This is a good thing for Starz!, which is trying to turn itself into the new HBO with lots of highbrow original content, and Albrecht, who has flailed every since being ousted by Time Warner share holders almost three years ago.

Albrecht was asked to step down from his post as head of HBO in 2007 after reports surfaced that he beat his girlfriend in front of a casino. He started at HBO in 1985 and had a hand in bringing us The Sopranos, Sex and the City, The Wire, and every other show you love that was not TV, it was HBO. At the time, he said the incident stemmed from a relapse of his alcohlism. The girlfriend in question didn't press charges and later married him.

She forgave him, and so has the industry! After leaving HBO, Albrecht headed IMG Global Media and started Foresee Entertainment, a production company that sold a fashion-based drama to Starz! They must have liked it so much, they they brought Albrecht on board to run the whole show. We can't wait until he's up on stage accepting Emmys for the channel in 2014. We promise not to make any jokes about him choking the golden lady. OK, maybe not.

[Image via Getty]

To recap, for most of the season a troika of damaged contenders have been assumed to have a lock on nominations, with the assumption that one of them would take the top prize, despite the fact that each has big minuses. The top three have been Precious (too heavy-handed) Up In the Air (just not quite fantastic enough) and The Hurt Locker (too obscure, unseen by the public). And of those three, Up In the Air has remained the front runner with Hurt Locker taking a distant third at the back of the pack.

By weekend's end, however, the big three had been transformed into the big four, with Hurt Locker suddenly making a move on the outside.

The first piece of non-game changing news was the announcement of the slightly influential but important sounding American Film Institute's Top Ten list. The list reaffirmed the big three, giving them all slots. The one real possible game-changer was the stunning inclusion of The Hangover on the list, which has been mentioned as a dark horse contender for one of Oscar's ten best pic slots.

Next to weigh in was the LA Film Critics Association. The dwindling band of full time movie reviewers began what might prove to be a late surge for Hurt Locker, giving the little bomb-disposal movie that could the year's top honors.

A couple of other long-shots kept their dreams alive with the perhaps-not-all-that-influential Broadcast Film Critics nominations. The Weinstein Company's two dark horses, Inglorious Basterds and Nine, (the latter of which has met with very mixed, at best, critical response) led the pack with the most nominations as well as each scoring Best Picture nods.

And finally today, the New York Film Critics weighed in, seconding their LA brethren's support of Hurt Locker; naming the film as the best of the year and giving Kathryn Bigelow the best director nod.

However, the biggest news shaking up the race was not in the awards but in a flurry of reviews that emerged this weekend for James Cameron's long awaited Avatar. While widely assumed to be a stink-bomb in the making (by us at least) the film has met with rapturous, over-the-top hosannas, leading a stunned awards guru, David Poland, to write,"Avatar joins the 3 or 4 locks for an Academy Award nomination for Best Picture."

Here then are the current standings in the thrilling race to be Oscar's Best Picture of the Year, with a mere three months and a half months left to go; noting by the way, that the most important milestone on the Oscar trail, the Golden Globe nominations, happens tomorrow morning, potentially throwing the entire race in uproar once again.

THE STANDINGS:

1. UP IN THE AIR ↔
The Rap: Liked by almost everybody, head-over-heels loved by very few; a vulnerable front-runner. But who could knock it off its pedestal?
Favorable Winds: Continues to make best picture lists.
Negative Winds: Makes lists but leads very few. The "relevant" topicality, as pushed by Frank Rich, is a quality that generally fades in Oscar's mind as the season draws on and hype dies down.

2. THE HURT LOCKER ↑
The Rap: Little film with a lot of very very committed fans in the critical world.
Favorable Winds: Swept critics awards this weekend; possible Cameron vs. ex-wife director Bigelow storyline may be irresistible for Oscar.
Negative Winds: Bestowing the top trophy on a film no one has seen (grosses still total under ten million) is a potentially suicidal move for Oscar.

3. PRECIOUS ↓
The Rap: The little drama's power and messageyness still hits Oscar where it hurts, despite heavy-handedness.
Favorable Winds: Still riding its sweep of the Spirits.
Negative Winds: Hard hitting horror show story showing strong signs of looking less interesting as time passses.

4. AVATAR ↑
The Rap: James Cameron's 3D outer space epic exploded into the race with rapturous reviews this week, but remains unseen by Oscar voters.
Favorable Winds: The reviews have been strong enough that Avatar could potentially be that rare film Oscar prays for; the giant blockbuster with enough critical standing that it comes in and sweeps the table — and boosts ratings, like Titanic or Lord of the Rings.
Negative Winds: Question mark whether the 3D effects and 2D plotting will prove just too much for voters to swallow in a Best Picture.

