<![CDATA[Gawker: defamer, dustin lance black]]> http://tags.gawker.com/assets/base/img/thumbs140x140/gawker.com.png <![CDATA[Gawker: defamer, dustin lance black]]> http://gawker.com/tag/defamer/dustinlanceblack http://gawker.com/tag/defamer/dustinlanceblack <![CDATA[Did India's TV Censors De-Gay Dustin Lance Black's Acceptance Speech?]]> For every questionable Oscars moment requiring the host to poke his head through a gloryhole and belt out a song about pubic hair, there was another demonstrating genuine emotion and class.

Milk screenwriter Dustin Lance Black's acceptance speech provided the most vivid example of the latter: A tearful testimony of what it meant to live life openly as a gay man, it ended with comforting reassurance to the millions of fledgling gay boys—and smattering of girls—out there in the Oscars audience. Echoing a similar Harvey Milk speech that inspired Black himself to come out of the closet, the writer promised these bullied Beyoncé fans that they too have worth, and will one day escape the small towns in which they're trapped (whether by wheelchair, or some other, less literal-minded literary device).

Beautiful, right? Surely a sentiment with universal appeal, and one that would bring a tear to even the most child-blindingest of Mumbai slumlords. That is, if it hadn't been edited out of India's Oscars broadcast. A tipster writes:

It is my understanding that Dustin Lance Black's acceptance speech was edited for the rebroadcast of the Oscars in India such that the mention of being gay was removed. The actual broadcast began at 630a.m., so it's aired in real time and also taped and rebroadcast later in the day. My source for the info saw both broadcasts of his acceptance speech, so there you are.

If that's true, it's an unconscionable act of censorship and a giant step backwards for what was touted as the most global Oscars in history. We mean, how would they like it if every time A. R. Rahman or an adorable Slumdog Millionaire orphan took to the stage to praise their country and culture, The Abbey's Official Viewing Party cut to more "acceptable" footage of Baz Luhrmann mouthing the words to his big musical number?

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<![CDATA[Top Ten Moments of the Oscars]]> An on-stage musical extravaganza. Two epic gay rights speeches. Sean Penn's upset win for Milk. The 2009 Oscars were easily the gayest yet.

Slumdog Millionaire dominated as expected, an international sweep in a night studded with British, Indian and Australian wins. Not that there was much danger of nationalist unity within Hollywood; host Hugh Jackman managed to work some surprisingly vicious showbiz digs into the show, including lines from Steve Martin and Tina Fey not-so-subtly mocking Scientology and Ben Stiller's unsparing imitation of Joaquin Phoenix.

There were some misfires, like the lengthy nominee tributes involving top stars giving overlong, wedding-toast-style speeches for each contender in top categories like Best Actor and Actress. But there were also more memorable moments than any viewer had a right to expect. The best:


10. Franco and Rogen turn the Reader into stoner comedy

"Their giggling and guffawing at The Reader is somehow more damning (and more exposing of the film's overweening pomposity) than a thousand bad reviews." —Guardian. (OK, sure, but Kate Winslet's little gold man begs to disagree about the Reader.)


9. Angelina Jolie grins big at Jennifer Aniston

You just had to cut to Jolie during Aniston's animation award presentation, didn't you, ABC? OK, so we secretly enjoyed the shot of the Brad Pitt-stealer's wide grin, but that's not the point.


8. Philippe Petit's statuette-balancing magic trick

The star of Best Documentary Man on the Wire was making a naked bid to become the stuntman for all future Academy Award ceremonies. We're all for it, as long as the Frenchman returns each year with his charming white scarf.


7. Host Hugh Jackman: "The Musical Is Back"

Is it? Because some of us felt like we were stuck on the lido deck of a cruise. Including Penelope Cruz, judging by her arched eyebrows at the close of the biggest number.


6. Ben Stiller as Joaquin Phoenix

Oscar presenters don't normally go after their own. Stiller did. His deadpan, unmistakable imitation of Phoenix's notorious performance on David Letternan is as good a sign as any that Phoenix, who has declared himself retired from acting, is now being as much pushed out of the Hollywood community as leaving it.


