<![CDATA[Gawker: defamer, farrelly brothers]]> http://tags.gawker.com/assets/base/img/thumbs140x140/gawker.com.png <![CDATA[Gawker: defamer, farrelly brothers]]> http://gawker.com/tag/defamer/farrellybrothers http://gawker.com/tag/defamer/farrellybrothers <![CDATA['Three Stooges' Revival Promises New Slapfights For N'yuk-Starved America]]> The Farrelly Brothers' long-delayed dream of a Three Stooges revival may yet come true at MGM, which announced Monday it had green-lit the project for a 2009 release. It's a stunning milestone correcting the project's inertia at Warner Brothers, where execs were said to have balked at the introduction of the brothers' trademark scrotum-zippering sight gags to the more conventional eye-gouging hallmarks of Larry, Moe and Curly's '30s-era shorts. But that was then, and this — despite the lingering questions of cast (Crowe as Moe?), storyline and whether or not MGM remembers how to produce films — is now.

The Hollywood Reporter notes that Russell Crowe and Mel Gibson were among the names once circling the project, a nifty batshit tandem we hope remains viable so many years on. (We share another writer's disappointment that newly retired Joaquin Phoenix won't be around to join them.) Peter Farrelly told Variety, meanwhile, that American Idol-style auditions will be held to discover the next Curly, "the most physically gifted member of the trio," and scuttled rumors that Farrelly alum Jim Carrey would add 150 pounds in an Oscar-chasing Method binge as the stoutest Stooge.

The trades offer conflicting details about the film's "plot" as it were: either three vignettes of 25-30 minutes apiece or four vignettes of 20 minutes apiece, with THR citing another contest commissioning briefer comedy shorts that would precede the main feature. MGM has production chief Cale Boyter overseeing what would be his first actual production since fleeing New Line last spring; the tentative Nov. 20, 2009 release date places The Three Stooges in theaters directly opposite Guy Ritchie's Sherlock Holmes.

And according to Farrelly, the male-skewing ad campaign is already on:

"When the economy started turning, we felt like the world could use a Stooges slapfest. Bobby and I haven't done a real physical comedy in a while, and it's the most exciting thing we could think of now, to have people go to the movie, see some great slapstick fun family humor." [...]

"We love the Stooges and honor their memory, and we don't want them to disappear. We hope that next Thanksgiving, dads will introduce their kids to the Stooges and create a new generation of knuckleheads."

At least until the MPAA comes along and slaps on an R-rating for "language and intense, sustained scenes of graphic violence." Don't think they won't, either.

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<![CDATA[Special Olympics: The New Comedy Battleground]]> cartman.jpgBrokeback Mountain wasn't the only script about minority discrimination floating around Hollywood for seven years: The Ringer, Ricky Blitt's sweeping, heartbreaking tale of a guy who pretends to be mentally retarded so he can compete in the Special Olympics, also landed on many a showbiz desk in its long journey to the screen. According to this E! Online report on a story from yesterday's Variety, Blitt and Ringer's producers, the Farrelly brothers, are now accusing Trey Parker and Matt Stone of having read the script and stealing the plot for a 2004 episode of South Park with virtually the same storyline:

"When you think of a premise so radical it's unmakable, you hang in for seven years to see it through, it is a shock to the system to have people on Websites saying, 'You hack, you stole this from South Park,' " Blitt tells Variety. "I set this up so long before that episode was conceived. It is bad enough to have your idea taken: It's 1,000 times worse when you are then accused of stealing." [...]


"There is no way those guys didn't know we were making this very movie as they took it upon themselves to do that episode," [Peter Farrelly] tells Variety. "They know what they did and they know it was wrong. Period. These are guys I have always respected, but what they did was very creepy."

Of course, Parker and Stone flatly deny the accusation, though we must say the similarities are pretty striking. Still, their claims of coincidence are not out of the question, with only so many offensive stories out there to tell (they even got around to the Scientologists this year, risking a disappearance by white van). Some might argue it was really only a matter of time before they stumbled into the rich comic realm of wheelchair booby-trapping.

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