<![CDATA[Gawker: defamer, consumerism]]> http://tags.gawker.com/assets/base/img/thumbs140x140/gawker.com.png <![CDATA[Gawker: defamer, consumerism]]> http://gawker.com/tag/defamer/consumerism http://gawker.com/tag/defamer/consumerism <![CDATA[Mad Men Is Stimulating Consumerism In The Midst Of A Recession]]> Each week, Mad Men has been killing me softly with its wardrobe and set design. That era of early to mid-'60s is undeniably attractive, particularly all the Eames-style furnishings and wall art. But it's the waist-cinching, curve hugging dresses that really get me. They only further prove my point that tent dresses are rags from hell. Could you imagine how those frocks would evaporate any and all of the vampy, sexiness Joan Holloway is dripping with? Anyway, I've been well aware since first viewing this show that it makes me want a cigarette in the worst —but most delightful—way. (Which kinda defeats the purpose of the Welbutrin I've been taking.) However, this week's episode really drove home for me how much Mad Men makes me want to spend my money on a whole new wardrobe and decor. The fact that it's a show about advertising makes it so meta. After the jump, stills from the most coveted possessions on this week's episode.



Let's start with my new obsession: Betty's equestrian style. It makes me regret that I have nothing saved from my horseback riding days, because I've spent upwards of 3 hours (that's not an exaggeration) on equestrian clothing sites and realized that building this look will probably cost me about $800. Howevs, I'm totally getting one of her shirts. But I would kill for this bag:

And her winter coat goes so perfectly with all of it:

As do those gloves:

And speaking of gloves, I think it's about time that we bring back opera gloves and costume jewelry.

The accompanying dress was also awesome. Other than New Year's and maybe Halloween, I can't think of an occasion to wear those where I wouldn't look like a total tool, though. Oh, and dresses! Peggy's was adorbz:

And duh, Joan's ruled, too. Now I'm thinking about investing in some serious foundation garments this fall:

Now, on to set design. Obvs this shelf is choice:

I dug this blond wood headboard:

And the matching lamps on the nightstands:

Now I need multiple silk pillows with large buttons:

And for some reason I was really drawn to this stupid framed art of a metal dog:

I also wouldn't mind a globe in my house. I suck at geography, so it would actually serve a dual purpose. I imagine that Betty went all out to make Don's office cozy and official. And smoked the whole time. Christ, I wish I could look that glamorous while chain smoking. Instead, I'm in a muumuu and my hair and face are competing for the Greasiest Surface in Brooklyn award.

Lastly, Roger Sterling's office is all kinds of awesome. I want to have that wall art.

And I wouldn't mind having him, either.

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<![CDATA[How The 'NY Times' Learned To Stop Worrying And Love The Grove]]> Hot on the heels of their gripping exposé of what it's like inside an American Idol taping (apparently that studio is much smaller in person, and there's a man wandering the aisles prompting the audience to applaud!) the NY Times continues their series Things On the West Coast That Don't Begin To Exist Until We Acknowledge Them Years After the Fact with a look at The Grove. What to make of the dancing-waterist, most trolleytastic consumption experience west of the Rockies? Best to submit yourself willingly to this seductive simulacrum of Main Street, U.S.A., filled with all the ma n' pa Apple Stores and charming cellphone accessory carts of your youth:

The Grove is everything that is horrible and spectacular about our brand-saturated American lives.
It's a living version of every pretentious theory you may have read back in grad school: a facsimile of a space, a scripted zone, a generic city, a vituperative quote by Baudrillard or Deleuze. But it's also totally great! [...]

[A]s long as we continue barreling along our path of unmitigated consumerism, the future will not look smooth, white and sleek. It will look like the Grove: a Frankensteinian hodgepodge of branded facades that we walk into and out of, forgetfully.

"A Frankensteinian hodgepodge of branded facades?" Leave it to those neurotic, East Coast intellectual types to overanalyze a good thing. As anyone who maneuvers the streets of L.A. with any regularity can tell you, the Grove owes its success to its one seemingly obvious, but maddeningly elusive feature: The easy-to-master parking structure. One night spent in an unfamiliar corner of Hollywood + Highland's Level 5, huddled by an exhaust vent for warmth with only a few stray popcorn kernels from your coat pockets for sustenance, is enough to make you reconsider ever revisiting a state-of-the-art shopping facility again.

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