<![CDATA[Gawker: defamer, barry levinson]]> http://tags.gawker.com/assets/base/img/thumbs140x140/gawker.com.png <![CDATA[Gawker: defamer, barry levinson]]> http://gawker.com/tag/defamer/barrylevinson http://gawker.com/tag/defamer/barrylevinson <![CDATA[If Only All Hot Tubs Could Be Time Machines]]> News from pilot season, from Disney's secret horrible laboratory, from the mixed-up files of Jim Carrey, from Japan, and from the Hot Tub Time Machine. Yes m'am.

Be excited for: Flash Forward, the new ABC mindbender about the Hoffs/Drawler Funeral Parlor, Joel McHale's comedy about community college, and a second season of Parks & Recreation. These are shows that the networks are pitching to ad folks as exciting members of their new fall lineup. My Name Is Earl might be canceled. So. He giveth, and He taketh away. [Variety]

Marcus Nispel, who directed that beautifully-filmed-but-scary-and-awful Texas Chainsaw Massacre remake, is in talks to steer The Last Voyage of the Demeter, about the Bulgarian boat that Dracula is aboard and everyone dies. It's in Bram Stoker's book, which was based on Francis Ford Coppola's movie, I'm pretty sure. [Variety]

Warner Bros. has acquired the rights to Japanese manga series Death Note, which they plan to make into a live-action movie. The series is about a guy who gets a magical power which enables him to kill anyone just by writing their name down on a piece of paper. We hear Dick Cheney's a fan. [Variety]

I... hm. So? Well. Here's the— Eesh. OK. Hot Tub Time Machine. Is the name of a movie. And it's about exactly what it sounds like it's about. John Cusack and Rob Corddry are in it. And now so are Crispin Glover, Lizzie Kaplan, and Kings boombalottie Sebastian Stan. It's about old friends who travel back to 1987 in a magical hot tub. I guess it's like a throwbacky kinda comedy? 80's comedy pastiche/homage? About a time traveling hot tub? The world is maybe out of ideas? [THR]

Jim Carrey might star in The Beaver, that buzzed-about comedy about a guy who has a relationship with his beaver hand puppet. So Jim Carrey wouldn't be the beaver. Even though he looks like... Anyway, Jodie Foster might direct! [THR]

Oh how faaabulous. Barry Levinson is doing a movie about coming of age in 1960's Baltimore. It's totally not Liberty Heights! That was set in the 50's! [THR]

Congratulations. Your life's dream has been realized. Disney has renewed Wizards of Waverly Place for a third season, plus there's going to be a movie this summer. For those of you who would call star Selena Gomez a rat-faced menace, you people are just crazy. And for those of you who harbor illicit desires for that kid who plays her older brother, well... Happy May Day! Ha! [THR]

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<![CDATA[Violent Mark Wahlberg Kicks Dogs, 'W.' Out of His Way at Multiplex]]> Welcome back to Defamer Attractions, your one and only guide to everything new, noteworthy and potentially noxious at the movies. This week sees Oliver Stone officially establish the land-speed record for producing an Oscar contender, joined by skull-cracking Mark Wahlberg, sex-driving Seth Green and our diva-colored underdog. As always, someone's gotta lose; we'll call our shot there, too, along with cherry-picking through a new crop of DVD's. As always, our opinions are our own, but we have little doubt they would look great on you. Try them on after the jump.

WHAT'S NEW: No one would argue that Mark Wahlberg's video-game adaptation Max Payne won't win the weekend, but with Beverly Hills Chihuahua still barking in theaters (it actually expands by 32 screens this week), the sour-cop actioner might see a tiny bite out of its margin of victory. Still, $20.8 million is a reliable bet, with Disney's purse dog settling settling with around $11.5 million.

