<![CDATA[Gawker: defamer, holograms]]> http://tags.gawker.com/assets/base/img/thumbs140x140/gawker.com.png <![CDATA[Gawker: defamer, holograms]]> http://gawker.com/tag/defamer/holograms http://gawker.com/tag/defamer/holograms <![CDATA[Slavery Theme Park Backed By Michael Jackson's Brother]]> 1776762.jpg Because the Jackson Family's collective behavior apparently isn't bizarre enough on its own, Marlon Jackson is backing a slavery theme park and resort in Nigeria. Doesn't this sound fun:

Visitors would be able to visit a replica slave ship and walk the route their shackled ancestors walked before playing a round of golf or relaxing by a pool.

There's also Jackson Five tie-in, obviously, including a collection of band memorabilia. There are also holograms, robots and probably some kind of horribly ill-advised Captain EO-meets-Roots laser movie thing. The idea is to attract African Americans who want to trace back their roots, and white people looking for the money they were promised on email.

Historians are aghast, and one critic said the proposed development is "like dancing on the graves of dead people," which totally isn't true. It's like building a pricey, zombie-themed nightclub on the graves of dead people, complete with bottle service, and making relatives of the deceased pay an exorbitant cover charge to come visit. Then you get in and Michael Jackson is dancing with the skeleton of the Elephant Man. (Except that's something we'd actually pay to experience. Otherwise, same thing.)

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<![CDATA[Let's Relive The Insane Nadir of Last Night's Political Coverage: Holograms!]]> So that happened last night! And by "that," we refer not to the historic presidential victory, nor to the nationwide propositions that we are still gritting our teeth about, but to CNN newsman Anderson Cooper interviewing Black-Eyed Peas frontman Willi.i.am via hologram. Let us unite as a nation to dissect this clip's best/worst moments, blow-by-blow, after the jump!

· "We're joined now, uh, via hologram, uh, with, by, uh, Will.i.am," Cooper begins, clearly thinking, "I'm missing the Bravo Real Housewives marathon for this?"

· Will.i.am is beamed in with a Star Trek transporter beam special effect. Cooper stares uncertainly into the middle distance because he cannot see the person he's interviewing, which is a tremendous new innovation.

· "All this technology, I'm being beamed to you like it's Star Wars and stuff," says Will.i.am. Not to pull a Liz Lemon, but, uh, Trek.

· Cooper corrects him: "It's basically exactly like Star Trek." Thank you, Anderson. Willi.i.am's cogent response: "Yeah, but...yeah."

· "Will, we're doing this interview with you this way because it's a lot quieter than having you in that crowd [in Chicago]. It's very hard to hear in this crowd," Cooper lies.

· As Willi.i.am rambles on about the "Yes We Can" song, Cooper mentally composes an angry email to the CNN producer who let his boo Donna Brazile go off to ABC so they could spend her hair and makeup budget making a hologram out of the man who produced "My Humps."

· "Will.i.am, I appreciate you being with us tonight via hologram," concludes Cooper. Will.i.am thanks him, says, "Check it out," and then does The Worm.

· Cooper takes an awkward pause, collects himself, and says, "All right."

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