<![CDATA[Gawker: defamer, imagine]]> http://tags.gawker.com/assets/base/img/thumbs140x140/gawker.com.png <![CDATA[Gawker: defamer, imagine]]> http://gawker.com/tag/defamer/imagine http://gawker.com/tag/defamer/imagine <![CDATA[Defamer Halloween Costume Ideas, Vol. V: The Maverick]]> It's your very own printable Grazerhead mask! Download the full-size version here.

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<![CDATA[A Return To Grazerheads]]> According to a press release in the Defamer inbox, Hollywood superproducing entity and non-recovering idea-addict Brian Grazer will be the recipient of the Mary Pickford Foundation Award at the USC School of Cinematic Arts 2008 graduation tomorrow—an honorarium presented by Disney head Bob Iger, and awarded to "men and women of USC who have made an indelible impact on the entertainment industry." This is obviously exciting news indeed, and we encourage any proud parents in attendance to send along video of the mogul-rich milestone. But were that all, for what lifted this publicist-penned correspondence beyond the realm of the commencement-speech-announcement mundane was a file attachment, accompanied by eight little words that shot a volt of pure ecstasy through our spine: "Have also attached a photo for your use." Oh. My. God. Are they kidding us? Just this once: Grazerhead has come home.

The entire press release is after the jump.

OSCAR WINNING PRODUCER BRIAN GRAZER TO RECEIVE USC PICKFORD AWARD

Disney CEO Robert A. Iger Co-Speaker at May 16 Ceremony

MAY 12, 2008, LOS ANGELES - Brian Grazer, Oscar-, Emmy- and Golden Globe-winning film and television producer and co-founder of Imagine Entertainment, will receive the Mary Pickford Foundation Award at the USC School of Cinematic Arts 2008 commencement ceremony, at which Robert A. Iger, president and CEO of the Walt Disney Company, will serve as co-speaker, Dean Elizabeth M. Daley announced today.

Iger, who will earlier in the day receive an honorary doctorate and appear as the featured speaker at USC's commencement ceremony, will share industry observations with the cinema class. Additionally Iger will present Grazer with the School of Cinematic Arts's Pickford Award, presented to men and women of USC who have made an indelible impact on the entertainment industry. Grazer, a 1974 USC alumnus, will provide his own unique insights gained while producing projects for the big and small screens for nearly 30 years.

States Daley: "Brian has been an indisputable leader in the entertainment community, and a staunch supporter of the School of Cinematic Arts for many years. We are thrilled to honor him with the Pickford Award and to send our latest class off with the wisdom that both he and Bob will impart."

Among the notable films Grazer has produced are Splash, Apollo 13, Backdraft, 8 Mile, Parenthood, The Da Vinci Code, Liar Liar and Cinderella Man. In 2002, the Academy of Motion Picture Arts and Sciences awarded him and long-time producing partner, Ron Howard, the Best Picture Oscar for A Beautiful Mind. Grazer's television credits include 24, Arrested Development, SportsNight, Felicity and the Emmy-award winning mini-series From the Earth to the Moon.

Iger and Grazer will address the May 16 commencement ceremony, which takes place at the Shrine Auditorium. Grazer is the 14th recipient of the Pickford Award, which is conferred in association with the Mary Pickford Foundation. Past recipients include: Ray Harryhausen, William Fraker, Conrad L. Hall, Alan Ladd, Jr., Michelle Manning, Walter Murch, Jay Roach, Gary Rydstrom, Stacey Sher, John Singleton, David L. Wolper, Laura Ziskin and Robert Zemeckis.

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<![CDATA[In Search Of The Next Grazerhead]]> A helpful operative happened to notice a Banksyian homage to everyone's favorite cultural-attaché-seeking (or maybe seeking no longer? We'd love a hiring update!) superproducer-entity, Brian Grazer. They write in to explain:

I was mountain biking the other weekend and spotted this stenciled Brian Grazer image spray painted on a traffic light control box at the intersection of Sunset Blvd and Allenford.
What struck me was not just the fact that the image was done in a stenciled, pouting motif a la the latest Stallone Rambo movie posters, but also that this little icon was placed at an major intersection no more than 1/2 of a mile from the producer's house as the crow flies...Since so many people seem to be mourning the loss of the graven Grazerhead image, perhaps this may serve as a suitable replacement?

