<![CDATA[Gawker: defamer, kelly cutrone]]> http://tags.gawker.com/assets/base/img/thumbs140x140/gawker.com.png <![CDATA[Gawker: defamer, kelly cutrone]]> http://gawker.com/tag/defamer/kellycutrone http://gawker.com/tag/defamer/kellycutrone <![CDATA[The City: Buffoons Over Miami]]> Due to an unfortunate incident involving talking shit about Ingrid Casares, we were unable to watch last night's episode of The City. Thankfully we were able to piece together the action with some dispatches from our favorite roving social reporter.

No Room and an In
By Betsey Morgenstern
944 Magazine Assistant Contributing Society Editor

Miami International Fashion Week is in full swing, so there are even more parties than usual. Last night Whitney Port and Roxy Carmichael Olin descended on The Florida Room in the Delano Hotel for a pre-party for a fashion show. The party was so excellent, no one quite knew which brand they were celebrating, and the band was so bad that no one quite knew who they were.

That didn't stop Roxy Carmichael Olin from dancing on the banquette like a low-class Paris Hilton and dragging Nick Soandso up there with her. As soon as they found out they both went to Harvard, it was a deep and animal lust that attracted them. As soon as Whitney took a minute out to powder her nose (wink wink) he asked Roxy to leave. Without a second thought of her friend, she was out the door in search of the next party. In fact, Roxy had been complaining ever since they got to Miami about being put on a budget by People's Revolution boss Kelly Cutrone. All she wanted to do was lie out and eat room service and party. Luckily her cohort Whitney has her head about her and didn't let this happen.

But that didn't stop Roxy from leaving Whintey all alone and defenseless in the club. A reporter tailed Roxy and Nick as they left. First it was more drinks at Mynt Lounge, but Roxy was way too antsy for the sedate crowd. Nick took her over to SET to dance the night away and after they bumped into well known man-about-town Pookie "Candyman" Collins, they were bumping all night long (wink wink take two). They caused quite a scene, especially when Roxy popped a bottle of Cristal and poured it all over her body like she was living in a rap video fantasy world. Nick got down on his knees and wrung out her champagne-drenched skirt and drank the nectar as some of it oozed down his neck. He then started kissing up her thigh, his head disappearing underneath the soggy seam of her drenched dress. Roxy let her head fall back as her eyes closed and her mouth opened. It looked like she was moaning, but the new remix of Shakira's "She Wolf" was so loud, no one could hear a thing. After pushing his head out from underneath her skirt she grabbed his arm and ran for the exit.

They gave me—I mean, a reporter—the slip but it sounds like they were headed back to Nick's to continue the party. No wonder poor Roxy was late to work the next day!

Bathing Beauties at Mara Hoffman
by Betsey Morgenstern
944 Magazine Assistant Contributing Fashion Editor

Miami International Fashion Week isn't just about world-famous designers like Agatha Ruiz de la Prada, Munib Nawaz, and Amato Couture but it's really all about the fashion shows. Today it was time for the biggest bash of them all: The Mara Hoffman collection was presented at Soho Studios. Everything was glorious.

Show director Kelly Cutrone, the head boss at New York's trendy fashion PR firm People's Revolution said she had a hard time at the casting, but what do you expect from a pasty New Yorker who wears all black to the beach! After making fun of the model's faces and walks, she had a nice stable of hoofers to walk Hoffman's swimwear down the catwalk.

Before the show started, we saw Erin Kaplan and Olivia Palermo of Elle Magazine giving each other a chilly reception in the front row. After sauntering back to her seat from behind the stage, Kaplan peppered Palermo with questions: "Why aren't you taking notes? Are you going to the trade shows? Why don't you like me? God gave me brains, but why didn't he make me as pretty and rich as you? Is that fair?" Olivia just stared blankly at her shoes, moving her toes ever so slightly to watch the way the light reflected on her pedicure. It was as if she could just ignore the questions away.

It was then that we heard the sound of an argument coming from backstage, and it sounded like People's Revolution PR girls Roxy Carmichael Olin and Whitney Port (who just broke up with my boyfriend Freddie Fackelmayer, full disclosure!).
"Where were you last night?" Whitney shouted.
"I thought you left," Roxy slurred back.
"No, I didn't leave, I said I'd be right back."
"But you didn't come back, so I didn't think you were coming back. Nick and I left. That place was boring."
"Yeah, it was real boring without you. And you're late. And why do you smell like stale champagne?"
That's when Kelly Cutrone walked by, slammed their heads together and just kept walking.

