<![CDATA[Gawker: defamer, kramer]]> http://tags.gawker.com/assets/base/img/thumbs140x140/gawker.com.png <![CDATA[Gawker: defamer, kramer]]> http://gawker.com/tag/defamer/kramer http://gawker.com/tag/defamer/kramer <![CDATA[Santa Currently Meeting With Toy Cobblers' Rights Leaders To Apologize For Anti-Elvish Outburst]]>
What we wish for this holiday season, after suffering through one of the most hate-marred years in Hollywood memory since the cross-burnin' heyday of D.W. Griffith, is for every man, woman, and child with a vested interest in the weekend grosses—be they Mayan, Jew, faux-Kazakh or Afro-American—to lay down all spears, epithets, forks, and empty bottles of tequila, and come together in a show of Universal (or Sony—we aren't picky) peace and harmony. Realistically, however, we know we probably won't get that, and what we can look forward to this blessed Christmas eve is something closer to the content of this video, in which St. Nick fails to live up to his jolly rep moments after a few mouthy co-workers step on his always-sure-to-kill "the difference between Mr. Claus and Mrs. Claus" bit with some obnoxious elf heckling.

]]>
http://gawker.com/index.php?op=postcommentfeed&postId=219848&view=rss&microfeed=true
<![CDATA[Mel Gibson's Outspoken Support For Michael Richards Not Exactly The Kind Of Forgiveness He Was Hoping For]]> gibson-richards.jpgThe inevitable quote we have all been bracing for—in which a certain margarita-loving Malibu land baron harboring a mistrust of Jews and a sugar tit chip on his shoulder weighs in on recent events involving a former sitcom star's choice to silence chatty comedy club patrons by angrily sharing his historical knowledge of half-century-old, flatware-assisted lynching practices—has finally come. Not surprisingly, the quotee's heart goes out to the most recent victim stricken by the highly contagious outbreak of Celebrity Racist Tourette's Syndrome currently sweeping through Hollywood:

"I felt like sending Michael Richards a note," Gibson says in an interview in Entertainment Weekly's Dec. 8 issue. "I feel really badly for the guy. He was obviously in a state of stress. You don't need to be inebriated to be bent out of shape. But my heart went out to the guy."

The 50-year-old actor-director added: "They'll probably torture him for a while and then let him go. I like him." [...]

Are people refusing to work with him?

"No, people aren't like that," Gibson tells the magazine. "Those are just the headlines: Mel ostracized by Hollywood! Hollywood is what you make it. There is no great pooh-bah up there saying, 'Go! You are condemned!"'

Gibson's debunking of the myth that there is one unified consensus in Hollywood that could easily turn a beloved A-lister into a reviled pariah after something as inconsequential as a few stress-induced N-words should come as a great relief to Richards, whose long, dark week of tortured soul searching and reaching out to unreceptive community leaders might soon see a single ray of light in the form of a handwritten note, printed on Icon stationery and reading, "Dear Kramer: Of course you'll eat lunch in this town again. It's not like it's the Jews that are angry at you! Your pal always, Mel."

]]>
http://gawker.com/index.php?op=postcommentfeed&postId=218166&view=rss&microfeed=true
<![CDATA[Michael Richards Not As Jewish As Previously Claimed]]> Remember that time that Michael Richards' newly hired crisis manager tried to diffuse his client's less-publicized, anti-Semitic comedy club tirade by claiming that the actor is Jewish, so all that talk about the fucking Jews causing Jesus' death was just a little bit of role-playing fun at the expense of his own people? Apparently, when he told his publicist that he was a member of the faith, he didn't realize that the official conversion process might be more rigorous than squeezing his eyes shut, imagining his participation in a bris, and declaring himself a a certified son of Abraham. Beleaguered flack Howard Rubenstein explains Richards' complicated Jewish-ishness to the AP:

"Technically, not having been born by blood as Jewish and not formally going into a conversion, it was purely his interpretation of having adopted Judaism as his religion," Rubenstein told The Associated Press on Tuesday. "He told me, `I'm Jewish,' when I asked him.

