<![CDATA[Gawker: defamer, fx]]> http://tags.gawker.com/assets/base/img/thumbs140x140/gawker.com.png <![CDATA[Gawker: defamer, fx]]> http://gawker.com/tag/defamer/fx http://gawker.com/tag/defamer/fx <![CDATA[The Olde Timey Live Sunny Theatre Showe]]> The scale and volume of the following for TV's most unlovable gang of losers was on display last night at New York's Beacon Theater where the gang put on a musical entitled The Nightman Cometh. Defamer went to bear witness.


In preparation for its fifth season, It's Always Sunny in Philadelphia is staging a road show built around a stage performance of the final episiode of the fourth season. While to many, Sunny remains an obscure basic cable show, and many others have expressed perplexity at the appeal of a show about five relentlessly unpleasant buffoons, judging from the scale of the crowd formed outside the Beacon, craning their necks for a glimpse at the stars working the pressline on the yellow carpet, there is a sleeping giant out there eager to praise jerkdom.

Inside, the social origins of the full house were difficult to gauge. For a Californian such as myself visiting New York it is distressing that here — in the capital of the fashion industry — there is no coherent nerd to cool fashion continuum to which all the city's entire citizenry is compelled to obey. There were many in sort of nondescript workplace casual — oxfords, plaids, lots and lots and lots of scarves. Do these equal cool here? Semi-cool? Where I come from "professional dress" = loser, but maybe here that's socially acceptable?

Anyhow, the evening's entertainments were opened by a band who announced "We're from Brooklyn" which I took as my signal to go hunt down some potato chips in the lobby for the remainder of their set (although it sounded pretty good from out there.)

The Sunny portion began with a screening of an upcoming episode from this season. Not the premiere episode which will be broadcast tonight, but an episode to come which must've been selected because it was one of the funniest of the season, because it was pretty darn funny. Up there with Sunny's strongest work.

The stage show had the energy of a revival meeting, or Joss Whedon convention, with the audience wildly cheering familiar lines, bit players and singing along from memory with the songs, as seen in my fuzzy video below. The musical within the show is the Charlie characters delightfully incompetent and unintentionally perverse story about a little boy held captive by a troll, molested each evening by the dreaded Night Man from the darkness who, keeps him from being with a princess. Insane, horrifying and very catchy as well. A delightful theaterical evening.

After the show, the cast adjourned to the rooftop of the Hotel Empire where we were treated with a no frills but acceptable buffet featuring a pasta bar. The hors d'oeuvres were probably more successful than the main course with some very decent crab rangoon bites. The mini-burritos were a minor triumph. The crowd seems heavily Fox business affairs with whom the Sunny crew duly schmoozed until midnight. Interesting to note that all the Sunny cast have apparently decided to marry each other since the show started. Charlie Day ("Charlie") is wedded to his on air love interest The Waitress played by Mary Elizabeth Ellis. Mac and Dee tied the knot last year. Only Dennis (Glenn Howerton), ironically the show's pretty boy, was left to have to marry someone who isn't on the show.

As the party wound down, the cast climbed in to their big yellow Sunny in Philadelphia bus and headed off for the show's namesake town, where they will next perform live as they take their theaterings on a cross country tour.

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<![CDATA['Ponzi: The Series' Brings Drama, Thrills of Economic Collapse to FX]]> Been checking the trades for news of a Bernie Madoff movie in development? Oh. Maybe Michael Chiklis can interest you in something more modest, but with all the scintillating twists the word "Ponzi" implies.

The former Shield star, himself having been once duped in a Ponzi scheme decidedly smaller than the $50 billion variety that took down untold numbers of Hollywood investors, needs a new gig. Enter House of Cards, which Chiklis has been developing at FX since February. The series focuses on the head of the scam; Chiklis will executive produce but not star, offering his unique technical counsel from his own pyramid-plot days:

For Chiklis, his monetary loss was compounded by his regret of convincing friends to invest too.

"That was the worst part of it," he said. "It's one thing when you lose your own money, but here you lose your friends' money while your true-hearts-hope was to make them money."

Meta! FX is in the hunt for a showrunner as we speak.