The X factor is W., the Bush biopic which some forecasters see sneaking into second place with as much as $12 million. But to project any more than $10 million, maybe $11 million max is to overestimate it as anything more than a curio, an election-year stunt that wields neither the bite nor the influence that even we thought it would when the fall movie season began. Josh Brolin drawls and squints in fitful, fascinating bursts, and certain imagined powwows leading up to the 2003 Iraq invasion make for riveting ensemble drama. On the whole, though, W. connotes the rush job it was — undisciplined, tonally dissonant (Stone's professed empathy for Bush repeatedly knocks its head on low-hanging satirical fruit) and way, way too long. The American people deserve better, and at least until Nov. 4, they'll vote with their dollars. There will be no stealing this election.

Also opening: Seth Green's R-rated romp Sex Drive; Roy Disney's boat-race vanity project Morning Light; critic Godfrey Cheshire's acclaimed doc filmmaking bow Moving Midway; the indie tolerance drama Tru Loved; and for those of you in New York (and the rest of you on VOD), Madonna's directorial debut Filth and Wisdom. (L.A. will get its theatrical engagement Oct. 31.)

THE BIG LOSER: The Barry Levinson-directed/Robert De Niro-starring Hollywood satire What Just Happened is one of the year's finest case-studies in meta: A troubled, pedigreed film about troubled, pedigreed filmmaking, following in the flatlining tradition of every industry saga that preceded it. It false-started out of Sundance last January but finally found a taker at Cannes, and to its credit, Magnolia Pictures has aggressively pushed the film everywhere from baseball playoffs to presidential debates. Still, one half of that audience hates Hollywood, and the other half is off to see W. As recipes for disaster go — even in limited release — this one is ready to serve.

THE UNDERDOG: Is it too reductive of us to foresee good things for The Secret Life of Bees — a film featuring an Oscar-winner (Jennifer Hudson), a Grammy winner (Alicia Keys), two Oscar nominees (Queen Latifah, Sophie Okonedo) and America's favorite teen diva Dakota Fanning, presented in a nicely bundled chick-flick wrapper by the money-printers at Fox Searchlight? Like $7.3 million worth of good things?

FOR SHUT-INS: This week's new DVD releases include last summer's rapey adventure Indiana Jones and the Kingdom of the Crystal Skull; Errol Morris's dense, harrowing Abu Ghraib documentary Standard Operating Procedure; the Stephen Rea-in-Mena Suvari's-windshield thriller Stuck; and the much-awaited Nash Bridges: The First Season.

So is it time for Payne? Or is today brought to you by the letter W.? Or is this the weekend you clean up after Papi and Co.? Whatever you decide, don't leave Dakota Fanning out; her curfew is later these days, and she'll hunt you down without thinking twice. Choose wisely!

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<![CDATA[Born-Again Indie DeNiro Headed to Cannes to Sell His Latest]]> Riding high on the wave that was his self-deprecating, actually funny tribute to Meryl Streep on Monday night, Robert De Niro is reportedly surging into Cannes' closing-night slot next month with his undistributed Hollywood satire What Just Happened? Directed by Barry Levinson, written by Art Linson and starring De Niro as a Linson-esque producer beset with divorce and a nightmarish film project, the movie's buzz fizzled after mixed reviews following its Sundance premiere. So what are the odds it'll seal a deal on the Croisette?

We'd say pretty good, despite the oppressive meta levels yielded by the film's movie-
within-a-movie that crashes and burns on Cannes' opening night. The irony! Anyhow, De Niro's new allies at Endeavor will be hustling along with the power brokers at Cinetic, which will face a price reduction after nearly four months on the market — unless it's picked up before then, which wouldn't be the most surprising development we ever heard. WJH's producers 2929 Entertainment (a/k/a Mark Cuban's writeoff) sold the cop flop We Own the Night last year at Cannes for eight figures; that kind of buy won't happen here. Either way, as cautiously optimistic fans of the De Niro restoration, we're enacting our own CAA defection and holding our breath as we hope for the best.

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