey Jr. is jumping on another gravy train, this one called the Todd Phillips express. He's signed on to star opposite Zach Galifianakis in Due Date, a buddy road trip comedy. Which Phillips does a lot of! So, capable hands and all that. [Variety]

Moon Bloodgood, who didn't embarrass herself in Terminator Salvation but didn't ennoble herself either, has been cast in the Spielberg-produced TNT pilot that is about aliens invading. The tentative title is Not 'V', Sorry Elizabeth Mitchell. (Not really). [THR]

Speaking of the Kunis-factor! Her new Mike Judge comedy Extract, got a "warm" reception at Comic-Con this year. What this movie has to do with comics is a mystery. Is it that Jason Bateman sorta looks like a cartoon? [Variety]

Out of 15 TV channels, HBO has topped (heh) GLAAD's Network Responsibility Index. NBC and CBS failed. Unsurprisingly. Please make David Caruso gay on CSI. 'Twould be hilarious. [THR]

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<![CDATA[The 10 Things From Comic-Con You Need To Know]]> Why bother going to San Diego for Comic-Con when you can just sit in your living room and read all the good coverage of it! Now, when you talk to your nerdy sci-fi friends, you won't look like an idiot.

1. In the nerd equivalent of heaven, James Cameron and Peter Jackson attended their first Comic-Con, and did a panel together where they talk about the future of film-making and Jackson reveals that a script for The Hobbit, his Lord of the Rings prequel, will be finished in a month. [Zap2It]

2. Lost isn't known for parting with information easily, but they did have some good tidbits at their panel. Characters Juliet and Daniel Faraday will be back for the final season. Also in season six: no more time travel, the return of Charlie and Boone, the backstory for the enigmatic Richard Alpert, and some allusions to what may be alternate timelines. Damn, that shit makes our brain hurt. [EOnline]

3. Warner Bros. tried to roll out the new Patricia Heaton comedy The Middle at their Mom-A-Con. No one showed for the counter programming. Everyone said, "Mom, stop embarrasing me!" [THRFeed]

4. Hayden Panettiere is going to get some girl-on-girl action for the new season of Heroes. Yeah, cause that is what is going to fix this show. [io9]

5. Two scenes from the upcoming Twilight sequel, New Moon, were screened. Lots of girls screamed. [CelebrityCafe]

6. Iron Man 2 is going to fucking rule. Fans were excited by footage that shows Samuel L. Jackson's return as Nick Fury, Mickey Rourke playing new villain Whiplash, and a bunch of awesome special effects. Robert Downey Jr, director Jon Favreau, and new additions Scarlett Johannson (who plays sexy spy Black Widow) and Don Cheadle (replacing Terrence Howard) were all in attendance. That's either an A-List Comic-Con panel or a night at The Waverly Inn. [EW]

7. Ok, Iron Man gets two entries because the sequel is laying the foundation for Marvel's much anticipated (among comic geeks) Avengers movie (not the crappy Uma Thurmond one, this one has Captain American and shit). [EOnline]

8. We haven't seen the last of Battlestar Galactica, Edward James Olmos' career to continue. [io9]

9. You're probably not going to see Family Guy's "Abortion Episode," at least on the air, but it will probably be on DVD. What? Fox suddenly has standards? [LAT]

10. Alien invasion drama Vis back and the geeks love it. Is there anything left from the '80s for us to bring back? Alf, maybe? [THRFeed]

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<![CDATA[Sherlock Holmes Will Kick Your Ass, Britishly]]> The image associated with this post is best viewed using a browser.Ooh, look. The trailer for Guy Ritchie's new Sherlock Holmes movie is out. And the film's star Robert Downey Jr. seems to be no wimpering Basil Rathbone. No, this here is an action picture.

An action yarn complete with ham-slamming fisticuffs and wittily bantered-about gun play, a sexy/funny love interest (Rachel McAdams), and a door hoofening sidekick (Jude Law's Watson). While some (including us) may have been hoping for something darker and more ruminative, something in the vein of From Hell (but better), we should have known better based on Ritchie's lock stocking oeuvre. Ah well.

Looks fun, at least. We'll see it at Christmas.

[via Movieline]

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<![CDATA[Russell Crowe's Dislike for the Media Is Actually Pretty Rational]]> Russell Crowe, who's playing a hero journalist in his next movie, was on the Today Show bashing reporters, but, to tell you the truth, his description of the people at movie junkets is pretty apt.

