<![CDATA[Gawker: defamer, i know who killed me]]> http://tags.gawker.com/assets/base/img/thumbs140x140/gawker.com.png <![CDATA[Gawker: defamer, i know who killed me]]> http://gawker.com/tag/defamer/iknowwhokilledme http://gawker.com/tag/defamer/iknowwhokilledme <![CDATA[Bold Starz Campaign Insists You Will Hate The Lindsay Lohan Film Airing Saturday]]> There's no denying Lindsay Lohan's "thriller" I Know Who Killed Me was among the most critically and commercially reviled B-movies of last year — of any year, really. But now that IKWKM is approaching cable oblivion with its premiere June 14 on Starz, we doubt our inbox has ever seen a publicity campaign this wonderfully defensive or reactionary — almost Warholesque in its celebration of its own product's awfulness, proudly emphasizing its Razzie Award cred and critical pull quotes exhorting viewers to check out "a disaster that exerts a perverse fascination" (Variety) or "the monumental trashiness of this mess" (NY Daily News).

While we're loathe to plug the film (in fact, we would sooner piss in our own mouths than watch it again) or its network, we acknowledge the vague intrigue of Lohan's pseudo-twin/stripper/victim antics among the IKWKM cultists out there. Here's hoping the torpedoed likes of Speed Racer and The Happening find this kind of love in their own pay-cable afterlives, perhaps on Starz soon-to-be-introduced sister channel Flopz.

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<![CDATA[And Starring Lindsay Lohan in 'I Know Who F'd Me']]>
· We take it back: she's clearly got acting talent in spades.
· Meet Rob Weiss, the real-life inspiration for the abrasive, egomaniacal director character who's gotten way too much screen time in the past two seasons of Entourage. But a fun fact: 24's Louis "Edgar" Lombardi was his Turtle.
· RIP, WWN.
· The only thing that could be more fun than a giant Lego Man washing ashore on a Dutch beach is if the mysterious plastic figure had been riding a Lego unicorn.

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<![CDATA[Fans, Coreys Offer Opinions On The Lohan Mess]]> lohan-mugshot-z.jpgLast week's wall-to-wall coverage of Lindsay Lohan's spectacular transformation from mostly harmless, self-destructive fun-time girl to alleged hostage-taking, assistant-stalking Denali drag-racer provided ample opportunities for various experts to weigh in on the degree of legal and career fuckage she may have suffered as a result of her latest DUI arrest. Today, however, Good Morning America largely eschews the opinions of so-called professionals in favor of those whose area of expertise is limited to a single pursuit: mindlessly consuming anything to which Lohan's name is attached. GMA's nonscientific, random sampling of I Know Who Killed Me ticket-buyers revealed a mixture of disappointment in the current product tempered by a delusional faith in the actress's abilities:

"There is so much controversy about Lindsay Lohan, I just want to see if her abilities are still intact," one moviegoer said. [...]

"I hope she can pull herself together," another fan said. "This movie wasn't that great and I hope in the future she might come out with better movies."


With these fans' thoughts on the record, the GMA crew then turned to two of the most accomplished child-actor fuck-ups of the 1980s for their perspective on the Lohan flameout:

It's a possible fate 1980s teen stars Corey Feldman and Corey Haim know firsthand. Their movie roles dried up as they struggled with addiction.

"I see a version of me that is female and younger, and I just hope that she catches it now," Haim said.

Feldman said the actress should focus on her health.

"All that should be on Lindsay's shoulders or anybody right at this moment is, 'I need to get myself healthy,'" he said.

The blueprint for Lohan's survival, both personal and professional, has been clearly drawn by the Two Coreys: Take a decade or two off from the Hollywood grind to get one's shit together, then pray that basic cable network looking for some easy publicity will set her up with a reality show, perhaps one where Lohan invites her onetime SUV-bound prisoners to crash on her couch as a camera crew documents their lightly scripted attempts at healing the wounds of the past.


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<![CDATA[Highest. Grossing. Episode. Ever.]]> simpsonsmovie-bart.jpgMonday morning! Nope, even saying it with forced enthusiasm doesn't make it seem any less painful. Take your mind off the bleakness with the weekend box office numbers:

1. The Simpsons Movie—$71.850 million
It seems that Fox's clever promotional onslaught—the conversion of selected 7-11s into Kwik-E-Marts, the giant Homer rendering in the English countryside poised to assault the genitals of an ancient fertility god with a donut, and the ambitious strategy of teasing the film's opening by running 18 years of half-hour "mini-films" on their television network to create awareness for their feature—has paid off handsomely, as The Simpsons Movie's nearly $72 million opening weekend far surpassed the safe $40-50 million projections the studio had claimed.

