<![CDATA[Gawker: defamer, reveille]]> http://tags.gawker.com/assets/base/img/thumbs140x140/gawker.com.png <![CDATA[Gawker: defamer, reveille]]> http://gawker.com/tag/defamer/reveille http://gawker.com/tag/defamer/reveille <![CDATA[Is NBC Plotting a Fall Schedule With No Time Slot for Ben Silverman?]]> While it's hardly a secret that embattled NBC chief Ben Silverman likes to party, never have his carousing ways received the sort of harsh buzz dealt out this weekend by Nikki Finke, who spent the better part of a blockbuster post detailing how Silverman's antics are about to cost him his job. No, seriously this time! According to a variety of anonymous NBC sources, Silverman is the network's very own Man Who Wasn't There, missing meetings on a regular basis and spending the entire, crucial month of August in Beijing while his colleagues expected him to decamp for a week at most (in all fairness, those Ryan Seacrest remotes weren't going to tape themselves!). However, it seems that the NBC chief's biggest problem is EVP Teri Weinberg, a Silverman protege whose romantic involvement with an NBC showrunner caused upward-failing NBC Universal head Jeff Zucker to step in and terminate that writer's deal:

"Teri just couldn't stay out of their business even though NBC had instructed her for months and months and months to do so," one insider informs me. "Other TV writer/producers began assuming that every decision Teri made was influenced by her relationship with her boyfriend's company. If she didn't buy something of theirs, they complained she was protecting her boyfriend's pitch. The truth is that this appearance of a conflict was really starting to hurt NBC's business."

Finke also provides more salacious details on the Silverman/Ari Emanuel blowup that set industry tongues wagging last May:

For some time, Endeavor talent agency owner Ari Emanuel had been counseling his pal to tone down this over-the-top behavior — even last spring when both men were attending a cancer benefit dinner where Silverman was widely observed "high as a kite". During the fundraiser, Emanuel reminded Silverman that scheduled the very next morning was a big meeting about an important piece of Marvel Studios business between Endeavor and NBC, and Ari warned Ben not to be late. But the next day, Silverman was a no-show. Though Endeavor does 75% of its TV business with NBC, Emanuel didn't hesitate to complain directly to Zucker — and the conversation focused on Silverman's over-indulgence of alcohol and drugs.

...I'm told that NBC is hoping that Silverman jumps before he is pushed. And several sources have information to believe there is every reason that Ben is a short-timer. His contract, like Weinberg's, expires next summer. But already Ben's posse is letting it be known that he may start negotiating his out with an eye to exiting before December. His reasoning, according to insiders, is that, if by some miracle this fall's primetime schedule succeeds, he'd like to go out "a hero".

Only time will tell whether Silverman is allowed to exit the NBC arena like a triumphant American Gladiator, or whether he will be cruelly pushed out and sold for parts like a ratings-challenged Bionic Woman. Sure, there's always that Entourage guest spot to fall back on, but we're starting to worry that the party-hearty NBC chief lacks the time needed to mend his ways. If Silverman can't shape up, we have but this to say: Benji, do not ask for whom the NBC chimes toll. They toll for thee.

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<![CDATA[Ben Silverman Sells Production Company For $125 Million, Now Just Doing NBC Day Job For A Goof]]> NBC perfect storm/D-girl disdainer/nerd-hating prom king Ben Silverman has long been filthy rich in the kind of programming savvy that's resulted in translated foreign hits like The Office and Ugly Betty and resurrected, nostalgic sensations like Knight Rider and American Gladiators, but following the just-announced sale of his Reveille Productions to a British firm for $125 million, his net worth will finally approach the value of the intimidating treasure-pile of his primetime creativity.

Tortured metaphors aside, selling off the company should free Silverman from some of the annoying conflict-of-interest questions that lingered even after he officially ceded control of Reveille upon being anointed Peacock Emperor last year, allowing him to focus his energy fully on the wall of huge flat-screens in his office that display feeds of high-rated international series from which he can select his next wildly successful adaptation. (Our guess: a nighttime soap about a Panamanian schoolteacher who secretly moonlights as stripper to pay for a hymen-restoration procedure.) And once the check clears, expect the bitchingest celebration this town has ever seen, as the party-loving executive rents out the entire Chateau Marmont for a week-long bash, where Silverman and the army of genetically engineered Silverman clones he can now easily afford can throw down together while surrounded by a few thousand of their best Hollywood friends.

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