In the middle of the greatest economic downturn since the Great Depression, American handed over $35.3 million worthof its unemployment payments to Vaughn, Favreau and the gang. And honestly, its not for us we grieve; its for the children, who the reckless audiences of this weekend have thus doomed to approximately 27 more Vaughn films featuring him being hectored by a dismally joyless spouse who forces him to go somewhere uptight and boring, disrupting his playtime with even more hapless sidekick who is being driven close to suicide by his even more dismally joyless spouse. The children of tomorrow, when they reach PG-13 eligibility, will look back on the decisions America made today and curse our spirits, willing us to wander the earth unburied and unmourned for all eternity.

In their write-ups, the box office pundits are all but dying to avert their eyes from the Vaureau nightmare and talk about the far more trendworthy story of Paranormal Activity's viral driven success. Playing in college towns on a mere 160 screens (compared to Couples Retreat's 3000), the low-budget horror film raked in 7.1 million dollars, a number that Box Office Mojo's Brandon Gray says,

broke the minor record for highest-grossing weekend ever for a movie playing at less than 200 theaters, exceeding Platoon's $3.7 million at 174 sites (which would be on par adjusted for ticket-price inflation).

There's nothing the showbiz press likes better than a marketing phenomenon. It's been a decade since Blair Witch came along and turned the dominant paradigm on its head and changed showbiz forever, kinda. I mean, it was huge, right?...And three years since Snakes on a Plane reset..since Snakes on a Plane....Well, anyway.

Also astounding on the weekend chart is the number of recently mega-hyped films that seem miles away from catching fire. Bruce Willis' big-budget Surrogates is fading away in the 30 million range, likely a fraction of the total cost. Miles of ink and solid word of mouth don't seem to be able to propel Whip It over the ten million line, Fame is sputtering away at 20. And the latest Michael Moore is losing steam at 9 million; swell for a doc but less than a tenth his Fahrenheit heights.

• The 66th Venice Film Festival kicks off today. Variety says guests are in store for "a daring and diverse selection that comprises more countries, more newcomers, more Americans, more genre pics and what the fest boasts will be more 3-D on display than at any other nonspecialized event." Among the most anticipated US representatives are the festival's day of celebration of Disney and Pixar, the Weinstein Company's adaptation of Cormac McCarthy's The Road and Michael Moore's Capitalism: A Love Story. Spoiler spies who have sneaked peeks at the Moore film inform us it is their guess that the title in fact may be just a tiny bit ironic. Who woulda guessed? [Var]

• Director Paul W.S. Anderson of Resident Evil honors has signed on to shoot a 3-D version of The Three Musketeers. Anderson says he will create a contemporary feel for the classic tale while retaining its period setting. Just picture Too Fast, Too Furious with funny feathered hats and perhaps a pie fight or two. [THR]

• HBO has ordered 11 episodes of the Martin Scorsese produced 1920's gangster series Broadwalk Empire. [The Wrap]

• Jerry Springer has singed a deal to host a live Vegas stage version of America's Got Talent at the Planet Hollywood Resort and Casino. Nick Cannon, you may relax now. [Var]

• Iron Man BFF's Jon Favreau and Robert Downey Jr. are reuniting for Cowboys and Aliens, a sci-fi Western. The Dreamworks project will be Favreau's first directing gig after he finished Iron Man 2. [THR]

• Doug Wright is turning his acclaimed 1987 documentary Hands on a Hardbody into a stage musical at the La Jolla Playhouse. [Var]

1. In the nerd equivalent of heaven, James Cameron and Peter Jackson attended their first Comic-Con, and did a panel together where they talk about the future of film-making and Jackson reveals that a script for The Hobbit, his Lord of the Rings prequel, will be finished in a month. [Zap2It]

2. Lost isn't known for parting with information easily, but they did have some good tidbits at their panel. Characters Juliet and Daniel Faraday will be back for the final season. Also in season six: no more time travel, the return of Charlie and Boone, the backstory for the enigmatic Richard Alpert, and some allusions to what may be alternate timelines. Damn, that shit makes our brain hurt. [EOnline]

3. Warner Bros. tried to roll out the new Patricia Heaton comedy The Middle at their Mom-A-Con. No one showed for the counter programming. Everyone said, "Mom, stop embarrasing me!" [THRFeed]

4. Hayden Panettiere is going to get some girl-on-girl action for the new season of Heroes. Yeah, cause that is what is going to fix this show. [io9]