Indeed, we too were saddened by the forcible retiring of the infinitely expanding, Grazer-approved headshot known as Grazerhead—a parting gesture inflicted upon us by Defamer editor-at-large Mark Lisanti on his way out the door. So we'll throw it open to you, Grazerhead Nation: Is the grimacing, beshinered Grazer adorning the traffic light box worthy of taking the original's place? By way of options, we'll also throw this portrait into the running, shot by photographer Martin Schoeller—he of the female bodybuilder photos that so beguiled Mayor Villaraigosa.

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<![CDATA[Knowledge Junkie Brian Grazer Seeking New Thought-Pusher]]> grazer.jpgBrian Grazer has made little secret of his helplessness over his knowledge addiction: The superproducer's cravings have become so extreme, he can regularly be found shivering in the alley outside the Imagine offices awaiting his cultural attaché, who arrives bearing a bindle of high-grade Blue Insight for Grazer to cook up over a bare lightbulb and inject directly between his concept-hungry toes. But with his trusty idea-pusher having decided it was time to move on, the unusual job listing for his replacement has been making the Hollywood rounds. The New Yorker reports:

The e-mail explained:

This person would be responsible for keeping Brian abreast of everything that's going on in the world; politically, culturally, musically. . . . They're also responsible for finding an interesting person for Brian to meet with every week . . . an astronaut, a journalist, a philosopher, a buddhist monk. . . .

There is LOTS of reading for this position! Grazer may ask you to read any book he's interested in. You'll probably get to read about 4 or 5 books a week and you may be required to travel with him on his private plane to Hawaii, New York, Europe—teaching him anything he asks you about along the way. . . . You will also be provided with an assistant. . . . Salary is around $150,000 a year. . . . You will be to Grazer what Karl Rove was to Bush.

By last week, Grazer's staff had already narrowed the potential attachés down to four finalists, who would interview with the boss. "I've met a lot of good candidates," Grazer said..."They have to be really resourceful," Grazer said. "I like to meet people in dangerous organizations, and my cultural attaché finds out who that person is—who runs the Yakuza, or the Masons, or MI5."

We wish the four the best of luck in the final rounds of what is likely to be the most grueling recruitment process of their young post-graduate careers. They'll soon find themselves dispatched to infiltrate the most ruthless organized crime syndicates on the planet; should they manage to survive their undercover deployments inside the Chechen mafia, the Brazilian Comando Vermelho, the Neopolitan Camorra, and the Central American Mara Salvatrucha, only the candidate with the most compelling and realistically budgeted 60-page treatment of their underworld adventures will win the much coveted cultural attachéship.

[Illustration: EW.com]

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<![CDATA[Now that Imagine's Brian Grazer and Ron Howard...]]> Now that Imagine's Brian Grazer and Ron Howard have had blockbuster Da Vinci Code prequel Angels & Demons put off indefinitely by the strike, we think we've identified a perfect fill-in project that could hit on many of the controversial religious themes that made Da Vinci such a huge success: The 13th Disciple, a planned "fantasy-adventure" film about Jesus Christ's reincarnated evil twin. We've already cast longtime Grazer muse Russell Crowe in the heretical leading role. [Reuters]

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<![CDATA[Brian Grazer Would Trade His Hollywood Kingdom For A 'People' Cover]]> Despite having earned untold millions from his incredibly successful superproducing career, won an Oscar for his shepherding of a buddy comedy (with heart!) about a math-loving schizophrenic and his favorite imaginary friend, and having recently dragged a troubled, $100 million passion project out of development hell and into a lucrative box office run all by himself, Imagine's Brian Grazer is still tormented by feelings of Hollywood inadequacy. In today's NY Times, Grazer, his signature hair-spikes seemingly wilting with each anguished word, laments that for all of his show business accomplishments, his name is still relatively unknown by the middle-American moviegoers to whom he delivers Russell Crowe-starring cinematic delights every couple of years:

Despite having won Oscars as well as most other film and television awards, Mr. Grazer remains largely unknown outside Hollywood. And while he acknowledges the success of his work, he still craves public recognition.
Mr. Grazer almost passed up a partnership with Mr. Howard because he feared the director's celebrity would overshadow his own role in the company. "He was just too famous for me," Mr. Grazer said. "I felt that no matter how hard I could work, it would always be gigantically eclipsed by him." [...]

