<![CDATA[Gawker: defamer, bette midler]]> http://tags.gawker.com/assets/base/img/thumbs140x140/gawker.com.png <![CDATA[Gawker: defamer, bette midler]]> http://gawker.com/tag/defamer/bettemidler http://gawker.com/tag/defamer/bettemidler <![CDATA[Oprah: 25 Years Of Screaming Celebrities' Names]]> Television will never be the same after Oprah goes off the air in 2011. If we had a "Favorite Things" list about O, in the top spot would be the way the talk-show host introduces celebrity guests. Mashup at left.

Earlier: Oprah's Favorite Things 2007: The Audience Freaks Out!

]]>
http://gawker.com/index.php?op=postcommentfeed&postId=5409713&view=rss&microfeed=true
<![CDATA['Don't You Think You Could've Worn A Longer Skirt, Sweetie?']]>

Boomp3.com

Backstage at the Michael Kors fashion show, Hollywood legend Bette Midler offered a bit of advice to up and coming Gossip Girl star Blake Lively. Midler knew that Lively was probably wearing a Kors design, but mentioned to her that her hemline could've been a bit longer. Midler said, "Honey, it's far too early in your career to pull a Julianna Margulies. You don't have to be a old lady who's in her thirties just yet, but right above the knee is nice length for you to wear. Classy and sexy." Lively chuckled as she told Milder that she was going to write that bit of advice down on her Blackberry.

[Photo Credit: Getty Images]

*A Call To The Bullpen is a work of fiction. Although the pictures we use are most certainly real, Defamer does not purport that any of the incidents or quotations you see in this piece actually happened. Lighten up, people ... it's a joke.

]]>
http://gawker.com/index.php?op=postcommentfeed&postId=401065&view=rss&microfeed=true
<![CDATA[Things Are Looking Up For The Women In Hollywood]]> Ever since Sex and the City turned out to be a money making juggernaut, Warner Brothers has decided to aggressively market The Women. "This is an about-face from the studio's earlier decision to leave plans intact for about-to-shutter Picturehouse to debut the chick flick in limited release and with a small P&A," says Nikki Finke, who has been following the fate of the Meg Ryan-helmed film for some time now (also starring: Annette Bening, Bette Midler, Jada Pinkett Smith). If you'll recall, last year Warner Brothers' Jeff Robinov famously declared, "We are no longer doing movies with women in the lead." Well apparently he's doing at least one movie with a woman in the lead, and while that's heartening, movies still have a long way to go. Looking at the just-released shortlist for Emmy nominations, however, shows that there are myriad plum roles for leading ladies on the small screen. Which leads me to wonder: why is there such an enormous disconnect between females on TV and the ones on the silver screen?

Tina Fey (30 Rock), Glenn Close (Damages), America Ferrera (Ugly Betty), Julia Louis-Dreyfus (The New Adventures of Old Christine), Felicity Huffman (Desperate Housewives), Mariska Hargitay (Law and Order: SVU), Kyra Sedgewick (The Closer), Minnie Driver (The Riches), Elisabeth Moss (Mad Men) and Jeanne Tripplehorn (Big Love): these were the women who were nominated for Emmys, by-in-large playing strong, capable, well-written roles. And what's more, most of these women are, gasp, over 35.

Are there so many more available roles for women of a certain age on TV because producing a television show is that much cheaper? Are aging bodies less obvious on the small screen, and so they're more acceptable? Are Hollywood honchos just stuck believing that women don't see movies, or that men don't want to see movies with anything but eye candy? It's probably a combination of all of the above, and even though those televised, meaty roles are something to be proud of, there is not a single black actress on the short list for Best Actress Emmy (there are two Latinas: Ferrera and Eva Longoria-Parker).

I know I've said this so many times before, but there is something concrete we can do to help: go see movies made by women, or made with women in respectable roles. I'd tell you to go see something specific this weekend, but the only recent release with a plucky female protagonist is Kit Kittredge, and if you're not a Jezemom, I'm guessing that holds limited interest for you. Sigh. We clearly have a long way to go.

Warner Brothers Decides To Embrace The Women [Deadline Hollywood Daily]
Why Won't Warner Embrace The Women? [Deadline Hollywood Daily]
Warner's Robinov Bitchslaps Film Women [Deadline Hollywood Daily]
Sarah Silverman Lands In The Top 10 List Of Emmy semifinalists For Best Comedy Actress! [Gold Derby LAT]
Looks like Mary McDonnell Of 'Battlestar Galactica' And Elisabeth Moss Of 'Mad Men' Are On The Emmy Top 10 List [Gold Derby LAT]

Earlier: Ultimate Chick Flick The Women Is Finally About To See The Silver Screen

]]>
http://gawker.com/index.php?op=postcommentfeed&postId=5021471&view=rss&microfeed=true
<![CDATA['H&K' Vs. Poehler/Fey, Defending Bette Midler, and Other New Movie Dilemmas]]>
Deciphering your moviegoing options for the third week running, Defamer Attractions returns today with a look at the final weekend before the studios spill summer in our lap. Today we gauge Tina Fey's chances for box office superiority, corral the highest-profile dog since 88 Minutes (that was only last week? Really?), recommend a certain Oscar-winning actress's directing debut and scan the new arrivals shelf for DVD's of notice. As always, our opinions are our own, but they're also right. You can thank us later!

