<![CDATA[Gawker: defamer, justin theroux]]> http://tags.gawker.com/assets/base/img/thumbs140x140/gawker.com.png <![CDATA[Gawker: defamer, justin theroux]]> http://gawker.com/tag/defamer/justintheroux http://gawker.com/tag/defamer/justintheroux <![CDATA[Exclusive: 'Tropic Thunder' Writer Stops Making Fun Of Mentally Challenged People Just Long Enough To Let Us Interview Him]]> Take a good look at that Tropic Thunder poster. Go past the glossy, airbrushed photos of the film's many stars, past the lush jungle setting, past the fiery explosions, and you might notice something. See there? Down at the bottom? It says "Screenplay by Ben Stiller & Justin Theroux, and Etan Cohen." Sure, other more "legitimate" media outlets may give all the ink to those first two dudes, but here at Defamer we like to dig a little deeper. Just who is this Etan Cohen fellow and how did he get roped in to working on the biggest comedy of the summer? Stick around after the jump to hear one of Hollywood's newest writing stars dish the dirt about meeting Tom Cruise for the first time, what it feels like to suddenly have people kissing your ass, and why you shouldn't be offended by all that Simple Jack stuff.

DEFAMER: Tropic Thunder was based on an idea by Ben Stiller who then started working on the script with Justin Theroux. Why did they bring you along? ETAN COHEN: In about 2002, Ben Stiller, who's about the busiest guy on the planet, was looking for someone who could do some of the unsexy heavy lifting of fleshing out the script. I think he read an early draft of Idiocracy [which Etan co-wrote with Mike Judge] and thought maybe I was someone he could trust to take it the rest of the way.

stiller-tt.jpgDEFAMER: What was it like meeting Ben for the first time?
ETAN: You know, every time I met with Ben he was incredibly intimidating because he was in costume for whatever movie he was working on. I think the first time I was wearing the usual writer's costume and he and was dressed in a full tux like James Bond because he was shooting Along Came Polly.

DEFAMER: What was the writing process like? Did Ben just give you the story and the ideas and say, "go to town?"
ETAN: Ben and Justin gave me a lot of material that I incorporated into a screenplay. Basically, I laid it out into script form and gave it to Ben in stages. When it got to a certain finalized point, I started working more closely with Justin. And then everyone started sending it back and forth. Ben too. But it was rare for all three of us to be in the same place at the same time.

DEFAMER: Any fights about keeping stuff in the script?
ETAN: No fights. You just do what Ben says. I think he knows what he's doing.

DEFAMER: There are lots of huge actors in this movie. As a director, how did Ben Stiller control all those raging egos?
ETAN: Basically, people had tremendous respect for Ben. He was able to command the set. Also he works out like crazy. He got ripped for this part because he was playing an action star and he was super buff. He even had dumbbells on the set. So knowing someone can kick your ass is probably more intimidating than just thinking they're really smart.

downeyjr_blackface.jpgDEFAMER: Let's talk about the whole Robert Downey Jr.-in-blackface thing. How sensitive were you to the fact that some people could have been offended?
ETAN: As a writer sometimes you're able to be detached from the reality of what you're writing. I think it was maybe just a funny joke in my mind and I wasn't aware of how crazy it was. It didn't really hit me until I visited the set and I saw Robert taking a break while his stand-in, who was a real African American actor, stayed on camera. Then I realized it was truly insane.

DEFAMER: But do you worry about offending people in your work? I mean, they already took down that Simple Jack site and now the National Down Syndrome Congress is calling for a boycott of the movie.
ETAN: I do worry about it, but I hope that people realize our heart is really in the right place. The statement we're trying to make is not to make fun of those people, but to make fun of the way Hollywood views those people. I would feel terrible if people thought we were making a racist joke or a joke at the expense of handicapped people when what we're really trying to do is say, "Hollywood please stop fetishizing handicapped people."

cruise_tropicthunder.jpgDEFAMER: Alright, let's change gears here. Tom Cruise plays an evil studio exec in Tropic Thunder. What's it like meeting that dude?
ETAN: It's astounding. He just seems like the healthiest, happiest, most energetic guy you've ever met. He's radiant. He comes to the table and you think he's the biggest superstar, he's certainly earned the right to half-ass it, and he just brings it in the most wonderful and shameless way.

