<![CDATA[Gawker: defamer, fred armisen]]> http://tags.gawker.com/assets/base/img/thumbs140x140/gawker.com.png <![CDATA[Gawker: defamer, fred armisen]]> http://gawker.com/tag/defamer/fredarmisen http://gawker.com/tag/defamer/fredarmisen <![CDATA[Obama Vs. Boy George: A Study In Fred Armisen-Impression Contrasts]]> This weekend's John Malkovich-hosted SNL featured a great many virable moments, if you'll indulge us the coinage of an incredibly annoying e-jective (make that two incredibly annoying coinages), but we'll set aside the toe-tapping pleasures of interslack ejaculation for a moment to focus instead on the work of Fred Armisen. Always a strong SNL soldier, Armisen's star has dimmed of late for what has been deemed a substandard Obama impression—indeed, by Obama himself.

The dissatisfaction was less over the fact that Armisen was Caucasian than it was over his inability to effectively capture the President-elect's voice and mannerisms. All this led to wide speculation, mostly thanks to this Daily Beast story, that the show was actively auditioning African-American candidates to take over Obama duties. Clearly, however, Armisen wasn't going to give up that easily.

In "Obama Plays It Cool," Armisen debuted his New, Improved Obama Impression, in which he effectively spoofs the famous temperament—no highs, no lows, just cool, improvisational thinking for tough times. He doesn't merely speed up towards the end of his sentences now, but instead offers a finely textured approximation of Obama's bassy bedside manner. Close your eyes. That's some damn good Obama.

A little later in the broadcast, Armisen returns to more familiar waters—sexually androgynous superstars who hit in the 1980s—adding a formidable Boy George to his already spot-on Prince. He might not have that Anakin Skywalker bloat, but he blends in perfect measures the cockney obliviousness and fallen pop-star imperiousness that defined the former Culture Club singer throughout the entire, insane, hustler-thrashing affair. We'll tumble 4 that.

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<![CDATA[To Barack Obama, Fred Armisen Is No Tina Fey]]> This could make that planned Nov. 1 appearance on SNL a little awkward: during an interview with a D.C. news station, Barack Obama was prompted by some "gotcha journalism" to dis his Saturday Night Live portrayer, Fred Armisen. "Are you disappointed at all that the person who parodies you on Saturday Night Live just isn't very funny?" said the interviewer, asking the late-night comedy version of "So when did you stop beating your wife?" A trapped Obama then conceded that Armisen's interpretation was definitely a run or two below its high Tina Fey watermark. Clearly, Obama is in the tank for 30 Rock. [WUSA9.com]

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<![CDATA[Here's What Happens When 'SNL' Does a Debate Sketch Without Tina Fey]]> After weeks of massive ratings and huge buzz derived from its Tina Fey-as-Sarah Palin guest appearances, Saturday Night Live extended its political satire into special Thursday episodes beginning last night. So how did the Not Ready for Primetime Players weather the transition to the only NBC timeslot not currently bought up by Barack Obama?

Answer: Awkwardly! Without Tina Fey on board or even the much-rumored Sarah Palin-as-Fey meta explosion, SNL's attempt at a presidential debate skit underwhelmed almost as much as the actual debate. Even guest appearances by Bill Murray and Chris Parnell couldn't quite mask the fact that after weeks of mining rich, varied material, SNL returned to its "beat one single joke into the ground over nine minutes" roots. In this case, it was the premise that Tom Brokaw didn't allow the debaters enough time to make interesting points. Laughing yet? Then the entire sketch awaits you below!

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<![CDATA[Obama Loves Fey and Armisen on 'SNL,' Biden Totally Jealous]]> Have you heard? Comedienne Tina Fey has played lady candidate Sarah Palin on the tee-vee! Twice! So completely has Fey-as-Palin penetrated the pop culture landscape that Barack Obama found himself on Entertainment Tonight, grilled by Mary Hart not on the economic collapse but on the one issue most important to voters: what does he think of Fey's Palin impression? Obama notes the resemblance is "remarkable" and even heaps praise on Saturday Night Live player Fred Armisen's Obama performance — at which point vice presidential candidate Joe Biden pipes up to remind America that he, too, was impersonated on SNL once!

What, you don't remember? We've got SNL's Biden impression cued up after the jump:

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<![CDATA[Sudden Ratings Magnet 'SNL' Hoping Election Season Never Ends ]]> When Rome burned people enjoyed watching the fiddler, and now that this country is more effed than ever before, we enjoy watching SNL. According to a new report in Variety, “SNL has experienced a hefty bump in the Nielsen polls this election season, boasting a 50% gain over last season’s first two episodes.” The political climate has to be the reason, because it certainly wasn’t Michael Phelps’s mush-mouthed delivery or the searing star power of James Franco that got people to tune in. No, it’s because the cast of characters who parade across CNN on a daily basis are so ripe for parody. There’s McCain, Palin, Hillary, and Obama, and all of them are just begging to be made fun of.