Her intervention must have worked, because the show went off without a hitch. There were lots of one-piece suits and futuristic cuts (as Olivia noted). Our favorite was a silver metallic, square bikini with a flowing printed caftan over it. There were lots of geometric prints, that would fit right in with the international stoner set that loves to litter Miami's beaches. The models did walk a little slow and didn't smile much. What is up with that?

One Elle of an Afterparty
by Betsey Morgenstern
944 Magazine Assistant Contributing Fashion and Social Editor

With models in pink wigs and swimsuits lounging on boxes by the pool, Elle Magazine and Lycra's afterparty for Mara Hoffman's fashion show was the hit of Miami International fashion week. The W Hotel pool was transformed by the staff of the magazine and ace PR girl Erin Kaplan, who picked out the wigs herself. She said she was inspired by the time she and her girlfriends went as a pack of slutty flight attendants for Halloween and she saw the same raunchy joy in Hoffman's designs and wanted to channel that for the party's living decorations.

Loving the wigs was host Brooklyn Decker, who stole one off a model's head and was parading around with it half-cocked on her head for most of the evening. Kaplan was seen chatting with Elle's executive fashion editor Judi Sanders at the party, and it seems like she was carrying on about her favorite subject Olivia Palermo. She was bitching about how her socialite coworker didn't go to the crumby trade shows during fashion week (neither did I, because they sound too much like swap meets and that sounds like something that poor people would go to). She was also complaining that Olivia didn't take notes at the fashion show and how was she going to remember the very, very important and groundbreaking fashions they just witnessed without notes.

Olivia was off talking to designer Red Carter, who is not at all related to Red Buttons, but he does look a little bit like him. She then approached Saunders who told Palermo that bitch Erin Kaplan had been talking shit about her. No she said, and I quote, "That bitch Erin has been talking shit about you." Olivia didn't know what to do. She couldn't stare at her toes like she usually does, so she asked Saunders for advice. This is what the wise old editor had to say:

"Here's how it's going to go down. You're going to be in a meeting with Joe Z and he's going to ask about the trade shows. Say you didn't know anything about them. That's definitely going to piss Erin off and she's going to say she told you about them. Make it look like it's her fault that you didn't go. She'll hate that and take the offensive. Joe just wants everyone to get along because he's a pussy. Just agree with everything Joe says about being a team player and wanting to work with Erin while she sits there making her sour face. You don't even have to seem sincere. Being nice is Erin's kryptonite. It will render her silent. You'll look like the winner and she'll look like the mean lady who doesn't want to help out. This is the only way you can save yourself in Joe's eyes."

Olivia was nodding furiously, so we hope she took her advice. We'll know next time we check the masthead at Elle if it's missing an accessories editor! But then we just grabbed another glass of free champagne and did another lap of the party. Conspicuously absent were the People's Revolution crew. We heard that after a hard night of partying Whitney Port and Roxy Carmichael Olin ordered up $200 worth of room service! Who do they think is going to pay for that? When Kelly Cutrone gets that bill they're going to wish they ate Taco Bell instead.

Well, we're going to be paying for all the champagne we drank for about a week. But what a glorious time we had. Why can't every week be Miami International Fashion Week? We'll never know.

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<![CDATA[The City: Right Said Freddie]]> Due to an unfortunate Halloween costume construction accident, we were unable to watch New York magazine-PR reality drama The City last night. Thankfully, we our favorite freelance society reporter was there to fill us in.

We Are the Longchampions, My Friend
By Betsey Morgenstern
Accessories magazine party reporter

Last night Longchamp, a handbag brand that has given us so much joy over the years, decided to give back to the community by holding a benefit for KiptonART Foundation, which introduces poor, poor artists to all the rich gallery owners and collectors that are going to be buying their work. Oh, they give some money for needy kids who want to make art, but no one was talking about that, because it's a downer. Apparently, this costs a lot of money, and Kipton Cronkite, founder of the organization was very thankful that Elle magazine, Longchamp, and People's Revolution PR would throw him this bash.

In attendance was socialite and Elle accessories editor Olivia Palermo, a close personal friend of Cronkite's. She wore a black dress that looked like the molted skin of a rare snake and was slithering around mumbling about what a nightmare she was having. At one point, we saw her talking to Roxy Carmichael Olin, sometimes Brothers & Sisters guest star and daughter of Patricia Wettig and Ken Olin. For some reason, Palermo was introducing Olin to the photographer for Patrick McMullan and then told her to "go do her job." I was going to go ask Doug, the photographer, what the tiff was about, but he's still mad at me for that time I made out with him at Marquee and then wouldn't go home with him. It was a bad time for me, and I just wasn't ready for something other than a hair-mussing romp next to a bathroom attendant.

