<![CDATA[Gawker: defamer, america ferrera]]> http://tags.gawker.com/assets/base/img/thumbs140x140/gawker.com.png <![CDATA[Gawker: defamer, america ferrera]]> http://gawker.com/tag/defamer/americaferrera http://gawker.com/tag/defamer/americaferrera <![CDATA[Firecrotch Safety Marshals Deem Lohan Unsafe For 'Betty' Set]]> Lindsay Lohan has been busily reforging the career she whittled away during her extended stint as the Norte del Valle cartel's number one point-starlet—a plan which began, somewhat inauspiciously, with a six-episode arc on Ugly Betty, playing the title character's childhood menace. Now come reports that Lohan's set antics and an ongoing feud with Ugly star America Ferrera have reduced that number to four, and resulted in at least one unplanned flash of ginger from which the crew has yet to recover. Page Six reports:

One production source said, "It was a mess. Lindsay would show up every day with an entourage of people. She smoked 24/7, and after she left, they had to repaint her dressing room it was such a mess."

In addition, Lohan "would obsessively cut pictures of herself out of the tabloids like she was creating some sort of scrapbook and refused to go on set until America was there - it was a power play."

One episode, titled "Granny Pants," was about how Lohan, playing Betty's high school nemesis, would "de-pants" Ferrera. But Ferrera exacts her revenge and pulls down Lohan's pants instead. "Lindsay wasn't wearing any underwear," the source said. [...]

But a Lohan pal fumed, "Bull [bleep]! Lindsay wears underwear all the time now. She was wearing a G-string. And it was America's fault. They were rehearsing the scene and America wasn't supposed to pull Lindsay's pants down - but she did. Lindsay was so embarrassed, she started crying."

Indeed, some of the latest and priciest G-strings, made from hi-tech Japanese microfabrics, are virtually invisible to the naked eye, and could easily have explained the confusion over whether or not recovering anti-pantyite Lohan had relapsed.

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<![CDATA[America Ferrera Promotes Anti-Backstabbing Initiative By Taking Down BFF Blake Lively In The Press]]> Though Blake Lively has absolved America Ferrera of her notorious, Gossip Girl-directed eye roll (claiming that it was simply due to exhaustion from hours of Traveling Pants 2 promotion), it seems like Ferrera didn't get the "XOXO"-signed memo. In a new interview with Seventeen, the Ugly Betty actress heaps more criticism on her friend's show; ironically, it's while decrying how catty girls can be to one another:

"Like, if you're watching The Hills or 90210, all the backstabbing shapes the way we act," the Seventeen cover girl says in the magazine's October issue.

"I mean, I love Blake [Lively]; she's a wonderful friend of mine, but shows like Gossip Girl kind of condition us to be mean."

As opposed to shows like Ugly Betty, which leaven the acid-tongued remarks from characters like Marc, Amanda and Wilhemina with wan, easily fast-forwarded subplots involving the dad's immigration issues! America, while we see your point about girl-on-girl crime, rolling your eyes at your friend and bashing her show in the press might not be the most effective way to illustrate it... though it would make for a fabulous Gossip Girl C-plot!

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<![CDATA[In the Name of the Sisterhood, Blake Lively Forgives America Ferrera Her Eye-Roll]]> It was the eye-roll heard around the world (yes, you can hear an eye-roll — it sounds like a faint, wet "oh snap"): while doing a Good Day LA interview to promote Sisterhood of the Traveling Pants 2, America Ferrera looked alternately bored and incredulous as costar Blake Lively nattered on about upcoming plotlines on Gossip Girl. The open mocking of the CW drama (without a single, hasty addendum of, "But it's a guilty pleasure!") sent New York's media world reeling, desperate to protect the scrappy little show that it had clutched to its bosom for so long. To that end, EW dispatched Michael Ausiello to corner Lively in an attempt to determine whether the actress now harbored anti-America sentiment:

"No, I haven't even heard about it. I don't ever pay attention to that stuff. She's one of my best friends in the whole world, and honestly, when you're sitting in a room for three hours doing satellite interviews — we were staring at a Post-It with a smiley face — so I think I probably rolled my eyes a hundred times, just sitting there, like, oh gosh! This thing is still going on!"

Still, we smell an opening for Gossip Girl's ad campaign, which delights in pulling quotes from the drama's negative reviews (something that gives creator Josh Schwartz some agita). What better way to reinforce the show's mean girl motif than to add Ferrera's eye roll to the mix?

CW, you can thank us later.

