<![CDATA[Gawker: defamer, david lynch]]> http://tags.gawker.com/assets/base/img/thumbs140x140/gawker.com.png <![CDATA[Gawker: defamer, david lynch]]> http://gawker.com/tag/defamer/davidlynch http://gawker.com/tag/defamer/davidlynch <![CDATA[Thrice-Divorced David Lynch Explains Marriage]]> In an interview Sunday with the NYT Magazine, the 62-year-old filmmaker and noted meditation aficionado confirmed he would soon marry Emily Stofle, an actress featured in his 2006 epic Inland Empire. And, if we have his rationale correct, he will divorce Stofle not long after that:

NYT: You’ve been married three times before?
DL: Yeah, it’s real great.
NYT: Why would someone who feels so generally blissed out marry so many times?
DL: Well, we live in the field of relativity. Things change.

Well. OK! Congrats and many years of happiness to the happy couple!

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<![CDATA[David Lynch Makes A Damn Fine Cup Of Coffee]]> Any David Lynch fan worth his/her salt will know that the only thing that he likes more than collaborating with Angelo Badalamenti is drinking coffee. (Smoking American Spirits is a close third). And as any David Lynch fan also probably knows, David Lynch launched his very own line of organic coffee a few years back. What does this have to do with the price of tea in China, you ask? Well, anyone who has spent some time on DavidLynch.com knows that as talented as he is behind the camera, he hasn't quite mastered e-commerce yet (for example, the "buy" link on his site is not functional). All of which is a long-winded way of letting you know that if you've always wanted to try his signature coffee line, it's now available at the (generally) reliable Amazon.com. And if you get Amazon GC's sent your way as much as we do, well, this news oughta be sweeter to you than the cherry pie at the Double-R. [Amazon.com, vid via YouTube]

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<![CDATA[Werner Herzog, David Lynch's 'Random Dealmaking' Quotas Filled For '08]]> It was cute way back yesterday when we heard that Werner Herzog and Nicolas Cage are remaking Bad Lieutenant for a new generation of prurient cinephile wonks, but the novelty of Herzog's random-ass pairings requires a certain period of recharging to retain maximum effect. Which is perhaps why the potency of his other forthcoming, newly announced collaboration with David Lynch (!) on "a horror-tinged murder drama" doesn't have us positively reeling with anticipation.

But the Lynch/Alejandro Jodorowsky film? With Asia Argento, Marilyn Manson and reportedly "enough sex and violence to guarantee an NC-17 rating"? Fine, Hollywood Reporter, we're listening:

Herzog and his longtime assistant director Herbert Golder co-wrote [My Son, My Son], loosely based on the true story of a San Diego man who acts out a Sophocles play in his mind and kills his mother with a sword. The low-budget feature will flash back and forth from the murder scene to the disturbed man's story. A guerrilla-style digital video shoot on Coronado Island is tentatively set for March. ...
In a separate development, Lynch's Absurda production company has attached Asia Argento and Udo Kier to star with Nick Nolte in Alejandro Jodorowsky's metaphysical gangster movie King Shot. Marilyn Manson is touted to appear as a prophet in the Sin City-style film.

Having essentially gone DIY since his own unwatchable digital epic Inland Empire, Lynch will executive produce both films and handle their sales at Cannes, hitting the Croisette with his cow and selling Herzog impersonations to foreign buyers for $100 apiece. We hear Herzog, meanwhile, had to be forcibly removed from the Kung Fu Panda press conference after pitching a Grizzly Man remake to Jack Black.

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<![CDATA[If 'The Hobbit' Must Be Made, We'd Rather See One of These Directors at the Helm]]> Our dissatisfaction at Friday's news that Guillermo del Toro would inherit the Hobbit reins from Peter Jackson met with a mix of scorn and curiosity over the weekend. "Pony up an alternative, Cochise," wrote a commenter. "Destroy those two GENIUSES and all we will be left with is Lucas and Spielberg. And that is not a world I wish to live in." Us neither! That said, if the Laws of Hollywood Franchises dictate that this goddamned movie must exist, we can think of at least five talented directors off the tops of our heads whom we'd prefer over del Toro, Jackson or any of the other usual fanboy fantasy suspects. Tell us your own ideal hires after the jump.

1. Alfonso Cuaron. Del Toro's close friend and (with del Toro and Alejandro Gonzalez Inarritu) one of the "Three Amigos" conveniently packaged by American press in 2006, Cuaron was Warner Bros.' surprising pick to helm 2004's Harry Potter and the Prisoner of Azkaban. But his indie chops came in handy in both humanizing the franchise and positioning it more dynamically against Chris Columbus and Mike Newell's entries that sandwiched it. He's a versatile guy who gets the marketplace but isn't beholden to genre interests; in that way, his similarities to Jackson, who jumped from graphic B-horror comedies like Bad Taste to Heavenly Creatures to LOTR, are almost uncanny. Also, he's just a better director than del Toro; Cuaron could have made Pan's Labyrinth in his sleep, but del Toro couldn't have touched Children of Men.

