<![CDATA[Gawker: defamer, bangkok dangerous]]> http://tags.gawker.com/assets/base/img/thumbs140x140/gawker.com.png <![CDATA[Gawker: defamer, bangkok dangerous]]> http://gawker.com/tag/defamer/bangkokdangerous http://gawker.com/tag/defamer/bangkokdangerous <![CDATA[Nic Cage, Thai Hooker]]> Forgive us. We're still a little hazy, having stumbled out in the wee morning hours from a Chateau Marmont bungalow, where the Jonas Brothers were reading bible passages off a stripper's ass at their official post-VMAs party. Good news: our virginity is still intact! Bad news: we wish we could say the same about our septum. More bad news: the box office crapped itself this weekend. Please enjoy this fittingly humdrum installment of Monday Morning Box Office:

1. Bangkok Dangerous - $7.8 million
The worst box office in five years is led by this low-budget shoot 'em up starring Nic Cage, a remake of the Pang twins' Thai-language film. The number is in line with Lionsgate's expectations, they say, and should become "nicely profitable" just as soon as its star—who recently admitted to David Letterman that he was sold into Bangkok flesh trade sometime mid-filming—gives American businessmen with a taste for eccentric movie stars with roaming hairlines the sex-tour satisfaction they seek.

2. Tropic Thunder - $7.5 million
We've done the "full retard" jokes. We've done the "pee-pee maker t-t-tingle" jokes. And, sadly, that's all we got. Clearly, we have Tropic fatigue.

3. The House Bunny - $5.9 million
Feel free to arouse yourselves with this photo of Anna Faris in a revealing pink two-piece holding a garden hose.

4. The Dark Knight - $5.715 million
We're similarly at a loss as to what to say about The Dark Knight, so we cede the floor to this mashup trailer, which takes the audio from The Dark Knight trailer and grafts it to footage of Casino Royale. Why? We really have no idea. But it's well done.

5. Traitor - $4.66 million
OK, clearly we don't want to write this today. So we'll let you write it, with a little round of Logline Mad Libs! "[Man's name] Cheadle and Guy [Verb] star in a [ADJ] international [NOUN] set against a [A CHILDREN'S GAME] of covert [A LINE OF WORK] operations."

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<![CDATA[Movie Studios Give Up, Cede Weekend To NFL]]> Welcome back to Defamer Attractions, your weekly guide to everything new, noteworthy and potentially nausea-inducing at the movies. If summer was really just a heady four-month industry bender of superheroes and the occasional Sex romp, then consider this week the hangover: The brutal post-Labor Day doldrums, when phoner-inner Nic Cage has the box office to himself, our underdog is an ethnic punchline, and we want to to do nothing but shut ourselves in with a few of this week's only slightly more intriguing DVD releases. So read on for a remedy; as always, our opinions are our own, but let's just assume we're all in agreement this time around. It's kind of hard to screw up a week like this.

WHAT'S NEW: However wistful our recollections of Nicolas Cage's finer moments, it's never enough to shake the grave reality of seeing him as a laconic, hairplugged hitman in Bangkok Dangerous. And while our pity is mitigated slightly by the minor majesty of his Thai survival struggles, we're guessing a deafult number-one opening around $9.3 million (nothing else is opening wide this week) is deflating enough to set us back at least a few years to The Wicker Man — another ill-advised remake he had no business touching. Anyway, it's too late now. And did we mention we're hungover?

Also opening: Jamie Bell's teen-voyeur tale Mister Foe; Azazel Jacobs's wildly overrated Sundance darling Momma's Man; Oscar-winning docmaker Jessica Yu's narrative debut Ping Pong Playa; and Claude Chabrol's moody May-December psychodrama A Girl Cut in Two.

THE BIG LOSER: Honestly? You, the moviegoer. Even Tropic Thunder could drop 50% from last week and still surpass its production budget, a symbolic bump that will probably please all those woozy DreamWorks execs with hot compresses on their foreheads just fine. But until the Coens, The Women and the rest of the fall players start trotting out of the tunnel next week, your options are as limited as they've been all year. Sorry!

THE UNDERDOG: Roadside Attractions is positioning as the next My Big Fat Greek Wedding, which we don't necessarily buy; Wedding had Tom Hanks's money and Bob Berney's marketing genius behind it, not to mention ethnic and gender appeals that Nia Vardalos plugged into a general cultural vacuum at exactly the right time. There's something a little more cynical about Italian and it's aggressively goomba TV and print ad campaign, but on 96 screens this weekend, a $350,000 opening could hint at a market that will take what it can get. Keep an eye on it.

FOR SHUT-INS: Not a whole lot better, though we stand by Helen Hunt's directing debut (and Underdog alum) Then She Found Me. There's also the '50-set ensemble melodrama Married Life, with Rachel McAdams, Pierce Brosnan, Patty Clarkson and Chris Cooper; the 20th anniversary rerelease of Bright Lights, Big City; the fourth season of The Office; and finally — finally! — the 10th season of Cheers.

Sigh. We can't wait until this headache wears off; maybe spend some time outside until then.

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<![CDATA[The 10 Most Bizarre Nicolas Cage Moments To Ever Hit the Screen]]> In the New Yorker review of Nicolas Cage's new film Bangkok Dangerous, film critic Anthony Lane complains, "The Cage of Wild at Heart and Leaving Las Vegas found life to be engrossingly weird, and treated it accordingly, whereas the Cage of Bangkok Dangerous intones a line like 'There’s a beer in the refrigerator' as if he were reading from the Book of Micah." To that, we ask: is this something new? Nicolas Cage has always been counted on to deliver insane line readings, bizarre physicality, and all around weirdness to his roles. Hell, isn't that why we like him? In the spirit of Cage's eccentricity (and with the help of videographer Molly McAleer), we've assembled a video that chronicles the ten weirdest on-screen moments of Nicolas Cage's career. To be fair, we only allowed one moment per movie — otherwise, you'd be looking at a played-out (but delightful!) highlight reel of The Wicker Man. Enjoy!

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<![CDATA[Thai Visitor Nicolas Cage Too Busy Fleeing War to Learn Directors' Names]]> It's altogether possible that Nicolas Cage's new film Bangkok Dangerous is among his finest — a lively, entertaining adventure recalling his early years romping through movies by the Coens, David Lynch and his uncle Francis Ford Coppola. Still, we relieved most of our illusions fairly early in Cage's appearance last night on Letterman, when the Oscar-winner-for-hire confessed both his inability to distinguish his twin-brother directors from each other and his time spent fleeing Thailand's recent coup d'etat with his wife and child. But then we felt a certain restorative surge of confidence, a sort of implied Method veracity that re-established our faith in his cockroach-eating batshittery of yore. So now we're just confused. But hey as long as it's not, like, Ghost Rider 2 or... Wait, what? Oh. So much for optimism. [CBS]

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