<![CDATA[Gawker: defamer, cnn]]> http://tags.gawker.com/assets/base/img/thumbs140x140/gawker.com.png <![CDATA[Gawker: defamer, cnn]]> http://gawker.com/tag/defamer/cnn http://gawker.com/tag/defamer/cnn <![CDATA[D.L. Hughley's Show Canceled; D.L. Hughley Mourns]]> Will the bad news for America never cease? CNN has gone and canceled its highest-rated Daily Show ripoff incongruously hosted by a mediocre standup comedian, "D.L. Hughley Breaks the News."

Dude it took us forever just to find the actual name of that show, which is maybe why he got canned? Cityfile says the show got canceled because of "budgetary constraints." CNN says, ha, he wanted to spend more time with his family. Aha.

Everyone please share your fondest reminisces of D.L. Hughley's finest CNN moments in the comments—here on the internet you have as much space as you need. [Cityfile]

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<![CDATA[Let's Relive The Insane Nadir of Last Night's Political Coverage: Holograms!]]> So that happened last night! And by "that," we refer not to the historic presidential victory, nor to the nationwide propositions that we are still gritting our teeth about, but to CNN newsman Anderson Cooper interviewing Black-Eyed Peas frontman Willi.i.am via hologram. Let us unite as a nation to dissect this clip's best/worst moments, blow-by-blow, after the jump!

· "We're joined now, uh, via hologram, uh, with, by, uh, Will.i.am," Cooper begins, clearly thinking, "I'm missing the Bravo Real Housewives marathon for this?"

· Will.i.am is beamed in with a Star Trek transporter beam special effect. Cooper stares uncertainly into the middle distance because he cannot see the person he's interviewing, which is a tremendous new innovation.

· "All this technology, I'm being beamed to you like it's Star Wars and stuff," says Will.i.am. Not to pull a Liz Lemon, but, uh, Trek.

· Cooper corrects him: "It's basically exactly like Star Trek." Thank you, Anderson. Willi.i.am's cogent response: "Yeah, but...yeah."

· "Will, we're doing this interview with you this way because it's a lot quieter than having you in that crowd [in Chicago]. It's very hard to hear in this crowd," Cooper lies.

· As Willi.i.am rambles on about the "Yes We Can" song, Cooper mentally composes an angry email to the CNN producer who let his boo Donna Brazile go off to ABC so they could spend her hair and makeup budget making a hologram out of the man who produced "My Humps."

· "Will.i.am, I appreciate you being with us tonight via hologram," concludes Cooper. Will.i.am thanks him, says, "Check it out," and then does The Worm.

· Cooper takes an awkward pause, collects himself, and says, "All right."

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<![CDATA[Television's Mid-Fall Report Card]]> It is already October 15th! How did that happen? I guess you could say that the Earth rotated around the sun a specific number of times and that days winnowed into nights which bled into days and so on and so on in the circle game. I think that's it. So, how have we been spending these ever-marching autumn hours? Watching TV, of course! Lots and lots of TV. Some has been good (Mad Men, The Daily Show), some has been bad (90210), and some has just been puzzling (Two and a Half Men?). So as we approach the ever-important November Sweeps Week—when networks set their ad rates based on inflated, extraordinary episodes that don't actually reflect typical week-in, week-out quality—let's take a second to give a quarter term report card. How has television been faring, you know, quality-wise (because we already know that ratings are in the toilet)? We'll analyze after the jump.

SUNDAY

Desperate Housewives Time Travels
The big surprise in last season's finale was a series of short scenes showing the characters five years in the future. The new season picked up where that left off, with everyone older and not necessarily wiser. It's a bit gimmicky, yes, but it's allowed them to jettison tiresome plotlines and create brand new ones (Lynette's rambunctious twin boys are now rambunctious twin young men!). While some of us here at HQ still find the show to be a bit of a whiny bore, others are digging the series like it was the first season all over again. B+

Entourage's Cameoverload
The HBO boyfest LA answer to girl business New Yorkfest Sex and the City has been overdoing it with the celebrity guest appearances, yes. But its arc has also been pat and frustrating. Drama has reached Inspector Clouseau levels of idiocy, Turtle has been given little to do, E continues to rankle in his snappy-short-guy-who's-kinda-earnest way, Adrien Grenier still cannot act, and poor Jeremy Piven is going to drive himself to an early grave with all his senseless bellowing. Credit to the underused Debi Mazar and Rex Lee for keeping their characters fresh and fun, though. C-