5. Two scenes from the upcoming Twilight sequel, New Moon, were screened. Lots of girls screamed. [CelebrityCafe]

6. Iron Man 2 is going to fucking rule. Fans were excited by footage that shows Samuel L. Jackson's return as Nick Fury, Mickey Rourke playing new villain Whiplash, and a bunch of awesome special effects. Robert Downey Jr, director Jon Favreau, and new additions Scarlett Johannson (who plays sexy spy Black Widow) and Don Cheadle (replacing Terrence Howard) were all in attendance. That's either an A-List Comic-Con panel or a night at The Waverly Inn. [EW]

7. Ok, Iron Man gets two entries because the sequel is laying the foundation for Marvel's much anticipated (among comic geeks) Avengers movie (not the crappy Uma Thurmond one, this one has Captain American and shit). [EOnline]

8. We haven't seen the last of Battlestar Galactica, Edward James Olmos' career to continue. [io9]

9. You're probably not going to see Family Guy's "Abortion Episode," at least on the air, but it will probably be on DVD. What? Fox suddenly has standards? [LAT]

10. Alien invasion drama Vis back and the geeks love it. Is there anything left from the '80s for us to bring back? Alf, maybe? [THRFeed]

Moveline heroically compiled a history of the fake account JonahHill_Jew. Here's an exchange between fake Hill and Marlee Matlin, the deaf actress from West Wing:

Marlee Matlin... tweets that she loved Hill in Superbad. JonahHill_Jew replies, "How funny could it of been when you can't hear it?"

Ugh. Hill also tells comedian Doug Benson he met him at "Yer CD Release party bitch…" Then there was a reported feud between fake Hill and actor/director Jon Favreau; Hill told Letterman he got an upset call from the actor (see clip above), though the fake Hill told Movieline he was never rude to or truly fighting with Favreau.

It could take months before Hill is able to set straight the various Hollywood big shots who think they saw "his" off-color Twitter feed. Maybe Hill have some help setting the record straight: his impostor is already trying to parlay his infamy into a show business career. Maybe in a few years he'll be worth suing!

Ellen missed her goal by 877,147, even after posting a pic of her hot wife. Who Twitters better?

Former Defamer editor Mark Lisanti. Lisanti spotted the Hollywood director sending out a photo taken in the toilet of an airplane on his way to SXSW, the grotesquely fun and pointless music-movie-Internet festival in Austin, Texas. See, Ellen? That's how you earn your Twitter following.

(Photo by Jon Favreau)

VINCE VAUGHN LOOKS A LOT LIKE VINCE VAUGHN, ONLY BIGGER...His face is full, puffy enough to make him sometimes look as though he's fighting to keep his eyes open—not as though he's just woken up but as though he's never bothered to go to bed in the first place. His shirt is open at the collar, probably because it has to be. It's also open at the waist. Even from across this crowded restaurant, it's possible to see a jumbo slice of Vaughn's naked belly. It's too much to ignore, this great golden acreage, because he leads with it and because it's probably been kissed by Jennifer Aniston, standing on her tippy-toes.

Yes, well, that's surely a mental image that won't go away! However, the writer is not yet done pounding home Vaughn's bloat. Gorge on these excerpts:

· He's the biggest man in the room. And because of his size, and because he inherited from his salesman father a competitive streak as well as a knack for volume business, he is voracious in his appetites (steak and lobster and creamed spinach) and his desires (to be loved).

· He sinks deeper into the couch, exhausted by his lies.

· There is only one question that Vaughn will answer without reservation. He answered it the night before, at the steakhouse, underscoring every elaborately constructed sentence, paragraph, and punctuation mark with a forkful of lobster meat...

· He swells up and starts shouting again.

· Favreau shows up and Vaughn makes room for him on the couch. He's just wearing a T-shirt and jeans, sucking on a mint for lunch, ready to go to work. It's funny seeing them like this, the two guys from Swingers at their ten-year reunion, a little older, a little fatter, a little tired-seeming and wrung out.

· And just then, Vince Vaughn looks the way a big man looks when someone stands up to him for the first time in his life.

"...Like a fat dude caught stuffing cake in his mouth," right? We're just guessing!