5. INGLORIOUS BASTERDS↑
The Rap: Quirky war epic may be the Tarantino film with broad enough appeal to win him a seat at the table.
Favorable Winds: Led the Broadcast Film Critics nominations; retains a base of hardcore admirers.
Negative Winds: Remains a highly love-it-or-hate-it film, and with ultimately more post-modern fluff than weighty Oscar appeal.

6. AN EDUCATION ↔
The Rap: Charming little film that won't fade away.
Favorable Winds: Keeps making friends and wears perhaps the best of the Oscar dramas; should pick up lots of acting nominations.
Negative Winds: Too small and non-messagey a film to be a serious contender for the big prize.

7. UP! ↓
The Rap: Pixar cartoon is beloved by many, but Oscar remains no friend of the cartoon.
Favorable Winds: Shows up on almost every ten best of the year list.
Negative Winds: Has yet to show the sort of awards muscle with other prizes it would need to stampede over anti-cartoon prejudice and force its way into the top tier.

8. INVICTUS ↓
The Rap: The South African rugby picture is widely appreciated, but has few jumping with glee.
Favorable Winds: Oscar's love for Eastwood remains strong; Morgan Freeman's performance almost guaranteed nomination.
Negative Winds: Weak box-office performance has sapped what momentum the film have; Eastwood has been so celebrated by Oscar already that the bar has become very high for him to earn yet another.

9. NINE ↓
The Rap: Huge Oscar pedigree, but early response is very tepid.
Favorable Winds: Topped nominations in Broadcast Critics awards.
Negative Winds: Palpable lack of excitement about what should have been a shoo-in.

10. A SERIOUS MAN ↔
The Rap: What was thought to be the Coen's most obscure and personal film continues to win over fans.
Favorable Winds: Strong showings on ten best lists.
Negative Winds: Obscurity of topic and structure continue to keep it at arm's length from top tier.

11. THE MESSENGER ↑
The Rap: Almost entirely buried in its theatrical release, continues to impress those who have seen.
Favorable Winds: Should get acting nods for its strong performances by Ben Foster and Woody Harrelson.
Negative Winds: Could be the first film that failed to gross a million nominated for Best Picture in recent history.

Third tier contenders: White Ribbon, Lovely Bones, A Single Man, The Road, The Blind Side, In the Loop, Julie and Julia, The Hangover.

I decided to ask a few professionals. Raves and nominations notwithstanding, as casting director Mark Bennett (The Hurt Locker, Junebug) puts it when asked for his professional opinion, "Unfortunately Hollywood is still a system that doesn't produce a lot of great parts for black women and doesn't produce a lot of parts for women who aren't conventionally beautiful. And that's not going to change overnight."

In a piece last month on The Root, cultural critic Stanley Crouch was outright pessimistic:

"Gabby Sidibe better enjoy her fame while she can because black actresses never have less than a hard row to hoe. Even if the inner life they bring to characters is as beautiful as they are physically, they have little chance."

Crouch cited several black actresses whose careers were, as he puts it, "pissed away by the system," and argues that even with Precious's success, at the end of the day, "Hollywood will continue to go along as it has gone." And he didn't even touch on the fact that Hollywood has had little use for any women larger than a size zero.

So far, Sidibe has shot a pilot for Showtime – The C Word, a dark comedy starring Laura Linney – and also wrapped a Sundance lab film called Yelling to the Sky. But her most significant post-Precious performance has probably been on the talk show circuit.

The greatest risk Sidibe initially faced was best articulated (inadvertently) by Roger Ebert in his November 4 Chicago Sun Times review of Precious:

"Her work is still another demonstration of the mystery of some actors, who evoke feelings in ways beyond words and techniques. She so completely creates the Precious character that you rather wonder if she's very much like her."

You can wonder, but the answer is no. "It's called acting," her manager, Jill Kaplan, says. Sidibe herself has skillfully, but seemingly effortlessly, put space between her character and herself with her television appearances, which exhibit both poise and comic timing.

"When you see her being interviewed, she's so charming. You look at her and say, I'd like to watch her in other parts so you can see her acting different personalities," says Bennett.