Dexter Is Still Killer
Showtime's gory character study about a Miami forensics expert cum justice-seeking serial killer (Michael C. Hall, steamy as ever) and the people who orbit him is still as thrilling as ever. Good grades go to Jennifer Carpenter's sassy new haircut, the always-dependable Lauren Vélez and David Zayas as Dexter's weary partners in crime fighting, and to the softly heartbreaking Julie Benz who brings a quiet dignity to every tiny scene she's in. This season's chief storyline (so far), concerning Dexter's accidental murder of an ADA's (Jimmy Smits) brother, is tense and ominous. You know, as the show should be. A-

True Blood, Truly
It's campy and silly at times, yes, but with the ever-increasing mysterious death toll, we're hooked now. Anna Paquin-factor be damned. B

Mad Men
Oh you know it's good. A

MONDAY

Gossip Girl & The Hills: Hurt So Good
The Upper East Side teen soap (fiction) and the Los Angeles post-teen soap (reality!) are both dumb and gut-churning sometimes, yes, but both have mostly been hitting on as many cylinders as they can so far this season. GG has tempered the silly melodrama of last season with more groan-inducing witty New Yorky references and word play, while The Hills has mined some sneakily affecting emotional depths. (Well, not really that affecting, but you know, relatively.) It's what the kids are watching and really, they could be doing worse. GG: B+, Hills: B-

Two and a Half Men Apparently Exists
Yeah, apparently it does. And lots of people watch it. Sigh. D

TUESDAY

Greek Is The Best Show You're Probably Not Watching
Well the third season of this terrific little confection of a college series is almost over, but I'm told the entire first season is available for your ears and eyeballs to consume online. It's a funny, sweet, nice-but-not-too-nice dramedy about a college in Ohio (where it's always sunny and warm!), that has soared these past couple of months. That Greek (heh!) guy from Sisterhood of the Traveling Pants is on it, and, well, swoon. The various romantic polygons have remarkably not gotten tired, and the sore-thumb single gay plotline has been treated calmly and evenly. Go watch! A-

Please Do Not Watch 90210
This excreble misery of a remake is a sloppily-made, boring piece of drivel that mind-bogglingly managed to even underestimate the taste level of squealing teenage girls. With seemingly no feel for plot structure, continuity, character, or humor, the writers have blundered along, serving us tepid little piles of gruel that—despite the presence of o.g. stars Shannen Doherty and Jennie Garth (plus a hilarious Hannah Zuckerman-Vasquez line)—woefully pale in comparison to the original teen whine and cheese party. Ugh. F-

Fringe: WTF?
OK, we admit we only watched the first episode of this sci-fi CSI meets X-Files pastiche. And we admit to sort of enjoying it. But nothing really pulled us back in. Joshua Jackson, way late of Dawson's Creek, is as wannabe suave and charming as ever, Anna Torv is sort of hard to pin down, and Lance Reddick is left to lurk in the shadows, reminding of us better work like The Wire and Lost. Who has kept up with this? How's it doing? We guess right now we'll give it a C

WEDNESDAY

Goodbye Forever, Project Runway
So it ends tonight, whatever. This season has been kind of unbearable, save for a few highlights (Leanne! Sort of!), with its annoying catchphrases, untalented contestants, and uninspired challenges. When the show comes back as a sad Pontiac Phoenix rising from the ashes on Lifetime (or, um, maybe not), we're pretty sure we're not going to watch it. Which is sad, because it used to be so damn good. Ah well. To everything a season and blah blah. C-

I Suppose There Have Been Other Things Airing On Wednesday Nights?
Um, let's see here.. Lipstick Jungle? No thanks. Knight Rider? Certainly not. America's Next Top Model? Never in a million years. Oh here we go. Top Design. Wait. Wait, nope. Not that either.

THURSDAY

Clocking In At The Office
We've only had two episodes, but they've been squirmy, swoony delights thanks mostly to the rainy day engagement between floppy old Jim and frizzy old Pam—though, it'd be nice to have her back in the actual office, rather than flirting it up with that teddy bear dude from Mad Men—and to the pitch-perfect Amy Ryan as a strange, nerdy, cautious love interest for ever-bumbling Michael Scott. Kudos also to the show's writers for giving lesser-seen characters like Meredith their chances to shine. A-

Kath & Kim
Sad. Just sad. Such high hopes for the usually likable Molly Shannon and Selma Blair, but this Australian import just didn't connect. D

Live From New York It's... Thursday Night?
Because of some sort of political and economic foofaraw going on these days, Lorne Michaels and co. have decided to add a special Thursday version of their Saturday Night Live Weekend Update segment to the NBC lineup. You know, to stay current and all. We've only had one so far (they'll run up to the election), and it was funny in parts and strained and awkward in others. The thing is, SNL is so skimpy on the funny as is, it seems a bit foolish to stretch out their best material to two nights a week. But, we'll keep watching for now and give it a tentative B.