"I probably should have a brand," Mr. Grazer said, "but I think you can't get the best artists to work for you if you're branded. I get the trade-off, and I really would like to be more famous for my work, get more credit for my achievements. We all want more of that. But on the other hand, if you get too big — like it says in 'American Gangster' — success is your enemy."

If that final quote is sincere, it seems that if Grazer might finally be making an uneasy peace with his situation, accepting that building an ego-feeding personal brand might hamper his ability to collaborate with more celebrated artists who can help him execute his every mildly quirky vision. Still, we won't believe he's completely internalized this cognitive breakthrough until he has one of his assistants remove the giant, sneering, battered portrait of rival Jerry Bruckheimer that hangs behind his desk at Imagine's headquarters, which he mercilessly attacks with his cherished A Beautiful Mind statuette each morning, crying, "Think you're better than me, Mr. Puts His Producing Stamp On Every Film? I have a fucking Oscar, you pirate-loving hack!," a ritual that allows him to begin yet another Sisyphean day of pushing his anonymous boulder up the hill of public recognition.

Bonus: Nikki Finke explains how Grazer *nearly* received a Thalberg lifetime achievement award at the 2004 Oscars.

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<![CDATA[In Denial About The Coming Labor Apocalypse, Hollywood Keeps Announcing New Projects Like Nothing's Wrong]]> · In a badly timed announcement of blockbuster-derived profits, Viacom crows about the "phenomenal success" of "new global brand Transformers" that helped lift their net income by 80 percent, forgetting to transfer the revenues to a balance-sheet loss column and publicly lament that "there's no money to be made in this dying business of ours." [Variety]
· Knowing that TV is, like film, a financial dead end (see bullet point above), Oprah is launching her own channel on the YouTubes. If that venture proves as successful as the media mogul hopes, the purchase of the entire internet could quickly follow. [THR]

· Even studios and production companies are getting on the reteaming craze that's currently sweeping Hollywood! Frequent moviemaking partners Universal and Imagine Entertainment climb back into bed yet again to produce The Knife, based on a soon-to-be-published GQ article about how a Crip informant helped the FBI crack some cases. Brian Grazer to superproduce, hang out with gang members. [Variety]
· Warner Bros. is so pleased with Wedding Crashers director David Dobkin's work on Fred Claus that they've signed him to a three-year deal, during which he will produce and helm a variety of projects that may or may not involve Vince Vaughn. [THR]
· TV viewers help to kick off November sweeps by taking a last fling with the scripted programming that may soon disappear from the schedule. [Variety]

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<![CDATA[Possible Strike Quietly Rushing Ron Howard's Middlebrow Genius]]> ron-howard-wave.jpg· Ron Howard and Akiva Goldsman are frantically finalizing the shooting script of Da Vinci Code sequel Angels & Demons before the Oct. 31st deadline, hoping that the mad rush towards production won't jeopardize the duo's ability to produce the kind of easily digestible, crowd-pleasing entertainment that always results from their lucrative collaborations. Meanwhile, star Tom Hanks has been presented with a hair-growing schedule that will barely provide the actor with enough time to reproduce his character's signature demi-mullet. Truly, no one is immune from the pressures of the looming™ strike. [Variety]
· In what is always a good sign for a floundering series, The Bionic Woman gets another new showrunner, not even two months after "creative differences" ended NBC's short-lived love affair with Glen Morgan. [THR]

· Smelling Oscar, Jamie Foxx will star in DreamWorks' adaptation of the book The Zebra Murders: A Season of Killing, Racial Madness and Civil Rights, playing one of "trailblazing black detectives who set out to solve a series of racially motivated serial killings that rocked San Francisco in the fall and winter of 1973-74." It's a serial killer flick! It's a socially conscious civil rights tale! Academy voters are already fantasizing about checking off Foxx's name on their ballots. [Variety]
· The Red Sox's World Series-opening rout of the Rockies gives Fox nearly as big a Nieslen win over its network rivals. Also: Bionic Woman (see above for fun behind-the-scenes news!) dropped off 23 percent from its previous averages. [THR]
· Demonstrating that Hollywood Cares About The Wildfires, Disney kicks in $2 million in relief. [Variety]
· Michael Mann is making plans to butch up a gone-too-soft Robert De Niro. [Variety]