Both Bennett and Billy Hopkins, the casting agent who co-discovered Sidibe at an open casting call (and Precious director Lee Daniels' former partner), point out that cable television offers a far greater range and depth of roles for actresses. And they both speculate that she'd make a good talk show host. (An appealing, if entirely premature, prospect).

Hopkins sounds determinedly optimistic about Hollywood's receptiveness to an actress like Sidibe. "Is she a hard type to cast? Yes. But is she talented? Yes. So I think those will balance each other out," he says.

Eyde Belasco, who cast Sidibe in Yelling To The Sky and has worked on movies like (500) Days of Summer and Half Nelson, writes in an email that her own choice had "very little to do with her look and everything to do with her amazing acting abilities." She adds, "I think the best types of roles for Gabby going forward, to keep her from being typecast, are ones that are not linked to her look. Maybe it's about taking on a great supporting role (such as her role in Yelling To She Sky) that has very little to do with her physical appearance and all to do with her performance. If an actor can afford to do it, it's about waiting for the right role. Gabby does have a very specific look. But, hopefully, filmmakers and casting directors will want the best actress for the role."

It can be hard to get insiders to discuss industry prejudices on the record, but that doesn't mean they don't exist. "Hollywood tends to think of actors like Gabby as being perfect as a white person's friend. She'll have to work really hard to distinguish herself in their eyes," says Bennett. "The soft prejudice that she's going to face is going to be getting cast in parts that aren't written for a black girl. At the end of the day, I find there's a certain risk aversion in terms of Hollywood casting. It wouldn't surprise me if she finds her most fulfilling professional opportunities in the coming years outside of Hollywood."

Bennett's advice to her is not to wait to pursue the parts she wants: "It's a mistake for actors to sit around and assume that Hollywood as a monolith will have imagination. Actors have to insist on what they're capable of."

Kaplan, Sidibe's manager, is reluctant, for obvious reasons, to have the actress pigeonholed or even discuss that risk. She says Sidibe has gotten all kinds of scripts sent her way. "It doesn't have to be about changing Hollywood's ideals – it's just about a talented actress," she says.

She adds, "I think she can do anything. She's a prodigy – she's very funny. She really loves Judd Apatow movies and comedies in general. We're looking for a big fun comedy for her, or maybe something romantic…She loves superhero movies."

Speaking of Apatow and comedies, I tracked down Allison Jones, the casting director who has worked with him since Freaks and Geeks, and who was also responsible for the inarguably inspired casting on Curb Your Enthusiasm and The Office. Here's what she writes:

A good comedy director I think values instincts more than line readings...so if her comedy instincts are as solid as her dramatic ones (on talk shows she is a riot and so delightful), then she will have no problem... Someone's funny, she's funny. Someone's good, she's good. [In addition] as much as anyone's physical appearance can limit their appropriateness for a role (including the stick-thin actresses), she will not be right for everything. But maybe there are more opportunities out there rather than fewer.

Hopefully those opportunities will exceed the comic roles that the industry has so far offered larger black women (or men pretending to be them)—where their sexuality is a punchline in itself.

As the awards season kicks off, Sidibe's name is already on many ballots — she was just nominated for an Independent Spirit Award for best actress — and expected to be on more, including those for the Oscars (announced February 3). And maybe that's what it'll take to clinch her broader appeal, should anyone need convincing. Kaplan doesn't want to make predictions. "I can't say what's going to happen," she says. "I'm definitely trying. I'm working on it right now. People are going to see outside the box."

Hollywood: Same As It Ever Was [The Root]

Related: Et Tu, Amy Poehler? What's So Funny About Desiring A Big, Black Woman? [What Tami Said]
Sumpin' Turrrrble: SNL's Keenan Thompson Performs Minstrel Act [Racialicious]

Jasmine and Casey were besties until the latter allegedly broke into the former's apartment. There, Jasmine says, Casey masturbated in her bed, then left the used vibrator bewteen the sheets and absconded with a grand theft's worth of jewelry, clothes, and panties. Now Jasmine's speaking out about Casey's insanity—but who, you ask, is Jasmine?