"He said there were two mentors who raised him and who had a big influence on his life, and they were Jewish. He said, `I agree with the concepts and the religious beliefs of Judaism and I've adopted Judaism as my religion,'" Rubenstein said. "He really thinks of himself as Jewish."

What do some Jews think?

"You can't feel Jewish. It's not a matter of feeling. You can convert to Judaism. You can't not convert to Judaism and then be Jewish," said Rabbi Marvin Hier, founder and dean of the Simon Wiesenthal Center in Los Angeles.

Unfortunately for Rubenstein, this lack of acceptance for Richards' claim of membership in a group he's recently offended completely derails the flack's strategy for combating Jesse Jackson's unexpected call for a boycott of Seinfeld DVDs, as any future statements that the actor considers himself an Afro-American because of the meaningful role his childhood friends played in the formation of his racial identity will likely be dismissed as cynical, damage-controlling ploys.

]]>
http://gawker.com/index.php?op=postcommentfeed&postId=217838&view=rss&microfeed=true
<![CDATA[The Michael Richards Apology Tour: Kramer Tells Jesse Jackson About His Quest For Closure And His Black Childhood Friends]]> On Sunday, the Michael Richards Apology Tour made a stop at Jesse Jackson's syndicated radio show, a venue where there was no live studio audience to undermine with nervous laughter the seriousness of his clumsy explanations that his remarks about African-American hecklers hanging upside down "with a fucking fork up [their] ass" came from a rage-place, not a hate-place. During his interview with Jackson, Richards upgraded his level of regret from "busted up" to "shattered," and claimed that the N-bombs he so liberally detonated throughout his onstage tirade are not a part of his vocabulary, even though "the show business" makes them too "accessible" to misguided "young whites" who might think racist meltdowns are "cool":

"That's why I'm shattered by it. The way this came through me was like a freight train. After it was over, when I went to look for them, they had gone. And I've tried to meet them, to talk to them, to get some healing," he said. [...]
Richards noted that the racial epithet he used is frequent in the entertainment industry, and acknowledged that it could have consequences.

"I fear that young whites will think it's cool to go around and use that word because they see very cool people in the show business using that word so freely," he said. "Perhaps that's what came through in that ... the vernacular is so accessible."

Richards' publicist also claims that the actor has already begun psychiatric counseling for his anger issues, but we'll assume that his recovery is taking place in a Mel Gibson-style outpatient program, as no indication has been made that he's checked into the Racist Rageoholics wing of Promises Malibu for a more intensive course of treatment.

Bonus: TMZ has audio from the radio show, in which Richards' somewhat-less-than-cutting-edge, "When I was growing up, some of my best friends were African-Americans" defense can be heard. Also: The KKKramer rap further increases the accessibility of the nasty words he used at the Laugh Factory.

]]>
http://gawker.com/index.php?op=postcommentfeed&postId=217374&view=rss&microfeed=true
<![CDATA[Michael Richards Explores The Darkest Recesses Of His Heart: A Round-Up!]]>

While Michael Richards has not been having, to put it mildly, the greatest of weeks, the actor has already set upon the long road of "personal work" and Jujitsu of the soul that might ultimately deliver him from his shocking inability to launch snappy, epithet-free retorts at comedy club hecklers. A Road To Kramer's Redemption Round-Up:
· "Some of my best friends are Afro-American civil rights leaders!" Richards' newly acquired publicist, Howard Rubenstein, says the actor spent the day calling Jesse Jackson and Al Sharpton to let them know how sorry and not racist he is. [TMZ]
· A couple claims they were subjected to yet another racist comedy club outburst, in which Richards screamed at a heckler at The Improv, "You fucking Jew. You people are the cause of Jesus dying," before storming off the stage. Richards would later insist what he meant to say was, "Save your breath for your inflatable date!" but his gut told him the crowd wanted something more "Jew-hatey." [TMZ]

