<![CDATA[Gawker: defamer, 007]]> http://tags.gawker.com/assets/base/img/thumbs140x140/gawker.com.png <![CDATA[Gawker: defamer, 007]]> http://gawker.com/tag/defamer/007 http://gawker.com/tag/defamer/007 <![CDATA[Ex-Bond Wishes Daniel Craig Was More of a 'Lover and a Giggler']]> Now that Daniel Craig's second turn as James Bond has been threatened by critics, the Communist party, and a diaper-craving Paul Haggis, it almost seems unfair to keep piling on. However, nobody's told 81-year-old Roger Moore to hold his tongue, and the former 007 (perhaps peeved that his general standing as "second-best Bond" is in danger of being usurped by Craig) has weighed in with his thoughts on the franchise's direction to Britain's Daily Mail:

'I am happy to have done [the series], but I'm sad that it has turned so violent,' Moore says.

'That's keeping up with the times, it's what cinema-goers seem to want and it's proved by the box-office figures,' Moore said in an interview about his memoir, My Word is My Bond.

...While making The Man With the Golden Gun, director Guy Hamilton wanted Bond to be tougher and had him threaten to break Maud Adams' character's arm to get information, he writes.

'I suggested my Bond would have charmed the information out of her by bedding her first. My Bond was a lover and a giggler, but I went along with Guy,' the British actor wrote.

Though Haggis couldn't get the idea of a Bond baby past Daniel Craig, we would have loved to see him pitch a scene where 007 threatens a global supervillain not with a Walther PPK but with an unexpected, high-pitched giggle, eventually capping off Quantum of Solace with a nightgown-clad pillow fight at M's office (oh, the hair-braiding that would ensue!).

[Photo Credit: AP]

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<![CDATA[How 007 Barely Avoided a Paul Haggis-Sired 'Bond Baby']]> Though Casino Royale provided the James Bond franchise with a rebooted reservoir of goodwill, director Marc Forster says that the follow-up, Quantum of Solace, almost took things in a perilous, Mutt Williams-ish direction. Speaking to New York, Forster detailed how Bond producers clashed with screenwriter Paul Haggis when the Crash scripter wanted to add one considerably more kindergarten-friendly element to the film:

"Haggis had an idea they weren't fond of, and I didn't know if it would work or not," says Forster. "The idea was that Vesper in the last movie, maybe she had a kid, and there would be an orphan out there. It wasn't anything to insult the franchise. But they felt it wasn't particularly Bond — him looking for the kid. I think Paul thought he just leaves the kid, he doesn't deal with it. But [the producers] thought that would be really nasty, too, because Bond was an orphan himself. If he would find a kid, would he just leave it? They were so vehemently against it. That was the only time I saw, really, 'No, we can't do that.' They said, 'Once he finds the kid, Bond can't just leave the kid. It's not right.'"

Could Bond really have weathered the change from secret agent to absentee surrogate father? We have a hard time believing that Bond would lift a finger for a bratty British tyke, but that's OK — his Bond girl has several fingers to spare.

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<![CDATA[Bond Star Daniel Craig Lands Lifetime Aston Martin Privileges]]> Despite his record of Aston abuse, current James Bond actor Daniel Craig has been granted lifetime privileges to swing by the Aston Martin factory any time he likes and take the car of his choice out for a spin. Want to borrow the test track for a bit? No problem. Of course, Craig says he has no interest in actually buying an Aston since parking in London is such a bear. Best to take the Tube. While we admire AM's PR gesture, we wonder if it wouldn't have been more laudable to pick someone lesser from the movie crew, like a key grip or best boy. You know, someone who can't afford to buy pretty much any Aston Martin he wants already. [Motor Authority]

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<![CDATA[Daniel Craig Will Accept Your Blame for the Title 'Quantum of Solace']]> After the rapturous reception afforded the Daniel Craig-toplined Casino Royale, it seemed like the James Bond franchise could do no wrong as it headed into its next installment. Then, the problems began to pile up for 007's 22nd adventure: a lopped-off fingertip for Craig, stuntmen badly hurt, and a theme song tangle with Amy Winehouse that forced producers to settle for a middling Alicia Keys/Jack White duet. Through it all, though, one decision stood head and shoulders above the rest for its sheer confoundingness: the decision to title the film Quantum of Solace. Now, in an interview with GQ, Craig reveals that the head-scratching moniker was essentially his idea:

Asked if he agreed with fans who have laughed at the new name, Craig told GQ: "No, because I was involved in making the decision. Names were coming out, some ludicrous stuff was going back and forth – I can't remember exactly, but you know the sort of thing: 'The Blood On Your Face'. I knew I didn't want 'death', 'die', 'bleed' or any of those things in the title.