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<![CDATA[Brian Grazer Hits The Beach]]>
We at Defamer realize that a layout issue in our recent redesign has somewhat reduced our ability to shock you with the unexpected deployment of Brian Grazer's official headshot (the Grazerhead™ to regular visitors), and so in the interest of putting you back on edge, we're bringing out the nukes: this screenshot of a shirtless Grazer, who was cornered by a TMZ video camera this weekend at the Polaroid Malibu Beach House after presumably trying to superproduce an anonymous blonde's phone number by casually mentioning that she'd be perfect for the Splash sequel he's been wanting to do for twenty years.

We apologize in advance for any emotional trauma this may have caused you.

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<![CDATA[Universal, Imagine Commit To At Least Five More Years Of Marriage]]>

· Universal Pictures extends its 21-year marriage with Imagine Entertainment, signing a five-year deal that gives the studio first-look access to the fascinating contents of superproducer Brian Grazer's mind through 2013, and which ends a rumored flirtation with those homewreckers at Paramount. [Variety]
· The AMPTP has issued a clarification about its recent "let's nuke the residuals system" musings, a proposal that the Writers Guild is expected to dismiss as merely "crazy," a downgrade from yesterday's "batshit insane." [THR]

· Volkswagen, MasterCard, and Symantec will reportedly spend $40 million to jump aboard the Bourne Ultimatum brandwagon. [Variety]
· Fox wins a "quiet" (read: littered with reality junk and reruns) Thursday with So You Think You Can Dance. [THR]
· As you're well aware by now, we love nothing more than updates on the shattering™ of minor box office records: with $44.2 million, Harry Potter scores the biggest Wednesday of all time, and the fifth-best day in movie history for any day of the week. [Variety]

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<![CDATA[Brian Grazer Presents 'Playboy,' A Brett Ratner Film]]>

Shortly after fainting from delight from reading the phrases "Brett Ratner is set to direct," "Brian Grazer is producing," and "film about the life of Playboy magazine founder Hugh Hefner" contained in the lede of today's Variety story on the progress of a Hef biopic, a quick-thinking intern revived us with smelling salts, allowing us to read about how Hollywood's most lovable fauxteur and its leading, newly single superproducer have come to team up on the dream project. Reports Var:

Grazer optioned Hefner's life rights several years ago. The producer's "8 Mile" scribe Scott Silver tried it as a musical, and Oliver Stone developed several drafts. Making a film of Hefner's long life as icon of the sexual revolution has proven difficult, but Ratner and Hoffman found a way to do it that pleased Grazer and the 81-year-old Hefner, who approved the take late last week in a meeting at the Playboy Mansion.

Ratner, who completed "Rush Hour 3" for an Aug. 10 release through New Line and has a rep as a playboy himself, knows much about the mag's history, though his mansion visit was his first. When Grazer made his original deal with Hefner, Ratner sent the producer his Playboy pinball machine, which sits outside Grazer's office at Imagine. [...]

Hef came from a puritanical upbringing and reinvented himself to be the godfather of the sexual revolution," Ratner told Daily Variety. "He also used his magazine to advocate civil rights and free speech, and put James Brown on his show 'Playboy After Dark' when they didn't put black performers on national television. He broke all kinds of taboos, especially in sexuality. I want to show it all, from the First Amendment struggles to his first orgy to the stroke in the 1980s that almost killed him."

Perhaps the most surprising element of this thoroughly incredible story is that Ratner, whose Hillhaven Lodge aspires to be a to-scale facsimile (complete with its own randy, superannuated patriarch prowling the grounds) of the famous Mansion, had never previously visited Hefner's Xanadu. But fun tidbits like that one aside, we're encouraged by Ratner's obvious passion for his subject, an exuberance that leads us to believe that he won't have to wait for the passing of his mentor to make his long-promised Oscar film, finally leaving behind the genital-cleaving, broken-English-misunderstanding, buddy-comedy hackwork upon which he has wasted his considerable talents up to this career-validating moment.