• She's Trainwreck Royalty Papa was a playboy shoe magnate, Mama was a 1970s Bond girl. According to their mother, Jasmine and her sisters were named after three of their father's mistresses, "a tribute to those who didn't make it." Jasmine's parents divorced when Mom realized Dad had gambled away the family fortune, and Mom went on to fake a pregnancy and say this other lady's fiance was the daddy, which led to a nasty little lawsuit in 1995.
• 
  
• She's an Early Bloomer Jasmine started modeling at 14. By 17 she had, according to the London Evening Standard, stolen thousands of pounds from her mother to pay off menacing drug dealers, and even checked into five-star London hotels for three-day sex and drugs orgies, with bowls filled with high-grade cocaine," and once did a stint at the Priory alongside Kate Moss.
• 
  
• She's a Reality TV Villain Who Catfights Above Her Weight Class Jasmine was the "rich bitch" of Britain's Make Me a Supermodel's first season, causing supermodel host Rachel Hunter to muse aloud about wishing Lennard would get stung by a bee and die. Jasmine later got a job hosting an Make Me a Supermodel spin-off, but was fired for calling Hunter "Rachel Munter" (apparently it's a really bad word in England?) and "a fat bitch past her sell-by date who cost me winning the show" and "fat, spotty, and finished" and "I suggest she throws out the truckload of make-up she uses and hire a personal trainer."
• 
  
• She Dates Men and Women, Young and Old Paramours allegedly include Simon Cowell (while he was dating Terri Seymour), Hugh Grant, and Courtenay Semel, Casey Johnson's on-again off-again "lesbian Don Juan" heiress girlfriend, who blew the whistle on Casey's alleged crime when she recognized Jasmine's panties on Casey and sent Lennard a text message:
  

  There's a problem, Jaz, Casey Johnson just got into bed with me and she is wearing your underwear. You need to call police. There are documents here, your shoes and your clothing—you need to call the police.

  Jasmine's not gay, it's just that she is just very beautiful, and so are her friends, so sometimes it's hard to resist:

  I meet a lot of beautiful girls working in the modelling industry and I prefer to look at them rather than men, sometimes. I'm not a lesbian. ... But being with a woman is a totally different sexual experience. They're soft, with curves, boobs and sensual lips.

• She Was Friends with Casey Johnson Until Casey, Like, Fell in Love with Her Isn't it so annoying when you take a drug-addled, emotionally damaged heiress under your wing, but she totally bites the hand that's feeding her, because she is such a hungry bitch and does not have as much self control with food as I do, because, gawd, I'm awesome:
  

  Since the day I met Casey, I have only been a good force in her life. ... I tried to get her off drugs and alcohol. ... I've given her money. I am the only person who helped this girl, and I believe she was obsessed with me, and thinks in her mind we had some kind of affair.

  This time she really messed with the wrong lady. I am going to teach her a lesson

• 
  
• She Enjoys Lollipops Jasmine was in Guy Richie-directed Revolver, where she shows her panties and satiates an oral fixation in a scene interspliced with a gory shoot-out.
• 
  

Since late October, @avary has been tweeting regularly about prison life, referring to himself as #34 and regaling his followers with tales that will probably turn into a mindfuck prison thriller screenplay someday, because some people are so irrepressibly hip that even imprisonment for a tragic crime turns all cool and A Clockwork Orange-y in their hands.

The Los Angeles Times' Mark Milian wrote about the wayward Pulp Fiction and Beowulf scribe's stream-of-consciousness Twitter early last week.

But then: Plot twist! Milian's blog post led authorities to realize that Roger Avary wasn't in prison at all. Rather, he had somehow ended up on a work furlough program, which allowed him to hold a day job and merely bunk up at night with fellow furloughees. This is both not the hardscrabble prison life everyone thought @avary was describing, nor the prison sentence Roger Avary was supposed to be serving. So guy got nabbed and they sent him to real prison, prompting @avary to tweet:

LAT is preoccupied with how Avary ended up in furlough instead of jail, but what I want to know is, (1) Was @avary faking his prison badassery, since he was never in prison in the first place? (2) If so, was it a ploy to make us think he is irrepressibly hip and A Clockwork Orange-y? Because that would be pretty lame. (3) Alternately: Is the jailhouse equivalent of a work-study program actually as disgusting and terrifying as I always imagined real prison to be? Meaning @avary wasn't trying to deceive, it's just that we soft-bottomed media folks foolishly assumed that his scary tweets were from the belly of the beast, when in fact they represent a relatively pleasant penal existence, and when @avary gets to real prison it's going to get really crazy.

[LAT] [LAT] [LAT]

Our tipster notes that Nancy is "just emailing everyone she knows, asking you to pass it on! So I did." As will we. No need to thank us, Nancy. Since you gave $10 million to Scientology, you need every penny.

Some pictures of the bed follow.