· A dissection of David Letterman's single joke about the incident the night of Richards' satellite apology ("I blame it on Borat,"), which calls the awkward, titter-inducing appearance the "first recorded incident of the 'Borat' effect: guerrilla comedy intertwining with reality until it's a shoelace you can't undo." Still, the logical penance of having a naked Al Sharpton mount and smother Richards is considered by most to be too extreme, even for his egregious offenses. [LAT]
· Industry types wonder if the event is bad enough to not only effectively end whatever career Richards still had, but also negatively affect Seinfeld DVD sales and syndication ratings, making the one winner to emerge from this entire PR disaster "The Seinfeld Curse." Suck on that, middling CBS hit The New Adventures of Old Christine! [NYT]
· And finally, the inevitable T-shirt (pictured), which impressively veers from the "graphic of face with memorably offensive catchphrase" motif to offer a subtle and interactive racist-outburst-mocking experience. [CafePress]

]]>
http://gawker.com/index.php?op=postcommentfeed&postId=216800&view=rss&microfeed=true
<![CDATA[Michael Richards Learned Little During His Brief Time Playing A Blind Afro-American]]>

Inevitably, one of the unfortunate side effects of having a video of your racist meltdown (and subsequent, cringe-inducing apology to the "Afro-American" community) played in front of virtually everyone with either a television or an internet connection is that some troublemaker will comb through the deepest recesses of your IMDb profile and eventually turn up something that's going to look a lot less amusing in light of recent events and slap it up on YouTube. We can't say we've ever seen Whoops Apocalypse, but we're sure there was a compelling dramatic reason why Michael Richards had to portray a jive-talking blind man while wearing blackface that makes C. Thomas Howell's self-tanner overdose look convincing.

Bonus clarification: The Jewish Journal points out that Richards is not a Jew, no matter what Paul Rodriguez might mistakenly think.

[Video via The Assimilated Negro]

]]>
http://gawker.com/index.php?op=postcommentfeed&postId=216536&view=rss&microfeed=true
<![CDATA[The Michael Richards Apology, With Bonus Tirade Remixes!]]>

Those of you with "interests" and "lives" may not have caught Michael Richards' appearance on The Late Show last night, in which the actor appeared via satellite to apologize to the world for allowing his N-bombed-tinged heckler revenge fantasies involving fork-based sodomy to come spilling out in one ugly, unhinged, onstage tirade. But through the magic of YouTube, you now have the opportunity to spend the next seven or so minutes experiencing the cringe-inducing awkwardness that permeates the interview, complete with Richards' multiple references to the "Afro-Americans" he offended with his "crap," mea culpa enabler Jerry Seinfeld's scolding of a studio audience who, obviously confused over whether or not this was a comedy bit, tittered through parts of the apology, and Richard's questioning of whether Letterman's show was even the right venue for sincerity. (Answer: Probably not so much. Maybe if he'd hired a publicist to handle the situation, he could've gotten a spot on Oprah's couch, or some face time with established crisis diffuser Diane Sawyer.)

After the jump, some "remixes" of the now-infamous meltdown using footage from Seinfeld and UHF, Richards' two most celebrated projects. Enjoy these brief clips of questionable taste once you feel you've squirmed in your office chair enough for one morning:




]]>
http://gawker.com/index.php?op=postcommentfeed&postId=216375&view=rss&microfeed=true
<![CDATA[Behind The Scenes Of Michael Richards' Apology Tour]]> richards-letterman.jpgA Defamer operative stumbled upon the subject of the racist celebrity meltdown du jour, Michael Richards, whose rambling and vicious verbal attack against some African American hecklers Friday night momentarily transformed the Sunset Strip's Laugh Factory into something more akin to the Hatred Sweatshop. The sighting occurred at CBS Television City, where Richards was likely taping the satellite interview set to air on The Late Show with David Letterman tonight:

I was at CBS Television City today. As I was walking out, who should be ahead of me walking down the corridor (lined with photos of David Letterman, et al) but Michael Richards of Kramer meltdown fame. He was walking with two women who appeared to be part of his management team. He was approached by CBS Evening News producers to see if he would answer a few questions on camera, but he declined.
As he was walking out, he said to the women accompanying him, "...so you go on these shows and apologize and apologize but it's never good enough." One of the women murmured something about him having a PR person to handle this kind of thing and he replied, "I don't have anyone handling this. If I did, I wouldn't have gotten into trouble in the first place." He looked pretty good - for Kramer, that is. Dressed neatly in dark jeans and a dark silk shirt.

