<![CDATA[Gawker: defamer, managers]]> http://tags.gawker.com/assets/base/img/thumbs140x140/gawker.com.png <![CDATA[Gawker: defamer, managers]]> http://gawker.com/tag/defamer/managers http://gawker.com/tag/defamer/managers <![CDATA[Manager Of 'Heroes' Actor Exercised Client's No-Gay Option]]> z - DefamerMany were confounded by the character of Zach on Heroes, the cheerleader's best friend who seemed to be inching out of the closet, but who abruptly disappeared from the series without ever uttering the magic words. After Elton then elicited an official statement from NBC saying he was "not gay," leaving the world scratching their heads at what straight guy would list Priscilla Queen of the Desert as his favorite movie on his fake MySpace page, to say nothing of accompanying the homecoming queen to prom without once ever trying to get all up in her taffeta. Talking to the PopGurls blog, co-EP Bryan Fuller explains the behind-the-scenes power struggle that led to the last minute straightwashing of the popular character:

There was an unfortunate miscommunication and when the script arrived that had the line in it, 'I would take you to homecoming but you have to know that I don't like girls that way.' The actor [Thomas Dekker]'s, manager threatened to pull him from the show because he was up for the John Carter role in The Sarah Connor Chronicles and she didn't want him playing a gay character because it might affect FOX's interest in hiring him. It got really ugly. [...]
I was very upset by it - I was not happy about it at all. There were times I had to avoid talking about it because we didn't want to have a negative reflection on the show. The show's been such a positive experience for so many people, we didn't want to get hung up on the fact that one actor's management felt that it was a career killer for him to play a homosexual which, as a gay man, I found incredibly insulting.

We had episodes planned for him to be in, and she pulled him from the show altogether. So that's why he sort of disappeared.

Whoever this nameless manager was, it remains noteworthy that, even in this post-Brokeback age of greater gays-on-TV openness, so gripped was she by pink panic that she would sooner exercise the "No Gay" clause in her client's contract than risk jeopardizing his burgeoning career by subjecting him to the mark of the Fuchsia Letter.

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<![CDATA[Divorcing Managers To Take Turns Telling Jim Carrey That One Of His Overbudget Projects Has Been Shelved]]> ferrell-helmet.jpgToday's Variety reports that New Gay Mafia (remember, the "mirth-making," not David Geffen, kind!) dons Jimmy Miller and Eric Gold, who manage seemingly every comedy star in Hollywood, are splitting up their management/production company. As with any divorce, we are concerned primarily with the fate of the children of their longtime union, custody of whom will be divvied up thusly:

They are still working out the details, but the pair will continue to co-manage Jim Carrey. Gold will take such clients as Vince Vaughn and Ellen DeGeneres, while Miller will continue to rep Will Ferrell, Judd Apatow, Jay Roach, Sacha Baron Cohen and writer-director Adam McKay.

And what does this mean for you, the avid consumer of Hollywood big-budget comedy product? Not much, unless you care which manager is reaping millions from a cut of the next time Judd Apatow strolls into a Universal executive's office, utters the phrase, "Will Ferrell as the world's greatest chimney sweep," and walks out with a project greenlit for the summer of 2008.

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<![CDATA[James Frey Looking For New Manager]]> freyoprah.jpgJames Frey bashing has quickly evolved into America's favorite new pastime, with millions gathering around the bean dip to catch its Super Bowl equivalent: a 60-minute Oprah inculpation so grisly, it might as well have been dubbed The Passion of the Frey. But once your tall-tale substance abuse memoir has been likened to Holocaust denial on national television, as America's Opinion Maker Oprah Winfrey nods her large, regal head in accord, is there really anywhere else this sport can go? Of course there is! Frey could be dropped by his "people" namely, his Brillstein-Grey literary manager Kassie Evashevski, who explained her logic to Publisher's Weekly:

PUBLISHERS WEEKLY: WHEN DID YOU FIRST LEARN ABOUT THE 'SMOKING GUN'S' FINDINGS?


KE: James called me a few days before the piece ran to say he had learned they were doing a negative story on him, but I didn't learn of the specifics until I read it on 'TSG' Web site along with everyone else.

PW: ARE YOU CONTINUING TO REP HIM?

KE: No, I am not. In the last week, it became impossible for me to maintain a relationship once the trust had been broken. He eventually did apologize, but I felt for many reasons I had to let him go as a client.

Evashevski's reaction might have less to do with matters of betrayed trust and more to do with maintaining a friendly, parallel position to Winfrey. After all, Frey is hardly the first of Evashevski's clients to make it into the club Wally Lamb's She's Come Undone was also featured and presumably the manager doesn't want him to be the last. As for Frey, CAA's Kevin Huvane is still listed* as his agent, though with news emerging that Warner Bros. is "reevaluating" the status of the Little Pieces movie, not to mention the fact that Winfrey is one of Huvane's clients, Frey's name could soon find itself marked by an assistant with the dreaded "tell them I'm in a 7-hour lunch meeting" asterisk on the power agent's phone sheet.

*All rep information according to most recent listings on Studio System.