"We had it written down on boards and we'd literally go and sit in rooms and stare at this title. If you look at 'Q's, they're really weird in a title.

"As soon as it came out, people were saying, 'Ooh, it sounds like Harry Potter.' No, it's Quantum of Solace. I was saying, 'It's a Bond title! The name of a Bond film is not about anything. Live And Let Die? Octopussy? What does it mean? It means very little. We've got nothing to worry about."

Though we mourn the loss of the producer-suggested title You Only Bleed When You Die From Death, we have to agree with Craig that the Bond names typically mean very little (and that Q's are totally rad!). Still, why didn't the star insist on his perilous title's incorporation into the film's theme song? Jack White yowling words that rhyme with "solace" might have provided the Bond theme with the frisson it so desperately needed — or at least a great many more lines about undersung Kojak star Telly Savalas.

[Photo Credit: AP]

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<![CDATA[Jack White/Alicia Keys '007' Theme May Leave You Shaken, Not Stirred]]> Though a brief, instrumental version of the new James Bond theme was released alongside a Coca-Cola commercial last week, it's only now that we can hear the full, yowling power of the Jack White/Alicia Keys duet entitled "Another Way to Die." Equal parts hair metal, Bondian bombast, and just plain weirdness (with a healthy helping of White's own "Seven Nation Army"), it's definitely... different. Does it fit into the 007 oeuvre, or will it start Quantum of Solace off on a dissonant note? Enjoy the song (and the additional eye candy) in the video above. Amy Winehouse, your move! [Stereogum]

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<![CDATA[Pepsi Man Jack White Lashes Out at 'Quantum' Theme in Coke Commercial]]> There are no quantums of solace to be found today in the Jack White household, where the recent unveiling of his and Alicia Keys's theme song to Quantum of Solace via a Coke commercial has the songwriter lashing out at his Sony patrons. "Jack White was commissioned by Sony Pictures to write a theme song for the James Bond film Quantum Of Solace, not for Coca Cola," read a statement obtained over the weekend by NME. "Any other use of the song is based on decisions made by others, not by Jack White. We are disappointed that you first heard the song in a co-promotion for Coke Zero, rather than in its entirety." Ah ah ah — make that Coke Zero Zero Seven, rebranded exclusively for the occasion of Quantum's release this November. We'll withhold judgment of the song itself until we can hear it in its entirety, but the sample available after the jump certainly sounds low-calorie.

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<![CDATA[Rejected Amy Winehouse Threatens To Release Mumbled '007' Theme Herself]]> Though producers for the upcoming James Bond film Quantum of Solace eventually settled on Jack White and Alicia Keys to record the series' first duet, there is one wronged woman who will not go away quietly, and her name is Amy Winehouse. The crack-smoking chanteuse was the first singer approached for the project, and though producers claimed that recording sessions yielded nothing, Winehouse begs to differ — in fact, she told New! that she plans to put her own Bond theme out when the film premieres:

"I guess they are going for clean-cut and boring. When I do release mine – and I am tempted to do it on the same day – this would be the bigger hit. If they change their minds, I’m waiting!”

...She added, “I do think they could have waited a bit. If they want a worldwide hit, I have them all up here [pointing to her beehive]."

Reportedly, Winehouse's Bond theme is only hamstrung by her inability to settle on a name; having found that the existing Bond titles "Die Another Day" and "All Time High" hit too close to home, she's settled on three potential options: "Speedball," "MoonBlaaaaker," and "Cunts Like Kanye."

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<![CDATA[Over the Back Fence: Jaguar XF to Be Bond's Next Ride]]>

What'll come of James Bond's vehicle of choice after Ford sheds Aston Martin? FoMoCo's $100 million product-placement deal with Sony/MGM will only be in its second of three pictures by the next 007 flick, which means the DBS won't be usurped by a BMW (or similar). But fansite MI6 reports Bond will drive the upcoming Jaguar XF, set to replace the S-Type in 2008. Seems fitting, but imagine how many gallons of oil and smokescreen he could fit in a Volvo V70.

OO7 to drive Jaguar XF in Bond 22 [CoolBrit]

Related:
More James Bond [internal]

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<![CDATA[Daniel Craig Wears A Cardigan? Fifth Gear Has A Chat With James Bond]]>

Seriously, the one most unfortunate part of this interview of the new Bond, Daniel Craig, isn't that his first car was a Nissan, or that he can't stand Lambos or Ferraris. It's that he's wearing a cardigan. Absolutely dreadful if you ask us.

Related:
Bond-ed And Insured: UK Company Pens Estimate For 007's Car Insurance; Is The Dream Dead, Like A Zephyr Product Reference Guide? [internal]

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