The short answer is probably not, but she sure will try. We speculated that her busty cover of GQ and her SNL gig were a play for career-after-Mad Men because creator Matthew Weiner wasn't bringing her back. (And given the show's relatively low salary, she'd wouldn't mind moving on.) She had an uphill struggle because many people (including plenty of our regular commenters and even her ex-boyfriend Ashton Kutcher) believe that because she plays an icy, passive character on the show that she can't act. While her cleavage did wonders for her public image, she did herself no favors with her lame stab at sketch comedy over the weekend.

Now that everyone thinks she can't act, her chances at movie star fame ruined, and Betty Draper's proximity to the central plot on the wane (if her character isn't cut entirely), what is Ms. Jones to do? Here are her options:

Indie Film: If she gets a plum role in an Oscar-bait indie and knocks the role out of the park, she could redeem herself and establish some much-needed street cred. Just look at what Precious is doing for Mo'Nique (of all people) right now.

Procedural: They must be casting for NCIS: Twin Cities or some shit like that. Actors in these jobs just need to be able to look good and deliver their lines, which we know that she can do. It's not going to win her any awards, but it will be a steady acting job and a big fat paycheck for years to come.

Girlfriend Roles: Join the Judd Apatow crew or play the remarkably attractive love interest for some schlub like Adam Sandler. If the movie hits big no one will confuse you with a Stella Adler devotee, but you'll be able to get some more jobs out of it.

Obscurity: She doesn't have to be an actress. Maybe she would be better suited as a lunch lady who mumbles to herself, "I used to be someone!" We always did see her in hair nets.

Sex Tape: This will get her tons of attention, but in terms of work, the best she can hope for is a reality project (see Hilton, Paris and Kardashian, Kim). Still it would be lots of fun to watch!

[Image via Getty]

Al Arabiya reports:

After making it on America's infamous "axis of evil," Syria will now become synonymous with Angelina Jolie's brood as the U.S. actress looks set to adopt a child from the Arab nation despite her partner Brad Pitt's objections.

Uh oh. Apparently, Brad is of the opinion that six kids is enough. The Jolie-Pitt clan currently counts three biological children and three adopted among their ranks, but Jolie has supposedly "fallen in love with" Syria after a recent trip, and insisted on adopting with or without her partner.

OK! Magazine reports that Jolie is adopting a little girl. Metro, a UK-based paper, offers some details from a source:

'He has made it clear that six children are more than he can handle,' claims an insider.

'The idea of one more seemed ludicrous, but Angie is determined to complete her rainbow family', said the source.

However, they also note that only Jolie's name was on the adoption papers for Maddox, who she adopted from Cambodia in 2002, while still married to Billy Bob Thorton. She also adopted Zahara solo, but Brad later legally become father of both kids. So it's possible that Angelina isn't driving Brad straight into Jen's arms with her baby-mania, but we still suspect that's the story tabloids are going to tell.

Angelina Jolie To Adopt Seventh, Syrian Child [TrueSlant]
Angelina Jolie Set To Adopt An Arab Child [Al Arabiya]
Angelina Jolie To Adopt Tot Number 7? [Metro]

"Madame Emma Thompson is but passing through petitions," writes novelist and filmmaker Yann Moix on the website of Bernard-Henri Lévy's journal, La Règle du jeu, this morning. "She does not own, she is a tenant. Worse: she is there visiting, with the badge ‘guest.'"

He adds, "In life, we must choose between whims and ideas...We at La Règle du Jeu would like to now sign a petition that Madame Emma Thompson never again sign a petition, because it would not be her signature that would be ridiculed, but this time the cause."

(Translation courtesy of high school French and Google Translate, so let us know if we've missed something).

By the way, Thompson's name has already been removed from the petition. An associate of Lévy, Liliane Lazar, told us that it was Thompson's request to be removed by Wednesday.

Update: A native French speaker has weighed in and the translation has been tweaked accordingly, although the meaning remains the same.

Madame Emma Thompson "Se Retire" De La Pétition Pour Polanski Lancée Par La Règle Du Jeu!"

Earlier: Emma Thompson's Name to Be Removed from Polanski Petition This Week

Pacific Coast News has snapped a picture of Timberlake on the set of The Social Network, the Facebook flick also staring Jesse Eisenberg as co-founder and current CEO Mark Zuckerberg and Andrew Garfield as spurned co-founder Eduardo Saverin. We've put the shot, above, next to a Jan. 2009 Getty picture of real-life Sean Parker. Timberlake's got the the curly hair down; with some highlights and that wardrobe he might pass for the 'N Sync version of himself from the late 1990s. Click to enlarge.