2. Neil Jordan. Another guy with tons of range, the Crying Game/Michael Collins filmmaker is also a grossly underrated craftsman who could save everyone a lot of time and money by shooting both Hobbit films over about four months in Ireland. Alas, Jackson would likely object to the requisite IRA subplot in which Bilbo Baggins is sidelined indefinitely by injuries sustained in a car bombing.

3. David Lynch. A natural short-lister for any film involving midgets. Plus we all know how well his previous would-be fantasy franchise went.

4. Woody Allen. While it's true that Allen has returned from his four-year European exile with a new project featuring Larry David and Evan Rachel Wood, he has made little secret of his availability to the highest overseas bidder. With this in mind, and seeing as Middle Earth's brow-furrowed humorlessness is perhaps its most annoying attribute, we'd like to see Allen invited to New Zealand for a comic run through Baggins' deeply embedded neuroses — not the least of which is his underage shiksa love interest, played by saucy new Disney cast-off Miley Cyrus.

5. Uwe Boll. Why not? He is the only genius in the whole fucking business.

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<![CDATA[David Lynch hates your iPhone]]> David Lynch is disgusted that anyone would watch a movie on a phone. "You will never in a trillion years experience the film...you'll be cheated," he says in this clip from the special edition of Inland Empire. While it's obvious that films like Eraserhead demand something better than 480x320 pixels, is Lynch honestly that horrified that someone might want to watch "Failure to Launch" on the subway?

Steven Spielberg, meanwhile, dislikes putting TV and films on laptops, fearing that viewers will get used to actually watching things when they want to. Lynch and Spielberg's sentiments seem noble, but so did United Artists co-founder Mary Pickford's famous declaration, "Adding sound to movies would be like putting lipstick on the Venus de Milo."

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<![CDATA[Gucci Hires David Lynch To Terrify And Confuse Consumers Into Buying New Perfume]]> inland-empire.jpgDirector and awards season cow wrangler David Lynch makes no secret of how he feels about the encroachment of corporate interests upon his stubbornly abstruse cinematic meditations. (Quoth: "Bullshit. Total fucking bullshit.") That isn't to say that he's above whoring himself out for the occasional contract work, however, as he has agreed to direct a TV spot for a new Gucci perfume, according to a press release from the fashion house's unsexy parent-company fragrance licensee, Procter & Gamble. From The Stylephile blog:

Lynch, 61, will direct the next Gucci commercial for its latest eponymous perfume. Gucci's parent company Procter & Gamble released a statement which indicated why the man who forever immortalized a severed ear in "Blue Velvet" should tackle the task: "Lynch was selected for his holistic ability as an artist, his professional experience and knowledge, his never-ending research for beautiful images, his use of music and his modernity."

It remains to be seen how the director's qualifications will manifest themselves into a thirty-second spot: Gucci executives could wind up extremely dissatisfied, having hoped he'd return to them with something more akin to Nicole Kidman in a gauzy gown scampering across a moonlit roof into her lover's arms, as opposed to the director's somewhat less romantic vision of a naked dwarf sitting at the head of a conference table, dabbing his nether regions seductively with the new scent to a dark, jazzy tune by Angelo Badalamenti.

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<![CDATA[Short Ends: David Lynch Compromises Sneaky Corporate Sponsorship Of Next Impenetrable 3-Hour Mindbender]]>

· David Lynch on product placement in movies: Not in favor of it, apparently.
· Ever wonder why Entourage tastes so deliciously "Hollywood"? Because they use only authentic, starfucky ingredients in every location shoot!
· Tobey Maguire's childhood could have been better. Isn't that what drives most of the people who become famous actors?
· Alec Baldwin HuffPosts about the Republican strategy to destroy Hillary Clinton.
· Exclusive: Reality TV chick we've never heard of gets new set of knockers!

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<![CDATA[David Lynch And The Cow Return]]> lynch-cow.jpgFor those of you who found last week's David Lynch promotional stunt for Inland Empire too geographically inconvenient to attend, you have a second chance to catch the director, his trusty cow sidekick, and various signs celebrating Laura Dern's performance in person, where you can possibly absorb some of his cryptic wisdom on the origins of cheese. Alerts a reader apparently unaware that Lynch and his bovine prop previously graced a corner in Hollywood last Thursday:

david lynch is on sunset and holloway right now, sitting on a corner in a director's chair with a cow next to him. he's apparently shooting something for his new Inland Empire movie with Laura Dern, and doesn't mind a bunch of people taking pictures.

Video and/or photographs of the director and cow's latest appearance are still welcome, especially if they reveal a level of weirdness exceeding that of last week's visitation.