Roxy Carmichael Olin did not take this too well, and instead of making sure she was doing her job in front of her boss, People's Revolution honcho Kelly Cutrone, she instead went to Erin Kaplan, who isn't Olivia's boss but thinks she's is. They both think that Olivia has a bad attitude and can't do her job. Erin said she wants to get Olivia fired so bad, but she can't because their boss, Joe Zee (who couldn't make it because he was at the 20th anniversary party for the Rawhide leather bar in Chelsea), really likes Olivia. Erin was all squinty in her pink ruffley party dress, but Roxy Carmichael Olin had a real look of crazy deviousness on her face in a short dress that looked like she had to twist Magnum PI's bedsheets around her body and jump out the window just before Higgins barged in.

The only one who seemed to like Olivia at the party was her old friend (and, full disclosure, my ex-boyfriend) Freddie Fackelmayer, who looked as good as ever, but was woefully underdressed in just a robin egg shell blue shirt without a tie or jacket. Social gay Kristian Laliberte was telling me how tacky he thought Freddie looked and I told him to shut up, because the shirt really brought out the color of his eyes. When Freddie entered and greeted Olivia, I hovered near Roxy Carmichael Olin and Whitney Port, the aspiring designer that he is currently dating. They were abuzz about how much they couldn't stand Olivia and they both worried that Freddie might be a socialite just like her. They said it as if it was a bad thing. If only Tinsley Mortimer were here to smack some sense into them.

Whitney didn't want to go say hi while he was talking to Olivia, but once she left, she walked over and gave him a big hug. He should have told her how fat she looked in her too-short sparkly getup and how she mumbles and chews on her words like a three-day-old piece of Hubba Bubba. But he didn't. He apologized for bringing his father to meet her at dinner. And then—wait. He brought his father to meet her? We dated for months and he wouldn't even mention his parent's name in front of me. What gives, Freddie! What does Whitney have that I don't, other than a fleet of television cameras hanging around her?

Seething, I floated over to see Erin Kaplan and Kelly Cutrone deep in conversation, and they actually seemed to be making nice with each other. Who thought that two mean, unattractive, career-driven PR girls would have anything in common? Kelly was telling Erin how she started in magazine PR but then started her own company and now she only reps things that she thinks are awesome like Greasy Brand Hair Products, the color black, and Slankets.

Then Erin told Kelly that she doesn't know what it is about Olivia that she hates, but it seems to do with the fact that every time Olivia comes into the office Erin is on the phone. "Does she show up while I'm talking to someone hoping that I won't talk to her? And why won't she turn all the way around at her desk to talk to me? She only talks to me over her shoulder, like I'm some kind of colossal bother. If she spent as much time doing her job as she did doing her make up, she might get ahead in this business. But she doesn't. She's Horrible."

I was ready to leave, but Freddie was still talking to Whitney and they were laughing and giggling and making plans to go to Nantucket together and for some reason, I decided it would be a great time to call Jay Lyon, Whitney's ex-boyfriend.

"Hey, Jay, it's me, Betsey. No, Betsey Morgenstern. Remember, you held my hair once at that huge party at Billy Joel's in the Hamptons. Yes, that girl. No, I don't want to show you my bra again, I wanted to call and tell you something about your ex-girlfriend, Whitney. You're getting back together? She texted you and you two hooked up? Well, guess what—she's dating someone else. Yes, his name is Freddie Fackelmayer and he is a Wall Street boy with a golden tan and the bone structure of a German infantryman. I know, he is totally the opposite of you. And guess where they met? At a barbecue on your roof while you were away on tour. Can you believe that! Yes, you should totally call her up and have dinner with her. You're right, she is totally going to hate being called out on meeting a boy at your house. But don't tell her you heard it from me, I had nothing to do with it. No, not Betty. It's Betsey. Betsey Morgen—whatever, I don't care if you know my name, just break them up! Talk to you soon."

Sure, a handbag party might not have been the best place to make that call, but I scooted out the back door, so that Freddie and Whitney wouldn't see me and suspect that something is up. My mind spinning with a night full of celebrity spotting, cheap champagne, and some fumes from the glue donated to the little kids of the KiptonART Foundation, I hobbled home along the cobbles of SoHo, to a full night of dreaming of being with Freddie once again.

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<![CDATA[The City: Sticking to the Party Line]]> Due to an unfortunate circumstance involving cross-town traffic, we were not able to watch The City last night. Instead we had to piece together the action with party reports from our favorite freelancing society reporter.

