<![CDATA[Gawker: defamer, paramount pictures]]> http://tags.gawker.com/assets/base/img/thumbs140x140/gawker.com.png <![CDATA[Gawker: defamer, paramount pictures]]> http://gawker.com/tag/defamer/paramountpictures http://gawker.com/tag/defamer/paramountpictures <![CDATA['No Country' Sequel Features Angry Tommy Lee Jones Hunting For $10 Million Payday]]> For a while, it looked like No Country For Old Men might have been the perfect crime, one where everybody made out as a winner: Javier Bardem, Scott Rudin and the Coens with their Oscars; Josh Brolin with leading-man creds; and Miramax and Paramount Vantage splitting the $160 million worldwide gross. Did we forget anyone? Oh. Right:

Prize-winning actor and director Tommy Lee Jones is suing the makers of No Country for Old Men, the 2007 West Texas crime thriller that garnered four Academy awards, claiming they have failed to pay him more than $10 million he is owed according to his contract. ...

In the lawsuit, Jones claims he signed a contract with N.M. Classics on April 3, 2006, agreeing to act in the film, as well as to provide "additional related services" for the movie's promotion. In exchange, the lawsuit says the company promised to pay Jones a fixed "up-front" fee and, depending upon the film's financial success, "significant box-office bonuses and 'back-end' compensation."

Those pledged to be "significant," according to the lawsuit, because they were supposed to compensate for Jones' reduced up-front fee. ... Jones also argues the company breached his contract by failing to pay him the bonuses and wrongly deducting unauthorized expenses from his back-end pay. He says he was fraudulently made to render his services under a contract the company knew contained mistakes, though they didn't inform him of them until after the movie had been made, by which time it was too late.

The "mistakes" allegedly included an unspecified "major issue involving the deduction for home video expenses" and — shocker! — the formula used to calculate box-office-based bonuses. Jones reportedly agreed to back-end terms similar to those of Rudin and the Coens, none of whom have yet sued (nor are expected to sue) for restitution of their own. It's a mournful, illusion-shattering turn of events, to be sure; they seemed so happy, and Paramount has never, ever screwed anyone! We hope a resolution can be achieved swiftly and amicably out of court, lest the ensuing trial suddenly entitle Bardem to sue over the "mistakes" that yielded three months of coiffure-induced sex deprivation. No studio can survive slopes this slippery.

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<![CDATA[Paramount Preps, Fanboys Revolt as Box Office Waits for 'Indy' Windfall]]> Paramount interns are plucking rose petals as we speak for Brad Grey's arrival at the office tomorrow, by which time Indiana Jones and the Kingdom of Do We Really Have to Write it Out Again will be on its way to the top five — and possibly even an all-time record — for a five-day opening weekend. Most midnight screenings around the country tonight are already sold out, with at least one prognosticator firming up his tracking to reflect a $173 million opening. The number would bump the final Star Wars installment Revenge of the Sith from the number-one spot and, paired with Iron Man, give Paramount the best May in its history.

Scott Bowles has more at USA Today (including the troubling potential for yet another Indy franchise entry), and of course we'll have our own infallible figures Friday morning in Defamer Attractions. Meanwhile, a cadre of contrarian fanboys are even rallying now to defend current Memorial Day-weekend record-holder Spider-Man from the indignity of second place: "Save Spidey! Boycott Indy!" wheezes a recent headline at Comics 2 Film. "Spidey 3 tallied up $151.1 million this time last year. However, the web-slinger did it in a traditional three-day weekend, whereas Indy IV will have a five-day stretch. Fans who want Spidey to hang on to his cred may want avoid Indy this weekend and catch up with the adventure next week." Or, more realistically, pick up another pair of Spidey jammies and/or Underoos to help prevent total brand subsumption over the holiday frame.

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<![CDATA[New Paramount Theme Park in Korea to Offer 'The Norbit Adventure' and Other Fine Attractions]]> There has been no shortage of potential cross-pollenation opportunities for Paramount Pictures over its 90 years in business, but for sheer monolithic stature and creative promise, nothing tweaks our loins quite like the just-announced Paramount Movie Park Korea. While we're mildly disappointed to hear that the park is slated for Seoul and not Pyongyang (tell us you wouldn't have been first in line for "Kim Jong Il's Marathon Man Experience"), we're glad to see the studio back in the theme-park business and eager to have a go at the 30-plus attractions planned for a 2011 opening.

Some film tie-ins (Mission: Impossible, Lara Croft: Tomb Raider) have already been announced, but a half-dozen more rumored attractions trickling out of Paramount HQ have us even more jacked:

The Sonny Corleone Tollbooth Adventure: Buckle up and grab the phone — it's your sister Connie! Her husband's got the belt again! Swoop down the New Jersey turnpike at speeds in excess of 60 miles per hour before plunging almost 300 feet into a hail of ice water and shrieks. On your way out, purchase your photo with optional Marlon Brando Sobbing Picture Frame™: "Look how they massacred my boy!"

The "Ow Shia's Balls" Jungle Coaster: Settle in for the ride of your crotch's life as you straddle vehicles on two tracks through the Peruvian rainforest, just like the the young hero from Indiana Jones and the Kingdom of the Crystal Skull. Don't let the spiky jungle cacti thwacking your genitals distract you as you battle an animatronic Soviet swordstress and her Commie henchmen — it's either your balls or America, kid!

Ash Wednesday Eye-Lift Experience: Go under the knife just like desperate housewife Liz Taylor did in her forgotten 1973 melodrama, and then leave the park with a younger date than you arrived with.

Ripley's Believe or Not Development Vortex: See how exactly how movies aren't made as cuddly Paramount mascot Jim Carrey guides guests on a winding backlot tour of production meetings, script revisions, salary haggles and other rollicking studio inertia.

There Will Be Fun! Daniel Plainview Musical Revue: Relive the joy and wonder of There Will Be Blood with sociopathic oil baron Plainview and your entire family. The entire history of California oil drilling gets the stage treatment with numbers including "Bastard in a Basket," "Give Me the Blood, Eli" and the famous show-stopper "(I Drink Your) Milkshake."

Sumner Redstone: The Ride: Climb 350 feet over Seoul before a wizened finger brushes you into a terrifying freefall back to Earth. (Sorry kids! You must be taller than Tom Cruise to ride.)

Let us know if you've heard about any others!

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