Matt Lauer asked the raging Aussie if he shaped his character in State of Play based on his feelings about reporters. Crowe said not really, because if he had it would have been a far meaner caricature: one-eyed, limping spandex-wearers. His real problem is that sometimes reporters ask really dumb questions, but then get upset when they get a dumb answer. And he's right!

Why, just look at this disastrous snippet from an Robert Downey Jr.'s junket for The Soloist (hey Seth!), in which a reporter asked the actor what his character in Tropic Thunder would think about Jamie Foxx's character in The Soloist.

Um, what? Someone throw a hotel phone at that guy.

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<![CDATA['Candy Land' To Seduce Your Children Like Sugarcoated Crack]]> · Tropic Thunder writer Etan Cohen will pen Universal's adaptation of Hasbro's Candy Land, with Enchanted's Kevin Lima set to direct. This will probably wind up matching Enchanted's tone of grownup-servicing kiddie-nip:

A colorful, inner-candy-city drama revolving around down-and-out candy hooker Princess Frostine, turned out by Lord Licorice on the chewy streets of Gum Drop Mountain. She's eventually taken in by a disgraced former candy cop named Gloppy the Chocolate Monster, kicked off the force for stealing Pixie Stick powder evidence, and the two embark upon an unlikely love affair. [Variety]
· Casino Royale director Martin Campbell is close to signing with Warners for Green Lantern, outpacing other Warner/DC properties like the stalled Superman and Justice League projects, and even Sony's de-stung emerald hero, The Green Hornet. [Variety]
· Imagine TV is looking for another comedy hit, and is developing one written by Gilmore Girls's Dan Palladino and based on Brian Grazer's father, Tom Grazer. "A lawyer with a slightly questionable moral compass," Grazer Jr. said. "My dad was so much bigger than life. He was a big personality, extremely popular but flawed." Father of Grazerhead? The mind reels. [Variety]
· Chris O'Donnell and LL Cool J are in talks to star in CBS's as-yet-untitled NCIS spinoff. We nominate DoN CAF, or Department of the Navy Central Adjudication Facility, in keeping with the indecipherable military-agency-acronym theme. [THR]
· Robert Downey Jr., Tina Fey and Ben Stiller are negotiating to voice DreamWorks Animation's Master Mind, about a villain who accidentally kills his superhero nemesis, sending him into an existential crisis. [THR]

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<![CDATA[Iron Man's Rap Sheet Of Drunken Break-Ins Confuses Japanese Populace]]> Before his career resurgence in Iron Man, Robert Downey Jr.'s best-known performances involved Wild Turkey, aluminum foil-wrapped inducements, and the cushy beds of strangers. As the actor recounts, these roles apparently never made it overseas.

Speaking as part of Newsweek's Oscar roundtable, which also included Anne Hathaway, Frank Langella, Brad Pitt, and Sally Hawkins (whoops), Downey Jr. told the story of his wild trip to Japan, which was almost derailed when airport officials realized the actor had been arrested numerous times. Though they ultimately let him in, the actor was punished with a crippling, Kobe-related "yoo-hoo status" (Langella is as confused as you are by that one) as well as an insensitive request to pound open a gigantic barrel of alcohol for an excited Japanese crowd. "There's some wacky humor going on over there," Pitt observes, sagely. Indeed—we can't wait until Downey Jr's Japanese tour for Tropic Thunder, when he'll be asked to climb a gigantic wall made of chocolate syrup, ladies' underwear, and bees (all while made up in blackface).

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<![CDATA[Robert Downey Jr. IS 'Shirtless Holmes'!]]> Most Sherlock Holmes costumes distinguish themselves through accessories like a pipe and deerstalker hat, but we'd wager that Robert Downey Jr.'s stripped-down take on the character will be far more popular in WeHo this Halloween.


Warner Bros. has finally released some non-paparazzi photos from Guy Ritchie's Sherlock Holmes, and they showcase Downey Jr.'s physique (in an exploration of Holmes's boxing roots) as well as Jude Law as his Watson. Still unseen: Ritchie's provocative new "fiery penis" storyline. Guy, we've got a stunt double who's ready to audition...