Back to the Beach: Lifeguards Took Over Bergdorf
By Betsey Morgenstern
Guestofaguest.com Contributor

Last night everyone who was anyone under the age of thirty was at Bergdorf Goodman for Matt Albiani's photo book Lifeguard on Duty. Of course plenty of the lifeguards decorating the pages with their prodigious pectorals were in attendance and that brought out all the girls who were looking for a little piece of meat. As always with in-store shindigs, things got a little messy, especially when Tinsley Mortimer tripped over Fabiola Beracasa's wedge heel and spilled her vodka and cran all over a white baby seal gown that was hanging nearby. Let's hope she pays for dry cleaning!

By far the most interesting person in attendance, or at least the one attracting the most attention, was Whitney Port. We went over to the shoe department and she told me how earlier in the day, she and fellow PR girl Sammie Somethingorother were in Jeffrey boutique in the Meatpacking. They were talking about the party that night and how they needed a different pair of shoes for the type of guys they wanted to pick up. She even gave me a demonstration: white booties for hipsters, gold strappy gladiator sandals for the metrosexual, and boring flats for the Wall Street boys.

We wonder what kind of heels attracted Greenwich hottie and Nantucket lifeguard Harry Fackelmayer, because he was sniffing around Whitney and Sammy all night. Apparently, Sammie is friends with Harry's brother, Freddie, so she invited him and his friend to a barbecue later that week. She invited me too. Left off the guestlist is Roxy Carmichael, Whitney's friend and coworker who Sammie is not a big fan of. We wouldn't know what it's like to be slighted, but when you're a at a party as hot as this, it's gotta burn.

One Elle of a Party
By Betsey Morgenstern
Guestofaguest.com Contributor

It was an intimate affair for about 100 people at the book-strewn home of Elle magazine publisher Carol Smith, who stunned everyone in a pink gown that she must have borrowed from the fashion closet. I'm not entirely sure what the party was for, and I was too busy eating delicious sliders and french fries in tiny white paper cones to even care! In attendance, the usual Elle crowd, EIC Robbie Meyers, creative director Joe Zee, and Hachette EVP Pilippe Guelton. There were supposedly some designers in attendance, but I didn't see any. Either that or I didn't recognize them because I was looking for more delicious tiny hamburgers.

The person really working the room was socialite and Elle accessories editor Olivia Palermo. Everyone was introducing themselves and wanted to get to know her. She looked stunning, with her blond hair pulled back into a bun and this huge gray necklace that would only be more delicious if it was made of french fries. Erin Kaplan didn't like it too much, because she was giving Olivia the stink eye across the room all night. Maybe if she didn't have such a shitty attitude someone would ask her where she got her ugly blue dress. Oops. Did I say that?

Anyway, she left in a huff before the party was over. We bet the next day she gave Olivia a hard time at the office, telling her that the party was really work and asking when all the designers Olivia met—wait, we mean all the designers Olivia already knew who she ran into at the party—were going to send exclusives for Elle. Olivia is a girl of many talents, but reading the future is not one of them! But you don't need a crystal ball to know that everyone had a blast—even those of us who were really at the party for work!

Raising the Roof with Adam Senn and Jay Lyon
By Betsey Morgenstern
Guestofaguest.com Contributor

It was a little hard to get to, but the barbecue on the roof of Adam Senn and Jay Lyon's apartment building that Whitney Port and Sammie Whatshername invited me to earlier in the week was totally worth the trouble of hiking up all those stairs. First I was introduced to Senn and his girlfriend Allie. I asked what they did and Adam said "I'm Allie's boyfriend," and Allie said, "I'm Adam's girlfriend." Well, it looks like we're dining on Tautology Rooftop tonight, folks. It wasn't odd at all for Port, the ex-girlfriend of Lyon to show up at the party, because Lyon wasn't in attendance. Boy, she was lucky not to run into an ex and have him stolen right from under her nose. That would really suck!

Port was also fortunate that she could show up at all. People's Revolution boss Kelly Cutrone needed someone to work late on a Bluefly proposal for product integration into this show called The City, and Roxy Carmichael agreed to take the shift so Whit could go and get her party on. We're surprised that she still has a job, when she shows up wearing oversized T-shirts, tattered leggings, and hooker heels. That can't do anything to improve Cutrone's reputation.

