Page Six hisses that the girl, who is forever yours, had a lengthy sitdown with the fake gay Austrian fashion reporter, and has still not figured out—because synapses fire pretty slowly through Farina—that it was all a hoax. Most people who were duped by the reality comedian figured it out pretty quick, but no, not dear Paula. Her spokesperson declined to comment, but, I guess, now she must be aware of it.

Sorry P!

Well, OK, they only profile a few people, mainly a magazine editor and a prissy French designer who gets the joke but only sort of.

From the inelegant English of designer, Lloyd Klein, caught unawares at Studio 54:

I go backstage to try to find my manager to ask 'Who the hell is this person?' But I stayed very cool with the situation ... I know the way French people react because I am French. They don't have a big sense of humor. They're very bitter, so I think it will be a tough one.

From Marie Claire (high fashion!) editor Joanna Coles, who got Bruno'd in Milan last year:

We literally didn't realize it was Bruno. We said—thinking it was just some Italian tagalong—'You can't come in, we don't have a ticket for you!' If we'd realized it was him, we'd have totally taken him in—why not?

Cohen fooled lots of other people too, like Stella McCartney—apparently he waved a tampon around at the designer's Spring '09 show in Paris—and supermodel Tom Brady-dater Gisele Bündchen, of whom Bruno claimed to be an old friend ever since they met one time in Los Angeles. To her credit, Gisele didn't try to fake that she remembered him. Most of these high-nosed fashion waifs were pretty okay about it and found it funny. You know, after the fact. At least they took it better than those cage match attendees. Though, I hear that Jonathan Antin can really throw down.

The man in question is Phoenix's Two Lovers director, James Gray, who we once sympathized with—after all, the film's publicity tour has become a circus of late adopters who just watched Letterman and don't realize that this rapping enterprise is so hoaxy, it could have been brainstormed in a committee made of Rosie Ruiz, the Nigerian email scammers, and the Backwards "B" Girl.

Now, though, Gray is telling ABC about fears that he set off Phoenix's "rap career" by asking him to freestyle poorly in Two Lovers:

"That rap thing ... in the movie actually comes from something I played for him," Gray said. "I had an obsession with doing that sort of thing as a teenager. ... It turns out that Joaquin is imitating me in a lot of the movie. He said, 'I want to do that, I want to steal from that, I want to do the rap that you used to do.' I said, 'OK.'

"And now I'm seeing him do this thing, and I feel like I've ruined Joaquin Phoenix for the world," Gray added. "I don't want to be the guy that destroyed Joaquin Phoenix's acting career." [...]

Gray saw Phoenix Wednesday night, after the star taped his appearance on "The Late Show," but before it aired. Gray asked how the interview went.

"He said 'Oh it was good, it was really good," Gray said. "I watched it this morning ... I don't know what to say."

How about: made up, made up, it was made up, it was made up. But at least he'll get an US Weekly cover sidebar out of it!

• Director: I Feel I Ruined Joaquin Phoenix [ABC]

TMZ and our sister from another, Quaadlude-riddled mother Defamer are heavy on the hoax beat. 'Cause, you know, Casey Affleck is filming a documentary of Phoenix's transition from good if not very well liked actor to his new rapper persona: Old Sergeant MacGruffin', a Civil War soldier who got lost in the Great Smoky Mountains for 140 years. So it must be some sort of mockumentary thing and there will be a big "ha ha" and then Phoenix will go back to being an actor, still as good, probably, and definitely still not very well liked. And I believe that!

But I also believe that there's a current of sincerity in the whole debacle, not really born out of an actual desire to become a rapper, but stemming from a great desire for more and more precious drugs. Phoenix's cataclysm on Letterman last night came freighted with the usual "nervous tics" of people currently on or desperately awaiting their next dance with heroin. And like the junkies on The Wire were always cooking up harebrained schemes to go rob junkyards or drug stashes, a rich smackhead with a lot of time on his hands might decide that it makes complete sense to make some gonzo comedy/art project about being a rapper. And then maybe said golden triangulist might start to buy into the whole act a bit too much, because they're crazy and on drugs all the time. That would explain his highly-focused commitment to the act, even while he's being eviscerated by David Letterman. (Or maybe Letterman was in on it!)