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<![CDATA[ Too Many Irons In the Fire: Though Robert...]]> Too Many Irons In the Fire: Though Robert Downey Jr. is signed on for an Iron Man sequel and an Avengers film that will group together Marvel heroes including Thor, the Hulk, and Captain America, the actor is starting to sounds a little concerned about the latter property. "If we don't get it right, it's really going to suck," he told MTV. "Nothing that happened in Iron Man is really outside the realm of possibility. Once you start talking about Valhalla and supersized super soldiers and jolly green giants, it warrants much further discussion." [MTV]

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<![CDATA[ Soloist Silenced Even Longer: Paramount...]]> Soloist Silenced Even Longer: Paramount announced Tuesday that it's pushing back The Soloist yet again, this time to April 24. The studio surprised even its former DreamWorks partners last month by drop-kicking the Robert Downey Jr./Jamie Foxx drama into 2009, culminating in an unceremonious dump-and-run in March and its withdrawal from the opening-night slot at last month's AFI Fest. The move is yet another slap in the face to the 'Works, whose loss of an '08 Oscar contender is only compounded by The Soloist's new, utterly insurmountable April competition Vanilla Gorilla. Insult, meet injury. [Variety]

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<![CDATA[George Clooney: Keeper Of The Stache]]> This photo from the Albuquerque set of Men Who Stare At Goats reassured us that George Clooney has proudly inherited the mustache mantel from Robert Downey Jr. We instantly felt the need to draw up another one of those celebrity mustache visual cue-charts—the kind we distribute as retractable blackboard teaching aids to classrooms that incorporate Defamer into their curricula. Help us decide which of these five candidates most closely hews to the goat-staring original in a brand new mustache poll after the jump!

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<![CDATA[Robert Downey Jr. Loves Terrence Howard Too Much to Discuss His 'Iron Man' Exit]]> Having already dodged one crotch-burning close call this week, Robert Downey Jr. wasn't about to set himself up for another one for the sadists at MTV. In an interview this afternoon, the Iron Man star hewed close to the Marvel party line when asked about the expulsion of co-star Terrence Howard from geek Eden in favor of an allegedly less-difficult Don Cheadle:

When asked if he had anything to do with the Howard/Cheadle switch, Downey immediately responded, “I had nothing to do with that decision. I love Terrence very very much. That’s all I’ll say because I haven’t talked to him yet.”

Furthermore, the Iron Man star makes it clear that he will not play favorites between the two equally talented actors, so if you’re looking for a juicy “good riddance” quote from Downey [...] you won’t find it here.

“I’ve always admired Don [Cheadle],” said Downey. “It’s one of those situations where I still don’t quite know what happened or why. Here’s what happens too: things happen and you wind up commenting on them before you’ve actually talked to the people and it’s in poor taste.”

Of course we're nothing if not helpful, so here's Howard's account, and here's Marvel's (we think). Please file your response in the comments below; we have a rally to get to!

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<![CDATA[Spiteful 'Iron Man' Producers: We Never Liked Terrence Howard Anyway]]> When it was announced that Don Cheadle would be taking on Terrence Howard's role in Iron Man 2, a simple explanation of "financial differences" (as well as an inability to get the War Machine costume sufficiently baby-wiped) was all that was forthcoming from the filmmakers' side. Then, Howard spoke to NPR and compared the Marvel braintrust to a non-singing network of pimps, forcing the filmmaking team to take the gloves off. Now, in a discussion with EW, sources close to Marvel and director Jon Favreau leaked the real details behind Howard's firing, and they involve bad acting and one very surprising salary:

Those with intimate knowledge of the situation suggest a far more dramatic backstory: Howard was the first actor signed to the film and, on top of that, was the highest-paid. That's right: more than Gwyneth Paltrow. More than Jeff Bridges. More than Robert Downey Jr. And once the project fully came together, it was too late to renegotiate his deal. It didn't help that, according to one source, Favreau and his producers were ultimately unhappy with Howard's performance, and spent a lot of time cutting and reshooting his scenes.

...As such, when Favreau and screenwriter Justin Theroux went to map out the sequel they found themselves minimizing Howard's story line. Once Marvel learned that Favreau was thinking of curtailing the role, the studio went to the actor's agents with a new and drastically reduced offer — a number that's similar to what supporting cast members were paid for the first movie. The agents, according to sources, were so taken aback by this new figure — estimated at somewhere between a 50 and 80 percent pay cut — that they questioned it.

Yes, it's hard to believe Howard wouldn't take Marvel up on their awkward offer. "Hey, uh, Terrence! So, we're going to start the sequel with you already in the War Machine suit. And, uh, you never come out of it. Plus, no musical number. So, how about $500 grand and a few net points?"