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<![CDATA[NY Times: Has The Firm Gone Limp?]]> jeff-kwatinetz.jpgLately, it's seemed like The Firm's been shedding high-level managers and talent like skin at a leper colony backscratching contest (big names recently out the door include Natalie Portman, Orlando Bloom, Laura Linney, Brittany Murphy*, SMGFPJ, and others), but "allies" of the management company play the departures as more of a goldbricker-purge by CEO Jeff Kwatinetz than rats instinctually abandoning a sinking ship. The NY Times runs The Firm through the inevitable spin/countspin cycle that comes with a Hollywood player losing its heat:

"To another firm, it would seem like an exodus; to another company it would seem like this company is taking on water," said Jordan Schur, president of Geffen Records and one of Mr. Kwatinetz's closest friends. "In reality, it's a correction, of Jeff taking out people who don't want to work, people riding coattails."

Others suggest that the departures are far from over and that the exits to date reflect a wider cash crisis as well as internal doubts about Mr. Kwatinetz's strategies for expansion.

"It means that the original vision that Mike Ovitz was able to achieve, his ability to create a brand for C.A.A., never did get off the ground at the Firm," said Howard Rosenman, former head of motion pictures for Brillstein-Grey, referring to Mr. Ovitz's legendary tenure at the Creative Artists Agency. "To create branding, even the geniuses of this town have trouble. Look what's happening to DreamWorks."

Ouch. Whether or not The Firm is in trouble or merely regrouping (hey, they've still got Cam and Leo, right! Right?!), being lumped in with both Mike Ovitz and studio-on-the-verge-of-a-nervous-breakdown DreamWorks in the same passage can't be good. The folks at Brillstein-Grey had better make sure they've got plenty of paper in the fax machine to handle a panicked flood of resumes and headshots.

[*We think that's Murphy's head cropped out of the above picture of ex-fiancee Kwatinetz, which ran with the NYT article. We added the red arrow, just for fun.]

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<![CDATA[Brad Grey Sells Brillstein-Grey, Still Filthy Rich]]> The LAT reports that a mere five months after assuming the crown at The New Pararmount™, Brad Grey has finally sold off Brillstein-Grey, his management company, to former co-workers Cynthia Pett-Dante and Jon Liebman. ("Longtime lieutenant" Marc Gurvitz is sitting this round out, as he's going through a divorce and that might get complicated.) Not that anyone was going to start passing around a hat for Grey now that he's solely Paramount's property, but he's still got a thumb in some of B-G's biggest pies:

In unwinding his ownership in Brillstein-Grey Entertainment, Grey retains a significant ownership in HBO's "The Sopranos" and a passive financial interest in other shows originated during his tenure. They include ABC's "According to Jim" and "Jake in Progress" and HBO's "Real Time With Bill Maher."

Grey also will continue collecting money from the syndicated series "Just Shoot Me" and "NewsRadio."

The article also mentions that the happy new owners will keep the Brillstein-Grey name for now, presumably until they hire an outside branding firm to come up with something a little less unwieldy than Brillstein-Pett-Dante-Liebman-And-Eventually-
Gurvitz-Once-The-Wife-Is-Out-Of-The-Picture Entertainment.

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<![CDATA[The Catch-22 Of The Management Game]]> kevin-connolly.jpgThe NY Times uses the recent lawsuit claiming that Entourage's Kevin Connolly dumped his management (after he found out HBO had picked up the show, naturally) to examine a larger problem in Hollywood: Working actors opportunistically kicking their managers curbward at the first blush of success.

Much of the problem...stems from a loophole in the Talent Agencies Act in California, which says that only a licensed agent can procure work for actors. An actor can cite the law to assert that a manager broke the law by getting them work, and thus quit the contract.

With this kind of soul-crushing Catch-22 built into their profession, we don't know how managers are expected to do their jobs. There's really only one solution: Hug a toaster and jump into the jacuzzi before the actor you "illegally" set up in a series-regular job on Everwood calls to dump you.

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<![CDATA[Trade Round-Up: Executive Shuffle]]> rick-sands.jpg· Rick Sands, the Miramax COO hardened by years of Harvey Weinstein's cat o' nine tails, assumes the title of president and CEO of DreamWorks. He'll report to David Geffen, whom we expect will issue a totally different kind of daily beating than the ones Sands grew accustomed to at The Max. [Variety, sub. req'd.]
· You hardly needed this told to you: Shrek 2 was the highest selling home video title in 2004. DreamWorks Animation's Jeffrey Katzenberg can now flush entire stacks of hundred dollar bills down the toilet, whereas before he had to peel them off one by one. [THR]
· Just because there's nothing to do in the first week of the year but count the piles of money: Sony wins the year in North American box office thanks to Spider-man 2, while Warner Bros. takes the international box office crown [THR, Variety]
· Paramount execs were taken by surprise by the stories that Brad Grey has been anointed as the next studio head, feeling they weren't consulted. Hmm, maybe they weren't told because they're all about to get fired? [Variety]
· Jerry Bruckheimer gets two drama pilot pickups, including E-Ring for NBC, a supposed West Wing in the Pentagon. Maybe it's time he gets his own channel. Jerry's Steaming Pile of Derivative Shit TV has kind of a nice sound to it. [THR]

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<![CDATA[Hollywood Holiday Cards: A Spinkin' Xmas]]> benderspink-xmas-card.jpg
This The Apprentice-parodying holiday card from management/production company Benderspink displays both the highly-attuned comic sensibility and red-hot trendspotting savvy that allowed the firm to shepherd cinematic delights like American Pie 2, American Wedding, and The Butterfly Effect into movie theaters. Next up: a feature-length adaptation of this card starring Seann William Scott as J.C. Spink (center, Trump wig) and Jason Biggs as Chris Bender (dressed as Raj, we think). You can click the image to see a larger version.

[Natasha Lyonne, of course, is unavailable for casting at this time.]

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