In fact, SNL’s brand of political comedy is so hot right now, that NBC’s gonna give you the opportunity to choke on it. Not only are there four original episodes in a row to lead off the season, but starting on October 9th, there will be three special primetime Saturday Night Live Weekend Update Thursday editions, which will run behind The Office. Will they really be able to get Tina Fey to do her Sarah Palin impression that many times before she has to return to 30 Rock? We hope so, because Darrell Hammond’s McCain and Fred Armisen’s Obama are kinda meh.

Of course, it’s not just SNL that’s reaping the benefits of all the political insanity. Variety says,"The Daily Show is coming off its most-watched week in history, averaging 1.9 million viewers last week — up 28% from last year.” And Colbert and Real Time With Bill Maher are doing great too. At this point, network executives must be trying to get this election postponed indefinitely so they can keep making fun of it. Sound crazy? Well, McCain did just suspend his campaign. Hmmm...

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<![CDATA[New P.T. Anderson Play Shatters Snoopy-Humping Taboo]]> The Paul Thomas Anderson Stage Revue we'd mentioned a while back was finally unveiled last night at Largo, where Fred Armisen and Maya Rudolph reportedly performed a succession of new sketches with Jon Brion's musical accompaniment. And according to one eyewitness who espied Jack Black and Paul Dano among his fellow attendees, the show was a little less There Will Be Blood than Punch-Drunk Love, with liberal, Altmanesque doses of I Really Don't Feel Like Writing Another Feature-Length Screenplay Right Now tossed in for good measure:

After the audience stood up for a Spanish version of "God Bless America," the actors sat down and got right into it. First up we met a couple whose love for alcohol is at the center of their connection, then a couple getting to know each other over a complicated personality test (Armisen: "Do you often have emotional outbursts without thinking them through?" Rudolph: "What kind of fucking question is that?"), then a third couple on their first date as they discuss stuffed animals (Rudolph: "When I was little, I used to put Snoopy between my legs and just hump him so hard. I humped him and humped him until his nose broke off.").

Sorry — spoiler alert? The (re)viewer notes that the vignettes comprised roughly 15 couples in all, with little more connective tissue than its author's irreverence and the SNL veterans channeling it. It can't be any worse than Baby Mama. Find out for yourself if you're feeling adventurous and can manage to mug a ticketholder; even Craigslist has nothing doing for tonight's second and final show.

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<![CDATA[ Paul Thomas Anderson enthusiasts, take note:...]]> Paul Thomas Anderson enthusiasts, take note: Word from the Largo mailing list (via /Film) has a PTA-scripted performance by Maya Rudolph and Fred Armisen going off Aug. 5-6 at the club's new space at the Coronet Theater. Organizers are keeping mum about everything but the price — $25 — and that tickets are available now. As the second home of Anderson's frequent composer Jon Brion (who maintains a regular Friday gig) and other collaborators including Michael Penn and Aimee Mann, Largo seems a reasonable stopover for the filmmaker, though it hardly seems right that Fred Fucking Armisen unofficially inherits Daniel Day-Lewis's leading-man mantle in the "mad, beautiful" continuum that is the PTA canon. Rudolph though? OK, sure, we can see it. [Largo via /Film]

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<![CDATA[Studio Head Roger A. Trevanti Explains The AMPTP's Complicated Proposal In Simpler, Friendlier Terms]]> The AMPTP's recent retention of a new PR firm to help them more effectively communicate to the public why the intransigent, greedy WGA should accept the incredibly generous terms of their groundbreaking New Econonic Partnership is paying immediate dividends; while the organization's previous attempt to have studio head Roger A. Trevanti explain the Companies' position was amateurish, unfocused and openly hostile, under the supervision of their new-media-savvier publicity team, their latest effort is a great leap forward.

Watch how a better-coached Trevanti, once a borderline, picketer-assaulting sociopath, now stays on message and presents the studios' more-than-fair proposal utilizing memorable catchphrases and calming tones; by the end of the brief video, you'll come away wondering how Guild members can possibly keep striking when they could be back at work before Christmas, watching all that Radio Contest Winner Money stream directly into their bank accounts.

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<![CDATA[Live From New York: It's a Bunch of Gawker Media Tech People!]]>
We've no idea whether we'll survive the vagaries of the editing process, but the pallid sorry souls who toil at Gawker HQ were recently (as in, an hour ago) used as the backdrop for a Saturday Night Live "digital short" (sadly, it did not involve the always hilarious "white guy rapping" trope) set to air tomorrow night. As cast members Fred Armisen and Andy Samberg wandered about our offices filming us, in-house videographer Richard Blakeley surreptitiously filmed them. The result is the scintillating bit of video you see above. We're not sure if this isn't actually a clever ploy by Armisen and Co. to simply shoot random strangers in the hopes that they'll actually tune in to the ratings-challenged program, but either way, look at us, we're on TV!

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