DEFAMER: Please put the rumors to rest. Did Tom base that performance on anyone in particular?
ETAN: I've heard all kinds of theories about that. But in the script it was really just a conglomerate of classic studio bosses going back to Jack Warner.

DEFAMER: I don't want to give anything away, but Tom Cruise dances in this movie. Now do you just write in the script "he dances," and Tom takes it from there?
ETAN: Actually the dancing was his idea! It was something he wanted to do, and to me, it's one of the best parts of the movie. People will see it and remember how great he is. It's a transcendent moment. I wanted that scene to go on for half an hour.

DEFAMER: I have to ask. Any Scientology crap when you met him?
ETAN: You know, I'm a religious person, so when I read that stuff I truly do sympathize with him because anyone's religion can be made to seem crazy by people who don't believe in it. I just have the benefit of my crazy things having happened thousands of years ago.

DEFAMER: Ok, let's talk about your career. What's your work ethic like? Do you write every day? To be douchey about it, what's your process?
ETAN: I have three kids at home so I don't sleep much past five. I try to treat writing like I would any job. You got to put in the hours. You hope if you work enough, some of the hours will coincide with when you're feeling inspired.

DEFAMER: What's next for you?
ETAN: Well, I'm writing the new Sherlock Holmes movie for Sacha Baron Cohen and Will Ferrell. And I also have Madagascar 2 coming out. That's something my kids can watch.

holmes-holmes2.jpgDEFAMER: Robert Downey Jr. is in a competing Sherlock movie. Are you concerned about that?
ETAN: I've let him know that LA is a dangerous place. All kinds of things happen. People disappear. I heard he's a martial artist and he should know that I take karate with my daughters, so don't fuck with me.

DEFAMER: But seriously...
ETAN: I think that it's odd, but I also don't think they're really competing projects. Ours is a big comedy and his is a serious action movie. I think there's an appetite for both. That said, at the junket, he was like, "Oh you've got the other Sherlock Holmes movie." And I said, "No you've got the other Sherlock Holmes movie."

DEFAMER: You're a big comedy writer in Hollywood now. You have some heat on you. What does that feel like?
ETAN: It feels pretty awesome. I've heard other people say this, and now I think I understand. People start to say yes more and that's scary feeling because they're gonna let you do what you want, so it's your fault if it's bad. But all in all, it's great.

DEFAMER: Are your agents kissing your ass more?
ETAN: You know, I unfortunately have an agent who was a good friend of mine before he was an agent so he could really be a much better ass-kisser than he is.

tropic-thunder-poster-sm.jpgDEFAMER: Tropic Thunder opens on Wednesday, August 13 (that's today, kids!). Here is what you are competing with over the weekend: Star Wars: The Clone Wars, the new Woody Allen movie Vicky Christina Barcelona, a horror movie called Mirrors with Keifer Sutherland, and some indie dramedy called Henry Poole Is Here starring Luke Wilson of Idiocracy fame. Why should people go see Tropic Thunder instead of those?
ETAN: I have a history of not helping Luke Wilson's career and I think I'm going to continue to do that. But why should you see our movie over Star Wars and the others? There's a truly amazing scope in our movie that's never been done in a comedy before. I think people will be astounded at how huge it is. I'd say for your ten dollar ticket, you get fifteen dollars of movie.

DEFAMER: Fair enough. One final question. The Dark Knight— greatest movie ever or a little overrated?
ETAN: I didn't even see it yet.