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<![CDATA[ We don’t know about you, but the most...]]> We don’t know about you, but the most surprising thing about hearing Courteney Cox’s FX show Dirt is being canceled was learning that it was still on the air. Sure, we recall the industry anticipation about yet another Friend comeback, the mildly intriguing pilot in which a cokehead actress overdoses in a bathtub, and then there was all that hullabaloo about the big lesbian makeout scene between Cox and Jennifer Aniston. But after getting all excited and finally watching the lukewarm peck, we gave up on the patchy attempt at nailing the current clusterfuck that is tabloid journalism these days. But as Cox told TV Guide at a benefit last night, the gig is up for good. The good news? Courteney and second fiddle husband David Arquette are planning to “all kinds of stuff” with their jointly run and oddly named production company, Coquette. Just as soon as David unlocks the bathroom door in which he’s been violently weeping all weekend. [TV Guide]

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<![CDATA[Carolyn Strauss Calved At HBO]]> strauss_carolyn.jpg · HBO shakes things up in their original series development department, moving longtime president Carolyn Strauss into a new, not-quite-fired-but-let's- see-what-some-new-blood- can-do-about- never-letting- John From Cincinnati -happen-again position. [Variety]
· Hollywood StrikeWatch 2: The Bickering. SAG and AFTRA can't seem to decide whether basic cable should be included in the upcoming actors negotiation, leading to a flurry of strongly worded letters and "near-constant sniping" between the two unions, who'll ultimately air out their differences in a choreographed rumble in the Farmers Market parking lot, set to the music of Leonard Bernstein. [Variety]
· Marvel Studios has sold the exclusive broadcast rights to FX for a package of five of their movies, including the upcoming Iron Man and The Incredible Hulk, along with three more, yet-to-be-determined titles. (We're pulling for a She-Hulk Vs. She-Thing, starring Rachel Bilson and Mischa Barton.) [Variety]

· Foreigners aren't picky. They love 10,000 B.C.! [Variety]
· Big Brother is sent back to the summer TV gulag, after a freakish, strike-necessitated winter edition, which never quite caught on with the show's easily confused, seasonally dependent viewership. [THR]
· Ken Davitian has been cast in Fox's Bernie Mac sitcom Starting Under, where audiences will do everything they can to wipe away the image of his flabby, fur-covered ass cheeks squeezing the last gasps of air from Sacha Baron Cohen's heaving lungs. [THR]

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<![CDATA[Desperate Academy Begs WGA For Oscar Answers]]> · Anxious that the Oscars are approaching and he still has no real idea of whether or the WGA—obviously a little preoccupied with their own issues—intends to grant a waiver for their awards ceremony, Academy president Sid Ganis begs the Guild for answers so that complicated logistical issues can be resolved. "We're running out time! [desperate punctuation ours]," wails Ganis, pleading for the sweet release of either a simple "yes" or "no." [Variety]
· Following his reported Monday dismissal from CAA for allegedly getting caught with his hand too far into Oprah's network cookie jar, reality TV agent Michael Camacho lands at UTA after "competitive and aggressive courting" by other agencies who believe that the controversy just proves he's an impish go-getter who might have gotten a little carried away during that recent Death Star misadventure. [THR]

· Hard-to-kill Heroes cheerleader and Official Friend of the Dolphins Hayden Panettiere joins the cast of teen comedy Daydream Nation, possibly opposite a Culkin. [Variety]
· FX has abruptly decided not to order any more episodes of Dirt or The Riches because of the strike's interruption of their production, but hasn't yet ruled out the possibility that they might renew the shows for third seasons that will have to awkwardly resolve all the plot threads cut in the middle of this abbreviated run. [THR]
· CBS is its moving Survivor brand into fitness products, starting with something called "Supercharged Sunflower Seeds," a snack undoubtedly rich in the nutrients one needs to live while stranded on a deserted island or trapped in a remote part of China. [Variety]

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<![CDATA[Who Will Cross The Picket Lines To Pick Up Their Golden Globes?]]> helen-mirren-globes.jpg· Golden Globes producers await a decision on whether or not the WGA will grant their (probably doomed) waiver request to allow striking writers to whip them up a script, a wish that they've already granted for their supportive bretheren in SAG's upcoming awards show. Meanwhile, the industry wonders who'll be willing to cross the picket line to attend the Globes ceremony. [Variety]
· Fox pushes back Avatar, director James Cameron's much-anticipated return to theaters, from Memorial Day 2009 to December 18th, then spackles that mid-year holiday weekend hole with Ben Stiller's Night a the Museum sequel. [THR]