UPDATE: We've already received photos, and think it's safe to say that Tower Record's GOING OUT OF BUSINESS sign looming behind Lynch and the cow does add an appropriate touch of surreality to the scene. Pics after the jump:

lynch-tower.jpg
[Photo: Warren Tabutol]

lynch-tower2.jpg

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<![CDATA[David Lynch And The Cow: The Video]]>

In what we hope completes our multimedia coverage of yesterday's publicity stunt, in which David Lynch mysteriously appeared on the corner of Hollywood and La Brea with a cow and copious promotional signage for Inland Empire, we pass along this clip, submitted by two guys who claim to have been driving by the site and who were so delighted by the bovine/auteur tableaux that they took a moment to talk to the infamously quirky director, capturing on video some Lynchian (really, how do you avoid that word in this context?) wisdom about the provenance of cheese.

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<![CDATA[Update: David Lynch And His Favorite Cow Team Up To Drum Up Interest In 'Inland Empire']]>

This excited (though secondhand) report just landed in our inbox:

David Lynch RIGHT NOW is sitting on the corner of Hollywood and La Brea with a cow on a leash and a picture of Laura Dern that says For Your Consideration. He also has a sign that says "without cows there would be no cheese in the Inland Empire". This is one of those things that a person needs to see. I wish I wasn't chained to a desk.

Surely there are readers out there who can either chew through their shackled limbs and head on down to have a look, or who at least have chains long enough to reach a window, enabling them to either send in a cameraphone shot or a painstakingly detailed, first-person narration of the suitably surreal publicity stunt unfolding in Hollywood. You know where to find us.

UPDATE: You really never let us down. Yup, the scene pretty much looks exactly as Lynchian as previously described.

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<![CDATA[Trade Round-Up: David Lynch To Confuse Audiences Without Help Of Studio Distribution]]> david-lynch.jpg As breathlessly reported by every news outlet on Earth yesterday, Google buys YouTube for $1.65 billion. Meanwhile, CBS makes a deal to split the ad revenue from "daily, short form content" they'll provide to YouTube, and to divide up any money they might make by selling ads around material posted by users that violates their copyrights. Fun! [Variety]
· David Lynch will self-distribute his latest film, Inland Empire, which promises to be even more incomprehensible than Lost Highway. [THR]
The still-iffy Studio 60 rebounds 12% from last week's disappointing numbers, despite the show's baffling insistence that a preachy monologue about America dropping Hot Pockets along with bombs was even remotely funny enough for a writer to bother stealing. [Variety]
Not wanting Wal-Mart to hog all the retail chain exortion fun, Target writes a letter to the studios hinting that they might not support their DVDs if cheaply priced movie downloads cut too deeply into their home video business. [THR]
Terrence Howard joins Robert Downey Jr. in Iron Man as the hero's confidante/rival who probably won't get his own armored set of Underoos until a sequel. [Variety]

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<![CDATA[David Lynch's Forecast: You Will Submit To TM]]> lynchfound.jpgBlogger *glassShallot caught David Lynch's travelling lecture, "Consciousness, Creativity and the Brain," last night at USC, and apparently, the man who brought us the backwards-talking-soft-shoeing-dwarf and daily LA weather reports is starting to get a little weird:

David Lynch has started his own foundation dedicated to raising $7 billion so he can make transcendental meditation (TM) available for students, and help build in Washington, D.C. a university for world peace. [...]

Last night’s event went like this: David Lynch appeared with the caveat that he doesn’t like to speak in public (a fact that proved completely untrue as the night wore on), and then proceeded to solicit questions from the audience for a presentation that on paper should have been meticulously planned out. Well, guess what? It was meticulously planned out. People were stationed in the audience to ask the man specific questions (the first one, about his personal feeling about the “light in in Los Angeles”).

He then went on to construct numerous circular sentences that didn’t answer any specific questions about how to meditate. Terms and phrases he threw out over and over without further clarification were “diving in,” “pure consciousness,” “bliss consciousness,” “being,” etc. It was like speaking to my yoga teacher in Topanga Canyon. Which is fine. But it didn’t answer questions, and it didn’t explain what his plans are for the $7 billion, or why he was organizing a presentation that felt like a first date at the Scientology Celebrity Center, or how he met the “scientists” (including a self-described super-string theorist) he works with, or anything about ayurvedic medicine, or how he came to partner with all these “doctors,” or, or. It was also obviously being filmed and photographed by Lynch’s own staff who focused on numerous audience members for large amounts of time as the man spoke. Was this all a stunt? Part of a forthcoming film? A giant performance art project he will continue to perform until the very end?

Unfortunately, Lynch's big finish to the lecture, in which the director scaled a 20 foot tall model of the human brain, dropped his trousers, and thrust his manhood into a pulsing convolution while yelping "Look at how I fuck your brain! Look!" did little to dispel some audience members' suspicions that the whole event was some kind of artsy put-on.

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