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<![CDATA[Brian Grazer To Play Cowboys N' Aliens]]> · Imagine's Brian Grazer will superproduce an adaptation of the graphic novel Cowboys and Aliens for DreamWorks and Universal, a project the spikey-haired seeker described as the "perfect realization of all the cowboys-meeting-aliens-related ideas I've been quietly developing since I was a hyperactive six years old locked in my bedroom with a chest full of toys." [Variety]
· Fox's show about people who think they can dance continues to shame their one about people who think they can direct movies, pulling in more than triple the viewers of the last On The Lot installment. [THR]
· Another famously overweight TV personality rumored to be under consideration to replace Bob Barker is Drew Carey. [Variety]
· Advertisers give a $2.4 billion upfront vote of confidence to Steve McPherson's vision for ABC, with one Madison avenue booster gushing, "Have you heard about this Cavemen thing? It's like a sitcom and car insurance commercial all rolled into one! Think of what they could do with that Coke ad with the polar bears." [THR]
· Stripping off his shirt and smearing his entire body in warpaint, CEO Howard Stringer whipped 7,000 employees into a frenzy at a shareholder ceremony in which he dramatically declared himself the "Sony Warrior." [Variety]

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<![CDATA[Dude: Space Chimps]]>  - Defamer· Ladies and gentleman, we give you the next Snakes on a Plane. Coming soon from director Barry Sonnenfeld: Space Chimps. We'll say it again: Space Chimps. One more time? OK, if we must: Space Chimps. Begin erecting your unauthorized fan sites...now. (And make sure to tell the studio it's only going to work if they make it a live action film.) [Variety]
· A Tennessee projectionist is fired for telling Ain't It Cool News how shitty the new Fantastic Four movie is a week or two before Fox was ready to deal with the inevitable flood of negative reviews awaiting its superhero sequel. [THR]
· We care so little about this meaningless milestone that we're loathe to even note it, but Pirates 3: Whatever It's Called reaches the $500 million mark internationally in a record 20 days, a week faster than Spider-Man 3: We're Not Even Going To Bother Giving It A Real Title. Congratulations, winning multimedia conglomerate that released a successful movie-related project! [Variety]
· Ben Silverman renames NBC Universal Television Studios as Universal Media Studios, a move intended to demonstrate that he's not too busy partying to enact superficial changes at his new company. [THR]
· Hollywood Out of Ideas, Hollow Man Edition: Universal and Imagine hire David Goyer to write and direct a new take on H.G. Wells' Invisible Man. Brian Grazer to superproduce. (Note: The Grazerhead is too tied up by regrettable personal business to make an appearance at this time.) [Variety]

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<![CDATA[Judd Apatow Steadily Consolidating Means Of Comedy Production]]> · Local comedy monopolist Judd Apatow continues to integrate the industry's mirth-making entities into his rapidly expanding humor-producing conglomerate, collaborating with Jack Black, Knocked Up's Harold Ramis, Superbad's Michael Cera, and an Office writing team on Year One for Columbia. [Variety]
· The dust is finally starting to settle at a post-Albrechtgate HBO, with "longtime Albrecht right-hand man" Michael Lombardo reportedly being promoted to a new job overseeing all west coast operations. [THR]
· Jim Carrey will star in the dark comedy I Love You Phillip Morris (by Bad Santa's Glenn Ficarra and John Requa), an idea pitched as Catch Me if You Can meets Brokeback Mountain. There is no direct Judd Apatow involvement that we can discern, a fact that could doom the promising project to eventual turnaround. [Variety]
· Imagine superproducer Brian Grazer's unparalleled Bacon-attaching skills lead to ubiquitous actor Kevin joining the cast of Frost/Nixon, the big-screen adaptation of the Peter Morgan play. [THR]
· The U.S. 2nd Circuit Court of Appeals throws out the FCC's "capricious" rulings against Fox over Cher saying "fuck" and Nicole Richie "shit" during broadcasts of the 2002 and 2003 Billboard Music Awards, a landmark decision that reaffirms an awards show presenter's right to "accidentally" swear on live TV. [Variety]