• Vince graces the cover of Esquire magazine [Vince-Vaughn.com]

Those with intimate knowledge of the situation suggest a far more dramatic backstory: Howard was the first actor signed to the film and, on top of that, was the highest-paid. That's right: more than Gwyneth Paltrow. More than Jeff Bridges. More than Robert Downey Jr. And once the project fully came together, it was too late to renegotiate his deal. It didn't help that, according to one source, Favreau and his producers were ultimately unhappy with Howard's performance, and spent a lot of time cutting and reshooting his scenes.

...As such, when Favreau and screenwriter Justin Theroux went to map out the sequel they found themselves minimizing Howard's story line. Once Marvel learned that Favreau was thinking of curtailing the role, the studio went to the actor's agents with a new and drastically reduced offer — a number that's similar to what supporting cast members were paid for the first movie. The agents, according to sources, were so taken aback by this new figure — estimated at somewhere between a 50 and 80 percent pay cut — that they questioned it.

Yes, it's hard to believe Howard wouldn't take Marvel up on their awkward offer. "Hey, uh, Terrence! So, we're going to start the sequel with you already in the War Machine suit. And, uh, you never come out of it. Plus, no musical number. So, how about $500 grand and a few net points?"

• 'Iron Man 2': How Terrence Howard Lost His Metal [EW]

Not long after returning director Jon Favreau went mildly public with script concerns in advance of Marvel's two-year turnaround, Theroux joins Favreau and Robert Downey Jr. in the creative cluster responsible for The Biggest, Hugest, Megapressure Sequel of 2010. This after exactly one previous writing job co-scripting (with Ben Stiller and Etan Cohen) next month's hit-to-be Tropic Thunder for Marvel's partners at Paramount, and one underseen directing job on the Weinstein-smothered, indie rom-com Dedication. It's an intriguing gamble by Marvel, who reaped Actor-Power benefits from Iron Man that notably went missing-in-action in Ed Norton's hands-on Incredible Hulk.

Saying the studio will take the best two out of three is obvious oversimplifying, but this kind of inexpensive one-brain cohesion is a studio M.O. we can get behind. And Theroux — we get it! You're talented! Try modesty; mix in a pseudonym or something already. For our sakes! Jesus.

• Theroux to write 'Iron Man' sequel [Variety]

But it all appears to be moot now as not-so-shocking reports trickle in saying Favreau is on board. For good measure, and because God knows it's a long way to that April 2010 opening, the Favreau backlash is already underway at Deadline Hollywood Daily:

Marvel Studios boss David Maisel was quick to put out a "definitely" richer offer to Favreau, but not quick enough for Jon — who used the Internet and other media to rile up the movie's many fans by spreading nonsense that Marvel was dragging its feet and then lowballing him. Granted Maisel is no day at the beach himself, but, seriously, could Favreau have been more of an asshole?

Only two more years of this, Jon — no pressure. Welcome to the big time!

• So What Was All The Fuss About? [DHD]

It's been five weeks since the one and only phone call my reps have gotten from Marvel. I know their hands are full with The Hulk and I'm sure they will get into it shortly, as they tell me they intend to. I ran into the Marvel guys at The Hulk premiere and everyone sounded eager to get to work on IM2.

I am concerned, however, about the announced release date of April 2010. Neither Robert nor I were consulted about this and we are both concerned about how realistic the date is in light of the fact that we have no script, story or even writers hired yet. This genre of movie is best when it is done thoughtfully and with plenty of preparation. It might be better to follow the BB/DK, X/X2 three year release pattern than to scramble for a date. It is difficult because there are no Marvel 09 releases and they need product, but I also think we owe it to the fans to have a great version of IM2 and, at this point, we would have less time to make it than the first one.

Meanwhile, less-official IM2/Favreau speculation surfaced yesterday on IESB, where one fanboy claiming to be in-the-know suggested that not only is Favreau not a sure thing for Iron Man 2, but Marvel Studios chief David Maisel is haggling with the director over price — and we don't mean the Downey Jr.-facial-hair-cultivation-budget item, either:

At first I thought my source was full of shit and I dismissed it as a rumor. This last Friday I was contacted by another source at Marvel and this one, let's just say, is much higher up on the food chain, and told me that [Maisel] who has been in charge of negotiating new terms with Favreau is being cheap and not willing to pay a fair directors' fee. ...

Jon was expecting a moderate bump in his fee for the sequel but apparently Marvel has other plans. Our source continues that Maisel believes Iron Man 2 will be a success regardless of Favreau's involvement and feels the studio does not need to pay Jon a higher fee for his services.

