<![CDATA[Gawker: defamer, gillian anderson]]> http://tags.gawker.com/assets/base/img/thumbs140x140/gawker.com.png <![CDATA[Gawker: defamer, gillian anderson]]> http://gawker.com/tag/defamer/gilliananderson http://gawker.com/tag/defamer/gilliananderson <![CDATA[The Top 10 Female TV Characters Women Want To Be Like And Men Want To Be With]]> You didn't think we'd post last week's Top Ten of the coolest male TV characters without following up with one dedicated to all the honeys, now, did you? And while our definitive men's list—checked and rechecked by a panel of TV experts canvassed at various local correctional facilities and gourmet coffee outlets—surprisingly met with some vocal opposition, we're confident its vagina-filled counterpart will please even the most persnickety of TV-lady lovers. There's only one way to know for sure, however. Click play, and decide for yourselves.

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<![CDATA[Hollywood 4% Filthy Richer]]> · Who wants good news? We do! Us too, please! Hollywood business is up 4% from last year. Isn't that fantastic?! Go ahead, major studios—spend some of that extra money on something nice for yourselves. You've earned it. [Variety]
· X-Files 2: You Had Me Until The Anal-Probe Business star Gillian Anderson will produce and star in a biopic about Martha Gellhorn—not that girl from 6th grade who made your life a living hell, but "a trailblazing female war correspondent who covered conflicts from the Spanish Civil War to Vietnam." [Variety]

· Tom Cruise CareerCoolingWatch: Clear and Present Danger director Phillip Noyce is "negotiating" to join Edwin A. Salt, which Cruise has been attached to for several drafts now—one of which will surely join the rest of his leatherbound keepsakes in the Tom Cruise Produced-Screenplay Library and Museum at Telluride. [Variety]
· The Incredible Hulk's shirtless psycho (where you been hiding those pecs, mister?) Tim Roth will make the leap to TV on Fox's Lie to Me, in which he'll play "a human lie detector." We're seeing Moment of Truth femmebot-V.O. crossover potential! [Variety]
· Christopher Guest has joined the cast of Night at the Museum: Battle of the Smithsonian, thus ensuring for a few months at least that he'll be unable to produce another improvised endurance-test as wretched as For Your Consideration. Hooray! [THR]

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<![CDATA[Tender, Top-Secret Geek Riot Ensues as Duchovny, 'X-Files' Share Four Minutes with LA]]> All roads led to rapture for fanboys (and girls, we suppose) over the weekend at the LA Film Festival, where Sunday closed with a glimpse at scenes from the forthcoming X-Files: I Want to Believe. It seemed a busy enough couple of days elsewhere in Westwood, but it wasn't like there were shrieking throngs delivering signed thank-you cards to Diane English after a preview/discussion of her troubled updating of The Women, or a geek-to-seat ratio of 1:1 at the Melvin Van Peebles event on Saturday. This was the sort of a climactic bedlam most fests save for their closing nights, not the last screening on a sleepy Sunday.

Alas, there they were: David Duchovny, X-Files creator/director Chris Carter, writer/producer Frank Spotnitz and cascades of withering shrieks inside the Majestic Crest. Oh, and two lightly spoilerrific clips — a couple minutes each, the longest sustained orgasm most of the attendees have had since the show went off the air.

And by lightly, we mean lightly: A guy gets it in the face and hand with a trowel, winds up in the snow. Crazy psychic Billy Connelly finds him buried. Enter special agents Mulder and Scully. Brooding follows — lots of it. And that's... all? See you in five weeks!

The rest of the night was pure subterfuge, unless you count Carter's faux-reluctant disclosure of a research trip to, ahem, Cleveland. He would barely talk about his means of secret-keeping, allowing only that his and Spotnitz's paranoia was such that ahead of shooting, department heads were allowed script reads only in a sealed room with a camera trained on them and no notes allowed. Duchovny said he had to beg for a screenplay of his own — a bit of a regression from the first film 10 years ago, when the red, Xerox-proof script pages simply made it hard to read his lines.

Once he got the script, Duchovny was still in the dark as to where Mulder had been since the TV show's run — which was fine by him. "When you look back at when Gillian [Anderson] and I first played the characters in 1993, the idea of trying to be that guy in reruns right now — as much as I'd love to — would be a little embarrassing," he said. "That's probably one of the most interesting things for an actor to try: to embody the same character as time goes by. Not wanting to be a cartoon character frozen in time, but a character who changes in time."

Like... how? "No," Duchovny said, shutting the door on yet another plot thread. "It's one of the reasons I wanted to continue playing this character; I wanted to take him on this journey he started in 1993. ... He's frustrated. He hasn't changed. He's a quester; he's always going to be looking."

To that end, Spotnitz plucked a few hundred gushing audience heartstrings by confessing how much he missed his characters. Duchovny one-upped him, recalling Carter's teariness the day of the first read-through ("Awwww!" again, right on cue) and citing a fan video screened on set north of Vancouver. "I just remember thinking, 'Oh fuck, I've gotta deliver,' " he said.

One fan asked when 20th Century Fox would be delivering on its own end — trailers? Teasers? Commercials? Anything? Indeed, awareness beyond fans isn't especially high, as Spotnitz inferred with Fox brass sitting right in the front row. "We had a big marketing meeting with the studio and they assured us that by July 25 everyone will know about this movie," he said. And in the event they take to it, it's set up for a third edition in the next two to three years.

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