5. Tina Fey and Steve Martin's Scientology dig

Or maybe they were talking about some other "made up" religion involving an alien king scattering seeds across the Earth to "fuel our positive transfers." But you don't have to be a Clear to know that's unlikely. (Though this is the best bit, Fey and Martin's overall routine was excellent. As was their rapport.)


4. Heath Ledger's family accepts his award

The late Dark Knight actor received a touching tribute from his father, mother and eager sister. But what happened to the mother of his child, Michelle Williams? She wasn't even mentioned.


3. Kate Winslet's whistle

The Englishwoman's Best Actress win was widely expected; her sweet call-and-response with her father was not.


2. Dustin Lance Black on gay rights: "God does love you."

The Mormon-raised Milk screenwriter once found inspiration and emotional sustenance in California. With his heartfelt message to "gay and lesbian kids," Black returned the favor.


1. Sean Penn: "You Commie, homo-loving sons of guns."

Accepting for Best Actor, Penn killed. The tightly-wound actor was charmingly self-deprecating. And his cutting comments on California's gay marriage ban, which came near the end of the Oscar telecast, provided the perfect bookend for Black's statements, near the start.

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<![CDATA[WGA Lifts Dustin Lance Black In Oscars' Only Remaining Good Race]]> Most-shirtless Oscar-nominated screenwriter Dustin Lance Black made his deepest inroads yet to awards-night glory, claiming two WGA prizes Saturday for his work on Milk.

While Slumdog Millionaire (writer Simon Beaufoy won the WGA's Adapted Screenplay prize) and the usual acting suspects spent the weekend tightening their chokeholds on Academy voters, Black was the Guild's only dual-winner: First for the previously announced Paul Selvin Award honoring attention to social issues, and a few minutes later, in the West Coast awards' last hand-off of the night, the Best Original Screenplay trophy. He delivered the modestly tear-streaked acceptance speech he hopes to deliver Feb. 22, assuming he can fend off In Bruges's BAFTA award-winner (and fellow Focus Features stablemate) Martin McDonagh, Happy-Go-Lucky's Mike Leigh and ultimate underdog Courtney Hunt, whose own Big Issues movie Frozen River has a small but intensely devoted constituency in the writer's branch.

Meanwhile, Breaking Bad, 30 Rock and Recount were honored as well, thus putting a seasonal end to TV's cute but annoying imposition on the Slumdog juggernaut. We'll see them back on their own diluted awards home front this fall.

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<![CDATA[Dustin Lance Black Now Most Shirtless Oscar Screenwriting Nominee Since Diablo Cody]]> Oscar politicking can be an arduous task that overwhelms many would-be winners, and thus, Milk screenwriter Dustin Lance Black has been forced to deploy his final trump card: beefcake shots.

Shot by Gus Van Sant for Vogue Hommes International (and dutifully scanned by MCN's David Poland), the pictorial plucks Black from Roland Emmerich's twink-filled compound and juxtaposes him with the photographs and memorabilia of the man whose life story he penned. We hope that the frequently shirtless screenwriter sees his gambit pay dividends; Jenny Lumet, now you know what you have to do next time.






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<![CDATA[Meet 'Milk' Writer Dustin Lance Black]]> · It's Dustin Lance Black night at Book Soup! He'll sign just about anything, but preferably Milk: The Shooting Script. It's your chance to brush up against a possible Oscar-winner. (No groping.)

· Have you ever seen Disney's 1940 Pinocchio on the big screen? Now you can. It's playing at the El Capitan until February 12.
· Nightmares on Wax (George Evelyn aka DJ EASE) plays the Echoplex.

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<![CDATA[WGA Noms 'Burn' Charlie Kaufman and Jenny Lumet]]> As shocked as we were by The Spirit being shut out of the Razzies, we're a little more surprised to see two of Hollywood's most high-profile writers snubbed in today's WGA nominations.