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<![CDATA[America, Is That A Pick Or A Scratch?]]>

Boomp3.com

Tongues were wagging on the set of Ugly Betty on Thursday morning when bystanders were asked to answer the age-old question: Was that a pick or a scratch? A fistfight nearly broke out at the craft service table between two crew members with differing opinions, but fortunately a makeup artist intervened and restored order to the chaotic situation. The makeup artist said, "Tony, you're right. It's a scratch, but we don't have to knock the hummus over because of it."

[Photo Credit: Splash Pics]

*A Call To The Bullpen is a work of fiction. Although the pictures we use are most certainly real, Defamer does not purport that any of the incidents or quotations you see in this piece actually happened. Lighten up, people ... it's a joke.

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<![CDATA[The Sisterhood Of The Traveling Career Paths]]> Only three years ago, Blake Lively was just That Blonde Girl from The Sisterhood Of The Traveling Pants, and America Ferrera was just the Token Dorky Sidekick. Alexis Bledel and Amber Tamblyn, on the other hand, were bonafide TV stars. My, how things have changed. With the film's sequel debuting next month, we take a look at how each of the leading ladies has done career-wise since the original racked up nearly $40MM at the box office in 2005. While there’s a bit of bad news for the original's biggest stars, there’s an alternate way of looking at this role reversal: any actress’ status as the perennial “buddy” can obviously change with one little show that could.

Blake Lively/Bridget: With only one credit behind her before the first Pants, 1998’s Sandman, Lively got her big break as Bridget the jock. Even though no one knew who she was at the time, she built her buzz by appearing in a few cheesy movies like the Justin Long vehicle Accepted. But now, thanks to Gossip Girl and its sultry appeal (ratings be damned!), Lively is arguably the boldest name on the sequel’s marquee.

America Ferrera/Carmen: Cast as the not-so-pretty one who most magically fit into the same jans all four girls kept handing off, America is obviously the biggest success story when it comes to acting cred (an Emmy), ratings (Ugly Betty), and general public appeal (we don’t even want to think about counting how many magazine covers with the hed “America The Beautiful!” she’s appeared on in the last two years).

Amber Tamblyn/Tibby: Having blown away TV critics as the lead in Joan of Arcadia the same year Pants came out (and racking up Golden Globe and Emmy noms along the way), Tamblyn was a shiny bright new fixture on the circuit. But the only notable film Tamblyn has appeared in since? The Grudge 2. Oops. The only reason we can think of for Amber’s dimming star? Michelle Trachtenberg. Sort of the more telegenic, tabloid-friendly version of Tamblyn, with all sorts of Pete Wentz/Ashlee Simpson sloppiness to keep the kids entertained.

Alexis Bledel/Lena: Pants came out at the height of Gilmore Girls’ gooey success, just before new writers took over and turned the show into an even faster-paced linguistic mess of confusion. And Bledel was the biggest draw among all four, cast as the “pretty” one with the heftiest romantic plotline and most cinematic backdrop (finding love in Greece). But the only upcoming flick on Bledel’s radar at the moment — aside from Pants 2 — is a comedy with Michael Keaton (which would've been a great gig in the late 80s, but today? Not so much). And the last time we saw her out and about was at the 2006 fashion shows alongside then-boyfriend Milo Ventimiglia — while Milo’s struck gold in Heroes, Alexis has yet to find a similarly cozy rebound gig.

[Photo credits: Getty]

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<![CDATA[Oh, So That's Who The Boss Was!]]>

boomp3.com

During a down moment on the New York set of Ugly Betty, American Ferrera asked her co-star Judith Light a question that had been bugging her for years. Specifically, she wanted to know who actually was the boss on the popular 1980s series of the same name. Light fondly reflected on the series and explained to Ferrera that the title was a merely a metaphor for how we're the boss of our own destiny and fate. Ferrera nodded and asked Light if her character on the show was the boss of the character Tony Micelli. Light said, "Oh yeah. I mean, she signed his paycheck. She was the boss."

[Photo Credit: Bauer-Griffin]

*A Call To The Bullpen is a work of fiction. Although the pictures we use are most certainly real, Defamer does not purport that any of the incidents or quotations you see in this piece actually happened. Lighten up, people ... it's a joke.