· Monday may be the last day of picketing before the Guild breaks for the sure-to-be-depressing holidays, probably returning the lines in the first week of January. Merry Strike Christmas! [Variety]
· On a Tuesday night with virtually nothing to watch (trust us, we tried—oh, how we tried!), NBC fat-marches to Nielsen victory behind The Biggest Loser. [THR]
· FX unveils its new "FX: There is no box" branding campaign, a slogan that ultimately won out over early, edginess-promoting favorite "FX: We can say 'shit' on our shows; suck it, Bravo!" [Variety]

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<![CDATA[Once again proving that she has absolutely...]]> courteney-cox-g.jpgOnce again proving that she has absolutely no flair for the kind of sensationalist buzz-building that might generate some interest in her returning FX series Dirt, Courteney Cox Arquette misses a great opportunity to hint—however untruthfully—that Jennifer Aniston will return in the show's second season to alleviate the viewer blueballs induced by the disappointing kiss the two former Friends shared, finally consummating the hot, Monica-on-Rachel action we still so desperately crave. (But Tom Arnold will be making an appearance. Get excited!) On the other hand, she still won't close the door on a possible Friends reunion, so maybe that inevitable project (hey, Matt LeBlanc's gotta eat) will eventually provide a better opportunity for the fulfillment of this lingering fantasy. [Us]

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<![CDATA[Spats, Mall Cops, And Dad Brawls]]> mark-burnett2.jpg· NBC angers its network rivals by working some technically allowed, but "morally" questionable, Nielsen voodoo by repeating its Heroes premiere on Saturday night and adding that showing's ratings to the series' original Monday night number. We think. This developing feud over ratings-reporting gamesmanship is as confusing as it is scintillating. [Variety]
· In simpler Nielsen-related news, House is still huge, averaging 18.1 million viewers in its best-ever performance not artificially enhanced by an American Idol lead-in [THR]
· Creative triple-threat Kevin James will write, produce, and star in Mall Cop. We'll refrain from relating the logline and let your imaginations run wild with the comedic possibilities evoked by the combination of America's most beloved schlub and that offbeat occupation. [Variety]
· Fox calls up Nip/Tuck creator Ryan Murphy from its FX basic-cable farm team to their network major league club, giving a series commitment to Murphy's female workplace drama Queen B. [THR]
· NBC will bottle up eight midseason episodes of Mark Burnett's latest reality TV brain fart, My Dad Is Better Than Your Dad, which seeks to combine "the family fun and kid empowerment of '[Are You Smarter Than A] 5th Grader' with the universally relatable concept of bragging that your dad is best." It's still unclear whether or not the proud fathers in question will be required to beat each other senseless at the end of each show to truly prove their paternal supremacy. [Variety]

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<![CDATA[Pre-Strike Surge In Movie Production Causing Acute Director Shortage]]>  - Defamer· Hollywood Out of Directors: "Dimension Films has set a November 26 start date for Comeback, an inspirational sports drama that Ice Cube will star in and produce. Fred Durst will direct." [Variety]
· 13.9 million viewers tuned in to watch The Hoff declare the guy with his hand up a turtle puppet's ass the Most Talented Man in America. [THR]
· FX greenlights Nip/Tuck creator Ryan Murphy's transsexual drama 4 oz., but since the pitch was bought in the room by president John Landegraf, the central tranny's vocation has been changed from sportswriter to gynecologist. (Was it originally too close to the story of the LAT's Mike Penner/Christine Daniels?) Murphy ambitiously envisions his protagonist's journey from male ladydoctor to lady ladydoctor to unfold over four seasons. [Variety]
· A study claims that people's internet-time is now rivaling their TV-time, a finding that the studios will do their best to ignore during their fight with the various guilds over online residuals. [THR]
· Joey Fatone is trying to become TV Guide Channel's budget-friendly answer to Ryan Seacrest. [Variety]