Timberlake picture by Pacific Coast News

Ad Age reports (via) that Silverman might take over CollegeHumor at the behest of Barry Diller, who bankrolls both CollegeHumor and Silverman's new online venture. Van Veen, meanwhile. is transitioning out of CollegeHumor and into his own Diller-funded media startup, Notional, which sounds a lot like Silverman's Electus (both have something to do with online video production).

We're told Silverman and Van Veen have been working very closely together and talking to each other every day. Perhaps a grander merger is in the works that would combine Electus, Notional and CollegeHumor into one venture. Silverman may have been ousted from old media, but he could still be lord of the new media flies. Especially within a venture that actually celebrates a refusal to mature, an inability to grow emotionally and a proclivity for partying to excess. Those are Ben Silverman's specialties, right there.

(Pics: via Getty, Webbyist)

Arianna Huffington has allowed her editors to run ultra-close ups of the aging body of Vogue's Anna Wintour ("what does she really look like?") and now actresses Lindsay Lohan ("unedited" and splotchy) and Elizabeth Hurley (a bit sweaty). It's a case of her unprofitable company's need for monetizable, non-political Web traffic (read: cheap celebrity clicks) running headlong into Huffington's need to suck up to celebs, who write for her site and come to her parties and help her seem very glamorous.

We won't lecture Huffington on her company's too-often-shoddy attempts to make money in the online publishing racket. At least, not in this post. But we will keep her honest: If Huffington is going to run unedited pictures of others, it's only fair there should be some unedited pictures of her out there.

Click any of the images below to pop-up large, hi-res versions. (Warning, this may slow down your web browser and ruin your lunch.) We've played by HuffPo rules: Posed, red carpet pictures with no editing. We've also excerpted a highlight, as Huffington did with Wintour.

UPDATE: Jessica Wakeman at The Frisky notes that the first chapter of Huffington's book On Becoming Fearless is about positive body image. Plastering someone's picture on HuffPo is certainly one way to nudge that person toward becoming "fearless."

Citing a quote from Sorkin himself, The Playlist reports the cast includes Armie Hammer from Gossip Girl; model Dakota Johnson (who is Griffith's daughter); Max Minghella of Agora; and male model Josh Pence. This goes beyond lead actors Jesse Eisenberg, Justin Timberlake and Andrew Garfield, who were already confirmed.

A quick look at the cast members, with some thoughts on who some of the new people might be portraying (all pics by Getty Images unless otherwise credited):

UPDATE: We've updated the entires for Hammer, Song and Pence. UPDATE: And Mara.

esse Eisenberg plays founder Mark Zuckerberg. He's got the curly hair and geeky look down well enough.

Justin Timberlake plays early Facebook adviser and Napster co-founder Sean Parker. (Insert Parker photo by Andrew Mager on Flickr.)

Andrew Garfield plays spurned co-founder Eduardo Saverin.

Brenda Song, of the Disney Channel, would appear to be a shoo-in to play Zuckerberg's girlfriend Priscilla Chan. UPDATE: One tipster tells us Chan does not appear in the script but that Saverin is supposed to have an Asian girlfriend, so perhaps Song is taking on that role.

Whomever model Josh Pence is playing, he's definitely not part of the Silicon Valley tech scene. How about the Winklevoss twins, two Olympic rowers from Harvard who accused Zuckerberg of stealing their idea for Facebook? UPDATE: That part is being played by Armie Hammer (see here). Perhaps Pence could be another Harvard kid?That would seem to work. Pic via Nous Model Management.

Dakota Johnson looks like the kind of girl you'd hope to meet during a night on the town in San Francisco. And Zuckerberg did escort that Victoria's Secret model away from a party there — at least according to author Ben Mezrich.

<pRooney Mara (The Winning Season) looks so downright nice. Zuckerberg's geek girl friend at Harvard, maybe? UPDATE: A tipster suggested Zuckerberg's sister Randi. Good call.Send us your guess.

Max Minghella — no idea who he might play. Thoughts?

Armie Hammer from Gossip Girl. UPDATE: He is playing the Winklevoss twins, Olympic rowers who sued Zuckerberg for stealing their idea for Facebook, according to a tweet from director Richard Kelly. Pic via

We've seen this sort of behavior before, most notably with people like Jude Law and Colin Farrell, guys who were made into leading men before they had time to prove that they had the chops for such a responsibility. Let lessons be learned from the past and let's put Butler on probation.