It Really Is Always Sunny In Philadelphia
FX's hilarious, filthy, swear-filled, low-budget comedy It's Always Sunny In Philadelphia continues to blow the brain with out-there yet somehow completely salient themes like the gas crisis and how to fake one's own death. A

(Note: Please come back, '30 Rock.' Pleeeassse??)

THOSE OTHER TWO NIGHTS NORMAL PEOPLE SPEND DRUNK

Friday and Saturday... I dunno. I guess there's new stuff on, but who really watches. So instead let's take a moment to discuss the real TV this fall, which of course has been news and various humorous reportings on said news. As we said above, there seems to be some sort of election happening as well as some coverage of the large and troubling black hole that recently opened up here in New York, south of Worth Street. The "news" programs, as they were, have been of course loud and shouty and irksome and saturated with the kind of editorializing and conjecture that has somehow slunk its way to the top of the heap. It's so rare, like really honestly rare, these days to see any reporting that's not loaded with opinions and speculation and all manner of rabid fame-clawing by correspondents desperate to earn the next truckload of sweet ass O'Reilly or Olbermann cash. Fuck who's in the tank for who, let's toss out both tanks and start from scratch. And yes, though I like her, I'm willing to throw the Maddow out with the bathwater. F+

The parody shows, chiefly The Daily Show and The Colbert Report, have fared far better because, duh, there's just so. much. to make fun of. It's no surprise that these arch hosts (Jon Stewart, Stephen Colbert) are performing ably, but all of their correspondents, writers, and editors have also been more on top of their game than we've seen in a long time. Wherever you fall on the issues (crazy, nonsensical shortsightedness vs. Barack Obama), the back-to-back lineup is always worth watching. A+

So that's that! Tell us what else you've been watching and if you've enjoyed it in the comments. And, you know, disagree with me. Because really I have no idea what the hell I'm talking about.

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<![CDATA[Will Larry King Pass The Softball- Lobbing Torch To Ryan Seacrest?]]> Despite having secured his future at CNN until 2010, Larry King, who come this November will turn 138, has finally acknowledged the fact that his career might have a finite end. (Even if his legacy does not: His Last Will and Testament contains detailed instructions of the children he expects his wife to bear from the 14 packages of Cryovaced semen he keeps stored in an industrial freezer in his basement.) That said, it's being reported that King is eyeing none other than American Idol's Master of Karaoke-Administrating Ceremonies Ryan Seacrest to fill his legendary seat. From The Scoop:

A source from within CNN says that Seacrest, who has filled in for his friend Larry King in the past, is involved in "serious negotiations" to take over "Larry King Live" around [2009]'s end.
"He's the classic generalist," King told the Times. "The only thing I don't know, and I've gotten to know him pretty well, is how versed he is in politics, world affairs. Does he read the paper? Is he interested in Iraq? Because if he is, he's going to be very good."

Better than good! He'll be terrific. Seacrest's duties until now have been limited to exchanging red carpet pleasantries, while occasionally offering a mascara-streaked singer who likens her "Idol journey" to the civil rights movement a shoulder to cry on. Imagine if he had access to the kinds of world leaders that his rapidly calcifying predecessor had? He could apply his preternatural, ladies-footwear-identifying gifts to influential heads of state, like President of India, Pratibha Patil! Yes, CNN should just go ahead and draw up the papers today, free from concern over the way Seacrest tends to hover over broadcast legends like a diminutive Angel of Death, waiting for the perfect moment to drop the scythe and snatch the reins from every Merv, Dick, and Larry to wander through his crosshairs.