WHAT'S NEW: Baby Mama and Harold and Kumar Escape From Guantanamo Bay will duel for the top spot, with the latter film predicted to ride its franchise basis all the way to No. 1. Its R-rating won't help against the PG-13 Tina Fey vehicle, however, which could lure its core female demographic to an opening take of $13 million. Harold and Kumar's estimates are all over the place — from $11 million to $16.6 million — so wager now for Monday morning bragging rights. Also opening: Errol Morris's Abu Ghraib doc Standard Operating Procedure; the Burt Reynolds gambling drama Deal; and French legend Claude Lelouch's suspenser Roman de Gare.

THE BIG LOSER: Talk about dump-and-run: A-listers Hugh Jackman, Ewan McGregor, and Michelle Williams are hiding in plain sight in the "thriller" Deception, which we didn't even know existed until Variety revealed Fox was throwing it on 2,000 screens this weekend. And the critics love it almost as much as last week's Pacino-Bomb 88 Minutes; with 6% favorable ratings currently at Rotten Tomatoes, the film "was made to be forgotten," writes Onion AV Clubber Scott Tobias.

THE UNDERDOG: We're of two minds about Helen Hunt's directorial debut Then She Found Me. Yes, the sex in the film is quite terrible, and yes, the story lapses perhaps too eagerly at times into rom-com convention. (First mistake: casting Colin Firth.) But! Hunt's story of an adopted, baby-craving New Yorker (Hunt) whose husband leaves just as her birth mother (Bette Midler) reenters her life has way more going for it than we'd thought — Midler, for starters, whose meddling, mendacious mommy is one of her most modulated performances in years. Paired with Hunt, their timing, vulnerability and overall chemistry are as worthy as any of the Fey/Poehler maternity schtick anchoring Baby Mama.

FOR SHUT-INS: You'd be crazy to stay indoors this weekend, but still: New DVD's include Cloverfield, Charlie Wilson's War, The Savages and the most heavily anticipated TV revival of at least the last seven days, Laverne & Shirley: The Complete Fourth Season.

So are you with Team H&K or Baby Mama in the Battle of the Middling Spring Comedies? Will you roll the dice on Deception? Will you trust us on Bette Midler? Go ahead: Now tell us how to spend our weekend.

]]>
http://gawker.com/index.php?op=postcommentfeed&postId=384036&view=rss&microfeed=true
<![CDATA[Bette Midler: Tree Hugger, Tree Murderer]]>
What better way to ring in T.R. Knight-endorsed National Coming Out Day than with this TMZ TV tribute to hinge-jawed songbird, actress, and gay icon, Bette Midler. In it, she's first called a "tree murderer"—we're offered several scintillating details about a scandal involving Hawaiian zoning laws and driveway construction—only to have the accusations of arborcide retracted seconds later, in a touching endorsement of Midler's ahead-of-their-time "tree hugging" efforts, strikingly depicted by Midler humping one like a lemur in heat. Thankfully, however, the crack-filled IV drips to which the TMZ editors are permanently hooked had fully drained before they could accomplish an animation depicting the star of The Rose fertilizing her park-revitalization project using nothing more than what Gaia gave her.

]]>
http://gawker.com/index.php?op=postcommentfeed&postId=309735&view=rss&microfeed=true
<![CDATA[Bette Midler Too Proud To Learn From Hollywood's New Generation Of Stars]]>
Tonight on Extra: Dozens of paparazzi are disappointed when a Rolls Royce piloted by blonde wild-child Sharon Stone pulls up to Hyde, the passenger door slowly opens, and new partner-in-crime Better Midler pauses to spread her legs for the eager photographers as she prepares to exit the vehicle...revealing that her sexagenarian nether-regions are more than adequately covered by age-appropriate underthings. The duo is rudely turned away by the hotspot's disapproving doorman, who cites Midler's unacceptable modesty for denying them entry, and remains unmoved even by Stone's desperate promises that the pair will "totally make out and flash our tits" while dancing atop the venue's leather banquettes if allowed inside.

]]>
http://gawker.com/index.php?op=postcommentfeed&postId=219889&view=rss&microfeed=true