Why does this misbehaving star deserve to be grounded? Well, after some early success in a Tomb Raider movie and the title role in the abysmal film adaptation of Phantom of the Opera, Butler and his abs starred in the surprise hit 300, grossing half a billion worldwide and making a legion of fanboys, ladies, and gay men very happy in the process. Because of this crossover appeal, his handlers thought that he could simultaneously dabble in both action and romantic comedy. That could be true, but he hasn't bothered to be in a good movie since 300. Crappy movies are crappy in any genre.

With P.S. I Love You and The Ugly Truth, his rom-coms with Hilary Swank and Katherine Heigl respectively, were both box office flops and critical duds. Gamer, released last month to deafening silence, has barely made a mark and struggled to get past the $20 million mark. It has been a series of missteps for this Scotsman. Citizen, which costars Jamie Foxx, had a good showing at the box office, but critics lit into it, which means that it probably won't rally much more in coming weeks.

While not as bad as Oscar winner Cuba Gooding Jr or professional bad decision makers Nicolas Cage and John Travolta, Butler is headed down that path if we don't intervene. If he can't pull out a decent project or two then he will be banned from all movies, tabloids, red carpet affairs, awards ceremonies, and celebrity relationships. If he can stay out of the press for three years, he may be rewarded with the starring role on a CBS procedural. This is your punishment Butler, so you better shape up.

Next year's Jennifer Aniston comedy The Bounty could go either way. Aniston was in The Break Up, the best romantic comedy of the decade, but the quality probably had more to do with the writing and direction than her abilities. It better work out, because if not, Butler is well on his way to being an over-valued, over-paid star who can't open anything bigger than a cereal box. If it does, along with maybe a prestige picture or a great cameo in a smaller film, then we will reinstate him into our good grace. Until them, he's in a professional time out.

[Image via Getty]

According to the Hollywood Reporter, the latest round of layoffs brings the company's total payroll down to 70 or 80. Just for perspective, Nikki Finke reported that they had 224 staffers in November 2008. How many more tear-filled dinners can they stand before they go from the Weinstein Co. to just the Weinsteins?

Bilson's publicist, Marcel Pariseau writes: "I just want you to know that Rachel doesn't have a tweeter account!" Hey, publicist, it's called Twitter. Gosh! But, thanks.

Us Weekly reports that Rebbie Jackson, Michael's oldest sister and the one who is suhttp://publish.gawker.com/ged/5381533#pposedly caring for the children, is not participating in the show and believes it would make Michael "spin in his grave." The children are in the custody of their grandmother, Katherine, who will participate in the show along with her husband Joe, who was always the mastermind behind the family's grabs at fame. A source tells Us that Katherine "is just going along with things."

Didn't the family learn their lesson the first time around. A life that started in the spotlight didn't turn out that great for Michael, why would he want to inflict that on these children as well. And look at poor Blanket in the picture above. Does that look like a kid who wants to have cameras in his bedroom?

The rest of the family—including Janet, the most famous living Jackson—is on board for either five hour-long episodes or 10 half hours. There will be 23 Jacksons in total, so it sounds like the whole brood will be counting their reality television money together.

Update: A rep for A&E told CNN that Michael Jackson's children "are not part of the series." Us Weekly says it stands by its story.

[Image via Getty]

Weinstein Co. will offload its majority stake in ASmallWorld.net to mogul Patrick Liotard-Vogt, scion of the family that started Nestle Corp., sources tell the Times. There's no word on the price.

But there's every reason to think it will be depressed. A Small World was movie honcho Harvey Weinstein's first internet investment, and it soured quickly: Fully a year and a half ago, the VIP members were already complaining about emails pestering them to log on to the site and about the increased ads. Traffic has remained flat for years, while Facebook soared. The problem was fundamental: Rich guys don't want to socialize only with one another, and once you let in enough attractive young women and such your VIP site loses it cachet and everyone might as well just hang out on Facebook, which Metcalfe's law teaches us is exponentially more useful anyway.

Not that Weinstein suddenly realized any of this; he's cutting his losses only now that circumstances have forced him to, and probably at a fire-sale price. At least now he can focus on trying to save his flailing movie company. The members of a Small World have plenty of other ways to entertain themselves.

Letterman's tabloid-ready confessions comes after he spent the afternoon testifying before a grand jury, a first for the long-time Late Show host:

This morning, I did something I've never done in my life. I had to go downtown and testify before a grand jury.