With things looking bleak, we turned to the Magic 8-Ball of Hollywood Gossip, Nikki Finke: "Will Jon Favreau get a fair price for directing Iron Man 2, Nikki?" we asked her blog. After an hour or so of careful deliberation came the reply: "It'll be Jon's choice, believe me." Whew! A little vague, sure, but at least we know Favreau won't have to start over at the bottom of the ladder with Ant-Man or something.

[Photo Credit: WireImage]

• Will Jon Favreau Direct Iron Man 2? [IESB]
• Iron Man Movie Group [MySpace via HuffPo]

• WATCH VIDEO

boomp3.com


Leaving Mr. Chow, Iron Man star Robert Downey Jr. pestered the film's director, Jon Favreau, about being on board for the 2010 sequel. Downey pleaded to the director that they're an unstoppable force when they work together, sorta like Michael Jordan and everybody else on the Chicago Bulls in the '90s. Favreau paused for a moment and asked who, in the comparison, was Michael Jordan. Downey said with a smile, "Well, you're Michael and I'm Scottie Pippen and everybody else is everybody else." Favreau nodded and just reminded Downey to keep his nose clean and that they'll make the best sequel since Aliens. As Favreau speed away, Downey jumped in the air and shouted, "I get to be a golden god again!"

[Photo Credit: Splash Pics]

And there's more: "Ant-Man also is in development," notes Variety, "with Edgar Wright attached to write and direct, but that project has yet to be dated." And some fucking crackhead fanboy just started a rumor that Matthew McConaughey leads the candidates to portray Captain America. And then, after the jump, there's the Iron Man Oscar hype. Jesus Christ — stop the Marvel gossip mill already, we want off.

We somehow (perhaps willfully?) overlooked Ken Tucker's blog post yesterday at Entertainment Weekly, where the critic is assembling his own rusty scrap bandwagon on behalf of Robert Downey Jr.'s chances come awards season:

Hey, remember the whining about the last Oscar telecast, with its low-wattage star vehicles and lower ratings, and all the hand-wringing the media, including EW, did over how to improve the Oscars? Here's a thought. Hey, Hollywood and the Motion Picture Academy: Take a closer squint at the big summer movies. Take them, ahem, seriously. As far as I'm concerned, Downey's performance should go on any short list that anyone draws up of potential Oscar nominees.

We don't object to his consideration; we do object, however, to the conjuring of Oscar "short lists" in the first week of May. Unacceptable, Tucker! You can't suck if you shut your mouth; give it a try.

Finally, and on a little more upbeat note, another tip of our cap to the Golden Schlub: Jon Favreau, who's also in EW today noting that he wants to do the sequel, confirming Robert Downey Jr. is under contract for it and contextualizing the star's massive comeback:

[W]hen you go into the Cinerama Dome ... I went up there and intro'd the movie, and as a surprise brought Robert Downey Jr. up, and then everybody jumped to their feet. It just hit him. ... It's exciting for everybody, because he's a guy that I think a lot of people wrote off. It's inspiring when somebody who sort of has his work cut out for him actually accomplishes that and comes back bigger and better than he was before. I mean, that's the American dream — and it oddly somehow relates to Tony Stark. And when art imitates life, you're onto something. I learned that off Swingers.

Congrats again to all involved, and we'll see you in June after The Incredible Hulk's disappointing $55 million opening has Marvel execs bitterly curtailing Ant-Man until at least 2015.

• Marvel unveils super schedule [Variety]

1. The Schlub Factor. Like Sam Raimi, who guided Marvel's previous blockbuster franchise Spider-Man to its own record openings in 2001, 2004 and 2007, director Jon Favreau is kind of a schlub — a normal dude who came up through the ranks and pretty much is his audience. He's not Ang Lee, whose misunderstood Hulk is disavowed to the point that its own studio is remaking it this summer (with another non-schlub, French action auteur Louis Leterrier), or even Bryan Singer, whose X-Men franchise coasted on star power before burning itself out at the hands of patronizer extraordinaire Brett Ratner. Favreau imposes a fan's vision and an indie mandate (i.e. character development, budget-mindedness) that works primarily because it threatens no one — neither the studio that paid for it nor the viewers spreading word-of-mouth months in advance and lining up around the block on opening weekend.