The only thing tough to reconcile is Casey Affleck's involvement. If Phoenix really is on drugs, Affleck is kind of a shitty friend for indulging the whole Rip van Tinkle experience. Hopefully, in defense of a world I like to imagine where Casey Affleck is still a nice boy from Cambridge, Phoenix really is a nut, but sober as can be, who is just now finally showing the effects of growing up in the supremely bizarre way that he did. If that's the case, then godspeed. Just don't do anymore national television. It makes me uncomfortable.

James Gray has collaborated with Phoenix on three films, and his latest, Two Lovers, is purported to be Phoenix's last EXCEPT FOR THIS HOAX MOVIE HE IS FILMING WITH CASEY AFFLECK IN WHICH HE IS CLEARLY ACTING AND WE'RE ALL CLEAR ON THAT, RIGHT? In a Huffington Post essay published today, Gray charitably describes the actor as "mercurial" (of their first film together, he notes, "I seem to remember a whole lot of torment and angst and yelling and screaming"), then recounts Phoenix's gonzo performing on the set of We Own the Night:

We worked night and day, rehearsing and discussing. Sometimes it would lead to horrible arguments — often my fault! I'm no diplomat — but in my (weak) defense, there were times I couldn't distinguish with whom I was speaking. Was it character or actor? This time, he went in, and he went in deep. Okay, you want me to see my father dead, in the street? Well then, I might vomit for real (he did); you want me to be terrified of that man? Go 'head, have him belt me, right in the face (he got walloped, but good); you want me to swallow that charcoal? Force it down my throat, man (he inhaled, with relish).

Now, Phoenix has kindly returned the favor, asking America to open its mouth while he shoves a hard, unwanted vanity project down our gullets. Expect a middling aftertaste, for it is half-baked.

• Joaquin Phoenix Retires [HuffPo]

Enjoy this clip taped during reshoots for Cera's upcoming Youth in Revolt, in which we suppose the actor is satirizing Bale's starry sense of self-entitlement (which would only be more ironic if Joaquin Phoenix then satirized Cera satirizing Bale). "Maybe this would be a funny thing to do on my downtime," Cera no doubt mused, and then it wasn't really, yet it still made it to YouTube, regardless. If it all this fake fighting seems familiar, maybe that's because Cera already pulled a similar stunt when visiting the set of Knocked Up, which was almost two years ago. Suddenly, we have a new idea for Arrested creator Mitch Hurwitz: write a lot of improvised feuding scenes for Cera, then pitch the movie to him as a series of viral videos. Problem solved!

• Michael Cera Flips Out [YouTube]

Phoenix's poor, poor publicist reminded him that he still has one more completed movie to go out there and sell (James Gray's Two Lovers), and so Phoenix has embarked on a press tour that, like his clearly fake rap career, is being filmed by Casey Affleck. Naturally, reporters have about zero interest in Two Lovers and are peppering Phoenix with questions about another cinematic achievement: the video of his terrible, faaaake rap debut in Vegas that was met with rolled eyes from an ahead-of-the-joke internet populace.

"I don't know where that [criticism] comes from," Phoenix said. "If it comes from people that I've had a falling out with, that are (ticked) off at me?" [...]

"There's not a hoax," Phoenix said. "Might I be ridiculous? Might my career in music be laughable? Yeah, that's possible, but that's certainly not my intention." [...]

"It sucks that, yeah, the footage is out there as like this incredibly bad sound, and you literally can't hear what's happening," said Phoenix, who still has his bushy beard. "It was much better in the club, and I don't know who said that people were booing ... because that was not happening.

"Unless, of course, it's a pretty big place, and maybe it was happening," Phoenix added, laughing. "But it was not my experience. My experience afterward was I had a lot of dudes come up and say, `We really respect you for doing it, putting yourself out there, and going with it.' Because I think true hip-hop heads know that it's hard, it's going to be a hard transition, and people are going to be lining up just to make fun of me."

At this point, we're becoming perversely curious to see Affleck's finished film—now that even Phoenix can't make it through an interview without laughing (and yet insists on perpetuating this hoax), his cinematic attempt to lampoon self-involved "pompous actors" takes on new, unintended meaning.

• Joaquin Phoenix Defends Rap Career, Denies Hoax [HuffPo]

In a statement released to MTV News on Wednesday afternoon (January 28), Phoenix rep Susan Patricola said the actor's hip-hop turn is very real and that he's not letting a few naysayers stand in the way of his rap-star dreams.