Those would be Charlie Kaufman, who made his writer/director debut on the criminally underrated Synecdoche, New York, and Jenny Lumet, whose Rachel Getting Married press tour made her this year's most-publicized young screenwriter outside of Dustin Lance Black. Black was nommed for Milk, and Woody Allen and Robert Siegel got some fairly unimpeachable nods for their respective efforts, but the Coen brothers for Burn After Reading? Really? And don't make us talk to you about The Visitor again, lest we be forced to bash a djembe into our skulls.

The full nominations:

ORIGINAL SCREENPLAY
Burn After Reading, Written by Joel Coen & Ethan Coen
Milk, Written by Dustin Lance Black
Vicky Cristina Barcelona, Written by Woody Allen
The Visitor, Written by Tom McCarthy
The Wrestler, Written by Robert Siegel

ADAPTED SCREENPLAY
The Curious Case of Benjamin Button, Screenplay by Eric Roth; Screen Story by Eric Roth and Robin Swicord
The Dark Knight, Screenplay by Jonathan Nolan and Christopher Nolan; Story by Christopher Nolan & David S. Goyer
Doubt, Screenplay by John Patrick Shanley
Frost/Nixon, Screenplay by Peter Morgan
Slumdog Millionaire, Screenplay by Simon Beaufoy

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<![CDATA[Defamer Penetrates Roland Emmerich's Twink-Filled Compound; Finds 'Milk' Screenwriter Dustin Lance Black]]> As Gays across the nation make last-minute plans for their Milk screening parties—a lot like Sex and the City parties, except instead of Manolos and cocktail dresses you and your best girlfriends show up in Adidas Gazelles and crack-riding gym shorts—we thought we'd once again pay a visit to its white-hot screenwriter. That would be Dustin Lance Black, the frequently shirtless recovering Mormon introduced to you recently on this very blogspot.

In the Facebook video above, a low-key Black mingles among a sea of boyishly betanktopped bling-lovers and other assorted Bryan Singer pizza toppings, at an event billed as "an amazing party at Roland's spectacular estate to celebrate Gay Pride Weekend." That can only mean one Roland—disaster shlockmeister extraordinaire Roland Emmerich—whose raging Hollywood twinkfests are the stuff of legend. Enjoy one vicariously, and free from worry that a Emmerichian tidal wave might ambush the festivities and wash all the skinny boys in aviator sunglasses away.

[Video courtesy of Josh Gray-Emmer]

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<![CDATA[Massive Prop. 8 Protest Galvanizes Gays, Allies, Random Celebs]]> "NO MORE MR. NICE GAY," read one of the many signs last night in Los Angeles as Defamer attended a huge anti-Prop. 8 rally that drew several thousand — then set them marching all over the city. (Your Defamer was also partial to another sign, referencing the easily-passed, animal rights-granting Prop. 2: "I Want What the Chickens Got!") It was powerful, emotional stuff, and even more fireworks should erupt today at 2pm, when the crowd takes their fight to the Mormon temple on Santa Monica Blvd to protest the many millions the church sunk into passing the anti-gay Prop. 8. Until then, though, let's relive the night the best way Defamer knows how: with celebrity spottings and silly anecdotes! You can see the Robert Rodriguez-less Rose McGowan protesting up above — who else was there, and who wasn't?

At the rally, we spotted Wanda Sykes (!), gaylebrities like Noah's Arc star Darryl Stephens, as well as the Defamer-investigated Milk screenwriter Dustin Lance Black (who, as a former Mormon, must have found the anti-LDS rhetoric a leeetle interesting). The crowd skewed decidedly young, and celebrities whose marriages might actually be nullified — like George Takei and Ellen DeGeneres — were nowhere to be found. Sad as we were to rally without Takei's basso profundo, at least the massive standstill traffic generated by the ensuing march trapped two more gay-appropriate celebs in the maelstrom.