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<![CDATA[Things Are Looking Up For The Women In Hollywood]]> Ever since Sex and the City turned out to be a money making juggernaut, Warner Brothers has decided to aggressively market The Women. "This is an about-face from the studio's earlier decision to leave plans intact for about-to-shutter Picturehouse to debut the chick flick in limited release and with a small P&A," says Nikki Finke, who has been following the fate of the Meg Ryan-helmed film for some time now (also starring: Annette Bening, Bette Midler, Jada Pinkett Smith). If you'll recall, last year Warner Brothers' Jeff Robinov famously declared, "We are no longer doing movies with women in the lead." Well apparently he's doing at least one movie with a woman in the lead, and while that's heartening, movies still have a long way to go. Looking at the just-released shortlist for Emmy nominations, however, shows that there are myriad plum roles for leading ladies on the small screen. Which leads me to wonder: why is there such an enormous disconnect between females on TV and the ones on the silver screen?

Tina Fey (30 Rock), Glenn Close (Damages), America Ferrera (Ugly Betty), Julia Louis-Dreyfus (The New Adventures of Old Christine), Felicity Huffman (Desperate Housewives), Mariska Hargitay (Law and Order: SVU), Kyra Sedgewick (The Closer), Minnie Driver (The Riches), Elisabeth Moss (Mad Men) and Jeanne Tripplehorn (Big Love): these were the women who were nominated for Emmys, by-in-large playing strong, capable, well-written roles. And what's more, most of these women are, gasp, over 35.

Are there so many more available roles for women of a certain age on TV because producing a television show is that much cheaper? Are aging bodies less obvious on the small screen, and so they're more acceptable? Are Hollywood honchos just stuck believing that women don't see movies, or that men don't want to see movies with anything but eye candy? It's probably a combination of all of the above, and even though those televised, meaty roles are something to be proud of, there is not a single black actress on the short list for Best Actress Emmy (there are two Latinas: Ferrera and Eva Longoria-Parker).

I know I've said this so many times before, but there is something concrete we can do to help: go see movies made by women, or made with women in respectable roles. I'd tell you to go see something specific this weekend, but the only recent release with a plucky female protagonist is Kit Kittredge, and if you're not a Jezemom, I'm guessing that holds limited interest for you. Sigh. We clearly have a long way to go.

Warner Brothers Decides To Embrace The Women [Deadline Hollywood Daily]
Why Won't Warner Embrace The Women? [Deadline Hollywood Daily]
Warner's Robinov Bitchslaps Film Women [Deadline Hollywood Daily]
Sarah Silverman Lands In The Top 10 List Of Emmy semifinalists For Best Comedy Actress! [Gold Derby LAT]
Looks like Mary McDonnell Of 'Battlestar Galactica' And Elisabeth Moss Of 'Mad Men' Are On The Emmy Top 10 List [Gold Derby LAT]

Earlier: Ultimate Chick Flick The Women Is Finally About To See The Silver Screen

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<![CDATA[Ugly Lindsay]]> Beyond being an early adopter of the Zipfur coat-sharing system that allows you to borrow an $11,000 mink, use it, then leave it for the next wearer at a designated drop-off point, Lindsay Lohan has been busier than ever with her various acting pursuits. Above, the first photos of her upcoming guest-starring appearance on ABC's Ugly Betty. The images hint at Betty's little-known past spent incarcerated in an all-girls' juvie hall.

And while it's early to start making such pronouncements, we'll go out on a limb and say that both Lohan and America Ferrera are looking at Emmy nods for a challenging sequence in which Lohan's character attempts to pawn off an eight-ball onto the show's jolie-laid heroine before their warden/field-hockey-coach Miss Bunt can discover it in the pocket of her cokeshorts. And in other Lohan news, the actress will star in Labor Pains, reports Page Six, "about a young woman who pretends to be pregnant to avoid being fired." It should be a cakewalk for the young actress, as she's been known to visit the old "morning sickness" well more than once when rendered too incapacitated to make it to that day's call-times.

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<![CDATA[How Maria Menounos Ruined The Greatest Moment Of America Ferrera's Life]]>

As audience members were still dabbing their tear ducts with linen napkins in response to America Ferrera's moving acceptance speech for her Best Actress In A Television Series - Musical or Comedy win for Ugly Betty, off-camera goons clearly directed the overcome young actress Maria Menounos's way for her mandated, "You just won a Golden Globe! How does that make you feel?" moment of backstage awkwardness. Ferrara stood helplessly as Menounos parroted the prattle fed into the earpiece skillfully hidden beneath her flat-ironed hair, then bravely attempted an escape before tear-gas and tazer-equipped NBC gold coats helpfully ushered her back in front of the camera so she could answer such pressing, big-moment-deflating questions as, "What do you say to all those people out there who did not want you to play Ugly Betty?" before fearfully rejecting her interrogator's insistent demands that she use the compulsory screen time to provide a list of names she might have forgotten to thank in her acceptance speech.

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