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<![CDATA[Rat Vs. Willis]]> ratatouille.jpg· After a summerlong run of sequel-clogged weekends where the eventual winner of the box office battle was all too obvious, the outcome of the upcoming Die Hard vs. Ratatouille fight seems up for grabs. We're not betting against Pixar, even though we'll probably wind up watching John McClane blow shit up. [Variety]
· Oh yeah Die Hard made $9.1 million on Wednesday, its first official day of release. Is that a lot? We're not good with midweek box office record data. [THR]
· Universal signs up erstwhile Biggest Comedy Star In the World Jim Carrey for Sober Buddies, one of those magical projects with a title so concise that we don't have to waste any time explaining it. (OK, OK, Carrey is a Sober Buddy who falls off the wagon while helping an alcoholic pal on a business trip in Vegas. Hilarity ensues, etc etc.) [Variety]
· 3.2 million viewers tuned in to CNN to for Larry King's post-jail interview with Paris Hilton. While this was King's highest rated show since 2005, consider that three times more people watched So You Think You Can Dance on Wednesday night if you'd like to feel a little better about the public's TV-watching taste levels. [THR]
· We would never ask you to start thinking about the Oscars in late June. That's just sick, really. [Variety]

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<![CDATA[Paris Hilton Barely Survives Brutal Larry King Interrogation]]>

In the end, CNN Grand Inquisitor Larry King did not, as we'd briefly dared to dream, douse himself in lantern oil and set his body aflame during his much-anticipated post-incarceration exclusive with Paris Hilton, as tantalizing as the prospect must have seemed after about thirty seconds of lobbing his softballs in the heiress's direction and watching them disappear into a dead-eyed abyss.

Despite the expected lack of revelation (kudos, Socialite Crisis Management division of Sitrick and Company!) about Hilton's prison ordeal, we re-learned much about the embattled former inmate: she suffers from ADHD, still wants to open a halfway house where her cherished Lynwood sisters can receive the seaweed wraps and hot stone massage needed to ease their transition back into society, and has never—not once—taken drugs. ("Never taken drugs?" asked an atypically skeptical King after a denial indicating she's might not be sure what constitutes a "drug.") But in the one profound failure of her painstaking preparation for the appearance, Hilton, whose jailhouse conversion and self-guided study of Scripture have been well-documented, inexplicably could not call to mind her favorite Bible passage, even after briefly glancing at the notes where a scribbled lifeline reading BIBLE QUESTION: SAY YOU LIKE THE ONE ABOUT THE PEOPLE WITH SINS AND THROWING THE FIRST ROCKS AT THE WHORE. She'll be ready to knock that one out of the park when Hasselbeck brings it up on The View.

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<![CDATA[Paris Hilton To Express Insincere Remorse To Larry King First]]>
Rather than get bogged down in rehashing how Paris Hilton's alleged $100,000 dalliance with Barbara Walters and disputed $1 million flirtation with NBC's Meredith Vieira ulitmately resulted in an unpaid chat with basic cable's most popular, semi-mummified inquisitor, we turn you over to CNN.com's Story Highlights box to get you up to speed on the venue change for the Hilton's post-jail soul-baring. She's agreed to one of Larry King's legendary softballings (set those TiVos for 6 p.m. PST Wednesday night), in which we expect the noted underpreparer to lead off the proceedings with something along the lines of, "So, Paris, I hear you've been away on vacation for a month, and everyone's angry about it for some reason. Also, didn't you recently die of an overdose in Florida? Help me out here," before nodding off for a quick nap as the reformed socialite can details her compassionate plan to open a halfway house to ease the difficult transition of other unfairly incarcerated celebrities back into their regular clubgoing routines.

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<![CDATA[Anderson Cooper's 360 Degrees of Hotness: The Breakdown]]> Just what is it about CNN anchor Anderson Cooper? Is it the steely gaze? The mysterious CIA connection? The penchant for hot young Latinos? No, Anderson Cooper cannot be contained merely by a rote taxonomy of his many virtues, but nevertheless, we've never met a man you couldn't properly encapsulate in a good, solid pie chart. Plus, it ties in quite neatly to the whole "360 degrees" concept, don't you agree? After the jump, Intern Mary plows through just this past year's worth of Anderson Cooper media mentions, classifying each attempt to distill and articulate the fundamental Cooperian appeal.

Explaining Anderson Cooper's Media Appeal, 2006 Year-to-Date
(click to enlarge)

http://www.gawker.com/assets/resources/2006/10/anderson%20cooper%20360%20degrees%20of%20hotness-thumb.jpgWe're pleased to note that Anderson's ambiguous sexual charisma is at least as important as his education, but somewhat surprised that the lead point of reference is not his blue eyes, but his blue blood. Though it's a fine thing that his ability as a journalist ranks near the bottom of the pile, since the actual journalism can safely be left to the network's tough bald bastard.

Earlier: Craigslist's Missed Connections: The Breakdown

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