But thanks to Roxy, Whitney got to meet Freddie Fackelmayer, who is a dreamy finance type with a George Hamilton tan, Antonio Banderas hair, and a Ron Jeremy dick. Yes, I know that because (full disclosure!) we dated for a bit. I wasn't jealous that Whitney and Freddie hit it off so well. It was almost as if it was predestined, like someone arranged for them to meet and fall in love and go out for a very romantic dinner a few nights later where they smile into each other's eyes and laugh and giggle. No. I wasn't thinking about the summer plans they would make or how he would slip his arm around her waist while walking down the street after dinner or that enormous knit tent poncho thing that she would actually wear on a date and think was flattering. No. I was very calm and not drunk at all. And that was not me running out of the party with mascara streaming down my face. I am a party reporter and it is fun. Fun! We all had fun!

[PS—Betsey Morgenstern is not a real person and does not work for Guestofaguest.com. If you didn't figure that out, then you aren't bright enough to watch The City, and that is sad.]

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<![CDATA[The Hills and The City Kiss Princes to Make Frogs]]> There was a lot of ticking last night. Heidi's biological clock was making noise and so was the time bomb of Roxy working at People's Revolution. Oh, and Audrina was ticked off, but no one seems to care.

The trouble with Heidi and Spencer began with a visit from Stephanie to their glass coffin when Heidi confessed that she had eaten the poisoned apple and wanted to fall into the deep, deep sleep of motherhood. Spencer only cares about himself and hates kids. We find him to be deplorable but his decision not to spawn with Heidi means to be one of his smarter decisions, like every time he takes off one of his ridiculous hats. But Snow Heidi has enlisted Seven Dwarves of the Apocalypse, and their names are Giuseppe, Luigi, Antonioni, Malfi, Anthony, Vincente, and Enzo, and they are brought over to the house by their parents Caroline and Seth, who are Speidi's new neighbors.

This is all just a plan to get Spender (as Enzo calls him) to get hip to giving her some babies, because she is tired of shopping for clothes for herself and has been banned from just about every clothing store in the greater Los Angeles area, so for her to continue shopping, she must have a baby and enter into the untapped maternity/baby wear retail market. Hey Big Spender (duh da duh nah) is not down with this plan and when Heidi volunteers to babysit for the Seven Dwarves, Spender says "Hey, ho, it's off to work you go," and tells Seth and Caroline to go back to the queen with a deer's heart in a box.

Later, little Enzo escapes the witch's clutches and runs to the embrace of another harpy, Heidi, who puts him under the spell of some video games. The wee thing wails on the Wii and when Spender comes home, he refuses to babysit for free. This is what happily ever after looks like, ladies and gentleman, and we wish that Heidi would just slip back into her coma and leave the rest of us alone.

Once upon a time, Kristin was across town having a conversation with the producers that went something like this:
"Hey Mary from MTV, with your little clip board and denim miniskirt, why am I sitting at this restaurant to have lunch with Audrina and she's not here. Is she coming?"
"No, she's not. How do you feel about that? Are you angry? Show us angry."
"Yeah, I'm angry. At you for wasting my time! Did you know she wasn't coming?"
"Did you know she wasn't coming?"
"I thought she was coming because you set up this lunch and told me to be here. So, is she coming?"
"Well, no. We told her to, but then she went shopping and decided that she didn't want to."
"Why didn't you tell me?"
"We were hoping you would throw a scene and make some angry phone calls when she didn't show up. And your cell phone is right here, why don't you pick it up and..."
"I don't want to talk on the phone, I want to have lunch. I'm starving, and I got my hair done all nice and now I have no one to eat with. Don't make me waste good hair on footage we can't even use. Who can you get here?"
"We can probably get Lo. She never has anything better to do."
"Alright get Lo over here."

Twenty minutes later, Lo arrives. They talk about something and we get a few good shots of Kristin's good hair. All is not lost.

Audrina was too busy worring about her new career as a medium. She figured that she looks like Jennifer Love Hewitt and that means that she has magic powers. Her first case was to help the lead singer of Vedera, who is possessed by the spirit of Natalie Imbruglia. The spiritual infestation caused her to cut her hair and play the piano and sing while coyly eyeing all the boys in the audience. Audrina thinks that by bringing her friends to the show, she can cure Natalie of her horrible condition, but it doesn't really work, because Audrina is soon possessed by the spirit as well, swaying back and forth and blinking at the stage with her big wide eyes of wonder. Until she feels a disturbance on the spirit plane.

Yes, across town Justin Bobby—who shaved and now looks like Vincent Chase's stunt double from the set of Aquaman after he had that concussion when a giant piece of kelp fell on his head—has arrived to Playhouse, a club where women are suspended from the ceiling for the enjoyment of spoiled L.A. teenagers. It's much like the movie Hostile, but the only hostiles here are everyone when Kristin shows up. She tells Justin Twonames that she just wants to be friends, but she really wants to take sweet revenge on Audrina by shaving her name into Justin Twonames ample pubic hair.