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<![CDATA[Justin Theroux Promises 'Iron Man 2' Script With 100 Percent Less Batdrama]]> Hints abound today that the wheels may be coming off the souped-up Dark Knight bandwagon — and not just at the box office, where some estimates have Tropic Thunder usurping the top spot this weekend. TDK's sweeping cultural influence may be in jeopardy as well, with its Greatest! Movie! Ever! status now reduced to a nonsensical three-way tie at IMDB and a pair of formidable opponents shaping up across town at Camp Iron Man. In case you missed it, Robert Downey Jr. has already resorted to dramatic efforts of Batsabotage ("Didn't get it, still can't tell you what happened in the movie, what happened to the character and in the end they need him to be a bad guy. ... You know what? F-ck DC comics"), and now jealousy-inspiring actor/screenwriter Justin Theroux has enlisted exactly the kind of metaphorical bitchslap we'd expect from his soaring geekcake talent:

You know, I tremulously went and watched The Dark Knight myself, but it's a totally different movie, like, you know that Tom Cruise movie where he played the race-car driver? What was that movie called … anyway. It's like comparing that movie to Talladega Nights — it's two totally different animals. We have a leading man who can sort of relish being a cad, and that's a fun character to write for. We feel like we're in the clear.

Fair enough, Theroux — war is war, but face it: If Jon Favreau would simply bother to rival Tony Scott's Day-Glo Days of Thunder diapers, the best of both visionary worlds could be yours.

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<![CDATA['Thunder' Premiere Showdown Pits Megastars Against Disabled Who Obviously Don't Get The Joke]]> Despite all traces of Simple Jack—veteran fake-action-star Tugg Speedman's brazen Oscar-shot playing a stuttering, simpleton farmhand—having been literally whitewashed from the web, activists remain outraged over Tropic Thunder's depiction-within-a-depiction of the developmentally disabled as bucktoothed "retards" incapable of expressing affection without the use of the phrase, "You mm-mm-m-ake my p-p-pee-peemaker t-t-t-tingle." (Sheesh—so touchy.) As threatened, dozens of placard-wielding protesters outfitted in 'Retard'busters T-shirts marched outside last night's premiere in Westwood, giving the proceedings the strangely familiar air of an RGA West strike line. From the AP report:

"When I heard about it, I felt really hurt inside," said Special Olympics global messenger Dustin Plunkett.

"I cannot believe a writer could write something like that. It's the not the way that we want to be portrayed. We have feelings. We don't like the word retard. We are people. We're just like any other people out there. We want to be ourselves and not be discriminated against."

Andrew J. Imparato, president of the American Association of People with Disabilities, said he and other representatives from advocacy groups representing the mentally disabled met with DreamWorks co-chair Stacey Snider and watched a private screening of the film Monday morning. Imparato called the movie "tasteless" and said it was "offensive start to finish."

Despite the fun-dampening chant of "Call me by my name, not by my label!" echoing off in the distance, the premiere must go on—and it did, albeit with tightened security and views of the A-listers in attendance blocked off by 10-foot-high green fences, Variety reports.

As for the film's stars and star-writers, here's what some of them had to say about the controversy:

Justin Theroux: "I happen to disagree with them in regards to our film. It’s a shame that they are out there, and I hope that when it comes out, they will actually see the jokes for what they are — a deep cutting satire of Hollywood and the stars." [Us Weekly]
Jack Black: "Everyone has the right to protest. It’s a free country. Anytime that anyone feels that they are justified in their heart, more power to them." [Us Weekly]
Etan Cohen: "Some people have taken this as making fun of handicapped people, but we're really trying to make fun of the actors who use this material as fodder for acclaim. The last thing you want is for people to think you're making fun of the victims in this who are having their lives turned into fodder for people to win Oscar." [MTV News]
Ben Stiller: "It's sort of edgy territory, but we felt that as long as the focus was on the actors who were trying to do something to be taken seriously that's going too far or wrong, that was where the humor would come from. [The joke is on] actors reaching for roles in terms of hopefully winning awards." [MTV News]

It will be the A-listers, of course, who have the last laugh should Thunder succeed in doing what so many other couldn't, and toppling The Dark Knight at this weekend's box office—a movie, ironically enough, heralded by watchdog groups as an "exemplary instance of the disabled as being fully functional members of society, as depicted by Maggie Gyllenhaal's courageous and deeply honest performance."

