<![CDATA[Gawker: defamer, repetitive mannerisms]]> http://tags.gawker.com/assets/base/img/thumbs140x140/gawker.com.png <![CDATA[Gawker: defamer, repetitive mannerisms]]> http://gawker.com/tag/defamer/repetitivemannerisms http://gawker.com/tag/defamer/repetitivemannerisms <![CDATA[David Caruso: 'What Should I Do? I Am A Grown Man With Red Hair.']]> Exactly one week ago today, we ran a fairly innocuous item about David Caruso's effusive bullying of a young director on the set of CSI: Sunglasses. Unbeknownst to us at the time we posted it, this item would generate a tremendous amount of feedback from you, the Defamer community. In particular, we received one incredibly detailed recollection of Caruso's on-set behavior from a commenter with the nom de plume of OnSetSnitch. While we normally don't make a practice out of reprinting comments verbatim, this one is so full of Grade-A juice that we felt compelled to share it with a wider audience. With that, please enjoy this unfortunate (yet hilarious) tale of what it's like to work with the likes of David Caruso on a daily basis:

It's taken me a bit of courage to actually fess up to what I've seen on the set of CSI:Miami, but I actually worked there for two years and saw first-hand almost 50 episodes being filmed. Caruso is without a doubt, the most tortured, saddest man-child/ actor I've ever seen in over 15 years of movie and tv-making. Everything you have heard is true, but worse.
He can't walk and talk at the same time (you should see him on stairs), requires dozens of takes for simplest line-readings (which as we all know, he can only do one way), and can't even put his CSI gloves on on-camera (always a time cut, just watch). He will cuss uncontrollably (often in front of a child actor) and blame everyone but himself for his inability to act. He used to hack up big loogies on the floor of the set, too, until a producer gently reminded him of sanitation and courtesy. Oh, and he re-writes every scene he is in, so he is totally to blame for the hackneyed one-liners. He will take anything the writers give him, and destroy it. And the sunglass bit is all his, a truly innovative contribution to his character. But as he said to us many times, "What should I do? I am a grown man with red hair."

We used to call the diet coke his "acting juice."

PS - He once asked the DP to make it seem like he was flying to the crime scene, explaining that Horatio is actually a mythical superhero. For Real.

For real, indeed! Thanks again to OnSetSnitch.
PREVIOUSLY: David Caruso Bullies Young Director Into Shooting Umpteenth Sunglasses Removal Scene

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<![CDATA[David Caruso Bullies Young Director Into Shooting Umpteenth Sunglasses Removal Scene]]> By now, seemingly every pop culture pundit worth their weight in punchlines has latched onto the high comedic value of David Caruso's effusive stylings on CSI: Miami. In particular, The Soup's Joel McHale has taken extreme delight in (and created a cottage industry from) Caruso's patented "I'm going to hastily remove my sunglasses while I deliver this one-liner" maneuver. But until we read this insider's account of Caruso's excruciating acting process on Popbitch, the TV viewer in us always just kind of naively assumed that these moments happened semi-serendipitously. But boy oh boy, were we ever wrong:

David Caruso asks [the show's director] when there will be a close up of [his] sunglasses - in every scene.

Here's the full, unedited text of the Popbitch item (typos/Anglo-isms theirs):

Just back from LA and was staying with a friend who's in Jericho. One of the scriptwriters for the show used to work on CSI: Miami and apparently David Caruso r4eally is the arse he appears. A new director was setting up a shot and as he was laying out the scene suggested that Caruso should walk through a door, into a room and pick up a bottle of something and open it etc. The producers took the tyro to one side and pointed out that "David gets a bit lost in props". Reasonably pointing out that it was quite a simple manoeuvre he was told that there was only a limited amount of time for the shoot and David didn't have the time to work out the meaning of the props. Gradually the action was whittled down to him just walking through the door and giving his line. To this the young director is once again taken to one side and it is explained to him that "David isn't very good with thresholds". He also asks when, in the scene, there will be a close up of the sunglasses - in every scene.

While we would never begrudge a star a chance to indulge themselves and their adoring audience with a trademark move or catchphrase, nothing about David Caruso's demeanor or any evidence from the item above indicates to us that he's the type of guy who is in on the joke. Either way, we're just thankful that his painstaking dedication to his craft allows us all to continue 'avin a laff at his expense, Extras style. ]]>
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