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<![CDATA[Rosie O'Donnell To Continue To Explore Her Sensual Side On 'Nip/Tuck']]> rosie-niptuck.jpgSo popular was Rosie O'Donnell's guest starring stint on Nip/Tuck—which included an infamous sex scene on a zebra-skin rug that inspired a great many viewers to blind themselves on the nearest coffee-table corner and/or coat hook—that the prospect of a fifth season of the FX drama without O'Donnell's character seemed unthinkable. Rest easy, Dawn Budge fans—more naked Rosie awaits:

"Nip/Tuck" creator/executive producer Ryan Murphy said that O'Donnell will be returning for "several episodes" of the show's upcoming fifth season, starting with Episode 4.

As for talk about a potential spinoff featuring her character, Dawn Budge, Murphy said, "The character was so instantly popular. We've spoken about (a spinoff); it's an ongoing discussion."

Having already tasted the forbidden fruits of resident slutty surgeon Dr. Christian Troy, we imagine the writers have begun to brainstorm a whole new selection of partners, sexual positions, and animal hides on which to perfect them. Whether or not her horny escapades could sustain a spinoff series remains to be seen—but having just watched her Price is Right dreams evaporate, we can think of no better consolation prize than to portray a woman addicted to lipo and gigolos in The Days and Nights of Dawn Budge.

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<![CDATA[Decide For Yourself Just How Disappointing The Rachel-On-Monica Kiss Is]]>
For months now, we have been teased and coaxed by shadowy FX network marketing forces into believing decade-long Friends co-stars and real-life BFFs Jennifer Aniston and Courteney Cox would participate in a tame form of lesbian liplock on the season finale of Dirt, Cox's drama about the (as it turns out) not particularly compelling world of celebrity tabloid journalism. At last, the YouTubian gods answer the prayers of anyone with a passing interest in the proceedings who can't actually be bothered to sit through an entire Dirt episode.

After weathering a flatly written exchange in which Aniston's lesbian character tells Cox, "This is no way to live! You don't deserve to be alone," (oh, the bitter irony), then some innuendo about past dalliances between the characters (four implied times!), and one brushed off ass-grab (easy there, lesbian tiger), we finally get the kiss: A closed mouth cutaway unlikely to moisten the panties of even the show's most incontinent viewers. Have a look, trying not to sigh too loudly over this squandered opportunity to exploit ten seasons' worth of crackling, Sapphic sexual tension.

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<![CDATA[Reviewing The Monica-On-Rachel Kiss]]> While Courteney Cox has previously warned hot-lesbian-action-obsessed gawkers (does the L Word not satisfy all their masturbation needs?) with no genuine interest in her series that her much-anticipated kiss with longtime Friend Jennifer Aniston will not be particularly hot, lesbian, or action-packed, we nonetheless have clung to the irrational hope that the prudish Cox was intentionally misrepresenting the moment, and that a dedicated Aniston managed to power a tongue through her co-star's tight-lipped defenses in the name of artistic truth. After today's NY Times review of the Dirt season finale, we think we're finally able to let this one go:

"Is it 'Bring a Jackal to Work Day'? " Lucy [Cox] says when she sees Tina Harrod (Ms. Aniston), her longtime frenemy and editor of a rival gossip magazine in her office.
Tina fights fire with fake warmth, calling Lucy "sweetie" and mixing solicitude with salacious innuendo. (They kiss on the lips, but briskly.) The finale, which ties up loose ends with over-the-top drama, should be a blast. Yet like Ms. Cox, Ms. Aniston seems to be sleepwalking through her part, not so much enjoying it as enduring it.

We suppose that those truly obsessed with the idea of a proper Monica-on-Rachel hook-up can pray that Dirt gets picked up for another season and Aniston becomes a recurring character; maybe with the pressure of a possible cancellation off, the actresses will allow themselves to relax enough to finally give their dedicated fans the spit-swapping, nonpenetrative televised encounter they've desperately craved since those deliciously tense moments back in their Friends kitchen.