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<![CDATA[Robert Downey Jr.'s 'Naughty Areas' Saved By Quick-Thinking Jude Law]]> Tragedy was narrowly averted on the set of Guy Ritchie's Sherlock Holmes, a colorful report circulating the UK gossip press claims, when Robert Downey Jr. very nearly set his penis ablaze in a pipe-smoking incident gone terribly wrong:

A source said: "Robert leaped from his armchair and jumped up and down, slapping his crotch and howling, 'Oh God, I'm on fire!' Robert had placed the pipe on a plate on the arm of the chair, but it overbalanced and plopped into his lap, scattering lit tobacco all over his pants."

Luckily, Robert's co-star Jude Law - who plays Holmes' sidekick Dr. Watson in the movie - was on hand to extinguish the flames and save the star from singeing his privates.

The source added: "While Robert was screaming and swatting his pants, quick-thinking Jude saved the day by flinging water from a flower vase at Robert's naughty area."

Ritchie would have acted sooner had he not been attending at that moment to yet another ominous text message from his divorcing wife. Once Downey's desperate screams of, "MY DICK! SOMEONE PUT OUT MY DICK!" had died down, however, the director comforted his star by explaining that he went through a similar trauma daily: Should he have ever climbed into bed without having made peace with Madonna over that day's squabbles, she would slowly pat the propane device on her nightstand, reminding him, "Blowtorch, Guy. Blowtorch."

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<![CDATA[Robert Downey Jr. In Flight! Afternoon Delight!]]>

Boomp3.com

On the London set of Sherlock Holmes, free spirit Robert Downey Jr. did his best to cheer his director Guy Ritchie up. Partnering up with the effects and stunt departments, Downey crafted a rig that allowed him to fly around the set. A rather glum Ritchie perked up at the sight of Downey soaring majestically, as Downey shouted down, “Relax, Guy. I’m going to fly in this movie, too. People love it when I’m flyin’.”

[Photo Credit: Bauer-Griffin]

*A Call To The Bullpen is a work of fiction. Although the pictures we use are most certainly real, Defamer does not purport that any of the incidents or quotations you see in this piece actually happened. Lighten up, people ... it's a joke.

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<![CDATA[Dudes' Night Out!]]>

Boomp3.com

Sherlock Holmes star Robert Downey Jr and an extremely animated Jude Law took the swingin’ streets of London to help their boss, Guy Ritchie, wash that woman out of his hair with a night on the town. Downey Jr. said, “It’s not going to be a bender. It'll never be a bender, but we're going to have the most fun humanly possible before our 6 a.m. call time. Watch out, world, reformed Kabbalist on the loose!"

[Photo Credit: Bauer-Griffin]

*A Call To The Bullpen is a work of fiction. Although the pictures we use are most certainly real, Defamer does not purport that any of the incidents or quotations you see in this piece actually happened. Lighten up, people ... it's a joke.

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<![CDATA[ Soloist Silenced Yet Again: AFI Fest is...]]> Soloist Silenced Yet Again: AFI Fest is scrambling this morning after Paramount yanked The Soloist from the event's opening-night premiere slot — not a totally unforeseen move considering the film's recent bump to 2009, but one the festival and studio had both maintained would not happen so close to AFI's Oct. 23 bow. For now, anyhow, the studio's other awards-season dumpee Defiance is still on the fest slate for closing night. We actually wouldn't be shocked to see that film named the new opener and something like Frost/Nixon or Twilight moved into the closing-night spot, but who knows — festival reps are mum for now, saying only that the new selection will be announced later today. Call your shots. [AFI Fest]

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<![CDATA[Robert Downey Jr. Saved, Jamie Foxx Doomed in 'Soloist' Oscar Oblivion]]> The fallout from Paramount's recent release-date shuffle continues today, with agents and saber-rattling DreamWorks brass continuing their protest over The Soloist's move to 2009. While we sustain our first impression that the Jamie Foxx/Robert Downey Jr. tearjerker will in fact be better than the diabetic-coma inducing trailers already in circulation, that's not much comfort to those who fear the bump from November to March will impugn Soloist's profile among critics and audiences alike. But now, as a peace offering to the angry gods at CAA who packaged the film for the 'Works with its clients Downey, Foxx and director Joe Wright, Paramount has forged a silver lining for one-third of that jilted braintrust.