"The transition from one career to another is never seamless. It should come as no surprise to anyone that Joaquin came from a musical family, in addition to winning a Golden Globe for his portrayal of Johnny Cash," Patricola wrote in an e-mail. "He intends on exploring his musical interests despite speculative, negative or positive reactions."

So, basically: "Yes, this is a hoax, I couldn't talk him out of it, does anyone know if Zac Efron needs a new publicist? I have a lot of ins with Puma and could get him some primo swag, LOL!"

• Joaquin Phoenix Rep Insists Actor's Hip-Hop Career Is Serious [MTV]

Following his widely panned three-song debut as a rapper at a Las Vegas nightclub on Jan. 16 — a shambling performance that concluded with the actor falling off the stage — two competing theories emerged: Either Phoenix is perpetrating an elaborate Andy Kaufman-style hoax (with an assist from his friend and brother-in-law Casey Affleck, who's ostensibly shooting a documentary about his career transition), or he's truly lost his marbles. The truth, it seems, is closer to the former. "He said, 'It's a put-on. I'm going to pretend to have a meltdown and change careers, and Casey is going to film it,'" says one source who recently worked with Phoenix.

Though Phoenix's interest in music is sincere (he earned Oscar and Grammy nominations for his turn as Johnny Cash in Walk the Line and has directed several music videos), with this supposed career reboot he is evidently trying to both lampoon pompous actors and punk the media that covers them. Whatever his motivation or ultimate endgame, don't expect him to break character anytime soon. "It's an art project for him," says a source. "He's going full out. He probably has told his reps that he's quit acting. Joaquin is very smart. This is very conscious. He has a huge degree of control."

Here's the thing, though: can the media that covers Phoenix really be lampooned when they're already calling bullshit on him? And wouldn't the real "pompous actors" be the ones who, like Phoenix, think this vanity project/mockumentary is worth doing anyway? In that sense, then, by lampooning him on a regular basis, perhaps we've come the closest to Phoenix's actual intent. Joaquin, we will accept a "story by" credit under our pen name, D. Famer. As for compensation, please just stop.

• Joaquin Phoenix's rap career: An elaborate hoax? [EW]

Not only do we have video footage of Phoenix's victorious post-rap aftermath (bouncing up and down and falling off the stage in what may have been a Pogo Ball accident gone wrong), but Gatecrasher brings word that concertgoers were treated to far more of Phoenix's nether regions than they'd anticipated thanks to an eye-level wardrobe malfunction. Page Six has its own backstage account, which details a feud that erupted when the faux shenanigans were in danger of delay:

"He was waiting for Casey Affleck" - who's directing a documentary about Phoenix's venture - "and when the film crew arrived late, Joaquin flipped out," said our insider. The spy said Phoenix yelled at the crew, "Thanks for being late and [bleep]ing everything up." He then threw a CD on the floor and stormed out. "He came back five minutes later and did the sound check," said the source, who added, "Nobody can tell if he is for real or if this is all a big joke."

Oh really?

• PHOENIX FLIP-OUT [Page Six]

• At hubby's 'Spread,' Demi Moore plays Ashton Kutcher-Kutcher-koo [Gatecrasher]

First of all, some background: as we know all too well at this point, Joaquin Phoenix has grown out a beard and is pursuing a stunty fake career as a rap singer for what is clearly, clearly a mockumentary directed by Casey Affleck.

Also, your associate editor was inebriated at the party where he snapped this picture.

Anyway, let's try to figure this thing out.

REASONS WHY IT COULD BE JOAQUIN PHOENIX:

· Phoenix had a high-profile rap performance in Vegas on Friday (pictured at left). That's close enough to Park City!

· The beard growth is about the same on both d-bags. The blond wig on the Sundance d-bag (which threw us off) is clearly fake.

· Seriously, the Sundance idiot was so douchey that he approached self-parody (which is apparently Joaquin's new vocation). He was dancing like a loon and had oven mitts on his hands, for God's sake.

· The build (including the slightly bulging tummy) is about the same.

REASONS WHY IT MAY NOT BE JOAQUIN PHOENIX:

· It was at the Queer Lounge kickoff party? Which is not to say that New, Awful Joaquin is gay-unfriendly (though he is a rapper now), or that he's unaware of the fact that gays throw the best parties. But still, something to note.

· The Queer Lounge people we've talked to don't know a thing about it. Casey Affleck wasn't there and neither were any cameras (as far as we could tell).

