<![CDATA[Gawker: defamer, julie taymor]]> http://tags.gawker.com/assets/base/img/thumbs140x140/gawker.com.png <![CDATA[Gawker: defamer, julie taymor]]> http://gawker.com/tag/defamer/julietaymor http://gawker.com/tag/defamer/julietaymor <![CDATA[Helen Mirren and Russell Brand Form Saucy Mutual Admiration Society]]> Sometimes, British news is tardy coming across the pond, and other times it simply takes us a little while to collect our composure after crushing disappointment. In this case, it's a little of both, as our longtime crush Helen Mirren has publicly returned the affections of a man who is neither her husband, Taylor Hackford, nor the chiaroscuro possessor of a raised eyebrow that is the mascot of our humble blogspot. No, instead she has fallen under the charms of noted ladykiller and purity ring-eschewer Russell Brand, and this can mean only one thing: trouble.

Brand, who will soon be co-starring with Mirren in The Tempest, kicked off the flirtation in the Daily Mail:

He said of Helen, infamous for getting her kit off for the camera: "She is so hot. There's something about her that drives me wild.

"She's so sexy and enchanting, just look at her form.

"They're going to have to hold me back when we start work. I'll be all over her. I don't know how I'll get any work done."

Eventually, the Mail caught up with the cougar in question, who purred:

"I heard Russell fancies me. I fancy him too," [Mirren] told us. "I mean, who can resist a man that looks so good in tight trousers.

He's absolutely lovely."

Helen and Russell, while we adore you separately, we fear that a potential union between you two could end badly; after all, think of all the cocaine, date rapes, and water sports you've worked so hard to put behind you! To become romantically entangled would only bring those bad habits back to the forefront, so we must politely ask that you stay with your previous partners (Mirren with Hackford, and Brand with his elephant vagina) before the British film industry is brought down by a debilitating storm of naughty randiness.

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<![CDATA['Spider-Man: The Musical' Open Call Seeks Vocally Gifted Peter Parker Types]]> A little over a year ago, we noted that celebrated director/visual-flourishist Julie Taymor would be tackling perhaps her most challenging source material yet. This project would afford no opportunities for portentous lion births, or soldiers lugging Lady Liberty across a model Vietnam in an extremely literal interpretation of a Beatles lyric. Rather, Taymor set about adapting Spider-Man into a Broadway musical. Helping to sell audiences on a hovercraft-enabled lead villain whose big showstopper, "Everything's Coming Up Pumpkin Bombs," closes the first act is none other than U2's Bono and The Edge, who came on board as composers. Now all that's left to round out this spider-shit insane idea is you, triple-threat Tobey and Kirsten types!

OPEN SINGERS/ACTORS CALL FOR SPIDER-MAN A NEW BROADWAY MUSICAL Directed by Julie Taymor, Music and Lyrics by Bono and The Edge of U2
WHAT WE'RE LOOKING FOR: Peter Parker: male, 16-20's, great Rock voice, can be nerdy with understated sex appeal, good sense of humor Mary Jane: female, 16-20's, beautiful girl next door, strong pop/rock singing voice Principal Woman: female, 25-35 years old, Amazing Rock vocals, think Sinead O'Connor with a Middle Eastern /Bulgarian/Greek/ twist. Foreign, world music types are great, foreign accents are great! All ethnicities.

JULY 28, 2008 10:00am-5pm THE KNITTING FACTORY NYC

Please prepare 16 bars of a pop/rock song that shows range. Please bring sheet music. Also a photo/resume stapled together, IF YOU HAVE ONE. IT'S COOL IF YOU DON'T! spidermancasting@gmail.com

We take their lax headshot requirements to mean that they are fully prepared to pluck a spider-in-the-rough from obscurity if they feel he's the right Peter Parker for the part. That said, there's no shortage of nerdy, understatedly sexy young men currently vying for roles on the Great White Way. Rather, it's the Bulgarian Women's Choir defectee they're hoping will fill the "Principal Woman" slot that might prove to be the bigger casting challenge. Once Bono gets a look at the available talent pool, he might ultimately have to settle for a Bashkortostanian throat singer to play villainous voodoo priestess Calypso instead.

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<![CDATA[Joe Roth: It's So Adorable When Silly Stage Ladies Want Control Over Their Cute Little Movies!]]> roth-taymore.jpgToday's NY Times looks at the behind-the-scenes battle for control of the creative soul of psychedelic Beatles musical Across the Universe unfolding between Revolution Studios head Joe Roth and director Julie Taymor, in which Roth's helpful trimming of about a half hour from her cut and a subsequent test screening of his shorter version has a "helpless" Taymor threatening to take her name off the picture before it becomes a full-blown Rothian abomination. While Team Taymor carefully chose its words in responding to the Times' inquiry into the flap ("Sometimes at this stage of the Hollywood process differences of opinion arise, but in order to protect the film, I am not getting into details at this time."), Roth reminded everyone not to pay too much attention to the hysterical stage lady who can't take constructive criticism like a Mann:

He said that Ms. Taymor was overreacting to a normal Hollywood process of testing different versions of a movie, something he has done many times before, including with Michael Mann's "Last of the Mohicans." He called his version of "Across the Universe" "an experiment."
"She's a brilliant director," he said. "She's made a brilliant movie. This process is not anything out of the ordinary. Her reaction through her representatives might be. But her orientation is stage. It's different if you're making a $12-million film, or a $45-million film. No one is uncomfortable in this process, other than Julie."

And he warned that the conflict could hurt the movie. "If you work off her hysteria, that will do the film an injustice," he said. "Nobody wants to do that. She's worked long and hard, and made a wonderful movie."

Following his persuasive and sensitive argument (note his laudable tact in never once mentioning the phrase "on the rag," no matter how badly he wanted to say it), Taymor will probably come around and finally open herself up to "the process" she's so irrationally resisted until now, allowing fellow director Roth to share the cinematic gifts that made Christmas with the Kranks such an aesthetic triumph.

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