Yup, that's Dancing with the Stars entrant Lance Bass, whose car was caught in the traffic as protesters marched down Sunset Blvd. He didn't get out to join the protest, and somehow, we think Cloris would've. Eventually, the crowd made its way to Hollywood and Highland, where cops made arrests and rebuffed any further progress. On the way back, however, one last gift was still to be unwrapped: a convertible bearing Tila Tequila, whose Stoli-infused reality show prostitution no doubt made the entire night possible. Good show, gays.

[Photo Credits: LAT, Towleroad, Indiewire]

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<![CDATA[The User's Guide To 'Milk' Writer Dustin Lance Black]]>
With Gus Van Sant's Milk set to world premiere tonight at San Francisco's famous Castro Theater—an event that has the locals so excited, the biopic is practically bubbling up and dribbling down their nostrils—we thought we'd take a moment to introduce you to its breakout star. No, not him—you know him already. And not him, or him, or him, or even him. We speak, of course, of screenwriter Dustin Lance Black, whose name you might have noticed standing approximately 30-feet tall at the last moments of the Milk trailer.

Variety announced today that the extremely photogenic and openly gay recovering Mormon would be writing Van Sant's next feature—an adaptation of The Electric Kool-Aid Acid Test. Pack it up, Diablo. There's a new It Scribe in town.

We now run down for you Everything You Always Wanted to Know About DLB but Weren't Yet Aware of His Existence Enough To Ask:

I. HE LOOKS GREAT WITH HIS SHIRT OFF

This should probably have gone further down the list, but let's face it: If Dustin was a chubby, balding, 53-year-old founding member of ACT-UP, no one would care as much. So let's just get it out of the way. Dustin is categorically hot in a cornfed Mormon-ish kind of way, and makes an attractive addition to any pool terrace, TigerHeat dance floor, or gayish men's magazine pictorial.

II. MILK ISN'T HIS FIRST JOB, IT'S JUST HIS BIGGEST

Black has been a writer on Big Love since it debuted, adding Mormonthenticity to dialogue for characters like the polygamist-chic Chloe Sevigny (she's always so ahead of the curve) and the rest of the Henrickson wives. He also directed On the Bus—a 2001 documentary about a trip to Burning Man that features Black himself on the DVD cover. (Yes, shirtless.)

III. HAS HE EVER TRIED TO GET INSIDE THE MIND OF A SEXUALLY USED POOL BOY?

Yes! His first feature, The Journey of Jared Price, is about a hot poolboy who arrives from the Midwest and is employed by an intermittently blind dowager. The poolboy is used for his body, but emerges from his journey a stronger person.

IV. WHAT LED HIM TO WRITE HARVEY MILK'S LIFE STORY WILL BRING TEARS TO YOUR EYES

"The writer vividly recalls the day he visited the Gay and Lesbian Archives and discovered the blood-stained suit Milk was assassinated in: 'For me, it was like putting flesh on a father figure.' Born a closeted Mormon in San Antonio, Texas, Black – who grew up without a father – envisioned Milk as the encouraging paternal figure he never had. 'I was listening to one of his speeches right after he was elected to public office, and he says something like, ‘There’s a kid out there, maybe in San Antonio, who’s going to hear my story and hear that an openly gay man was elected to public office — and it’s going to give him hope.’ And I just lost it, because that’s exactly what it did for me.'" (From an Advocate magazine-only feature penned by our own Kyle Buchanan.)

V. SORRY LADIES. HE WON'T SWITCH TEAMS

"I had my first crushes on a boy neighbor when I was like six, seven. I knew what was going on. I knew I liked him."

VI. HE CITES PET SEMATARY AS A MAJOR INFLUENCE

Fom his MySpace profile: "Movies: MILK, Pet Cemetary, Boyz N tha Hood, Akeelah and the Bee, Saved by the Bell: Hawaiian Style, Original Gangstas, RoboCop 2, From Dusk Til Dawn, Sin City, Waiting to Exhale, How Stella Got Her Groove Back, Seven Samurai, The Queen, Big Momma's House and of course the Nutty Professor 2: The Klumphs... not exactly."

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