2. The Downey Factor. Repeat everything above, but substitute Tobey Maguire and Eric Bana (the miscast Hulk whose 2008 replacement, the relatively inaccessible Edward Norton, will likely suffer a similar fate). Robert Downey Jr. is a smart, funny adult actor who appeals to men and women alike (especially women), while also an innocuous enough leading man who won't overshadow the brand among fanboys. He's also his generation's most powerful Hollywood comeback story; this guy was virtually uninsurable after his umpteenth drug bust six years ago cost him his role on Ally McBeal. His casting was about as brilliant as it gets.

3. The McDreamy Factor. Or: There was nothing else to see over the weekend. Sony says it's happy having done $15 million with Made of Honor, but it thought its Patrick Dempsey rom-com would pull in at least $6 or $7 million of what went to Iron Man — on the basis of counterprogramming alone. What it didn't count on was...

4. The Female Factor. Iron Man was more of a chick flick than most "experts" anticipated, which Variety noting today that women made up 38% of last weekend's audience. Again, Marvel can thank Downey, but it shouldn't forget leading lady Gwyneth Paltrow. Her presence likely accounts for at least $12 to $15 million of that opening windfall.

5. The Critic Factor. The film was arguably critic-proof, but no one can deny the taste- (and profit-) making influence of reviewers who pushed Iron Man to a 94% positive rating at Rotten Tomatoes. That is the stuff of franchise phenomena — Iron Man 2, here we come.

In today's episode: Daniel Day-Lewis; Diane Keaton; Jake Gyllenhaal; Vince Vaughn, Jon Favreau, Justin Long, Jonah Hill and Peter Billingsley; Doris Roberts; Joe Pesci; Rebecca Gayheart and Eric Dane; Jimmy Kimmel and Sarah Silverman; Adrian Grenier; Randy Jackson; Alexis Bledel; Bob Saget; Danny Masterson; James Roday; and Sean Gunn.

· At the Arclight Wednesday (01/09) - Daniel Day-Lewis at 5:35pm screening of "Sweeney Todd" checking out the competition. The concession guy was boasting about the photo that he got with him on his phone, and then my friend and I got seated next to him and his female companion who we think was Rebecca Miller's sister. Take that, concession guy! DDL seemed amused and even chuckled a few times at Helena Bonham Carter's bits. He sat forward in his seat a few times echoing his posture in "There Will Be Blood". He was dressed totally vintage in dark frayed slacks, workman boots, and a fedora-ish hat that he threw on after the lights went up. He went straight to the pisser afterwards. Just your average everyday Oscar winner.

· 1/5 - While on the ticket line at AMC Century City on Saturday afternoon, I turn to see a woman walk in wearing a hat, glasses and black coat wrapped chicly with a wide, brown leather belt. I'm thinking a) nice outfit and b) she's clearly inspired by Diane Keaton because there's no way this Diane Keaton fan is lucky enough to experience an actual Diane Keaton sighting. As she comes closer, I realize yes that's the unmistakable smile and swagger of Miss Annie Hall. Not only that, she's gracing the popcorn bags (to promote Mad Money) and I later learned that day was her birthday (she looks great for 62). Okay, I'm done obsessing now.

· Jan 4 - Last night, waiting to pick up my takeout order at the insanely crowded Gingergrass in Silver Lake, I could have sworn I saw a handomsely bearded (I mean that in the facial hair sense, not the Penelope Cruz sense, although...) Jake Gyllenhaal chowing down with a group of 3 other normal looking people. There was a girl to his left and her back was to me and I didn't have the time, the room, the lack of dignity, or the energy to do a walk-by, so I can't add a +Reese sighting.

· it's official: my former favorite vodka bar is a dingus-filled celeb hangout. saturday 1/5 at bar lubitsch: vince vaughn, jon favreau, justin long, and jonah hill all hanging out together. also with them was favreau's producer peter billingsley, better known to most of you as the "you'll shoot your eye out" kid from a christmas story. despite the justin "oh, the pastiness" long sighting, no drew barrymore to be found. ah well.

· My grandmother (sorry, Doris Roberts) enjoying a leisurely lunch with some daughter-types Wednesday (1/9) at Orso on 3rd. All done up, tasteful suit, matching purse, makeup, hair done. Adorable!

· Wednesday 1/9. After watching another Clippers loss, my new friend and I headed back to the Valley and stopped over to Jerry's in Studio City. Sitting diagonally across from us was Joe Pesci. Joe was sharing an ice cream sundae with a VERY young looking woman who I'm hoping was his daughter. Joe was naturally dressed in all black with a black leather jacket and VERY dyed black hair.