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<![CDATA['SNL' Art Department Obviously Didn't Get That 'Change The Door Stencil' Memo From Legal]]>
Because our secret publicity contract with frighteningly handsome, genius-level superproducer Brian Grazer mandates that we draw attention to his every appearance across a variety of media, we note a curious sketch from this weekend's SNL season finale, in which host Zach Braff is harassed by the obsessed assistant (whom, we fear, might be a dude) of one "Brian Gold," a powerful and spikey-haired Hollywood executive. For reasons that are left unexplained in the skit, "Gold" is subletting Grazer's Imagine Entertainment office space, possibly to help defray the cost of the company's exorbitant Beverly Hills rent while the intellectually voracious executive criss-crosses the globe in search of minds to plunder with his creepy powers. After the jump, NBC's official YouTube clip of the sketch, curiously described as "Melissa and Zach Braff make a connection in Brian Grazer's office."


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<![CDATA[Imagine Gets Into The Frank Langella Business For 'Frost/Nixon']]>
· Frank Langella will reprise his stage role as Nixon for Imagine's big screen version of Peter Morgan's celebrated play, Frost/Nixon. The casting suggests director Ron Howard will remain true to the source material, though that doesn't completely rule out Akiva Goldsman being brought in for an eleventh-hour rewrite that incorporates several make-believe characters that exist only in the disgraced President's paranoid imagination. [Variety]
· In further Imagine news, Ridley Scott signs on to direct Russell Crowe in Nottingham, the "Robin Hood but where the Sheriff's the good guy" movie, hoping the two can reignite Gladiator, not-so-much A Good Year, magic. [Variety]

· As we mentioned on Friday, Will & Grace series creators David Kohan and Max Mutchnick reached a surprise settlement with NBC Studios after a near mistrial was called moments before the verdict in their $55 million lawsuit was to be read. Both the tossed verdict and settlement deal remain undisclosed, but TMZ is reporting that the jury had awarded them $48.5 million plus punitive damages. [Variety]
· Upcoming World's Biggest Comedy Movie Star Seth Rogen (Carell had his turn) plays an oafish stoner with a hot blonde love interest in a Judd Apatow-produced movie. Only this time, it's called The Pineapple Express, not Knocked Up. [THR]
· Roger Ebert's Overlooked Film Festival turned into a weekend-long tribute to the populist film critic, who's recovering from reconstructive jaw surgery after a bout with thyroid cancer. It even included a screening of Russ Meyers' Beyond the Valley of the Dolls, for which a young Ebert wrote the Triple-D-rated screenplay. [Variety]

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<![CDATA[Hollywood GrazerWatch: Unleashing The Colossus]]> When last we encountered superproducer Brian Grazer. he was at the center of a media maelstrom resulting from his selfless desire to unscrew the top of his singularly coiffed head and share with the world an unobstructed view of the constantly churning works within through an ill-fated guest-editing stint on the LA Times Sunday Current section, but today's Var brings news that Grazer has quickly shaken off the scandal and gotten back to what he does best: finding material for Imagine Entertainment partner Ron Howard to chew up and regurgitate into a form easily digestible by the moviegoing masses. The just-announced project is a remake of 1970's Colossus: The Forbin Project, the tale of the government supercomputer controlling America's nuclear arsenal achieving malevolent sentience and plunging the world into chaos (think Wargames meets, um, Wargames), which Grazer plans to reimagine as a somewhat more personal narrative: His Colossus: The Spring Street Project will be the story of a revenge-obsessed Hollywood producer's cybernetically enhanced brain hacking into the mainframe of a major metropolitan newspaper and erasing its entire archives as payback for its refusal to publish some essays he solicited from some intellectual friends.

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<![CDATA[Today In Second-Hand Office Furnishings Once Touched By Lovable Famous People]]>
Because even the most utilitarian of office furniture becomes highly desirable when you're told it once belonged to a former child star turned helmer of blandly palatable Hollywood blockbusters, we offer for your online bidding consideration this blocky, brown specimen, which, an eBay seller tells us, once sat in The DaVinci Code director Ron Howard's Imagine offices.