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<![CDATA[Courteney Cox Doesn't Want You To Watch Her Make Out With Jennifer Aniston For The Wrong Reasons]]> Demonstrating that she fundamentally misunderstands the entire purpose of stunt-casting her former Friends castmate in a role that requires some light lesbianism, Courteney Cox did her best to desensationalize the kiss she and Jennifer Aniston share on the season finale of Dirt, dumping a bucket of ice water into the laps of millions of tumescent potential viewers hoping to finally see their cherished fantasies of a little Monica-on-Rachel action realized on TV:

"There is no tongue and it is really not a big deal to kiss," the 42-year-old actress tells syndicated TV entertainment show "Access Hollywood" in an interview set to air Wednesday.

"I am not saying, `Don't tune in to watch Jennifer on the show,' because she is fantastic and you get to see us together again," Cox says. "But if you think it is just about a major make-out session, you will be disappointed."

We hope that the executives at FX figure out a fitting way to punish their uncooperative star for trying to derail their ratings-attracting stunt; demanding a three episode arc in which she and Friends sibling David Schwimmer explore the darkest, kinkiest recesses of their sexualities should teach her a much-needed lesson about interfering with the promotion of their series.

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<![CDATA[The One Where Monica And Rachel Finally Make Out A Little]]> aniston-cox.jpgA couple of weeks ago at the TCA cable press tour, FX president John Landegraf played it a little coy when he hinted that things on new offering Dirt would get better about five episodes into the season, but didn't indicate exactly what form the coming improvement would take. According to TV Guide.com, viewers who stick with the show a little longer will be treated to the kind of stunt-lesbianism usually reserved for more established series in need of a ratings boost:

Call them Friends with benefits. You already know that when Jennifer Aniston guests on the March 27 season finale of Courteney Cox's FX drama Dirt, she'll be playing her bosom buddy's archenemy, a rival tabloid editor. But what I've learned — muahaha, exclusively! — is that Aniston's character is a lesbian. What's more, she won't just mouth off to Cox's tightly wound counterpart, she's going to share a liplock with her. An FX rep declined to comment, but Joey Tribbiani had this to say: "Yeah, baby!"

For a cable network so committed to pushing the envelope by exploring exciting new sideboob and strap-on sodomy frontiers, a lesbian-lite kiss seems decidedly safe, even if it satisfies the third most popular Friends slash-fic scenario behind Joey-on-Chandler or Ugly-Naked-Guy-on-Ross couplings. Perhaps FX has one of their edgy surprises in store for us (we've still not had a good night of sleep since Rosie O'Donnell was ravaged on that zebra-skin rug onNip/Tuck), and they'll find a way to work Cox's signature vibrator into that innocent liplock.

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<![CDATA[FX President Hopes You'll Stick Around Until 'Dirt' Gets Better]]> cox-tca.jpgTV Week's Critical Eye blog once again descends into the junketastic hell that is the Television Critics Association press tour, where boob-tube stars and programming executives submit themselves to panel discussion firing-squads in between parties where they're forced to mingle with their critical executioners. The Eye called yesterday's Dirt panel one of the "most anticipated" of the week, as bloodthirsty critics would finally have a chance to confront the people responsible for a show they've taking great glee in savaging, and recounts FX President John Landegraf's (shocking!) admission that he'll take ratings over praise, as well as his hopes that audiences will hang around long enough to see the series get better:

Having a new series draw critical praise and high ratings is ideal, he said, but if he had to choose, at the end of the day the man wants a hit.

The "Dirt" premiere was the second highest-rated debut in FX's history, mainly due to Cox's star wattage, but its tough to believe the viewership will hold. Landgraf said he expects the second episode to drop in the ratings as well, and possibly the third episode as well.

One point of criticism Landgraf conceded is that "Dirt" lacks a sense of humor about itself. That was one of his notes too, he said, and starting at about the fifth episode, the show significantly improves.

"I really love the show from about midway through the season on," he said. "Whether the audience sticks around that long, we'll see."

Addressing the note about the troubling self-seriousness of a show about celebrity gossip, the president promised that critics who make it to Episode Five would be pleased by a recalibration of Dirt's attitude, when Courtney Cox's take-no-famous-prisoner's tabloid editor hilariously "catches" schizophrenia from her mentally ill photographer, kicking off a running gag where she hallucinates that her vibrator comes to life each time she fires it up, becoming a wisecracking sidekick with whom she can dish about Jennifer Aniston's love life.