She does this by taking him off in the corner to secretly make out in front of everyone. Stephanie sees and she thinks "Aw shit, I'm going to have to tell Audrina and she is going to try to possess me with her new voodoo powers and make me go over to Kristin's house and cut off her pretty hair." Brody sees it and he thinks, "Damn, that really turns me on. I never realized just how hot Justin Twonames is. No wait, I can't be gay. I'm going to have to round up ten guys and go sit in a hot tub with them, because that is the straightest thing I could possibly do. Miss Female Illusionist Superstar 2006 Jayde sees it and, if she could think, she would think, "Wow, my tuck is really starting to hurt right now."

And then Maleficent turns into a dragon and devours them all and flies off to New York City, where her leather turds land on Canal Street and are shaped into fake purses on The City.

The light from the blinking neon signs of Times Square filters through the Venetian blinds and casts shadows across the face of femme fatale Erin, who goes to private dick Joe Z because she's having some trouble. Her man is seeing another lady called Olivia Palermo. "Not only is she a horrible person and bad at her job, but she looks better than me, with all her money and designer clothes and Rapunzel hair. We need to take her down. I don't have much money, but..." and she presses her manicured nails against Joe Z's well-tailed suit and leans in for a kiss lifting one stockinged leg up in the air. Joe Z turns away, lighting a cigarette and says, "I just don't swing that way, kid. You're going to have to try harder."

Madge Palermo has to go into the seedy underworld of Canal Street to buy some fake bags so that Erin can save her hide from an evil mob boss by producing a segment for the Today show. She got the idea by looking at Madge, who is a real Louis Vuitton, whereas she is the plastic kind that ladies fresh off the Sex and the City bus tour pick up in Chinatown. She hopes no one notices the difference. And if they do, she will slap them and they will say, "It's real." Slap. "It's fake." Slap. "It's real." Slap. "It's fake." Slap. "It's real and it's fake!"

Madge gets in a town car and rides downtown, where she walks down the steps of the subway so that a film crew can film her walking up the stairs and fool everyone in America to think that she rides the underground railroad. She may not take the J/M/Z, but she is on the underground railroad for counterfeit handbags where she meets singing folk hero Fucci Prado. This magical agent of cheap fake leather goods is on the lam from the authorities so he has encoded messages into a song which he sings while walking up and down the sidewalk with a magical menu of his wares. If his tune isn't loud enough, he has also figured out an intricate system of messages in his clothing that displays just what he has for sale and how much it costs.

Madge is wooed by his song and buys his goods, rushing away, but turning around to blow Fucci Prado a kiss and he ambles into the crowd, crooning his city ditty and happy at another good deed performed in the service of market capitalism. She takes her spoils back to the seedy motel that Elle is using for a headquarters, and Private Dick Joe Z is finally seduced by her haul. Erin grabs his crotch and squeals, "But Joe, we had a deal!" and he says, "I don't care, kid. The grass is always greener and you're put out to pasture." She turns on her heel and storms out grabbing her purse and mink stole off a wooden chair on her way out and then she quickly pivots and looks back at Joe Z and says, "You may want her now," and the camera closes in on her face, as a single tears rolls down her cheek from underneath her veil, "But just who is going to take you to the Today show?"

Across town, two other femme fatales are dealing with Whitney, who is like the boring good girl on the show that is written out after the first act, because watching villains is so much more fun. In this case it's Welcome Home, Roxy Carmichael and Kelly Cutthroat. Roxy Carmichael wants to be everyone's friend and she's trying really hard, even though she is mean and slutty. There's some sort of photo shoot for jeans and Whitney and RC have to drive a bunch of shit over. They don't bring the clips that they are supposed to, and Kelly, looking less haggard and puffy than usual, doesn't yell at them too much.

Then RC tells the client that he should have the model take her top off, because that is what she did after her senior prom, running along the beach with her boyfriend chasing her. It was night and dark and she stripped off her top while he chased her with camera in hand, and she held her ample breasts with one arm as she turned around doe-eyed and gazed into the lens, her eager Cassanova snapping away. As she feel backwards into the dunes, he kissed her so deeply. And in the morning, Cassie had slapped a Guess logo on the photos and sold them for millions of dollars, and all she had was a heart full of hurt and her hair full of sand.

The client loves the idea, and so does Kelly, but she wishes she had her own post-prom fantasy, and later, back at the office, she tells Roxy Carmichael that she is a very good slut, but next time, run her porno inspirations by her so that she can take credit for them. After all, she is the heroine of her own fairy tale, even though most people see her as the monster.