· Though we're currently well-insulated in a Sundance bubble, we haven't heard any other news reports that place Joaquin at the festival.

· Actual Joaquin appears to have a more sizable soul patch and different nose (though the angle and iPhone camera could account for the differences).

THE VERDICT:

Hollywood is filled with douchebags.

Casey Affleck will track the musical career of Joaquin Phoenix behind the lens of a camera.

Affleck is directing a documentary feature on Phoenix, his friend and fellow actor who last spring decided to swap the thespian business for a musical one.

Phoenix is embarking on a new path as a rapper, with an album to be produced by Sean Combs. He is scheduled to make his first public performance Friday at a Las Vegas club, which will officially kick off Affleck's shoot.

Ok, first of all, we know that's inaccurate: Phoenix debuted his new career at the Funkmosphere in Culver City almost two months ago, and Affleck was taping him at the time (we've got pictures!). Second of all, Diddy? No. This is a ruse, Hollywood! Even worse: it's a mockumentary! The only thing more played out than that genre is...well, actors releasing albums.

• Casey Affleck helming Joaquin Phoenix doc [THR]

Joaquin Phoenix showed up at Dam-Funk's Culver City hot spot Funkmosphere on Monday night to debut his rap career, along with your boy Casey Affleck who was filming the chaos.

Dam-Funk's Funkmosphere at Carbon was titled L.A.s “Best Boogie Funk” recently by LA Weekly.

"Rap career"? Uh, sure. And how convenient that Casey Affleck would just happen to be present again, after witnessing Phoenix's red carpet breakdown. Check out his knowing smile while taping this mockumentary:

Joaquin Phoenix, j'accuse! Sure, films like Ladder 49 and The Village were egregious. But, faking the funk (and faking out the Funkmosphere)? This, we simply cannot support.

• Joaquin Phoenix (dressed like The Dude) debuts rap career at Dam-Funk's Funkmosphere [Stones Throw]

• 'The Flash' Movie Teaser Trailer [YouTube]

From: "Bryant, Matthew" [REDACTED] Date: April 17, 2008 12:50:32 AM EDT To: legal@gawker.com Subject: http://defamer.com/380219/exclusive-debunking-the-marilyn-monroe-sex-tape-hoax

April 16, 2008

By Email
Gawker Media, Legal Department
76 Crosby Street
New York, NY 10012
legal@gawker.com

Re: http://defamer.com/380219/exclusive-debunking-the-marilyn-monroe-sex-tape-hoax

Dear Sir or Madam:

I write on behalf of Keya Morgan in reference to the above-referenced post on www.Defamer.com authored, apparently, in part by Mr. Mark Bellinghaus and the website itself. Please be advised that Mr. Morgan has filed a report today with Precinct 20 of the New York City Police Department in regard to recent threats Mr. Bellinghaus' made on Keya Morgan's life in the wake of Mr. Morgan's recent successful $1.5 million brokerage-sale of a Marilyn Monroe film as reported by Reuters, The New York Post and CBS, NBC and Fox. Mr. Morgan naturally will protect himself and his business to the full extent of the law.

Further, Mr. Bellinghaus' recent publication of the above-referenced defamatory post on www.defamer.com constitutes defamation per se and subject its authors and related internet content providers, such as www.defamer.com and Gawker Media, to civil liability under New York and federal law. Mr. Morgan is a distinguished internationally-recognized manuscript and artifact expert. He has built an impeccable reputation over a decade. Mr. Bellinghaus' challenges to the film's authenticity are based on false information, self-serving analysis and speculation. Neither he nor any of his colleagues interviewed Mr. Morgan. Mr. Morgan authenticated the film based on his interviews with the owner, the son of an FBI informant, the FBI analyst who worked on the film, and his personal review of declassified documents and the film itself. Mr. Morgan's reputation and expertise speaks for itself. Mr. Bellinghaus' allegations that Mr. Morgan is engaging in a fantasy PR campaign are absurd and, most importantly, by his own admission backed up by no evidence whatsoever.

As stated, Mr. Morgan will protect his reputation and business to the full extent of the law. Please find a copy of our cease and desist letter to Mr. Bellinghaus of even date. Please retract and cease any publication of defamatory matter from Mr. Bellinghaus.