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<![CDATA[Defamer TV Preview: 'Dirt']]> dirt-cox.jpgA Defamer operative who got his hands on a preview screener of FX's upcoming Dirt, Courtney Cox's attempt to launch an edgy, post-Friends TV career on basic cable by playing precisely the type of tabloid editor who torments her and her camera-shy family on a daily basis, submitted this brief review of the series's first two episodes. [Mild spoilers ahead, we suppose] As expected, there's FX's requisite naughtiness in the form of some semi-nudity and light swearing; somewhat less expected: Cox's repeated use of a vibrator and ex-Laker Rick Fox being bent over a hot tub and sodomized by a strap-on. Says our tipster:

I just watched the first 2 eps of the new FX show, Dirt. It's completely preposterous, but should get some of the Nip/Tuck crowd, I suppose - it's the same kind of 'guilty pleasure'; shamefully watchable, blah blah blah.
There's lots of belabored parallels to real tabloid stories (sex tapes, lots of coke, etc.), and an awkward mixing of real celebs and fake ones, which never quite works (i.e. someone will list a bunch of names, like "You know, Tom Cruise, George Clooney, Holt McLaren..."). David Fincher, the director, is in it, for some reason, and there are multiple scenes of a very thin Courtney Cox masturbating with a vibrator. In envelope-pushing cable TV fashion, "shit" is every other word and there's a handful of ass shots. The highlight of the whole show, though, is former L.A. Laker Rick Fox, as a Los Angeles basketball star, getting sodomized in fairly graphic FX detail by a girl with a strap-on. Like, there are thrusts, and he's bent over a hot tub.

The "Uncensored" section of the show's official website promises an online area called "Dirt Uncovered with David Arquette," but offers no hint of what behind-the-scenes delights might eventually be found there. Our fingers are crossed for uncomfortable segments in which Cox's goofball, co-producing househusband tries to offer helpful input into the star's crucial vibrator choice, but instead accidentally reveals a little too much about her real-life sex toy preferences, letting slip, "Oh, don't pick that one, it's waaay smaller than the one you use at home."

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<![CDATA[Family Illness Forces Joely Richardson To Reluctantly Abandon Her Lobster-Clawed 'Nip/Tuck' Baby]]> joely-richardson.jpgAs Nip/Tuck's long suffering Julia McNamara, Joely Richardson has for four seasons now been subjected to the bizarre and often sadistic whims of that series' writing staff, including a major arc this season in which we follow the stay-at-home plastic surgeon's wife carry a baby she knew would be born with flippers for hands to term. Richardson now finds herself reluctantly having to abandon her deformed TV child to tend to the needs of her actual child, as the London Daily News is reporting that Richardson has alerted producers that she would need to take leave from the series in order to accompany her teenage daughter back to England for a series of serious medical procedures to treat a circulatory birth defect:

"Surgeons and hospitals have been a big part of our lives. We were always told that she would have to have more surgery when she got older. The time has come," the actress revealed. [...]

Nip/Tuck creator Ryan Murphy said: "It was sad, but Joely came before her character." [...]

Miss Richardson... has also dated her co-star John Hensley, who curiously plays her teenage son Matt, despite being only 12 years younger than her. [...]

At the age of 24 she embarked on a fling with Scottish landowner Archie Stirling who was more than twice her age and also married to actress Diana Rigg. [...]

In 1992, she married [the teenager's father, Tim] Bevan, co-founder of Working Title, the studio behind Bridget Jones's Diary.[...]

Bevan left her for 24-year-old Amy Gadney and Miss Richardson filed for divorce in 1997. A fling with Robbie Williams...followed.

We're not entirely sure why the Daily Mail chose to end a depressing story about an actress forced to leave the work she loves over her daughter's serious illness with a meanspirited laundry list of her failed and sometimes misguided past affairs. That said...She dated Matt? Seriously? Our TV watching universe hasn't been turned this oedipally upside-down since the soul-scarring day we learned the ugly truth about Greg and Mrs. Brady.