A clearly frazzled Richards seems to have forgotten the basics of the celebrity/publicist relationship: No flack can stop a client from spewing potentially career-immolating racist nonsense; all they can do is release a carefully crafted statement after the fact blaming their fork-wielding inner demons for voicing their intolerant, ass-kebabing intentions.

]]>
http://gawker.com/index.php?op=postcommentfeed&postId=216233&view=rss&microfeed=true
<![CDATA[Michael Richards Apology Tour To Begin On Tonight's Letterman Show]]> richards-meltdown.jpgWe've already set our TiVos for tonight's episode of the Late Show, anticipating that David Letterman would probably have some questions for guest Jerry Seinfeld about a certain former castmate who recently tried out some controversial new material at the Laugh Factory. A tipster tells us that the taping has just ended, and that the Official Michael Richards "Sorry About The N-Bombs And Lynching Remarks" Tour has begun in earnest:

In case you didn't know, Jerry Seinfeld is scheduled to be on The Late Show w/ David Letterman tonight. Well, they got Michael Richards to be on the show via satellite. He apparently insists that he's not racist, even though he kept referring to "Afro-Americans" through the interview.

Ouch.

Richards is obviously well-coached; not only has his crisis management team made sure he's quickly making a public apology in front of millions of viewers, they've already trained him to drop the unfortunate business about sodomizing African-American hecklers with forks. Our tipster further says that Richards is claiming "rage issues," avoiding the "alcohol made me do it" family of excuses made pass by Mel Gibson. More information as it becomes available...

UPDATE: TMZ has confirmation from Seinfeld's reps that Richards appeared and apologized.

]]>
http://gawker.com/index.php?op=postcommentfeed&postId=216208&view=rss&microfeed=true
<![CDATA[Kramer's Racist Meltdown: First Predictable Castmate Reaction!]]>
Extra reports that Jerry Seinfeld has already beaten his lower-billed castmates to press with a public statement disapproving of Kramer's N-bomb, saying, "I am sick over this. I'm sure Michael is also sick over this horrible, horrible mistake. It is so extremely offensive. I feel terrible for all the people who have been hurt." While this expression of heartsickness from the series' titular star should obviate the need for further comments from the Seinfeld crew, we suspect that The Insider, Entertainment Tonight, Access Hollywood, and no fewer than five separate E! countdown shows won't rest until they ambush every actor who's ever appeared on the show's call sheet, hoping for a great "get" featuring the Soup Nazi's poignant call for tolerance after he patiently explains to a reporter that his character didn't actually hate Jews, just people who didn't order their lobster bisque in a properly deferential way.

]]>
http://gawker.com/index.php?op=postcommentfeed&postId=216127&view=rss&microfeed=true
<![CDATA[Kramer's New, Racist Material Not Exactly A Hit At The Laugh Factory]]>

During his Laugh Factory set on Friday night, Michael Richards finally tried out fresh material intended to achieve some separation between his beloved, bumbling Kramer persona and the working comedian desperate to forge a post-Seinfeld identity. Upon some reportedly light heckling from a pair of African-American audience members, Richards unveiled a new catchphrase, "Fifty years ago we'd have you upside down with a fucking fork up your ass," one he'd hoped would supplant any oft-intoned Seinfeld quips about masturbation contests or the efficacy of butter as a tanning aid. Unfortunately, the less elegant N-bomb-laced follow-up to his lynching bon mot ensured that various media outlets, looking for a quick hook, will go with "Kramer's Racist Tirade," setting back his efforts at leaving the character behind.

TMZ has video of the incident, which should retain its replay value long after his publicists issue a press release explaining that the comedian has checked into Promises Malibu to battle the alcohol-fueled demons that would make him say such hateful things about a minority group.

]]>
http://gawker.com/index.php?op=postcommentfeed&postId=216093&view=rss&microfeed=true