Very truly yours,

Matt Bryant
Ohrenstein & Brown
[REDACTED]
Garden City, New York 11530

From: Gaby Darbyshire
To: "Bryant, Matthew"
Date: Thu, Apr 17, 2008 at 10:44 AM
Subject: Re: http://defamer.com/380219/exclusive-debunking-the-marilyn-monroe-sex-tape-hoax

Mr Bryant,

I simply do not accept that anything written in this piece is libellous. Our source is willing to state under oath that they spoke with Mr Morgan last year and that he told them the things stated as coming from him in the article. This piece is simply a detailed analysis of the claims made by your client regarding this tape, and the writers' view of whether those claims are supported by the evidence. That's called reporting. Your client may not like the conclusions drawn, but this country believes in free speech, last I checked. The material is a matter of opinion, strongly held for sure, but not a matter of libel.

If you can point me to any facts stated that are provable incontrovertibly as facts and not mere opinion, then - as I have said - we are willing to print a statement from your client to clarify his position on those specific points. I've already offered to do that over the age of your client (provable fact, but not libellous) and his denial of making any dating claims (not provable, and not libellous either, but if your client cares about this, I'm happy to do it).

Beyond such minor clarifications, either we accept that people of strong conviction and passion for a subject can vehemently disagree about events and their interpretation of events, let them as grown-ups debate their side of the argument in a public forum as experts in their domain, and let the public decide which version they choose to believe - or we can take this matter to the courts and hash through it all there.

I'm happy to do either. Mr Morgan must decide how he wants to proceed.

Regards,

******************************************
Gaby Darbyshire
VP, Finance & Legal, Gawker Media

******************************************

From: "Bryant, Matthew"
Date: April 17, 2008 5:05:39 PM EDT
To: "Gaby Darbyshire"
Subject: RE: http://defamer.com/380219/exclusive-debunking-the-marilyn-monroe-sex-tape-hoax

Dear Ms. Darbyshire:

Thank you for your response to my letter sent yesterday on behalf of Keya Morgan. At this juncture, I advise you to seek counsel from Gawker Media's in-house attorney or, in if no such person exists, seek outside counsel.

From the outset, Defamer.com, Mark Bellinghaus and Gawker Media are accusing my client of fraud. Your headline boasts, as fact, that the film is a "hoax." The apparent editor asserts, as fact, that it was "fabricated." My client is a business man and well respected manuscript and artifact expert. Your website has not only impugned my client's honesty, integrity and profession, but has accused him of committing fraud. This is defamation, not reporting.

It should be noted that while Mr. Morgan embraces the "market place" of ideas, the freedom of the press has always ended at the expense of a third-party's rights. There is little room for an organization doing business as "defamer.com" to hide behind the legitimate press' cloak of freedom. Your self-described "Marilyn Monroe Expert" (Mark Bellinghaus) has well-documented history. Most recently, he threatened to blow up my client's home and stab him. [ED. NOTE - As of April 23, 2008, this case has been closed.] I have personally spoken to Detective Banville of the NYPD's 1st Precinct; Mr. Morgan's policy report number is 2008-001-02543. If Mr. Bellinghaus is found in NYC, he will likely be arrested. His rantings can be viewed by any reporter wishing to verify him as a source at www.marilynmonroeforall.com as a "cyber-harasser" and self-proclaimed Monroe expert. Your website relies on this man as an expert and touts, as fact, his warped conclusions founded in delusion and animosity. We believe goes well beyond mere defamation and constitutes harassment or criminal menacing. For the record, your claim that this is legitimate reporting rings false — Mr. Morgan adamantly denies ever granting an interview to any such self-proclaimed experts. Further, your reporters cannot even ascertain Mr. Morgan's correct age and the allegations regarding his romantic goings-on are simply false and inserted to further harass and injury my client's business and personal reputation.

Unlike other recent on-line defamation cases where anonymous users post on third-party interactive web-sites, defamer.com controls its own web-site and contributed to this content by identifying these alleged expert sources citing their conclusions as fact. We again invite you to seek legal counsel and protect your own business' interests by distancing yourself from Mr. Bellinghaus and his cohorts. Feel free to post this letter as Mr. Morgan's reply to your invitation below.

Very truly yours,

Matt Bryant
Ohrenstein & Brown
[REDACTED]
Garden City, New York 11530

UPDATE (April 18, 2:36pm):: Here is a link to a statement Mark Bellinghaus made on his blog in regards to Mr. Bryant's letters to us.