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<![CDATA[Diablo Cody and Seth Rogen Late Additions to 'Upstart Screenwriter Clout Day']]> It turns out we may have attributed the day's Screenwriter Dream Come True to Justin Theroux too soon — we hadn't yet browsed the news that Steven Spielberg anointed Diablo Cody to adapt another one of his stories as a comedy for DreamWorks, and we hadn't heard Seth Rogen's indirect riposte to the idea that he and his colleagues should deign to working with... well, he just tells the story better:

Seth Rogen fires off some pot shots in the new GQ comedy issue. First the funnyguy says that he's the reason — or at least part of the reason — his pal Jonah Hill turned down a role in director Michael Bay's Transformers sequel.
"I can see if Steven Spielberg's calling you, asking you to do something, how that's hard to turn down," Rogen tells writer Alex Pappademas. "But what I said to Jonah was, 'You want to make a movie about fightin' robots? Make your own movie about fightin' robots. You can do that. That's on the table now.' "

So Oscar-winner Cody can likely be excused for answering Spielberg's call; the director is already credited with the story on the Cody-scripted Showtime series The United States of Tara, but their untitled forthcoming collaboration is reportedly "under such tight wraps that even dealmakers involved with the project were in the dark. There are no producers yet attached." We still think Theroux may have had the better day overall, but feel free to call your own shots — short-term, long-term or both — in the comments.

[Photo Credit: Getty Images, WireImage]

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<![CDATA[Hunky Hyphenate Justin Theroux Now Just Showing Off With 'Iron Man 2' Writing Gig]]> Like most celebrants of cinema's smoldering, dangerous geek-stud archetype, we've been following actor Justin Theroux's career arc for a while — mostly in front of the camera, obviously, where his roles in Mullholland Drive, Charlie's Angels: Full Throttle, Six Feet Under and elsewhere yielded a batch of performances we presumed would catapult him to the A-list sooner or later. But now it's just getting ridiculous, as we're learning that Theroux just nabbed one of the most desirable writing gigs in Hollywood: Iron Man 2.

Not long after returning director Jon Favreau went mildly public with script concerns in advance of Marvel's two-year turnaround, Theroux joins Favreau and Robert Downey Jr. in the creative cluster responsible for The Biggest, Hugest, Megapressure Sequel of 2010. This after exactly one previous writing job co-scripting (with Ben Stiller and Etan Cohen) next month's hit-to-be Tropic Thunder for Marvel's partners at Paramount, and one underseen directing job on the Weinstein-smothered, indie rom-com Dedication. It's an intriguing gamble by Marvel, who reaped Actor-Power benefits from Iron Man that notably went missing-in-action in Ed Norton's hands-on Incredible Hulk.

Saying the studio will take the best two out of three is obvious oversimplifying, but this kind of inexpensive one-brain cohesion is a studio M.O. we can get behind. And Theroux — we get it! You're talented! Try modesty; mix in a pseudonym or something already. For our sakes! Jesus.

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<![CDATA[PETA's Nominees For Sexiest Male Vegetarian Could Use Some Meat]]> Those adorably violent animal lovers over at PETA have temporarily ceased from attacking fur-toting starlets with tomatoes to round up their nominees for this year’s Sexiest Vegetarian award. And judging by the list of potential winners, it seems that granola-loving male celebrities are seriously lacking in the “sexy” department as compared to their female counterparts. Herbivores like Naomi Watts and Natalie Portman are listed among the ladies, whereas guyliner fans, racist talk show hosts and '80s heartthrob-turned-has-beens make up the majority of the male contenders. We take a closer look at the uneven distribution after the jump.

Though Woody Harrelson, his buns of steel, and the very edible Justin Theroux do bring a bit of heat to the male vegetarian crowd, they hardly make up for the presence of Don Imus and Bob Barker, who would make far more appropriate candidates for the Hottest Sexist Vegetarian list. As much as we love and adore Peter Dinklage, we don't exactly fantasize about sipping tofu shakes with him in bed. Grouped with Serious Method Actor Jared Leto and failed comeback kid Corey Feldman, the full list (in its entirety here) isn't inspiring us to convert to nuts and berries any time soon.

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