· I ran into Rebecca Gayheart and Eric Dane (again!) at the Arclight in Hollywood the day after Christmas. They were walking with a group of friends after seeing the new PT Anderson Flick "There Will Be Blood" which they were raving about. Eric's hair looked completely grey and was slicked back, and he was completely clean shaven. Rebecca looked cute and casual in jeans and a sweater with her hair up.

also saw Jimmy Kimmel and Sarah Silverman on a flight returning from Cabo San Lucas on 12/22. They were in Business class (no 1st class on those AA mexico flights) - it was a short flight with lots of delays. They kept us on the tarmac for like an hour before we left and after we landed due to busy airports. Jimmy kept busy reading the newspaper while Sarah was typing stuff on her iPhone. They had to go through customs at LAX and wait in the long annoying lines like everyone else. Sarah took funny pictures of Jimmy while they were standing in line at immigration.

· Jan 6 - Just saw Adrian Grenier braving the rains for some fine vegan cuisine at Real Food Daily on La Cienega. Very cute and friendly as he waited for his friends at the bar.

· Sheer bliss: Wednesday night on Hollywood Boulevard outside the IO West Theatre near Cahuenga, American Idol's Randy Jackson was riding around on a big matte black Segway (or whatever those standing motorized things are called) in best Gob Bluth style, with a woman hanging on behind him as his passenger. She was short enough that he loomed over her (but, no, it wasn't Paula). Everybody on the sidewalk was turning to one another and saying, "Wasn't that Randy Jackson? Damn, that WAS Randy Jackson!"

· Thursday, 1/10, 11.13 PM: Saw Alexis Bledel (Gilmore Girls) at the Airborne Toxic Event residency at Spaceland, bobbing to the music with her boyfriend and looking adorably clean-cut in a sea of hipsters. I didn't know celebs followed hot new indie rock bands, except for maybe Heath Ledger, who is obsessed with Alex Ebert from Ima Robot. I have a whole new appreciation for Alexis now. Lingering question: was that Scarlett Johansen I saw dancing along at ATE's show last Thursday at Spaceland, or just another really pretty blonde girl?

·Jan 11 - 12:57 p.m. Stalking Bob Saget at the Apple store in Century City bitching about his iPhone battery

· Saw Danny Masterson at Koji's Shabu Shabu in the Hollywood and Highland Complex on Sunday night 1/6/08. Sat at the bar waiting for a table with a male friend. Pretty non-descript except for the scariest moustache I have ever seen. I checked IMDB and didn't see any Sherlock Holmes or Inspector Clouseau roles for him anytime soon.

· The guy from "Psych" - James Roday, IMDb tells me - at the Arclight around 10pm on Tuesday Jan. 8, with a petite special lady friend. He was sporting a beard - strike beard or just plain old hiatus beard, I could not say.

· Tuesday (1/5) Los Feliz Gelson's. Sean Gunn (Kirk from "Gilmore Girls"), pushing a cart and looking positively terrifying with a black spikey mohawk. Not a fauxhawk — dude went all the way with it. Hopefully the cancellation of the show hasn't sent him into a Travis Bickle-esque state of mind —

"Nothing holds a candle to the health and happiness of my family," he said. "I won't direct anything that keeps me away from them. With 'Elf,' at the last minute they pulled it from L.A. and made me shoot the studio work in Vancouver. My family couldn't come because my wife has a career. It took a long time to get back to where we were before I left. [My daughter] was in my wife's belly. And I missed a big chunk of my son's life, and he had to get to know me again. So I won't let them show me a script that takes me out of town. Sometimes it's a deal breaker and sometimes it's not."[...]

"At the end of the day when my life is drawing to an end, I am going to look back at the one-sheets on my wall, and that is going to be all well and good," he said. "But it's going to be the family that's around me that is going to determine how content I am getting ready to move on to whatever is next."

It says something about a man's moral fiber when he can be surrounded by a career's worth of framed one-sheets from any number of beloved motion pictures PCU, Very Bad Things, Daredevil, what have you and feel nothing; but then look down on his desk at a 5x7 of the wife and kids at Disney's California Adventure and have it mean everything in the world.

• He's grounded in nostalgia [LAT]
• Previously: Ben Stiller Flips Montreal Le Oiseau [Defamer]