UPDATE (April 23, 4:21pm): We just received word that the NYPD has closed this case.

To that end, Defamer worked with a trio of Marilyn Monroe experts in an effort to get to the bottom of Keya Morgan's outrageous claims. The team of Mark Bellinghaus (one of the foremost Marilyn Monroe experts/collectors in the world), Ernest W. Cunningham (author of The Ultimate Marilyn) and freelance journalist Jennifer J. Dickinson to put together the following piece. It's one of the longer pieces that we have ever published at Defamer, but we think that it's well worth your time. And with that, please enjoy. — MDG

DEBUNKING THE MARILYN MONROE "SEX TAPE" HOAX
By Mark Bellinghaus, Ernest W. Cunningham and Jennifer J. Dickinson

On June 26, 1952, Marilyn Monroe testified in court (as pictured) to protect her own reputation from accusations that a mail order pornography ring was selling pictures of her and that she was a participant in this process through solicitation of sales by letter writing. Along with her attorney, she debunked these claims and the pictures themselves, and the two men who created this scam were found guilty of misdemeanor charges, and Marilyn Monroe's name and reputation were cleared.

Nearly 56 years following her own victorious court appearance, Monroe's name is once again being affiliated with a fabricated pornographic claim. Now it is time to have the name Marilyn Monroe cleared once again of false allegations.

Keya Morgan, 38, New York City based memorabilia collector, has spawned a rumor of 16 mm film footage said to be Marilyn Monroe engaging in oral sex with an unknown male participant in the early 1950's when she was just a starlet. Morgan claims that this is an illicit copy of an FBI classified film of which a copy was made before the original was confiscated by the Feds. According to Mr. Morgan, he brokered the sale of this claimed 15 minute lasting reel to a wealthy New York Businessman for $1.5 million.

"You can see instantly that it's Marilyn Monroe," said Morgan—"she has the famous mole. She's smiling, she's very charming, she's very radiant, but she's known for being radiant."

The happy buyer of this supposed film chooses to remain anonymous but says he has no plans to market the tape. Morgan states: "He's just going to lock it up."

This tale of the sex tape follows on the heels of last month's Marilyn scandal, in which a fellow in Las Vegas called a news conference to display an unknown photo of nude Marilyn, but it turned out to be just nude Madonna. Please click here and here to read our reports on this story.

The real "Marilyn Monroe Nude" pictures are well-documented. She posed nude on red velvet for photographer Tom Kelley on May 27, 1949—photos that showed up for years on calendars and in lawsuits. Lawsuits for obscenity usually turned out to be the Kelley nudes, and were dismissed.

About this same time a short nudie film called The Apple, Knockers, and the Coke Bottle, began making the rounds. It's composed of grainy footage of a bare-chested young woman amusing herself -she's Arline Hunter, a Marilyn lookalike but clearly not Marilyn.

When a journalist or a tabloid show stumbles over a nude photo or nude film footage, the immediate response is usually Marilyn! Or Unseen Marilyn! Or Nude Marilyn!

But if it's not a Tom Kelley red velvet photo or Marilyn in the "Something's Got to Give" nude swim, then it's Arline Hunter and her apple.

If it's none of those, then it's pornography, and it's not Marilyn. She didn't go there.

There are too many holes in the Keya Morgan story. Having talked with Mr. Morgan in our own interview over the phone in the summer of 2007, he spoke quickly and non-stop of his planned television documentary, of conspiracy theories into Monroe's death, and about his alleged friendships with all three Monroe husbands. He claims he was one of the last people to speak to James Dougherty and gave the similar scenario about Dougherty's final words as has been rumored about Joe DiMaggio - that both former spouses on their deathbed spoke about seeing Marilyn on the other side.

In general Mr. Morgan was a name dropper, especially when it came to those notorious for supporting the conspiracy theories involved with the story of Marilyn Monroe. However, he wove into our conversation his claim that he dated Mariah Carey and Renée Zellweger.

The most recent sensationalism of this supposedly existing film footage generated by Mr. Morgan, ties in with the usual opportunistic conspiracy theories that are out there. What Keya Morgan is promoting equates to questionable stories generated simply to sell another book or push another cheesy documentary. Just looking at Mr. Morgan's cast list is enough to know that this is more of the same conspiracy rehash. There's John Miner, Jack Clemmons and Thomas Noguchi, who have changed their stories over the years and cashed in on the various Marilyn Monroe murder theories by being featured in books, articles and television specials.