With a starting bid of a more than reasonable 99 cents, we'd argue that you can't afford not to make your best offer on the very sectional-seating which very possibly once propped superproducing Man of Ideas Brian Grazer as he pleaded with his artistic life partner to see the "Eminem is a natural born actor's actor!" light. However, should that auction leave you cold, there is always the current offering on Craigslist of a table featured in "THE PERSUIT OF HAPPINES WITH WILL SMITH [sic]," which figured prominently in the movie when Smith's homeless father character locked himself in an office building overnight, and, desperate to provide a meal for his young son, scraped the remains off its underside to make two chewed-gum sandwiches.

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<![CDATA[Brian Grazer: In His Own, Publicist-Supplied Words]]> Late yesterday afternoon, Imagine philosopher-king Brian Grazer's introduction to his ill-fated Current section was saved from the oblivion to which it was dispatched by the LAT's cautious publisher, whose decision to kill the stunt-edit called down from the media heavens a shitstorm arguably equal in filthy intensity to the one he was trying to avoid in the first place. Today, Grazer's statement on the matter is circulating in reports about the controversy (words probably lovingly composed by the same publicists who got him into this mess), hinting at the delights the intellectually voracious superproducer of easily digestible populist entertainments had planned for the Times' readership this Sunday morning. From THR:

"I was surprised and delighted when the Los Angeles Times asked me to guest edit its Current section, because it gave me a chance to work with the L.A. Times and these seven extremely talented writers — Nobel laureate Eric Kandel, Vogue's editor-at-large Andre Leon Talley, psychologist Paul Ekman, social scientist Dalton Connelly, attorney Martin Singer, urban planner Sam Hall Kaplan and artist Shepard Fairey," Grazer said.
"Working together, we came up with a collection of essays and art that I think readers would have found genuinely stimulating and would have added to our understanding of our ever-changing culture. My hope now is that we can find another way to present the results of our efforts to the audience it deserves."

Given the way events have played out over the past 24 hours, we're doubtful that the Times would accept the mogul's initial idea for finding an audience for his contributors' hard work, a special advertising section in Sunday's paper entitled, "Brian Grazer Salutes His Favorite Stifled Voices: A Brian Grazer Production." Instead, Grazer will make the respectful gesture of offering to take a symbolic one-dollar option on each of the killed pieces, with the promise of a much larger sum should he decide to dumb down any of their essays for a feature film adaptation directed by longtime collaborator Ron Howard.

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<![CDATA[Trade Round-Up: Russell Crowe Set To Go Mad With Directorial Power]]> · Famously temperamental thespian Russell Crowe will make his directorial debut on a feature adaptation of the documentary Bra Boys, about three brothers who started an underground surf movement in Sydney, during which the novice helmer will learn precisely how much damage a hurled megaphone can do to a mouthy PA's skull. Imagine's Brian Grazer to superproduce. [Ed.note—Since an update to this morning's Grazergate story is possible at some point today, we're forced to spare you the headshot at this time due to image bandwidth issues that could arise from its repeated posting.] [Variety]
· News Corp. and NBC Universal announce that they will partner with Microsoft, Yahoo, and AOL to create a copyright-friendly online video distribution system that will crush the YouTubes. "A game changer!" cackles News Corp. CEO Peter Chernin while high-fiving colleague Jeff Zucker of NBCU, giddy over the untold millions of shareholder dollars they'll spend on an ultimately inferior product. [THR]
· Emboldened by the success of series like Heroes and Deal or No Deal, NBC president Kevin Reilly is confident he'll get more respect in today's meeting with media buyers than he did a year ago, when he was subjected to a humiliating round of wedgies, swirlies, and "Kick Me! My Networks Sux!" signs taped to his back by bullies whose money he was desperate to take. [Variety]
· Jet Li is in negotiations to play the bad guy in the China-set, totally unnecessary third The Mummy movie. [THR]
· The West Coast-based Academy of TV Arts & Sciences (the organization behind the Real Emmys) and East-Coasted National Academy of TV Arts & Sciences (who handle the Daytime, or Fake, Emmys) are at war! At issue: some profoundly boring shit involving who gets to give out broadband awards no one will care about for 10 years. [Variety]

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