So, what went down? Well, it all started when an unidentified man sent Letterman a package 3 weeks ago that reportedly proved the talk show host has been carrying on with female staffers, though the number's also unknown. The man said he would keep his trap shut if Letterman sent him a check for $2 million. Not one to take extortion lying down, Letterman went to the authorities, who had him mail a fake check and then they caught the bad guy. Score one for celebrity justice.

All of this will definitely put a strain on Letterman's relationship with his wife, Regina Lasko, whom he dated for 23 years before marrying last March.

We'll get you lovelies some video as soon as it's available.

Update: Here's video and some extraneous commentary!

The list of celebrities willing to publicly criticize Polanski is still pretty short, and so far, Team Child Rape Is Bad is not well-stocked with winners — when two of the biggest names are Kirstie "I wish I was black" Alley and Sherri "the earth is round?" Shepherd, we have a problem. Hell, the anti-Polanski side even lost the Little House War: Half Pint defended Polanski on The View, while we get Nellie Oleson. As it turns out, Alison Arngrim (Nellie) is one of the few actors publicly asking the obvious question about Hollywood's wagon-circling: "If Roman Polanski were a Catholic priest or a Republican senator, would these people feel the same way?"

The L.A. Times casts the tension between celebrity rape apologists and those who believe Polanski is not above the law as typical of the gulf between Hollywood liberals and "real" Americans, but Jill Filipovic at Feministe calls bullshit on that: "No, LA Times, it is not 'Hollywood vs. Middle America' in the Polanski case. It is a self-protective and sometimes tone-deaf industry against the entire rest of the country." Bingo. Can we please put a stop to this "Liberals don't care about child rape" meme? Yes, many conservatives are on the right side of this debate, but so are a whole lot of liberals who don't happen to work in the film industry. As Melissa Silverstein points out at Women & Hollywood, rape is a feminist issue. Most of us haven't forgotten that, even if Feminist Majority founder Peg Yorkin told the L.A. Times "It's crazy to arrest him now. Let it go." (The HELL, Peg Yorkin?) Eve Ensler and Katha Pollitt, off the top of my head, very much say otherwise. Not to mention pretty much every feminist blogger in existence. Hollywood doesn't speak for the left; Hollywood speaks for itself.

But what's going on with the apologism from so many, and the silence from so many more, if it's not liberalism gone mad? Well, The L.A. Times has a pretty good suggestion elsewhere in that piece. Referring back to Mel Gibson getting a pass on his anti-Semitic bullshit, John Horn and Tina Daunt write, "The criticism of Hollywood at the time was that in a business contingent on relationships and currying favor with the powerful, no one was willing to denounce such a prominent artist." Same deal here. As Silverstein told them, "I think people are afraid to talk in Hollywood. They are afraid about their next job." (Silverstein, an independent marketer of women's films, is very conscious that she's risking her own professional ass by speaking out, by the way.) When you've got people like Harvey Weinstein out there pushing the petition, bloviating about government irresponsibility and characterizing child rape as a "so-called crime," who's going to stand up to that?

People who don't work in film, people who are already well-known for their unpopular opinions, and people you've never heard of, for the most part. Otherwise, say Horn and Daunt, "It's almost impossible to find anyone [in Hollywood] publicly condemning Polanski." It's understandable, but no less disappointing for that. I like to imagine Kate Winslet and Rachel Weisz having screaming matches with their petition-signing partners at home, but I have no idea if their own failure to sign (so far) is in any way meaningful. Perhaps they're conflicted. Perhaps they're indifferent. Perhaps they just haven't gotten around to it yet. That's the benefit of silence: Nobody knows what you're thinking.

Unfortunately for rape survivors, liberals, feminists, parents, 13-year-old girls and other decent human beings dying to see some high-profile celebrities follow the French government's lead and say, "Hey, wait a minute, upon further reflection, dude committed serious crimes and is not actually above the law," that's also the enormous drawback of silence.

In Roman Polanski case, is it Hollywood vs. Middle America? [L.A. Times]
Backlash builds against support of Polanski [CNN]
For Studios, Polanski's Box Office Is the Key [NY Times]
Dissent of the Day [Daily Dish]
Does the Brotherhood of Fame Endow You With a Lifetime Exemption From Accountability? [Huffington Post]
Roman Polanski Has a Lot of Friends [The Nation]
Rape Is a Feminist Issue [Women & Hollywood]
Heartbreakers [Feministe]