Emboldened by this runaway success, Fox is mulling cutting the buzz-building lead time for a sequel in half, which should put The Simpsons Movie II in theaters in the summer of 2016, a window that should allow enough time for the construction of a fully functioning Springfield metropolis, host to the next installment's premiere, to be constructed at the border of Maine, Ohio, Nevada and Kentucky.

2. I Now Pronounce You Chuck and Larry—$19.063 million
We'd take The Simpsons Movie's lone*, tossed off, pitch-perfect gay joke (we won't spoil it for you, but if you've seen the movie, we're sure you know what we're talking about) over 110 minutes of Adam Sandler and Kevin James exploring every way in which it's icky for hetero firefighters to pretend to be lovers.

3. Harry Potter and the Order of the Phoenix—$17.065 million
A sad thought: With only two books in the Potter franchise left for Warner Bros. to adapt into movies, the studio probably stands to make only about another $1.5 billion or so in worldwide box office receipts. Let's all send them $10 each to lessen the blow of losing their cash cow.

4. Hairspray—$15.550 million
While we've previously mentioned how disturbing we find seeing John Travolta transformed into Edna Turnblad, in truth, it's the only the second-most terrifying thing we've seen him do.

9. I Know Who Killed Me—$3.4 million
No matter how badly a movie performs, there's always a silver lining: at least Lindsay Lohan's reps can claim that she can open a movie stronger than Big Boi and Faizon Love, a fact which may open up a new career in urban comedies for the troubled actress.

[*OK, maybe not so lone! See comments below.]

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<![CDATA[We Know What You're Not Seeing This Weekend]]>
In the interest of bringing a small amount of closure to the Lohan-related events we've so exhaustively covered this week, we note the unsurprisingly low Tomatometer score for her cinematic sideshow I Know Who Killed Me, which, in fairness, reflects the opinions of only a small group of critics due to the studio's understandable decision (really, hasn't everyone suffered enough?) not to pre-screen it for the media. But to judge from this first wave of nearly unanimous negative reviews, not even the prospect of sharing an inappropriate laugh in a theater sparsely populated by fellow trainwreck fans is worth the price of a ticket.

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<![CDATA[Inside Last Night's Lohan-Haunted 'I Know Who Killed Me' Screening]]> killedme-mugshot.jpgAs we all undoubtedly realize, the tragic, coke-in-someone-else's-pants-related events of early Tuesday morning created certain challenges for the people behind I Know Who Killed Me, the Lindsay Lohan vehicle opening tomorrow that will henceforth be associated with her most spectacular meltdown to date. Still, the cast and crew soldiered on last night at a private premiere screening, refusing to be defeated by circumstances outside of their control. The Defamer Special Correspondent On Well, It's Not Like We Can Just Burn All the Film and Pretend This Never Happened filed this report on the event: [warning: some spoilers ahead]

Tagged along with a friend of mine to the I Know Who Killed Me screening at the Academy in Beverly Hills last night. Co stars Neil McDonough and Julia Ormond were in attendance, but the star of the show (LILO—you may have read about her lately) was noticeably absent. As the movie begins, producer Frank Mancuso Jr. gets up and says the requisite "thanks for coming" and "thanks for all your hard work" and then goes there by saying that we've "seen things on this movie we never thought we would see in this town" and that after Lindsay's "most recent problem" they considered not even having this screening.
But like the brave soldiers they are, they refused to be "held hostage by someone else's issues" because it would not be fair to the people who did the majority of the work on this movie.

Also, in the scene where Lindsay gets hit in the face with a shovel— a scene meant to be terrifying—the audience erupted into laughter. Another not-funny-but-funny moment: when Lilo's stripper character who may or may not be suffering from a split personality is being questioned by cops, she refers to her mother as "a crackwhore, disgusting, pathetic"...ouch Dina! The line was received by riotous laughter.

At the very least, it's nice to see that even those collaterally damaged by Lohan's latest personal trainwreck can gather together and break some of the crushing tension surrounding the film's imminent, controversy-plagued release by sharing some inappropriate laughter at their star's expense. The healing, it seems, has already begun.

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