Sort of. After all, can DreamWorks or CAA ever really find consolation in a Tropic Thunder campaign pushing Downey as Best Supporting Actor? They'd better — neither Downey nor Foxx had a shot at Best Actor anyway with Sean Penn (Milk), Josh Brolin (W.), Mickey Rourke (The Wrestler) and Brad Pitt widely foreseen to hold down four of the five slots, and the latter star's Curious Case of Benjamin Button (not to mention, to a lesser degree, Downey's Iron Man performance) already drawing from Paramount's awards war chest.

DreamWorks insiders are still griping over some perceived revenge from Paramount, but even they'd acknowledge that The Soloist is better off with spring prestige all to itself. And that a nominated blackface performance is no doubt one of the least controversial ways to revive public interest in the Oscars. We're pulling for you, RDJ.

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<![CDATA[The Road to Oscar Hell is Paved With Dead Paramount Movies]]> What a mess: Paramount's reshuffling of 2008 awards bait including Defiance and The Soloist — the latter of which now won't open until next March — has left devastated Oscar watchers (including us) tossing out their carefully wrought Trophynomics™ calculations for the fall movies season. Few are more dismayed than the DreamWorks gang, whose hopes that The Soloist might at least cover the cost of hiring movers were met with the reality check that the 'Mount has more important, Brad Pitt-y things to do before year's end. We think this, along with other traumatic developments elsewhere over the last week, calls for an all-new Oscar scorecard; start over with us after the jump.

So who's in and who's out?

· The Soloist: OUT. The move to March 13 stings for everyone, especially with millions in marketing dollars already being spent ahead of the Jamie Foxx/Robert Downey Jr. drama's Nov. 21 release. Both men were on the bubble for actor nominations — Foxx as a schizophrenic cellist and RDJ as the journalist who chronicles his feel-good recovery journey — but Paramount's new conservatism (i.e. an intern hiding Brad Grey's checkbook) means it only has so many in-house resources to lend to its fall releases. The studio's semi-official insistence that the shifts have nothing to do with the film's quality or favoring its homegrown Benjamin Button and Scott Rudin/DreamWorks offering Revolutionary Road, but that's bullshit. It's not 2006 anymore; nobody can afford all this prestige at once.

· Defiance: IN. Barely. Paramount inherited the WWII-era Daniel Craig drama from its lopped-off Vantage arm; but unlike The Soloist, the studio didn't have it on its Oscar-season books until earlier this year. Pushed back from Dec. 12, it'll still get a qualifying run in New York and L.A. before opening wide on Jan. 16 — sort of an afterthought treatment that won't likely sit well with director/producer and biennial Oscar bridesmaid Ed Zwick, but hey: There's always the ShowEast Kodak Award. Congrats again, Ed!

And while we're at it, let's not forget the neglected Weinstein and MGM family:

· The Road: OUT. As noted yesterday, the Weinsteins took it back from MGM only to nudge it from Nov. 14 to an undisclosed release date in December. It's not finished, and the Weinsteins can't promote it; we foresee this one left wailing on someone's doorstep in a basket some time in mid-2009.

· The Reader: IN. It's apparently back on the Weinstein Web site, and Bob Weinstein thinks it's "terrific"! And now without Defiance to contend with, Harvey's Folly may actually have a shot at an audience on Dec. 12. Oscars, though? We're not so sure.

· Valkyrie: IN. Even the MGM Tower receptionist is pulling her weight on the campaign these days. If gold had a smell, Valkyrie would reek.

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<![CDATA[Your First Glimpse At Robert Downey Jr.'s Little Tramp Detective, Sherlock Holmes!]]> Here we have your first look at Robert Downey Jr. in Guy Ritchie's SherlocknRolla take on Sir Conan Doyle's classic creation. The director has apparently abandoned Holmes's iconic deerstalker cap, cloak, and pipe in favor of a bowler hat, stripey vest, and gigantic Starbucks beverage. ("No foam skim latte, my dear Watson!")

It's a look that—stop us if we're way off here—is virtually indistinguishable from the one he wore in Chaplin. Like, right down to the bunched up vest and baggy tweed trousers? Hopefully Downey's considerable gifts will help us shake the looming expectation that at any given moment, the detective might sit down to a hearty meal of a leather boot before heading into the London fog to solve The Problem of the One-Legged Beefeater.

[Photo credit: Bauer Griffin]

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