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<![CDATA[What $420,000 Worth Of Rosie O'Donnell Sex Looks Like]]>

If you are anything like us, your wall calendars are currently covered in a series of large, red Xs ending at yesterday's encircled date, with the words "Rosie's Big Nip/Tuck Sex Scene!" enthusiastically scribbled within. The steamy encounter between Dr. Christian Troy and O'Donnell's lottery-winning lipo patient, Dawn Budge (video above), answers many of our lingering erotic questions relating to the current title holder of Loudest Voice on The View. Namely: 1. What's the going rate for ten minutes of coming into naked contact with her? ($420,000.) 2. Does she talk during sex? (Yes, about mac and cheese.) And, finally, 3. Is an invasive procedure like liposuction guaranteed to make a noticeable difference in the contour of your jiggly lunchlady arms? (Apparently not.)

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<![CDATA['Nip/Tuck' Plans Very Special Audit/Clear Storyline]]> nip-tuck2.jpgYesterday's LAT audited FX series Nip/Tuck's attention-grabbing decision to have two of its characters respond to emotional enturbulation by seeking solace in the welcoming bosom of L. Ron Hubbard*, an instantly controversial storyline that creator/provocateur Ryan Murphy and network executives insist is rooted in a genuine curiosity about the religion, not a cynical attempt to court publicity or for e-meter-related gag potential. (Accordingly, their choice to cast Tom Cruise nemesis and postpartum antidepressant street-drug prescribee Brooke Shields as a psychiatrist was purely coincidental, based solely on the fact that the actress had always "felt psychiatristy" to Murphy.) But for someone who's obviously taking great public pains to present Scientology in a non-judgmental, unbiased light, FX's president still sounds a little spooked by the Church's possible overreaction to their ecumenical explorations:

So far, no one from the church has contacted FX or Murphy. Repeated phone calls to the church by the Los Angeles Times were not returned.
"I think I would have serious questions about whether we want to essentially go to battle against any religion. I don't think that's where any business ought to be," [FX president and general manager John ] Landgraf said. "The flip side of that is that if Ryan's writing something that's creatively valid and it's creatively balanced, I don't think it serves the interests of the religion to somehow personally attack Ryan, or me, or one of the actors. That doesn't make a lot of sense to me. I guess time will tell."

It's a shrewd strategy for Landgraf to warn the notoriously touchy Church that nothing would be accomplished by attacking their valid and balanced portrayal, hoping that such a challenge will almost certainly catch the attention Scientology's Truth In Media Technicians** and prompt a response; he'll laugh quietly to himself when a bullhorn-wielding Jenna Elfman, waiting for him by the entrance of the Fox Tower parking garage, launches into the litany of accusations in her Baby Rape Inventory***, knowing that this week's episode of Nip/Tuck is going to virtually promote itself.

[*This is exactly the kind of gratuitous punchline that FX will strenuously avoid.]
[** This one too.]
[*** At this point, there's no way we could avoid the too-easy Jenna Elfman joke. We are so weak.]

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<![CDATA[Trade Round-Up: MPAA Asks Pets To Fetch Stick, Halt DVD Pirate Menace]]>  - Defamer The MPAA introduces its latest agents of movie pirate doom: Lucky and Flo, the two cutest, DVD-sniffing black Labs you've ever seen! The pups can't distinguish between pirated and legitimate disks, and can also be thrown off the trail by traffickers clever enough to pack dummy boxes full of frisbees in the same shipment as their contraband product. [Variety]
Certified series-killer Rena Sofer gets recurring roles on both 24 and Heroes, but we imagine the cancellation curse that accompanies her casting will only be strong enough to take down Heroes, the newer, weaker show. [THR]
Dreamy-eyed hunkbot Jake Gyllenhaal will join pointy-chinned ingenue Reese Witherspoon in New Line's Middle East political thriller Rendition, which we fully hope will evolve into a romantic comedy so as not to waste the crippling adoreableness of its leads on weighty matters. [Variety]
Rob Cohen cleverly deleted Stealth from his resume before going in for a meeting about helming the prison movie Scared Straight, tricking New Line into giving him another opportunity to direct. [THR]
FX's relentless pursuit of the self-consciously edgy leads it into a deal with Nip/Tuck creator Ryan Murphy for 4 oz., a drama about the "metamorphosis of a married sportswriter who is a transsexual." [Variety]

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