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<![CDATA[The Hills Will Be Crushed by The City's Brilliance]]> The Hills are on fire! Everyone is talking about last night's sixth season premiere, but it looks like Lauren Conrad leaving has doomed the show. Know what, who cares? The City is a million times better, anyway.

The big news for the sixth season is that Kristin Cavallari of Laguna Beach fame was returning to bitch it up after LC, the show's grand dame of drama, left for greener pastures. And those pastures are green with big money. Today it was announced that the Twilight team will adapt her novel into a movie. Earlier this year Audrina Partridge decided to call it quits for her own reality show and today Stephanie Pratt, the prattling sister of reality über-goober Specer Pratt, said she was quitting the show because she's sick of it.

I can understand why. Last night, I decided it was finally time to cave in to the peer pressure of the pop culture machine and finally watch an episode of this show. Yes, last night Kristin Cavallari popped my Hills cherry and it was excruciating. During the episode, she returns and attends a welcome back party for Spencer and Heidi Pratt (nee Montag), the amalgamation of everything insipid that is known and self-promoted as Speidi. It was less of an excuse to have a party and more of an excuse to have Kristin show up and start some shit, which she does. Because the show exists in its own beautiful snow globe of wealthy white people who only interact with each other, because Kristin wasn't on the show it's like she fell into a wormhole and was transported clear into the Alpha Centauri galaxy never to be heard from again.

Brody Jenner (who I find horribly dreamy in spite of myself) isn't tense about his ex-girlfriend Kristin being teleported back into their tiny sphere by a black hole the producers created out of money and Kristin's failed acting career, but his girlfriend Jayde (who spells her name like a drag queen) is afraid she's going to steal her man. And so is Audrina, who recently broke up with Justin Bobby—who looks like the punchline of a Joaquin Phoenix performance art piece, except he is totally missing all the irony. So they all sit around and talk about this with the sort of tepid trepidation of a year book committee that doesn't want the cover of their magnum opus to be maroon, but navy blue, because they have always dreamed about having a navy yearbook on their coffee table for the rest of their lives, but the school colors are maroon and white, so they have to deal with the color scheme even though it's ruining their lives.

Anyway, Kristin shows up at the party and starts some retarded fight that I don't understand, probably because I haven't had enough Patron shots and don't speak the spoiled patois of the Malibu faux-lite but it had something to do with Kristin talking to Justin Bobby's beard and that made Audrina upset. She yelled a lot and cowed the Year Book Committee to scurry back to the cafeteria to regroup and talk about whether or not they were going to go to some birthday party. Where the same drama is repeated, except without as much yelling.

I watch a lot of really trashy television, but I just don't get The Hills. I understand that it's fun to watch these little wind up toys sputter and twist when faced with the petty squabbles and slights of an insular social circle. I understand that the characters have been made into heroes and villains and that they're all so stupid that there is a certain pitiful superiority one feels while watching them try to navigated massaged reality before the cameras. Yes, I understand it, I just don't get it.

The City, though, I not only get, but totally love. While The Hills feels like regression, The City feels like a progression. It's a similar sort of snow globe, but one where characters actually have goals, things are actually happening, and the fights have real-world consequence.

Whitney Port, a refugee from The Hills, tries to play like she's the poor girl taking on the big, bad city, but she's got a fat pad in the West Villiage and a boss—PR maven Kelly Cutrone—who is encouraging her to work less so she can start her fashion line. Last night, Whitney's old friend Roxy shows up in New York and needs a job and a place to crash. Whitney hooks her up with both, but how does the affably daffy Roxy repay her? By throwing a giant party in her apartment that is so noisy the neighbors call the cops. This sounds just like the Jane Hotel, but it's happening on our TV screen. It's a fun arc that easily plays out easily over 30 minutes and really illustrates the trouble of starting a professional life in the big city in your early 20s—well, if you have a camera crew following you around and a big fat check from producers for just allowing your burgeoning life to be the entertainment for the masses.

The real star of the show, however, is socialite Olivia Palermo, who has been given a job as an accessories editor at Elle and faces off with the magazine's PR chief Erin Kaplan. This is real reality. Everyone knows only privileged and connected white girls get the plum jobs at fashion magazines. And when she gets there, Olivia has the sort of attitude you could expect to find in a girl with a prep school education who probably doesn't have to work for a living. And when she gets in a fight with Kaplan, it's not about who might have flirted with who in front someone's exgirlfriend at a party at the Pink Taco or who didn't say hi to such-and-such because they thought they had bad body odor. It's about a segment on the real live Today show. It's like an actual something. And if Olivia fucks it up then Kathie Lee Gifford is going to track her down and beat her like she's a Chinese sweatshop worker who won't sew fast enough. What's the worst thing that's going to happen to Kristin? Audrina isn't going to like her? Aww...