Keya Morgan went on and on when we were on the phone, speaking of this usual cast of characters. At the time of our conversation with him, we immediately discerned that he was one of them only out to exploit Marilyn Monroe and to come up with something new to fuel the rumor mill of her life.

Yet Keya Morgan claims he would not have gotten his name involved in this latest story, if there was harm to Marilyn Monroe. But he is already too late - Keya Morgan himself is causing harm to the legacy of Marilyn Monroe by creating this outrageous and absurd fantasy (he did not participate in it—he created it!).

There are a few questions that one must immediately ask, the litmus test that proves Mr. Morgan's story about the supposed sex tape to be as bogus as the one caused by the perpetrators against Marilyn Monroe in 1952.

· The film was supposedly made of Marilyn Monroe as a starlet. If filmed in this time period of Monroe's life, why would the feds have cared about the activities of a young starlet, considering that Marilyn Monroe had not reached the heights of fame at the time this footage was claimed to have been filmed?

· "You see instantly that it's Marilyn Monroe - she has the famous mole." This is a quote by Keya Morgan, which is one of the flimsiest pieces of evidence ever presented. Just because this alleged film has a person with a mole, it's instantly Marilyn Monroe?

· Essentially Morgan is claiming that this is a bootleg copy of a classified FBI film. So if an original is classified, why would the FBI allow this public brouhaha in the press and not stop this sale from taking place? Why would this film copy not be destroyed?

Keya Morgan claims to respect Joe DiMaggio (it is alleged that DiMaggio tried to pay the informant $25,000 for the film and the offer was refused), and Marilyn Monroe even greater. Then why would Mr. Morgan allow this sale considering his "respect" of DiMaggio and Monroe? If he was such a collector looking to protect Marilyn Monroe especially, why would he not keep this supposed film safely in his own collection?

Stay tuned, but you're sure to learn nothing new from the Keya Morgan upcoming documentary, except the usual repetitive death theories (namely, that she was murdered). And Keya Morgan's time in the spotlight for this recent spin is nothing more than an opportunity for him to do just that - soak up some extra time in the limelight with his invented story about a fake flick, at the expense of the legacy of Marilyn Monroe.

Mark Bellinghaus is the leading Marilyn Monroe expert and official expert witness in the Queen Mary/Marilyn Monroe fraud Class Action Lawsuit; Ernest W. Cunningham is the author of 'The Ultimate Marilyn' and plaintiff in the Queen Mary/Marilyn Monroe Fraud Class Action Lawsuit; Jennifer J. Dickinson is a journalist based in New Jersey and a mother of two.

[Photo: Marilyn Monroe, pictured with her attorney on June 26, 1952 testifying in her own defense in Los Angeles Court, when there were accusations that pictures of her were being sold in a pornography ring. It turned out that the accusations were bogus, as were the pictures, and two men who created this scandal were found guilty.

Credit: The Mark Bellinghaus Marilyn Monroe Collection]

In fact, however, Sabatino was little more than a rap devotee, a wildly impulsive, overweight white kid from Florida whose own father once described him in a letter to a federal judge as "a disturbed young man who needed attention like a drug.

[A]n examination of the three documents revealed that the bodies of the respective "302s" were actually created on a typewriter...[but] agents ceased using typewriters about 30 years ago. [...]

Riddled with spelling and grammatical errors, the purported "302" documents vary sharply from standard FBI reports in terms of phraseology and use of certain acronyms. [...]

Most telling, though, are the obvious similarities...between the purported "302s" and certain court filings created by Sabatino while he has been incarcerated at Allenwood.

Well Diddy told us it wasn't true. LATimes.com now prominently features a story headlined, "Validity of Tupac documents probed," in which they cite TSG's investigation, and report that "Editor Russ Stanton said today he will launch an internal investigation into the authenticity of [the] documents." Sabatino, meanwhile, has managed to accomplish what he set out to do: become a supporting player in the Tupac mythos. That he had the wherewithal to dupe veteran investigative reporters using nothing more than an Allenwood Federal Correctional Complex-issue typewriter suggests to us that this is just the beginning of a beautiful career, with "Script Docta" Sabotino becoming Hollywood's go-to guy for gangsta-cred punch-ups.

• Big Phat Liar [TSG]
• L.A. Times to investigate validity of documents in Tupac report [LAT]