Yes, I love trashy reality television, but I want there to be real stakes along with the drama and I want it to have some sort of reflection on the world we all live in—that The City it has a reflection on the very specific Manhattan media world I live in probably makes me love it a little bit more. Earlier this week, when Lauren Conrad was asked if she would still watch The Hills she said, ""Probably not, I'll watch The City." Finally, someone from The Hills had something intelligent to say.

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<![CDATA[How Fake Is The City, And Why Do We Care?]]> The Hills spinoff The City — premiering tonight on MTV — "documents" Whitney Port's new job, BF, and life in the city. As per the format, the lines between reality and reality TV are blurred.

It's hard to tell what exactly is contrived and what's the real deal, but that doesn't stop people from trying. Today, the New York Post reveals that Whitney's day job on the show—doing in house PR for Diane Von Furstenberg—is fake, with one source saying "She doesn't really work. She is hardly ever in the office." And that comes as no surprise, given Whitney's employment history on The Hills, "stylink" at Teen Vogue, and PR at People's Revolution, when in real life, she's actually designed her line of clothing Eve & A.

In The Hills episode that sets up the premise for Whitney's spinoff, she's alerted to an opening at DVF through Kelly Cutrone, her boss at People's Revolution, and while she's in NYC on business, she goes to a bar and meets a musician who will be her love interest on her own show. Perfect coincidence or perfect casting? It all seemed too perfectly suited for tripod camera-captured moments to actually be real moments.

However, Cutrone insists to New York magazine (in a very lengthy new article about the show) that Whitney was a "very real" employee at People's Revolution, and that she played no part in MTV's machinations in inventing a new ingenue. "It wasn’t like I did all that for Whitney thinking she’d get her own show,” she says. “It’s not like I’m in secret cahoots with DVF here. I mean, I don’t even represent her.” However, New York notes that Cutrone is currently pitching her own show about her own life with the working title Kell on Earth. So is everyone just playing along with this manufactured reality in order to achieve the new Paris Hiltion-esque American dream of creating a career out of participatory self-exploitation?

As for what's real and what's fake, it looks like Whitney's relationship with Jay Lyon, the Australian musician, is indeed for real. And that's weird for a number of reasons because she's reportedly been dating similarly named E! News' Ben Lyons for a while now.

As for whether or not she's even really living in NYC, that's up in the air. She tells New York, “I’m living in either midtown or the Gramercy area—I don’t really know, to be perfectly honest. I’m in a tall building, way up high.” Who doesn't know what neighborhood they live in? And as for the "supporting cast," well, they consist of the usual suspects of NYC's climber-y circle, namely Olivia Palermo, a self-professed socialite who told producers she wanted to be on the show "because I want to be a brand.” Ew. Olivia was originally supposed to be featured on a different show about glamorous NYC twentysomethings pitched by Devorah Rose, who made a memorable appearance on the reality show The Fashionista Diaries.

To sum it up, Whitney says of The City and its cast: "It’s a really wonderful opportunity for all these kids," recognizing that her "reality" is less of a life, and more of a vehicle. However, it may be one that's stalled. The most recent Hills season finale (which aired December 22) averaged 2.6 million total viewers, down from 3.8 million for the previous season finale. Maybe viewers finally realized that in order to follow the lives of these people, Us Weekly is a much more accurate source. And how fucked up is it that we just referred to a tabloid as being more accurate than what's captured on tape?

Run for the Hills [NY Mag]
Holidays Hurt "Hills" As Finale Ratings Fall [Reuters]
HARD LABOR [NY Post]
Whitney Port talks 'The City,' and drops a major 'Hills' scoop! [EW]
Earlier: 'The Fashionista Diaries': Devora Rose Gives Mandie "Cunt Face" Erickson A Run For Her Money

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<![CDATA[ The Horror: The Hills continues to rapidly...]]> The Horror: The Hills continues to rapidly spin off any supporting character with a hint of intelligence, and so it is that incredibly fearsome People's Revolution head Kelly Cutrone will be getting her own series, produced by Project Runway refugee company Magical Elves. "Think of it as The Wizard of Oz meets Stephen King meets Rhoda," explained Cutrone. That's the doomsday logline spirit, Kel! [Page Six]

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